12:36:20 From Roger Carr : Glenn: Is there enough group interest yet to go for the 50% AudioSwift deal? 12:36:35 From Glenn Workman : Volta converted Control Voltages (CV) into MIDI to control older analog gear. 12:36:47 From jraoul : What’s the AudioSwift deal? 12:36:58 From Stephanie Gauthier : Glenn: Thanks 12:37:12 From Glenn Workman : Roger: I was half kidding about that, and not sure if a “group” can be in different places - I think their intention was for more of a site license. 12:37:24 From Neil McCarroll : Nozomi - anything you can catch with a mic will give you some more options so it’s worth doing. You can maybe mix it in with the camera audio until it sounds just about right - doesn’t need to sound too perfect. A little bit of compression and light reverb will probably give you the right sort of sound, without making it too perfect. 12:37:26 From Adam Goldman : JR: audio swift deal? 12:37:27 From Roger Carr : OK, sure. 12:37:33 From darrellsmith : Hey what are the red lines in the waveform? 12:37:41 From Ray Toler : Good day. 12:38:04 From Adam Goldman : Darrell: I think that’s recorded BPM, as opposed to the current 120bpm 12:38:05 From Glenn Workman : darrell: Those are the original tempo markings from the audio he imported. Not matching the current project tempol 12:38:24 From darrellsmith : Cool thanks you two. 12:38:45 From Glenn Workman : AudioSwift had a discount for now, but also a volume discount for X number of licenses. 12:39:29 From Ray Toler : After Adam posted about AudioSwift on the FB group, I have been getting non-stop ads for it in my feed. 😂 12:39:42 From Adam Goldman : Sorry, Ray. 12:39:51 From Adam Goldman : :-P 12:39:51 From Glenn Workman : https://audioswiftapp.com - 30% off till 9/30 for single license. 12:40:11 From Ray Toler : I find it amusing. I’m totally immune to adver… wait, what was the address for it again? 12:40:24 From Warren McRae : @Glenn.. does DP 10 have ASA technology in it? If so, how do you cut it on 12:40:24 From Adam Goldman : Ray: ask Caxa 12:40:29 From Ray Toler : lol 12:40:44 From Glenn Workman : Warren: It does not at this point in time. 12:42:10 From Warren McRae : Ok.. we gotta get them to include it in the update 12:42:20 From Warren McRae : Thanx! 12:43:19 From Adam Goldman : Charge???? 12:43:28 From M& M : Why did the amplitude change? 12:43:35 From Ray Toler : Adam, never mind playing horn parts for my track. I just need you to send me three notes from each horn. ;-) 12:43:48 From Adam Goldman : Thanks for simplifying my job, Ray. 12:43:51 From Ken Thies : I'm guessing he's got a little byte gain (reduction) set in there... 12:43:57 From Jose Gonzalez Palma : Same question as M & M..I noticed that too 12:43:58 From Ray Toler : One of the many services I offer. 12:44:07 From Glenn Workman : I sent a note to AudioSwift asking about a group license - I’ll let everyone know. 12:44:08 From Adam Goldman : M&M, I think that’s a function of the way it was displayed, not actually true in reality. (audio) 12:44:11 From TapLoudCmdrFunk_mic : "Run away! Run away!" 12:44:19 From kennethpage : Gooooly 12:44:25 From M& M : k 12:44:26 From Bob Turner : Gomer Who??? 12:44:27 From Ray Toler : Well surPRISE surPRISE surprise! 12:44:28 From Adam Goldman : TLCF!!! 12:44:34 From UltraVioletIdea.com (gReg Silvus) : Kenneth: you beat me to it 12:44:43 From Daniel Scott : “Been on the planet a little bit” LOL 12:44:50 From Adam Goldman : Gee, Sarge... 12:44:54 From Bil VornDick : Gomer is still on TV, and On Andy Griffith still on two networks 12:44:55 From Guy Boles : Shazzam! 12:44:58 From kennethpage : Old Men here 12:45:02 From Bob Turner : Gooooolllleyyyy!!! 12:45:25 From Jay Farber : I went to High school with his daughter 12:45:30 From kennethpage : Charlie Parker? 12:45:33 From Glenn Workman : In a related reference -Pyle! What is your major malfunction! 12:45:43 From UltraVioletIdea.com (gReg Silvus) : Adam: TLCF: Tax Loss Carry Forward? 