12:15:56 From Roger Carr : Hi all. 12:16:12 From Glenn Workman : Hi Roger. 12:16:31 From Robert Turner : Howdy from New Mexico! 12:16:57 From Roger Carr : Glenn - did you manage to shed any light on my question about compressing - and saving - note velocities? 12:17:05 From kennethpage : A beautiful day for a Webinar in Kansas City. 12:19:19 From Glenn Workman : Haven’t had time yet. I created the project during the webinar yesterday, then had work all day after. 12:21:09 From darrellsmith : Hello folks. 12:21:32 From Adam Goldman : Hey, Darrell 12:21:46 From Jay Farber : I am an apple consultant for 25 years if anybody needs help remote or otherwise 12:22:11 From darrellsmith : Good to know Jay. 12:22:18 From Jay Farber : 818-355-1866 12:22:37 From darrellsmith : Thanks Jay. 12:22:47 From Russ Pfeifer : Thanks Jay, That’s super cool 12:23:12 From Glenn Workman : Thanks Jay. 12:23:19 From Jay Farber : Happy to help 12:23:31 From Robert Turner : Jay: I have 4 Apple SCCI drives that came out of my Mac Clone which the power supply died about 6 years ago. Is there any way I can recover the files on these drives? 12:23:58 From Jay Farber : Was it a raid or individuals 12:24:11 From Robert Turner : Individuals. 12:24:56 From UltraVioletIdea.com (gReg Silvus) : Adam: Your volume is a little low 12:25:02 From Roger Carr : Glenn: Sure, understood. If you get a minute, I’ll check with you Tuesday… Thanks 12:25:03 From Jay Farber : There are cables and or external enclosures that can be had fairly cheap SCSI? 12:25:24 From Jay Farber : Older should Be SCSI 12:25:48 From Robert Turner : There is probably 100-120 DP files spread across the 4 drives that I would like to get converted to Standard MIDI files. 12:26:16 From Glenn Workman : Roger: Make sure I have your email and I can send you any update before then. glenn@freqsound.com. 12:27:20 From Robert Turner : Jay: The MIDI files were created in DP 7.1. 12:27:36 From Jay Farber : I have old Cpu’s going back to Vrs 1 12:28:30 From Robert Turner : It's not a big deal if I don't recover the files as I have MP3's of all the files which means I can re-build them in DP10 if need be. 12:28:58 From Jay Farber : Ifi it’s a SCSI cables should be cheap to convert from scsi to USB 12:29:06 From Adam Goldman : Ray: Washington Insiders? 12:29:30 From Robert Turner : Cool, Jay. I will look into that. Thanks. 12:29:48 From Jay Farber : ANYTIME 12:30:03 From Glenn Workman : I’ve got TONS of SCSI cables (almost every connector possible) and still have older Macs with SCSI on them. 12:30:07 From Jay Farber : jfmusic@me.com 12:30:11 From Terry Leigh Britton : Good day, everyone! Great to be here again! :-) 12:30:14 From Ray Toler : Adam - yes! That would be good, as would the Washington Lobbyists 12:30:22 From Adam Goldman : Lobbyists! Yes! 12:30:32 From Caxa : I’m shivering here! The temp has dropped to 26c 12:30:34 From Adam Goldman : (except they probably get paid more than they should) 12:31:10 From Roger Carr : Glenn: Cheers, I’ll send you an email… 12:31:15 From Glenn Workman : AKG 414s are excellent for that - DPA mics etc. 12:31:21 From Jay Farber : Glenn hope I’m not stepping on toes. 12:31:37 From Glenn Workman : Jay: Not at all. Any help is welcome. 12:31:39 From Daniel Scott : Cole ribbon mics are awesome 12:31:42 From Jay Farber : thanks 12:32:28 From Ray Toler : I still need to pick up a pair of 414s. 12:32:35 From Caleb Deupree : I like the Earthworks Piano Mic system. https://www.purewaveaudio.com/earthworks-pianomic-system-pm40 12:32:44 From Caleb Deupree : Two mics inside the piano 12:32:49 From Adam Goldman : AKG makes 414s in matched pairs…they’re great 12:32:56 From Steve Sklar : Isn’t Blumlein two bidirectional mics? 12:33:03 From Robert Camacho : Good Day To anyone who’s willing to help…I am having a difficult time to “get” Matt’s explanation of adjusting audio file volume in the Sequence Editor window, and I am just not seeing these adjustments he so quickly makes and could use another explanation. Thank you. 12:33:22 From Robert Thomas Mein : Still can’t sort out my internal Mac microphone. DRAT 12:33:25 From Caleb Deupree : +1 12:33:34 From Ray Toler : Robert, today would be a good day to ask him to show it again. 