12:23:07 From Alle Segretti : Haha! Ken driving!! 12:23:23 From Terry Leigh Britton : Can you deliver in 32 bit? that gives you plenty of extra room down in the quiet zones, because the bit degradation never gets as bad. 12:24:31 From Shek : Hi! may I know how to play music from DP in a zoom meeting? 12:24:41 From Terry Leigh Britton : 32 bit is not related to the sample rate - it is the bit depth you want so the bit degradation is not so bad way down there in the super quety parts. 12:24:46 From Terry Leigh Britton : quiet 12:25:08 From Glenn Workman : Shek: You need to route the audio with either your interface or something like Loopback that Matt uses. 12:26:00 From Ken Thies : actually, Ken riding... 12:26:18 From Shek : Thanks Glenn. 12:26:34 From Glenn Workman : Shek: I use a MOTU AVB interface, that lets me route my mic, keyboards, DP output etc. to one output pair and I select that in Zoom. 12:26:42 From Roger Carr : If anyone’s shopping for a Mastering plug-in, the native version of bx_masterdesk ($299), which Matt is so fond of, is available till Sept 6, 11:59pm California Time, at plugin-alliance.com for $29.99 - using the code ANY-2999. I got it yesterday and immediately had an excellent result using virtually the default settings! You can trial it too. 12:27:15 From Bob Turner : Howdy from New Mexico! Another really warm day here!! 12:27:24 From Ray Toler : Good day, all. 12:27:46 From Glenn Workman : Shek: Here is a routing utility (it replaces Soundflower which was also free). https://existential.audio/blackhole/ 12:27:50 From Neil McCarroll : Roger - good to hear it instantly worked, that’s great! 12:27:55 From Glenn Workman : Thanks Roger. 12:28:37 From Neil McCarroll : Hello there folks :) 12:28:47 From Adam Goldman : Hey, Neil! 12:28:58 From James Paschall : Hello, all. 12:29:07 From Shek : Glenn: Thanks a lot! 12:29:39 From Ray Toler : I will be playing an improv set at “Ray’s Studio.” 12:30:15 From Adam Goldman : Ray!!! 12:30:29 From M& M : Is Ken viewing responsible???? 12:30:39 From Robin Shenck : not recording 12:30:39 From M& M : LOL 12:30:50 From Adam Goldman : Robin….we’ll get it 12:30:57 From Bob Turner : Bummer!!!! 12:31:03 From Bil VornDick : solomons Island, are you playing the restaurant there? My friend Dan owns a nice restaurant there 12:31:21 From Ray Toler : My improv set will only be recorded if I do something right, thanks to retrospective midi record. 12:31:57 From Glenn Workman : Bil: Tiki Bar Solomons 85 CHARLES STREET SOLOMONS MD 20688 PHONE:410.326.4075 12:32:32 From Bil VornDick : Zoom did issue new software yesterday 12:32:39 From Jefferson Jarvis : Tornado in the Baltimore area last early evening! Did it miss you Glenn? 12:33:03 From Ray Toler : [applause!!!] 12:33:05 From M& M : YEAH, YEAH 12:33:07 From Bob Turner : YEAAAA!!!! 12:33:07 From chris : YEAH! 12:33:14 From EDWARD DILLON : thanks, Adam and Glenn! 12:33:19 From Eric Brown : Glenn & Adam ROCK! 12:33:25 From darylwaters : kudos! 12:33:25 From Ronnie Lawson : do Glenn and Adam work for MOTU? 12:33:36 From Ray Toler : They both rock, and/or roll! 12:33:47 From James Paschall : MOTUnity™ 12:33:53 From Glenn Workman : Jefferson: Great thunderstorm here last night, all the tornadoes missed me thankfully. 12:34:05 From Glenn Workman : Ronnie: Neither of us do. 12:34:20 From Ronnie Lawson : ah…OK thanks 12:35:31 From Ken Thies : THAT's better... :-) 12:35:43 From Glenn Workman : Ronnie: I have been a MOTU dealer since 1985 and a beta tester since shortly thereafter and still test for them. I’m in Columbia between Baltimore and DC int he US. Adam is in Philadelphia. 