12:45:44 From Adam Goldman : Glenn!!! 12:45:46 From Charlyn Bernal : Charlie Parker 12:45:53 From James Paschall : My thought too, Ken. 12:45:58 From Adam Goldman : gReg: TaplLoudCmdrFunk 12:46:08 From James Paschall : Bird Blues 12:46:11 From Adam Goldman : Charlyn, that’s what I was thinking too 12:46:13 From UltraVioletIdea.com (gReg Silvus) : Adam: got it, thx 12:46:31 From Ray Toler : The first time I heard Jim Nabors sing, I thought the TV show was playing a prank. 12:46:34 From Adam Goldman : (though I wouldn’t mind a Tax Loss Carry Forward too, gReg) 12:46:39 From James Paschall : John Lennon 12:47:00 From John Flaherty : With the other 3 12:47:05 From John Flaherty : Posthumously. 12:47:07 From Glenn Workman : Charlyn- got to get your hello to Joey Newman the other day, wasn’t sure if you were still on to hear him say hi back. 12:47:16 From Jay Farber : Lost Matt briefly , Anybody else? 12:47:17 From John Flaherty : The video for this is extraordinary. 12:47:21 From Charlyn Bernal : not Charlie 12:47:26 From Adam Goldman : Jay, consistent here 12:47:31 From Jay Farber : Thanks 12:47:35 From James Paschall : John, +1 12:47:49 From Adam Goldman : 👍 12:47:57 From Edward Auslender @ L.A. Music Lab : To Bob Turner, when I logged in I heard the end of what you were asking about recording the click and it not being recorded accurately. In my system I have that issue and Matt helped me find a work around. In Setup, Configure Audio System, Configure Studio Settings… then de-select “Automatic Plug-in Latency Compensation. This solves the issue. Once the click track recorded, go back a re-select that box. 12:48:44 From John Flaherty : https://www.youtube.com/watch?v=ODIvONHPqpk 12:48:57 From John Flaherty : Check out the video after class. 12:49:09 From Glenn Workman : The chord progression is the same as the verse for “Sir Duke”. 12:49:12 From Bob Turner : Edward: Been there and done that. Auto Plug-in Compensation is already On. 12:49:24 From Russ Pfeifer : Hired by the Beatles!! 12:49:46 From Eric Chapelle : Good point Matt! 12:50:02 From Edward Auslender @ L.A. Music Lab : Bob, In my system, it needs to be off (not on) during the recording of there click track 12:50:04 From James Paschall : +1, Glenn. 12:50:23 From Bob Turner : Ahhh!! I will try that. Thanks Edward. 12:50:59 From Nozomi Takasu : @Neil thank you!!! I’ll do that with camera audio! —with the hope of people see it as “performance video.” ><. Thank you for your help! 12:52:04 From Neil McCarroll : :) 12:53:15 From Ray Toler : The fact that that was all in realtime is amazing. 12:53:29 From Bob Turner : I've seen that delay in the Conductor track myself. Didn't think it was working because I was too impatient!! LoL 12:53:33 From Bradley DePasse : Ray: indeed powerful! 12:53:39 From Adam Goldman : DP for the WIN!!! 12:53:43 From Adam Goldman : (AGAIN) 12:53:56 From kennethpage : As usual 12:54:33 From Russ Pfeifer : Wow 12:54:33 From Adam Goldman : Drums change pitch too 12:54:35 From Adam Goldman : crazy 12:54:38 From Glenn Workman : Not that PureDSP is bad, just not designed for multi pitch audio - mono voice or instrument. 12:54:45 From Adam Goldman : What Matt said. 12:55:06 From Caxa : Can you automate the relative pitch bar? 12:55:14 From Adam Goldman : Caxa: don’t believe you can 12:55:29 From Dan Wool : Sure you can 12:55:50 From Adam Goldman : what’s the process for that, DanW? 12:56:42 From Bob Turner : It's like Photoshop for Audio!! 12:56:50 From Dan Wool : Huh? Just draw on the layer as normal 12:57:37 From Dan Wool : Maybe I’m nor understanding what you mean by “automate” 12:57:42 From Glenn Workman : There’s a video posted to the FaceBook group that shows a way to do reverse as a single keystroke on Mac. It uses Automator and Script Editor, both native on Mac, so nothing to buy. He posted the script and instructions. 12:57:49 From Dan Wool : Jeff Lynn in this case 12:58:11 From Steve Sklar : GM won’t ok it, but he won’t object or sue, either. 