12:33:56 From Robert Thomas Mein : To show what again? 12:34:02 From Gregg Seibert : AEA R88 is beyond awesome for piano in a studio You are THERE. 12:34:19 From Adam Goldman : Steve…2 unidirectionals 12:34:20 From Glenn Workman : Robert Mein: In the Zoom preferences, there is an audio test section. Have you tried working with that? Are you using the internal mic of the Mac? 12:34:23 From Jay Farber : ROBERT what CPU? 12:34:28 From William Campbell : AEA R88 is my favorite, along with a couple small condenser mics… as long as you keep in phase. 12:34:46 From Robert Camacho : Ray, at the risk of redundancy, I’ll ask again. 12:34:49 From Adam Goldman : Robert C: Matt was using Bite Gain (under Audio Menu) 12:34:53 From Ray Toler : Sorry, Robert Mein, was responding to Robert Camacho’s question. 12:35:04 From Glenn Workman : PZM for room mics in my world. 12:35:04 From Jay Farber : Ah 12:35:28 From William Campbell : @Darrellsmith: I’ve got almost the same setup. A Yamaha C7 in my living room and my control room elsewhere. I’d be happy to trade info... 12:35:39 From Steve Sklar : Adam: https://en.wikipedia.org/wiki/Blumlein_pair 12:35:41 From Robert Thomas Mein : Yeah. I’ve tested it 3 ways from Sunday. No clue. Will contact my Mac guru later. Maybe something didn’t get connected when I replaced my audeo board. 12:35:58 From Robin Shenck : not recording 12:36:03 From Ray Toler : I’ve always loved the C7. Was my favorite piano to play when I had access to a bunch of different brands. 12:36:08 From Jay Farber : Record late night, when its cooler out 12:36:12 From Jay Farber : Less AC 12:36:18 From Daniel Scott : here’s a link: you’ll want a pair —https://vintageking.com/coles-4038-single?gclid=EAIaIQobChMIoMGl64-b6wIVhsDACh3u6gWDEAQYASABEgKvDPD_BwE 12:36:36 From Steve Sklar : Blumlein is like XY with bidirectional mics. 12:36:36 From Robert Thomas Mein : Wierd thing is, I tried using my connection through my 828 interface with my good mic to chat to a friend, and she said it was distorted. 12:36:46 From Jose Gonzalez Palma : Seek and Destroy! 12:36:49 From Bil VornDick : put a quilt over the kitchen opening 12:37:11 From Jay Farber : Is there a Fuse in a Motu traveler? 12:37:56 From Ray Toler : Neil’s making me want to switch to my laptop and go outside. 12:38:11 From Neil McCarroll : maybe try a boundary mic (physically in contact) 12:38:42 From jraoul : Or use it as a hammer 12:38:45 From Neil McCarroll : Come on over Ray! 12:38:46 From Jay Farber : And Beer spills 12:38:59 From Adam Goldman : Steve: Nice. 12:39:02 From Ray Toler : “Smells like beer and desperation.” “Ok, how about $75, then.” 12:39:20 From Adam Goldman : Billy Joel: “and the microphone smells like a beer" 12:39:42 From Eric Brown : I’ve actually used a 58 as a hammer, plugged it back in and it worked! 12:40:09 From Neil McCarroll : The Bluthner piano sound favoured later by the Beatles is timeless and delicious 12:40:52 From Jay Farber : YES 12:41:00 From Robert Camacho : Absolutely 12:41:05 From Glenn Workman : Whoever asked the other day about using an older FireWire MOTU interface in Catalina - I got this working on 2 completely different Macs with both an UltraLite (original) and 828mk3. Let me know if you need help doing this. 12:41:05 From Francisco Lopez : yes 12:41:10 From Robert Thomas Mein : If it was an RCA mic used on the Beatles, 95% sure it was one of their great ribbon mics. I worked for RCA in LA in the 80s, where the repaired those old gems. 12:41:10 From Eddie Dillon : yes, here, here! 12:41:19 From Ray Toler : Send Russ a t-shirt. 