12:36:04 From Russ Pfeifer : They are some jolly good fellows 12:36:16 From Ronnie Lawson to Glenn Workman (Privately) : very cool 12:36:29 From Russ Pfeifer : The east coasters 12:36:38 From Ronnie Lawson to Glenn Workman (Privately) : I’ve been using DP for 25+ years. Love it, but still have a lot to learn. These Webinars have been great 12:37:12 From Glenn Workman to Ronnie Lawson (Privately) : Agreed. Great community of folks that have all met here as well. Right now they plan to continue at least through September. 12:37:37 From Bob Turner : Glenn... I made several trips to Aberdeen Proving Ground back in the early 80's. Enjoyed the people and the work. 12:37:56 From Glenn Workman to Ronnie Lawson (Privately) : Just making sure you know you’re messaging me privately. Sometimes folks don’t realize that’s possible (to the hosts only I think). 12:38:05 From Ronnie Lawson to Glenn Workman (Privately) : as I said to Matt yesterday, these webinars would be great at any time, but especially now when so many of us have had our work put on hold because of Covid 12:38:26 From Reed Robins : Might need to use original sound in Zoom… 12:38:30 From Glenn Workman : Bob: Various family members (my father in law included) worked there for years, and its in the DNA of the area. 12:38:47 From Reed Robins : It’s sounding ducked to me. 12:39:08 From Ronnie Lawson to Glenn Workman (Privately) : nice 12:40:39 From Bob Turner : Glenn... another subject. I looked at the BBC String library and I got confused on how they deliver the package. They mention something about a 'disk drive' - but I was hoping to download the necessary components. Have you had any experience with Spitfire and how they operate? 12:41:09 From Adam Goldman : Bob….I have Spitfire BBCSO.. I was able to download it. It’s large, so they offer the option of buying a disc, but you don’t have to 12:41:53 From Glenn Workman : Bob: They send an email. You download the stand alone app. You download from app. I did it yesterday. I had signed up about 2 weeks ago and that was the process for the free version. It also loads into DP just fine. 12:42:06 From Michel Gauvin : Is it really a Kick ? I think it's a snare shot 12:42:52 From Glenn Workman : Bob: We can do a MOTU After Party ™ if you like either after today’s webinar or some other time and I can show you. 12:42:59 From Bob Turner : Ahhh. I don't have a very fast internet, but I could download the software overnight. I will try to download this afternoon while we're gone for a couple of hours. Thank Much-O!!! 12:43:06 From Russ Pfeifer : my ears perf up upon hearing ‘free version 12:43:07 From Russ Pfeifer : ? 12:43:21 From Russ Pfeifer : Perf up 12:43:26 From Russ Pfeifer : ? 12:43:46 From Bil VornDick : click the FET to see the peak 12:44:21 From Bob Turner : After party would be good. I will be on my other PC for downloading. This PC is in my studio and my connection is Wi-Fi... would rather be on my Ethernet connection to the router. 12:44:35 From Caxa : @Bob The Spitfire Download manager program allows you to pause, and carry on from where you left off. So if you loose your connection it’s no big deal. 12:44:37 From Ray Toler : Bob, the BBCSO (full version) is around 600 gigs, but you can download one section at a time. 12:44:58 From Bob Turner : Great!!! Thanks, guys. 12:45:39 From Glenn Workman : Russ et al: Spitfire - free or $49 BBC orch sampler - https://www.spitfireaudio.com/shop/a-z/bbc-symphony-orchestra-discover/ 12:46:22 From Russ Pfeifer : Thanks Glenn 12:46:25 From Ray Toler : DP’s audio is cutting out when he plays more than one or two beats. Is that happening for anyone else? 12:46:25 From Bob Turner : I'm working on the orchestrated version of Whiter Shade of Pale and I need some really good orchestra sounds. 12:46:38 From Glenn Workman : Ray: Not for me. 12:46:44 From Ray Toler : k. Thanks. 