12:58:16 From kennethpage : Thanks Glenn 12:59:13 From Adam Goldman : DanW, I think the relative pitch shift in Pitch layer is just a single bar that can be moved, not really a line that can be pencilled. 12:59:19 From Adam Goldman : (caxa) 12:59:38 From Dan Wool : No. it can be penciled 12:59:53 From Adam Goldman : DanW: There you go. 13:00:16 From Jose Gonzalez Palma : Quick question guys, Which Algorythm would be the best to use for a solo guitar performance and would it affect other plugins in the track like Chorus, Live Room G, etc…In other words, is the modulation working ONLY on the soundbite or the whole track output? 13:00:51 From Glenn Workman : Jose: PureDSP. It affects the soundbite BEFORE plug-ins on the track. 13:01:12 From Bradley DePasse : What if there was an effect called adjective? lol 13:01:20 From Jose Gonzalez Palma : awesome thanks Glenn 13:04:06 From Glenn Workman : I’m trying to pencil Relative pitch and not getting that to work. However, If I Split the audio I can get each soundbite to have a different relative pitch. 13:04:15 From Glenn Workman : Bradley:) 13:05:42 From Dan Wool : Really? Zoom in. The bar might not move, but you can definitely draw to alter pitches 13:05:58 From Glenn Workman : Dan: I’ll try. 13:06:32 From jraoul : What happens if you use something less crisp (than a drum hit) as your IR? 13:06:49 From Fred : so…. Could I copy responses from other plate verbs and add to my proverb library? 13:06:53 From Rich Switzer : tape 13:07:05 From Adam Goldman : Fred: yes 13:07:06 From Glenn Workman : Dan: I see, it draws a pitch line when zoomed in, doesn’t move the “bar”. 13:07:07 From Caxa : @Fred tes 13:07:10 From Ken Thies : jraoul: interesting things can happen. 13:07:12 From Fred : Great! 13:07:17 From Fred : Thank you! 13:07:47 From Ray Toler : I’ve used Quan Jr! 13:07:58 From Steve Sklar : I thought Quantizing was a bass bridge. 13:07:58 From Ray Toler : Before I got my Oto Biscuit, that is. 13:08:12 From Adam Goldman : Ray: yes, but have you ever used Quan Sr? 13:08:18 From Adam Goldman : (he’s been missing for a long time, I think) 13:08:21 From Ray Toler : I have not. I couldn’t get an appointment. 13:08:35 From Dan Wool : Glenn: Yeah. I think if you draw it radical enough the bar moves up or down 13:09:09 From Adam Goldman : Ray: what’s the crux of that Oto Biscuit? 13:09:21 From Glenn Workman : The apostrophe Sr. 13:09:26 From Russ Pfeifer : The Apostophe 13:09:27 From Ken Thies : Glenn/Dan: I think the bar represents an average of the pitches represented within its range. In relative mode, you do have to pencil a lot to offset the average enough to move it. 13:09:36 From Ken Thies : The pitch still moves freelyl though. 13:10:18 From Ray Toler : The Biscuit is a stereo bitcrusher, though that’s oversimplifying it a bit. Some really fun effects in there. 13:10:44 From Adam Goldman : Glenn/Russ/Ray: 😊 13:10:46 From Adam Goldman : ‘ 13:10:53 From James Paschall : I think the pitch discussion needs go main stream with Matt. 13:11:11 From Adam Goldman : JP: re relative pitch automation? 13:11:21 From Ken Thies : I'm starting to think Hall & Oates... 13:11:23 From James Paschall : Yes, Adam. 13:11:26 From Bob Turner : John Melloncamp!! 13:11:33 From chris : residents 13:11:41 From Adam Goldman : We can do that when it works with ML’s flow 13:11:50 From Glenn Workman : John Cougar Watermelon Summercamp. 13:11:55 From jraoul : Chris! 13:12:04 From Bob Turner : LoL @ Glenn!! :o) 13:12:08 From Adam Goldman : John Cougar BitDepth Mellencamp 13:12:22 From Ray Toler : With the Biscuit, you can turn on/off individual bits, sweep clock rate, Q, and resonance frequency, and so on. Can also be synced to MIDI for some really neat things. 13:12:42 From Adam Goldman : (yes, but does it come with Dental Floss, Ray?) 13:12:55 From UltraVioletIdea.com (gReg Silvus) : What did Matt just say engineers do under the hood? 13:12:55 From Adam Goldman : (or zircon encrusted tweezers?) 