14:44:10	 From Jay Farber : HI Bonnie, Local AFM Member
14:44:57	 From Bonnie Janofsky : Jay, good to see you!
14:45:08	 From Glenn Workman : Hi Bonnie
14:45:47	 From Ella Segretti : Ray, I can’t get DP to see Hybrid in the instrument list :(
14:46:07	 From Bonnie Janofsky : Hi, Glenn
14:47:49	 From Bonnie Janofsky : Jay, forgot that I’m wear my AFM 47 t-shirt - definite give-away.  I’m on the Board of Directors of AFM 47 too.
14:47:54	 From Bonnie Janofsky : wearing
14:48:21	 From Ray Toler : Ella, let me fire up DP and see what mine looks like.
14:48:30	 From Jay Farber : I spotted you name the other day as I was looking at a monthly
14:50:44	 From Bonnie Janofsky : Jay, in the AFM 47 Overture?
14:50:57	 From Ray Toler : I must have uninstalled it in an attempt to prune my “too many toys and distractions” initiative. :)
14:51:15	 From Jay Farber : Yes
14:51:19	 From Jay Farber : Bonnie
14:52:00	 From Jay Farber : Alto Clarinet , toughest blowing instrument I ever played
14:52:44	 From Jay Farber : I wish they would complete the edits so I can go back and watch everything I missed.
14:53:35	 From Timmy Samuel : I’ve offered to help edit the vids, but I don’t know if I sent it to Jim’s email or not.
14:53:50	 From Bonnie Janofsky : Cool!  I’m involved and/or on the boards of multiple groups - ASMAC (American Society of Music Arranger & Composers / ASA - Academy of Scoring Arts / TMA - Theater Musicians Assn, etc. - good to meet you!  What is your instrument and/or composer?
14:53:53	 From Timmy Samuel : If y’all know his real email, I can offer again and try to speed up the process.
14:54:15	 From Glenn Workman : Timmy: I’ve offered as well. His email is jim@motu.com
14:54:20	 From Adam Goldman : Timmy, his email is pretty simple, and just what you’d expect it to be. :-)
14:54:32	 From Jay Farber : Woodwinds, Sax, Composer… Im not studio level for sight reading.
14:54:48	 From Timmy Samuel : That’s what I thought it was. I haven’t heard from him. Oh well!
14:55:21	 From Glenn Workman : Bonnie: Of course great variety here. Myself its primarily piano/B3/synth player, but also composer and will make noise with anything that doesn’t have a bow or double reed. I’m in Maryland.
14:55:30	 From Benoit Widemann : @Glenn: I know what the bundle problem is, the bundle mode of a folder is set with a dedicated bit in the folder information on MacOS. If the folder is stored on a non-Mac computer, this info is lost.
14:55:46	 From Benoit Widemann : But…
14:56:42	 From Benoit Widemann : If the receiving Mac “knows” the bundle’s suffix, its Finder might reset the bundle bit appropriately.
14:57:07	 From jraoul : Just got a buncha soundfonts. They don’t work well on sforzando. Any ideas of alternative soundfont modules for Mac?
14:57:09	 From Benoit Widemann : This might explain why it works on one and not on the other, the Finder may act differently for some obscure reason
14:57:16	 From Glenn Workman : Benoit: Either you or someone else has mentioned this before, where the extension can get screwy. Thanks.
14:57:42	 From Bonnie Janofsky : Piano/Drums - Composer/Arranger - copy/transcribe - I use DP 10 but mainly am a Finale power user!  David Das of MOTU is current ASA president.
14:57:43	 From jraoul : GW — is this the best time and place for the 828 question? If you have it written down somewhere, I can look at that.
14:58:14	 From Benoit Widemann : 828 questions? Can’t stay that late.
14:58:31	 From jraoul : Benoit - insert wry smile emoji here
14:58:39	 From Glenn Workman : 828 FireWire? We can do that here.
14:58:55	 From jraoul : I just don’t want to put Benoit to sleep
14:59:03	 From Benoit Widemann : haha
14:59:05	 From Bonnie Janofsky : Glenn, yes great variety - all levels of expertise and instruments/specialties!  Thank you for this meeting following up with the MOTU workshop!