12:46:45 From Adam Goldman : Ray: happened a couple of times here 12:47:05 From Russ Pfeifer : happening here 12:47:10 From Ken Thies : Ray: sometimes the dropout is apparent here for me, yes. 12:47:10 From Ray Toler : It’s like a gate coming down. 12:47:15 From Helen McMillin : It’s happened several times for me. 12:47:20 From Rich Switzer : Can’t you drag along the waveform with cut tool quickly?? On the beat grid 12:47:41 From Adam Goldman : Rich: yes, but would do every 2beats with his current settings. He only was cutting out snares 12:47:46 From Adam Goldman : so doing it manually 12:48:01 From Ken Thies : I just switched zoom to "original sound", I'll see if that makes any difference 12:48:15 From Rich Switzer : I see.. 12:48:15 From Adam Goldman : Ray: not happening while he’s talking over the playback. Must be Zoom ducking settings 12:48:28 From chris : I’m hearing it as well 12:48:31 From Dan Wool : You could set the grid to 2 beats and cut…no? 12:48:33 From Ray Toler : 👍 12:48:48 From Adam Goldman : yes, DanW, but that would include some bass drum hits too 12:49:03 From Glenn Workman : Dan: You could, but it would depend on what the drummer played of course. 12:49:06 From Dan Wool : Oh. I see 12:49:25 From Edward Auslender : Yeah I too am hearing Matt but loosing his DP from time to time 12:50:06 From Reed Robins : I think Matt might need to use original sound in the zoom settings. 12:50:19 From Reed Robins : Thanks, I thought I was going crazy 12:50:26 From Reed Robins : Still may be the case. 12:50:47 From Glenn Workman : https://www.stevenslatedrums.com/trigger-2-platinum/ 12:50:50 From Adam Goldman : Reed: not hearing/going crazy are not necessarily mutually exclusive. :-P 12:51:01 From Reed Robins : :) 12:52:08 From Ray Toler : Yep. 12:52:08 From Russ Pfeifer : better 12:52:08 From chris : yeah 12:52:09 From Rich Switzer : good 12:52:09 From Mark Rasmussen : YES I hear all 12:52:11 From Ken Thies : Working here now, too. 12:52:23 From Ken Thies : Thanks! 12:53:08 From James Paschall : Thanks, Matt! 12:55:26 From Jeff Sargeant : This is not related to this Webinar but PLEASE, PLEASE post the previous webinars. You have a gold mine there with a large backlog. 12:55:52 From Adam Goldman : JeffS: MOTU is working on it, but it’s slow going. 12:55:53 From Timmy Samuel : Jeff: =47 12:55:56 From Timmy Samuel : +47 12:56:15 From Dave : Yes please post previous webinars 12:56:26 From Rich Switzer : There are enough to go into 2022…. 12:57:35 From Timmy Samuel : The Master Drum Clock 12:58:31 From Michel Gauvin : How do we make a stereo track from the two OH tracks ? 12:59:15 From Glenn Workman : Michael: There’s not an automatic way. Solo the tracks, and do a Bounce of Interleaved/Add To Sequence. 12:59:59 From Timmy Samuel : Whenever Matt says “tap tap” I can’t not think of Lily Tomlin and Steve Martin at the urinal scene from “All of Me” 13:00:15 From Ray Toler : “Backinthebowl" 13:00:32 From Timmy Samuel : :=P 13:01:02 From Michel Gauvin : Thx Glenn 13:01:08 From jraoul : What does it do if you don’t enable Stretch? 13:01:34 From jraoul : Quantize, that is 13:02:19 From jraoul : So: same result, but with newly written files? 13:02:34 From Adam Goldman : JR: yes, that’s what he’s saying 13:02:35 From jraoul : Tx, Adam 13:02:56 From Neil McCarroll : cool - the preview never seemed to do anything for me 13:03:20 From art2ro : Adam, maybe it will preview if you’re quantizing while playing the selection on a loop. 13:03:50 From Adam Goldman : Matt was saying Preview doesn’t do anything except for a midi quantization 13:04:51 From art2ro : I know but preview I think works when you’re editing while playing on a loop. 13:05:53 From chris : Pretty sure manual says midi only 13:06:04 From Caxa : Say I have a sloppy beat and want to copy the sloppiness. Do I do the same procedure without the quantize bit? 13:06:22 From Adam Goldman : Art2ro, perhaps, but that would seem pretty complicated nowadays, since “loops” means you’re using Clips, which means Clip editor, which makes it more steps 13:06:36 From Edward Auslender : I wonder how there is no lead on the Kick and snare tracks 13:06:39 From Glenn Workman : Caxa: Yes, you pick the “master” slop track, and you can copy beats to other trackes. 