13:13:08 From Ray Toler : OTO is a really neat little boutique hardware company. They also made the Bim, Bam, and Boom units (verbs, delays, etc.) 13:13:59 From jraoul : Jim Keltner 13:14:11 From Jose Gonzalez Palma : Nice, lthese are awesome tricks today thanks Matt 13:14:23 From Dan Wool : Except, I don’t think G Martin was involved with this track…was he? 13:14:30 From Adam Goldman : Matt is clearly one of us 13:14:36 From Adam Goldman : (two-bit plug) 13:14:42 From Russ Pfeifer : Maybe GM Jr 13:14:43 From Jay Farber : Proud to be a member 13:14:55 From Sean Martin : does anyone know how much money two bits is worth? 13:15:01 From Glenn Workman : 25 cents 13:15:07 From Ken Thies : I though two bits was essentially 25 cents. 13:15:10 From Sean Martin : ding ding we have a winner 13:15:27 From Glenn Workman : Dan: yes, no George Martin - the Beatles and Jeff Lynne on that. 13:15:28 From Adam Goldman : Sean, whatever number you use, you won’t get much for it nowadays 13:15:47 From Sean Martin : lol 13:15:48 From James Paschall : The price of a shave and a haircut. 13:15:56 From Sean Martin : 12.5 cents 13:16:02 From Sean Martin : 1 bit 13:16:07 From Andrew Culver : Hi Folks. Had to cut down a tree so arrived late. Chainsaw lo-fi would fit right in today it seems. 13:16:12 From Dan Wool : Glenn: I love the production on this track even though 13:16:40 From Adam Goldman : Andrew: a chain saw will fit right in in most cases. 13:16:42 From Ray Toler : “two bits” is from back in the “pieces of eight” days when coins could be sub-divided. They were scored into eight sections, thus two-bits was 25% of the whole. 13:17:06 From kennethpage : Yea Ray 13:17:16 From Ray Toler : I am full of useless knowledge. 13:17:20 From Andrew Culver : Chainsaw: That’s Ctrl-C? 13:17:21 From Glenn Workman : Dan: Generally I’m not a fan of the Jeff Lynne sound, there’s something a little over homogenized for my taste. That’s not a blanket dismissal, there are some great things he was involved with, but sometimes his “sound” is a just a little over noticeable to me. 13:17:39 From Adam Goldman : Andrew: it’s whatever it says it is. 13:17:39 From Jose Gonzalez Palma : Woah nice 13:17:45 From kennethpage : Yes Glenn 13:17:46 From Adam Goldman : Don’t argue with a chainsaw. 13:18:03 From Andrew Culver : True 13:18:04 From James Paschall : The sharp four of the lydian mode. 13:18:06 From John Flaherty : LOL Adam. 13:18:16 From Dan Wool : Glenn: Me too, but I love the reverence to G Martin he used in this track 13:19:01 From Adam Goldman : Halloween to Christmas back to Halloween 13:19:13 From jraoul : and now April Fool’s Day 13:19:23 From James Paschall : lol, Adam! 13:19:26 From Adam Goldman : JR: (probably always was) 13:19:49 From Andrew Culver : Scissors Tools is C. So I think chainsaw is ALT-C 13:20:00 From Charlyn Bernal : I wish pitch blender and time blender from Sound Toys would come back and upgrade and work with dp. 13:20:09 From Matt LaPoint : https://www.dropbox.com/s/sbvqbs9a2i8pdz9/Maps.dpdoc.zip?dl=0 13:20:12 From Adam Goldman : Andrew, CAPS Alt-C…a very BIG scissors. 13:20:19 From kennethpage : Thanks Matt 13:20:23 From Glenn Workman : https://www.freqsound.com/motuuserfiles/MLTransposeMapsProject.zip 13:20:31 From kennethpage : and Glenn 13:20:41 From Andrew Culver : Cuts across all track at once 13:20:54 From Adam Goldman : Tracks, desk, keyboard…whatever works 13:21:02 From Glenn Workman : There’s a note about how to use it in the this document: https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 13:21:50 From Stephen Melillo : I use Custom Maps to create authentic 7-pitch Hap Glissandi… 13:21:59 From Stephen Melillo : Harp! Sorry 13:22:08 From Adam Goldman : Stephen, that’s a great idea 13:23:05 From Adam Goldman : I’m sure it yields a very realistic gliss 13:23:29 From Charlyn Bernal : If Laura Karpman still using D 13:23:30 From kennethpage : I love that 13:23:38 From Stephen Melillo : It does, it fools many people… and the “realness” comes from repeated notes just i the actual Harp… 13:23:39 From Jose Gonzalez Palma : Very Herrmann 13:23:40 From Jose Gonzalez Palma : haha 13:23:41 From Adam Goldman : ok, now it’s Halloween with Jamie Lee Curtis 13:23:47 From Bob Turner : Where's Rod Serling when need him?? 13:24:03 From Ray Toler : Nice way to break my “chord rut” muscle memory habits. 