14:59:32	 From Benoit Widemann : BTW the M4 is great
14:59:55	 From Glenn Workman : Bonnie: I know David Das, but only because we are both MOTU testers and there is constant email contact. Great person and music.
15:00:12	 From Glenn Workman : jraoul: Benoit has an older interface too.
15:00:23	 From Benoit Widemann : A nice feature of M4: monitor is stereo when done on inputs 3-4, dual mono 1-2
15:00:29	 From Bonnie Janofsky : Yes, David is great!!!
15:00:41	 From jraoul : I like the M4 just fine, but miss some things the 828 can do.
15:00:47	 From Benoit Widemann : My old FW interface is not MOTU
15:01:00	 From Benoit Widemann : it’s an old Edirol FA-66
15:01:01	 From Bonnie Janofsky : David does some of the MOTU demos at NAMM in Anaheim, CA
15:01:15	 From Benoit Widemann : still works, but will be replaced with the M4
15:01:32	 From Glenn Workman : MOTU has posted many of David’s NAMM demos.
15:01:47	 From Bonnie Janofsky : Yes!
15:02:09	 From Glenn Workman : Benoit: Can’t help with the Roland/Edirol interface.
15:03:08	 From Ray Toler : I know David Das from back in the motu-mac mailing list.
15:03:16	 From Ray Toler : Really nice guy!
15:13:48	 From jraoul : Me, too — gotta go. Nice to see you all!
15:13:50	 From jraoul : jrb
15:18:01	 From Glenn Workman : https://www.freqsound.com/hughes/
15:19:38	 From Glenn Workman : jraoul. Take care. We can do a zoom separately if you like.
15:20:58	 From darrellsmith : Thanks Glenn.
15:21:33	 From Glenn Workman : That link is to a couple quick piano demos with 2 414s. Some Beethoven, some Elton John, some Peanuts, some Joplin. 2 minutes max of each one.
15:21:59	 From Ella Segretti : glenn wish you could teach me to play half that good!
15:22:15	 From Glenn Workman : Thanks for the compliment :)
15:22:38	 From Ella Segretti : i was married to a pianist and composer, to be honest, she didn’t play as well as those demos …
15:23:15	 From Ella Segretti : Mind you her, and my friend, Yoshiko one of the Honda grand daughters, played way better than my ex :)
15:23:28	 From Ella Segretti : But that’s Japanese who spend 10 years in Germany playing piano
15:23:42	 From Mark Rasmussen : Ella, Do you know Paul Rothpfel (Roxy), he was pianist on a ship I worked on out of Sydney
15:24:14	 From Ella Segretti : Mark, no. I barely now anyone in Australia these days.  Everyone I know are USA or UK … bizarre
15:24:32	 From Ella Segretti : And mostly LA and NY, other than the Motu group which is well everywhere
15:24:43	 From Glenn Workman : glenn@freqsound.com
15:24:47	 From Mark Rasmussen : OK, I was in Brisbane I Sydney 4 month and 5 month in 2011 2012s
15:25:04	 From Ella Segretti : I got back to Sydney late 2011 and was there in 2012
15:25:17	 From Mark Rasmussen : Our ship was across from opera house
15:25:30	 From Ray Toler : Darrell, my last home studio in Milwaukee was right on a city bus line street. Most of the time it was inaudible, but when I was doing “delicate” vocals, etc., they’d show up. I just learned to work around the schedule. :)
15:25:31	 From Ella Segretti : Overseas Passenger terminal, you probably saw me :)
15:25:39	 From Ella Segretti : I use to spend a lot of time around the Quay
15:25:46	 From Mark Rasmussen : :)
15:25:58	 From Glenn Workman : motunation.com
15:26:01	 From Ray Toler : I also ended up writing a track named “Ode to the Car Alarm Outside My Window”
15:26:17	 From Timmy Samuel : Ray: :-)
15:31:26	 From Steve Sklar : Ella, AIR referred me to this page re: Hybrid
15:31:28	 From Steve Sklar : https://www.motunation.com/forum/viewtopic.php?f=1&t=66751
15:35:28	 From Ella Segretti : Steve, yeah doesn’t seem to really solve the issue.