13:06:52 From Adam Goldman : Caxa: Quantize would mostly kill ‘sloppy’ 13:06:57 From Caxa : Great Glen tnx 13:07:05 From Ray Toler : Caxa, you might look into the Groove Quantize function. 13:07:15 From art2ro : What I meant was playing the selection in loop mode, not clips. 13:07:25 From Adam Goldman : Caxa, yes, that would be the Tolerific ™ solution 13:07:28 From Glenn Workman : Edward: Might have been heavily gated during recorded. 13:07:30 From Alle Segretti : you could use copy bests to copy sloppy to next sloppy :) 13:07:47 From Adam Goldman : Ella: yes, to COPY, but not so much to Quantize, I suspect 13:08:08 From Adam Goldman : Art2ro, pretty sure ‘loop mode’ is gone in 10.11 13:08:59 From Adam Goldman : (nice haircut, by the way. :-) ) 13:09:24 From art2ro : It is not, it’s the third icon underneath the transport. 13:09:35 From Adam Goldman : oh, Transport loop 13:09:37 From Adam Goldman : gotcha 13:10:32 From Timmy Samuel : This is exactly how I’ve set up my current project. Learned it from Nick D’Virgilio at a Sweetwater GearFest 13:10:38 From Adam Goldman : Art2ro: but as Matt said, giving up on Preview with Audio in Quantize makes a lot of sense, since it’s not re-rendering the audio, and it’s always an option to undo the Quantization 13:11:03 From Timmy Samuel : Except I’m just using DPs compression. 13:11:11 From art2ro : That’s right, thanks! 13:11:59 From Charles White : Also Smack Attack from Waves 13:12:52 From Caxa : That SPL transient designer is also available at Plugin Alliance (Codes) 13:13:04 From art2ro : I think there’s a sale right now at Plugin Alliance, that includes the SPL Transient Designer. 13:13:54 From Bob Turner : HUGE difference!! 13:13:57 From jraoul : Boy, howdy. 13:14:30 From Ken Thies : iZotope's Neutron has a transient shaper built in. 13:15:00 From jraoul : Even over zoom you can hear the melody in the toms 13:15:13 From Neil McCarroll : These drums remind me of the Baywatch opening scenes! 13:15:31 From Bob Turner : And it really doesn't get any louder! Just more quality!! 13:15:59 From Bob Turner : More gooder Full!! 13:16:24 From Russ Pfeifer : Neil - ya 13:17:23 From Gregg Seibert : Thanks for that tip yesterday Caxa. I used the codes to get the Mastering plug Matt showed yesterday for 29.99. 90% off! 13:17:54 From James Paschall : Glenn…is DP Control ever going to be revisited in iOS? 13:17:55 From Caxa : Oh great, glad you got something useful! 13:18:36 From Glenn Workman : James: I don’t know. I miss it, but use a third party app these days or a wireless keyboard. 13:18:39 From Reed Robins : @Caxa, is that a Waves plug? 13:19:01 From Neil McCarroll : The SPL DrumXchanger plugin potentially does all of this including transient shaping and Matt’s pre-eq to hone in on a particular drum (on Plugin Alliance also) for a fraction of the price of the Slate tool. 13:19:03 From Caxa : @Reed which one? 13:19:22 From Reed Robins : The brainwork one mentioned yesterday 13:19:27 From James Paschall : Thanks, Glenn. 13:20:45 From Caxa : @Reed no it’s Brainworkx available at Plugin Alliance use code ANY-2999 13:20:52 From Reed Robins : Ah! 13:21:00 From Reed Robins : Thanks Caxa! 13:21:35 From Caxa : Sale is on till midnight on the 6th 13:22:16 From Simon Foster : Hi all - I wanted to try echoboy - so downloaded the soundtoys 5 trial. However after I install - DP flags all the the plug-ins as fail and hangs (DP is supposed to trigger an authorisation) - any ideas? 