13:24:17 From Mike Harper : thanks great stuff 13:24:37 From Charlyn Bernal : I meant if Laura Karpman still using DP, would be cool to have her on - she’s 20th century - really awesome. 13:24:40 From Sean Martin : is this chromatic or micro tonal? 13:24:53 From Glenn Workman : Sean: Not microtonal. 13:25:01 From Ray Toler : Not microtonal, Sean 13:25:08 From Ray Toler : Glenn for the win. 13:25:10 From Kubilay Uner : You can also create custom scales if you want to have maps that repeat very octave. 13:25:16 From Adam Goldman : What Ray said. 13:25:19 From Sean Martin : intervalic then 13:25:27 From jraoul : But you can use this in microtonal effects if you have a sound set that 13:25:32 From jraoul : ’s microtuned 13:25:45 From Kubilay Uner : Laura Karpman is on ProTools... 13:25:48 From Ray Toler : Though if you were controlling a microtonal keyboard you could use a custom map to assign “anchor” notes, I suppose. 13:25:49 From Eric Chapelle : Nice! 13:26:02 From Kubilay Uner : Also, Hi Charlyn! Nice to see you! 13:26:03 From jraoul : Ray said it better (as usual) 13:26:05 From Thomas : Mind blown 13:26:33 From Ray Toler : :) 13:26:35 From Glenn Workman : I use Custom Maps to convert MIDI drums created on one keyboard (like the Kurzweil mapping scheme) that need to play back on a General MIDI device (Roland/Sequential drum map). You can assign each individual pitch to its own new pitch, not always up or down in the same map, but any 1 to 1 change you might need. 13:26:52 From Bob Turner : This sounds like "Trade Secrets" stuff for composers!! LoL 13:27:20 From DB : custom maps can be very helpful in re-routing midi triggers like key switches 13:28:55 From Ray Toler : “IN A WORLD…" 13:29:01 From Adam Goldman : wait, this isn’t an amusement park? 13:29:02 From Glenn Workman : :) 13:29:31 From Caxa : @Adam no a zoo 13:29:35 From Edward Auslender @ L.A. Music Lab : I sure enjoy these more than I enjoy amusement parks! 13:29:39 From Adam Goldman : Caxa: BOOM 13:29:52 From Adam Goldman : (but I am amused, nonetheless) 13:30:08 From Charlyn Bernal : Glenn - Thanks! I had to leave, however he messaged me so we are going to hook up next time I go to LA. He was just out of Berklee when he came to Snuffy’s, he’s so awesome, organized, smart as a whip and just great to work and hang with. 13:30:36 From kennethpage : In a World 13:30:40 From Adam Goldman : he should have said, “Luke…” 13:30:42 From Glenn Workman : Sounds more like Darrell now - distant cousin. 13:30:47 From Ray Toler : A little gating and all of a sudden he’s Kylo Ren. 13:30:48 From Edward Auslender @ L.A. Music Lab : Or just hire Bob! 13:31:00 From Bob Turner : "Bring the money to 5th & Vine and leave the bag in the mailbox" 13:31:00 From darrellsmith : Glenn: YEAH!!!!!! 13:31:10 From Bob Turner : Moi??? 13:31:16 From Adam Goldman : Bob: Give the money to Bozo 13:31:21 From Bob Turner : LoL 13:31:31 From Edward Auslender @ L.A. Music Lab : Yeah, you sound way better 13:31:48 From Bob Turner : Ahhhhh ;o) 13:31:53 From darrellsmith : Does this work only in post? 13:32:10 From james brown : Tony Robbins 13:32:13 From Glenn Workman : darrell: Its an edit, not a plug-in you can use live on the mixing board. 13:32:18 From jraoul : Darrell — yeah, it would be a cool plug-in 13:32:26 From Bradley DePasse : Sounds like you have Tony Robbins tied up! 13:32:32 From Sean Martin : lol @ james brown 13:32:32 From Ray Toler : Darrell, yes. However, you could use something like SoundToys Little Alter-Boy as a live effect. 13:32:55 From darrellsmith : Ray: Thanks. 