15:35:48	 From Steve Sklar : I haven’t looked yet.
15:36:12	 From Tom Lewis : My neighbor asked what was best time to schedule his whole house generator test. Agreed to 900a on Weds. Ours is 300p on Tue. No vocals for 5 minutes at those times
15:36:17	 From Timmy Samuel : Okee dokee you fine folks, must dash. Have a great weekend all!
15:36:26	 From Tom Lewis : Bye Timmy
15:42:20	 From Steve Sklar : Nice to finally make it to one of these.
15:42:43	 From Neil McCarroll to Glenn Workman (Privately) : bye Timmy
15:42:48	 From Steve Sklar : Umm… I was told there was a buffet?
15:42:57	 From Neil McCarroll : bye timmy
15:43:31	 From Adam Goldman : Steve….Jose never made it with the Catwiches
15:44:23	 From Glenn Workman : Stephanie, where’s the cat?
15:45:00	 From Stephanie Gauthier : he's in the background taking a nap. =)
15:49:54	 From Ray Toler : We had a Gulbransen that was built in the 40s.
15:50:32	 From Ray Toler : I was always just floored when I’d go back to it to discover how light the touch was compared to my hammer action keyboards.
15:59:40	 From Glenn Workman : https://www.sonarworks.com/reference
16:01:23	 From Bonnie Janofsky : The Gulbransen rather than spinet says “studio console” - supposed to be a larger sound board if I recall correctly.  My father played woodwinds with big bands (Cugat, Shaw, Goodman, Dorsey Bros.) many years ago!  I was 9 when my parents bought that piano in 1963.  From Finnegan’s Pianos on Beverly Blvd. just west of LaBrea in LA - later became David Abell Pianos.
16:01:46	 From darrellsmith : Thanks Bonnie
16:02:18	 From Ray Toler : Ours was also a studio console. It had very fancy carved legs.
16:02:47	 From Glenn Workman : $299 US : https://storeus.sonarworks.com/collections/reference-4/products/reference-4-studio-edition-with-mic
16:02:51	 From Glenn Workman : With mic
16:04:31	 From Russ Pfeifer : Bonnie - Very Cool
16:05:41	 From Glenn Workman : I can dance to it, I give it an 8.
16:05:52	 From Tom Lewis : :) Glenn
16:06:13	 From Bonnie Janofsky : I remember my dad asking the sales man to play the piano then they bought it on the spot!  At the time it was $1,000 on sale for $800.  Later when I became interested in drums, my father thought why would I want to schlep drums but shortly after, we started schlepping keyboards as well!!!  Picked up drums in the college jazz band - started on piano but was really drawn to drums, especially for big band playing and my first composing and arranging was also for big band and I’ve had my own big band!
16:07:40	 From Glenn Workman : Bonnie: Very cool.
16:07:50	 From Tom Lewis : Bonnie, cool piano. Ours was a spinet; started lessons in 4th grade in PA. Couldn’t move it to FL in ’98 (w/ baby grand) so gave it to our nephew. Our great niece is now taking lessons on it and we visit on FaceTime (due to Covid)
16:09:09	 From Bonnie Janofsky : Tom, sorry you couldn’t move it to FL but glad your great niece is now taking lessons!
16:10:12	 From Tom Lewis : I use one Avantone. Listening in mono on small speaker is a helpful reference… uncovers phase issues
16:10:51	 From Neil McCarroll : My piano looks very similar - a Starck Oricoustic from Chicago - it’s rare here in the UK but I adore it. Seeing your piano makes me think mine is also early 1960s
16:11:01	 From Glenn Workman : Tom: Avantone or Auratone?
16:11:36	 From Tom Lewis : Avantone it’s an Auratone copy
16:11:50	 From Glenn Workman : Tom: Thanks. Just didn’t know the brand.
16:12:39	 From Tom Lewis : Glenn: specs out like Auratone, at the time I couldn’t find one so tried the Avantone
16:14:45	 From Bonnie Janofsky : I had looked up the piano online long ago - built in 1962 - wonderful if Gulbransen changed names at some point - think I had read that it had.
16:20:57	 From Glenn Workman : MOTUnity!