13:22:56 From Adam Goldman : Caxa/Reed: this one, I believe: https://www.plugin-alliance.com/en/products/bx_masterdesk.html 13:23:09 From Benoit Widemann : SPL Transient Designer has now moved to “Plus” version with side-chaining and dry/wet control. 13:23:13 From Caxa : @Simon did you restart your computer after installing? Some plugins require that 13:23:27 From Benoit Widemann : Apparently the non-Plus version is not available anymore. 13:23:28 From Eric Witt : How well can you guys hear the difference? 13:23:32 From Glenn Workman : Simon: You can try to reauthorize/verify plugs in DP. You and also launch DP with all plugs disabled so you can then turn them on one at a time to eliminate a problem plug. 13:24:02 From Reed Robins : That’s it Adam! 13:24:34 From Geoff Dodson : Eric: Not so much 13:24:40 From Simon Foster : @Glenn -I tried that - and the soundtoys plug-ins don’t appear in the list 13:24:40 From Glenn Workman : Simon: Launch DP with option/alt down and you can pick a plug-in set (Enable all/Disable all etc.) 13:25:15 From Adam Goldman : IT’S HEROIC!!! 13:25:19 From Simon Foster : if I start a new empty project then they appear but are all listed as fail 13:25:22 From darrellsmith : Adam: Great tip on making a reference for the mixer. 13:25:29 From Adam Goldman : (called “My Hero”) 13:25:30 From James Paschall : Drop Dead Gorgeous! 13:25:44 From Geoff Dodson : Eric: Can hear it better on full mix. 13:25:49 From Adam Goldman : Darrell: glad that’s helpful 13:26:11 From darrellsmith : I missed his EQ on the choir 13:26:22 From Ray Toler : I feel like I should be riding a bicycle with an alien in the front basket. 13:26:31 From Adam Goldman : Ray: aren’t you? 13:26:34 From darrellsmith : Maybe a recap 13:26:36 From Adam Goldman : Isn’t that the moon behind you? 13:26:38 From Dan Wool : What choir I wonder 13:27:05 From Charles White : Choir -6db his pass at 500, #4 5db bump around 11k 13:27:15 From Charles White : High pass 13:27:26 From darrellsmith : Great thanks Charles 13:27:27 From Timmy Samuel : Darrell: he rolled off the low end gently around 500 Hz I think? Then added…What Charles said. :-) 13:28:43 From chris : That will be awesome 13:28:46 From Reed Robins : FANTASTIC!! 13:30:12 From Glenn Workman : Darrell: Sometimes I give both - the way I want to hear it and the raw track. 13:30:54 From Caxa : I’m old school. Everything as hot as possible! 13:31:51 From Alle Segretti : unless my composer days they want me to do effects and mix down, I prefer everything coming in exactly as the compost is tuning. we can always take dry tracks to make variations if something is off. 13:32:11 From Alle Segretti : like what Ken did on the weekend for me :) 13:34:03 From James Paschall : A little regulation on that piano, Darrell. 13:34:16 From Ray Toler : While we’re in Q&A mode, if anyone didn’t grab it yesterday since it was near the end of the session, here’s the link again to the BBCSO Template I translated for DP: https://www.dropbox.com/s/mi44r580h8s54ni/BBCSO%20Digital%20Performer%20Template.zip?dl=1 13:34:23 From Reed Robins : Wonderful to hear your wisdom! 13:35:21 From Neil McCarroll : Had my piano tuned today and fixed a sticky soft pedal by popping some beer mats under the back of the piano - result! 13:35:22 From Adam Goldman : Darrell: on top of Matt’s great suggestion for your Mix Engineer, I’d still send over a version of the mix you’re hearing in your head. 13:35:32 From Adam Goldman : of course, that’s just me. 13:35:38 From UltraVioletIdea.com (gReg Silvus) : Darrell: SM-157? I’m not seeing that one 13:35:56 From Ray Toler : I have to take my K2600XS apart to fix squeaky keys. Maybe beer will work instead. 