13:32:56 From Glenn Workman : Matt in Jr. High. 13:33:01 From Dan Wool : A shoot out with Little Alter Boy would be interesting 13:33:05 From jraoul : Helium Jr. High 13:33:05 From Ray Toler : The SoundToys plug can also be automated. 13:33:07 From TapLoudCmdrFunk_mic : I want cookies! 13:33:08 From Jay Farber : Helium 13:33:18 From Jose Gonzalez Palma : Question: Is there a way to manipulate the velocity of just that key on your controller?…for example set a velocity range value for it? Before performance instead of changing MIDI velocity after its recorded? - My C3 key on my controller has finally started hating me and the velocity is full blast 120 always…very annoying and uninspiring… 13:33:33 From Ray Toler : I had a lot of fun using Little Alter-Boy on a public domain reading of Little Red Riding Hood. 13:33:51 From Adam Goldman : ALVIN!!!!! 13:34:01 From darrellsmith : Ray: Nice 13:34:13 From Kubilay Uner : No way to preview spectral effects correct? 13:34:14 From Charlyn Bernal : Kubi! Hi! 13:34:17 From Caxa : @Ray cool idea 13:34:26 From Dan Wool : Little Alter Boy gets ugly….I’m wondering if Spectral Effects is btter 13:34:34 From Glenn Workman : Jose: There is now way to isolate one pitch from a MIDI stream currently “live” or on input. 13:34:50 From Glenn Workman : Kubilay: No preview, just do and undo. 13:35:13 From TapLoudCmdrFunk_mic : Goa'uld? 13:35:24 From Glenn Workman : *no way 13:36:16 From Ray Toler : Dan, spectral effects is a little more surgical. 13:36:17 From darrellsmith : Any suggestions for traileresque drums? 13:36:27 From Ray Toler : Library, Darrell? 13:36:33 From darrellsmith : Yeah 13:36:36 From Glenn Workman : Jose: Usually if you have that problem with a key, its something that can usually be cleaned. Depends on the keyboard how many screws you have to unscrew to get to them, but he cleaning is still pretty easy. 13:36:55 From darrellsmith : I know Damage 2 is cool 13:37:15 From Jose Gonzalez Palma : Mehh :/ ok…damn it C3 key curse! its the KS 88 Native Instrument controller 13:37:32 From Jose Gonzalez Palma : it’s barely 2 years old 13:37:33 From Ray Toler : Damage is very good. Also, Spitfire Originals: Cinematic Percussion has all of the “Easter Island” hits from the original Albion 1. 13:37:45 From Charlyn Bernal : Ray - sweet! 13:37:46 From Ray Toler : The Spitfire one is $30. 13:37:56 From darrellsmith : Ray: Thanks! 13:38:22 From Glenn Workman : If you need to ask a question: you can open the Participants panel and click the Raise hand button. Adam or Matt will send a request to unmute your mic to ask your question. 13:39:10 From darrellsmith : Ray: What is $30? 13:39:20 From jraoul : 120 bits 13:39:28 From Adam Goldman : JR: beat me to it. 😊 13:39:30 From Russ Pfeifer : nice 13:39:39 From jraoul : I majored in arithmetic in college 13:39:40 From Jose Gonzalez Palma : Thanks Glenn. Have you tried servicing a Native Instrument KS88 Controller? Is it hard? 13:39:42 From jraoul : With a minor in spelling 13:40:00 From Ray Toler : Nice, JR. Darrell, the Spitfire Originals: Cinematic Percussion is $30. 13:40:22 From darrellsmith : Ray: Found it 13:40:23 From Ray Toler : https://www.spitfireaudio.com/originals 13:40:30 From Ray Toler : You beat me to it. 13:40:34 From darrellsmith : Yep got it thanks Ray. 13:40:45 From Russ Pfeifer : Isn’t it 240 bits? 13:40:49 From Glenn Workman : Higglety Pigglety! 13:41:08 From Ray Toler : Russ has superior math skills. 13:41:10 From kennethpage : Piggly Wiggly 13:41:11 From jraoul : I didn’t say I aced arithmetic, just majored in it 13:41:47 From Ray Toler : Higglety Pigglety at the Piggly Wiggly is a prog-rock album title if I ever heard one. 13:41:58 From Adam Goldman : Ray: Glenn can get his math geek on too 13:42:00 From kennethpage : Nice Ray 13:42:07 From Russ Pfeifer : By the Wiggle Pigs 13:42:42 From Ray Toler : I need to do some white label dance singles. Wiggle Pig will be a future band name. 13:42:57 From Ray Toler : Or the name of a new fad dance. 13:43:15 From Ken Thies : Wiggle Pig is the band, Pig Wiggle is the dance... 13:43:33 From Russ Pfeifer : It’s fun to say 13:43:54 From Bob Turner : I would like to see Jerri Ryan do the Pig Wiggle!! :o) 13:45:12 From Dom Pesce : explain proverbs threshold and comp feature in practice please. why use these features? 13:45:13 From Ray Toler : 7 out of 9 agree, Bob. 13:45:17 From Ken Thies : Use the snip tool to cut the pitch bar. 13:45:34 From Glenn Workman : My favorite Maurice Sendak book - and his favorite too. If you want to see some great interviews with Maurice on the old Colbert show, here are the 3 links to watch (in order). 13:45:34 From Glenn Workman : http://www.cc.com/video-clips/gzi3ec/the-colbert-report-grim-colberty-tales-with-maurice-sendak-pt--1 http://www.cc.com/video-clips/2uwi0i/the-colbert-report-grim-colberty-tales-with-maurice-sendak-pt--2 http://www.cc.com/video-clips/1jhhu2/the-colbert-report-uncensored---maurice-sendak-tribute----i-am-a-pole--and-so-can-you----release 13:45:35 From Bob Turner : Yup!! 13:45:50 From kennethpage : Wow Glenn 13:45:55 From Rubens Tubenchlak : where to get briscati ir’s? 13:46:21 From Victor LeComer : Darrell - 8dio Toms Ensemble is cool if you use Kontakt - https://8dio.com/instrument/epic-toms-ensemble/ 13:46:34 From Glenn Workman : Rubens: Info is in this document: https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 13:46:58 From Rubens Tubenchlak : thank you Glenn! 13:47:08 From Andy C : Sorry about that - internet hiccupped but I’m back, baby! Caught all of the explanation and thank you! 13:47:09 From John Boyle : I remember the Colbert’s with Sendak. He was a fascinating guest 13:47:18 From jraoul : Proverbs threshol and release 13:47:21 From Bob Turner : Would nice to be an Alto Clef in Quickscribe! 13:47:56 From Mike Loudermilk : how can you print the lyric page? 13:48:24 From john mazzei : I’m having issues with “split notes”. It’s not remembering the last track that I used as a target. This is new behavior since I upgraded to DP10. In previous versions it remembered the track, however in DP10, it will from time to time insist on creating a new track instead of remembering the previous one. 13:49:34 From Jose Gonzalez Palma : Quick question: is there a reason why a separate window opens up when i click Shft + S to go to my sequence window in the consolidated window… its the only one that opens a new window…Shft + M and C for mixer and clips are fine, but not sequence 13:50:05 From Glenn Workman : Jose: That’s a preference. 13:50:08 From Adam Goldman : Jose: there’s a pref for opening in Consolidated window 13:50:32 From Jose Gonzalez Palma : cool, thanks Adam, ill check my prefs 13:50:52 From Glenn Workman : Preferences/Display/Consolidated Window 13:51:05 From Glenn Workman : Make sure Sequence Editor is “on” 13:51:12 From Jose Gonzalez Palma : Copy that thank you 13:51:14 From john mazzei : I believe you can select Alto Clef from the “options” “track options” mini menu. Select the track you want to apply the clef, call up the mini menu in Quickscribe and select the clef. 13:51:33 From chris : When looking at the commands window the default keystroke for Play looks odd I can’t actually get it it looks like “^” does anyone now what that key actually is ? 13:52:01 From Adam Goldman : Chris: control 13:52:07 From Ray Toler : ^^^ 13:52:10 From Bob Turner : CooL, John. I haven't researched that option. Will Look into it. Thanks. 13:52:22 From Adam Goldman : what Ray said I said ^^^^ 13:52:32 From darrellsmith : MORUnity! 13:52:39 From john mazzei : I just tried it and there’s an alto clef and a tenor clef! 13:52:40 From Adam Goldman : Darrell!! 13:52:41 From darrellsmith : MOTUnity sorry 13:52:44 From chris : Are you sure because control does nothing for me 13:53:02 From Adam Goldman : Darrel, I love MORUnity! We need that all across the globe 13:53:03 From Dan Wool : Here’s a Q: What happens when there’s two operations are assigned to one key command. Which one does DP use? …or both, or what’s the deal? 13:53:16 From Bob Turner : John M: Outstanding! I have a need to notate Violas. Thanks. 