13:35:59 From jraoul : Adam - that just stands to reason. Why make them guess, and work much harder at achieving your vision? 13:36:03 From Adam Goldman : Neil: BEER MATS!!! 13:36:34 From Glenn Workman : https://www.shure.com/en-US/products/microphones/ksm137 13:36:34 From Adam Goldman : JR: absolutely. I always prefer to hear what the sender thinks. Of course, they’re WRONG, but there’s that. :-P 13:36:38 From Glenn Workman : KSM157 13:36:52 From UltraVioletIdea.com (gReg Silvus) : Thx, Glenn 13:36:57 From Adam Goldman : As Glenn said, “I fixed your mix.” 13:36:58 From Adam Goldman : :-P 13:37:04 From Glenn Workman : My drummer is a Shure rep :) 13:37:05 From jraoul : What I hate is when the client waits until you’ve done all your work and THEN says “But that’s not what I was thinking.” 13:37:08 From darrellsmith : Glenn: sorry your ksm157 13:37:11 From Neil McCarroll : beer mats = slight tilt. Gravity was the solution! 13:37:27 From Adam Goldman : Sir Isaac!! 13:38:05 From Ray Toler : For every mix, there is an equal and opposite remix. 13:38:16 From Adam Goldman : Ray!!! 13:38:18 From Timmy Samuel : Ray: (-P 13:38:33 From Andrew Culver : KSM137 I think you mean 13:38:38 From Ray Toler : I always use non-Newtonian EQs. 13:38:41 From Timmy Samuel : Dammit: ;-P 13:38:45 From Glenn Workman : Newtons first Law of Mixing. 13:38:52 From Adam Goldman : Perhaps an Apple Newton? 13:39:17 From Ray Toler : A piece at a tempo remains at that tempo unless acted upon by an external conductor track. 13:39:22 From Adam Goldman : (somebody’s old.) 13:39:34 From Russ Pfeifer : NICE 13:39:39 From James Paschall : Don’t forget entropy…no free lunch. 13:39:42 From Neil McCarroll : It’s all quantum now - Isaac was very much 2019 13:40:03 From Adam Goldman : well…smack me in the head with an apple 13:40:22 From James Paschall : Einstein…matter tells space/time to curve. Space/time tells matter to move. 13:40:59 From Russ Pfeifer : James - the eternal dance 13:41:08 From Glenn Workman : Arthur Dent disproved the apple hypothesis. Throw yourself at the ground but miss. 13:41:21 From Adam Goldman : 42 times, please 13:41:35 From darrellsmith : I’m having the piano tuned on Wednesday. 13:41:37 From Ray Toler : EQ = (Mix level)(Compression)^2 13:41:54 From Ray Toler : *Note: I am not a physicist. 13:42:04 From Ray Toler : So there may be a margin of error. 13:42:11 From Adam Goldman : Ray!!! 13:42:16 From jraoul : Marge Inaverra 13:42:24 From James Paschall : +1, Ray. 13:42:34 From darrellsmith : https://www.sweetwater.com/store/detail/KSM137--shure-ksm137-small-diaphragm-condenser-microphone 13:42:46 From darrellsmith : Glad we got that out of the way 13:43:15 From Edward Auslender : Maybe MOTU could have one webinar a week be 101 and the other 2 for more advanced users… 13:43:15 From Timmy Samuel : This part is what I desperately needed 22 years ago. It’s gold for newbies. 13:43:19 From Ray Toler : Dammit, Darrell, you’re joining Caxa in the temptation line. 13:43:19 From Glenn Workman : Dr. What! 13:43:36 From Adam Goldman : Glenn: he’s on 1st 13:43:44 From Caxa : @Ray haha 13:43:46 From Russ Pfeifer : Timmy - agreed 13:44:00 From darrellsmith : Ray: oops sorry. I forgot about your ailment. 13:45:11 From Ray Toler : My saving grace with Sweetwater is that I started getting into gear brands that they don’t carry, so there’s a much higher inertial force against my wallet. 13:45:12 From Adam Goldman : hey, Darrell….pretty sure you’d walked away for a minute there, wasn’t sure if you saw this one…..Darrell: on top of Matt’s great suggestion for your Mix Engineer, I’d still send over a version of the mix you’re hearing in your head.
of course, that’s just me.