13:53:55 From Ray Toler : Chris, where are you seeing it? ^ is pretty universally the Control key, but if it’s a win/mac thing, you might need to use the command key instead. 13:53:55 From darrellsmith : I agree. I think MOTU and Matt should be nominated for Nobel Prize. They have saved many lives having these webinars. 13:53:55 From Adam Goldman : Everything’s easy once you know how. 13:54:07 From Adam Goldman : DARRELL!!!! 13:54:14 From Glenn Workman : chris: Its a strange little glyph there (looks like 2 crossing arcs) but its the Enter key on the number pad. 13:54:23 From John Boyle : Matt is one patient teacher. He won’t let go until he gets the question. 13:54:44 From Glenn Workman : Dan: It uses whichever one is applicable for the window that is currently in focus. 13:54:54 From darrellsmith : The chat world is it’s own world it’s quite amazing. An amoeba if knowledge. 13:55:00 From chris : Ray look at commands window and the default keystroke its not a ^ it has something around it like quotes it looks more like a scissors do shift L and then look at Play 13:55:02 From darrellsmith : of not if 13:55:08 From Ray Toler : The ones I always forget are Page Up/Down and Home/End. 13:55:14 From Adam Goldman : Darrell: so true. 13:55:33 From kennethpage : Yes Darrell 13:56:08 From Dan Wool : Glenn: What happens if the commands are both relevant to the same window? 13:57:11 From Adam Goldman : Pencil Land. 😊 13:57:18 From Caxa : Could MOTU make the unedited videos available on a private page please? 13:57:27 From Timmy Samuel : Farber Castel land 13:57:30 From Jose Gonzalez Palma : Glenn have you ever serviced a KS 88 Controller the Native Instrument one? Is it hard to change that C3 key? 13:57:43 From Jose Gonzalez Palma : clean* 13:57:47 From chris : Thanks glenn glad you’re seeing it as well 13:57:48 From Ray Toler : Chris, sorry I missed where I’m supposed to be looking. Where are you seeing the icon? 13:57:52 From Mike Loudermilk : I don’t think there is a way to print the lyric page. that would be a great feature to add in the future. 13:58:09 From sfetters : When will MOTU bring back VOLTA? 13:58:24 From darrellsmith : Then nuance it in midi land 13:58:30 From chris : Ray : Shift L commends window search Play 13:58:37 From darrellsmith : With expression and volume 13:59:34 From Glenn Workman : Dan: There is a hierarchy. For example I use M to add a Marker. If I make the Mute Tool activated by M - then the Tool assignment wins. 13:59:40 From Ray Toler : Ah… yes, as Glenn mentioned, that’s the enter key on a numeric keypad. 13:59:40 From Jay Farber : Thanks All 13:59:44 From James Paschall : Thanks, Matt, Ken, Darrell, Glenn, Ray, Adam, Russ, and all the other MOTUers. Good stuff! 13:59:49 From Adam Goldman : Thanks, everyone! 13:59:49 From Wayne Pronzati : Thanks Matt! 13:59:49 From Charlyn Bernal : Thank you! Really awesome! 13:59:49 From Eric Chapelle : Thanks Matt! 13:59:50 From Sean Martin : Thank you Matt. 13:59:54 From Ray Toler : Thanks all! 13:59:55 From Nozomi Takasu : It was super fun! Thank you Matt, MOTU! 13:59:55 From John Boyle : Thanks all, so great. 13:59:56 From Daniel Scott : thank you 13:59:56 From John Flaherty : Thanks, Matt! 13:59:57 From Bradley DePasse : Thanks Matt and Adam and Glenn! 13:59:58 From Brian : Thanks Matt & everybody 13:59:58 From EDWARD DILLON : thanks 13:59:59 From Tom Lewis : Thanks Matt, good bye all 13:59:59 From Bob Turner : Great Session!! Thanks Matt, Glenn & Adam! See ya Thurs!! 14:00:01 From Jose Gonzalez Palma : Thanks Guys, Matt, Glenn, Adam, all! 14:00:01 From Ken Thies : Cool! Thanks, Matt/Glenn.Adam 14:00:03 From Zab Skornik : /_° 14:00:04 From Dan Wool : Glenn. Got it . Thx! 14:00:06 From John Flaherty : And Adam and Glenn! 14:00:06 From Glenn Workman : Jose: No I haven't.