12:41:35 From Russ Pfeifer : YES 12:43:34 From Adam Goldman : Ray’s video from this angle is all purple too :-) (Prince Ray?) 12:43:34 From Ray Toler : We should call that theme “None More Funky” 12:43:44 From Adam Goldman : yes to NMF 12:44:37 From Glenn Workman : Jay Farber: All fuses used in MOTU products are posted here: https://motu.com/techsupport/technotes/what-kind-of-fuse-does-my-motu-hardware-use 12:44:59 From Jay Farber : Thanks Glenn 12:45:32 From Glenn Workman : There is info on the Impulse Responses he’s talking about - how to find them, how to load them - in this webinar document. https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 12:45:42 From jraoul : Is there a way to create folders to organize the IR presets? 12:45:48 From Jose Gonzalez Palma : Sweet thanks Glenn 12:46:11 From Adam Goldman : JR: I wish there were too…they’re all skewed when I loaded them into Proverb, rendering them pretty useless 12:46:12 From Glenn Workman : jraoul: Not sure, worth trying in the Finder to see what happens. Let me see. 12:46:22 From Bradley DePasse : The Dynamic EQ is super cool 12:46:31 From Ray Toler : Dynamic Equalizer has been the most difficult one for me to get my head around and use effectively. 12:47:03 From Adam Goldman : JR: love the background by the way 12:47:06 From Bradley DePasse : It’s like frequency sensitive compression and expansion 12:47:06 From Russ Pfeifer : Pfeif over Four 12:47:09 From Peter Giacomini : +1 on the Dynamic EQ 12:48:20 From Glenn Workman : Anyone who tried to download the Greg Tripi None More Black Theme that Matt was showing yesterday. The file he had in DropBox didn’t have the “package” and showed the contents of the theme instead. He sent me the correct file, and I’ve got it zipped in the motuuserfiles folder. Instructions are also included in the webinar document. https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 12:48:22 From jraoul : Adam - I got a million of 'em 12:48:36 From Ray Toler : I’ve now got >20k Omnisphere patches, so i like those odds. :) 12:48:59 From Adam Goldman : JR: Keep ‘em coming. :-) 12:49:02 From Steve Sklar : Glenn: did you ever add the impulses I shared? Lotsa good ones in there! 12:49:52 From Glenn Workman : Steve: I thought I put them on that same directory. I may not have put that in the document, but I don’t remember at the moment. 12:50:23 From Steve Sklar : Glenn: Let me know if you want the link again. 12:50:56 From Glenn Workman : Steve: Got it, its there. I just need to add that to the document that mentions the other IR impulses, so they know what the file is. 12:53:22 From Eric Witt : What is a ping hit? 12:53:38 From Eric Witt : Is it the sound he is talking about? 12:53:40 From Ray Toler : Eric, he’s just calling that metallic strike sound a ping. 12:53:43 From Bob Turner : We dint hear the Boom! 12:53:57 From Eric Witt : Ray - Thanks it is what I thought. 12:54:18 From Eric Witt : So is he using busses? 12:54:18 From Jay Farber : Thanks 12:54:18 From Bob Turner : There it is!! 12:54:38 From Bradley DePasse : better now. Zoom probably thinks it’s noise and trying to cancel it 12:54:43 From Ray Toler : Eric, yes… he’s using a send on the sound’s channel to route it to the reverb via a bus. 12:55:10 From Eric Witt : Thanks Ray. 12:55:28 From Bradley DePasse : Can’t hear it 12:55:31 From Ray Toler : Sound keeps cutting out. 12:55:38 From kennethpage : cutting out 12:55:47 From jraoul : It’s a little too loud, and triggering a gate maybe? 12:55:51 From Reed Robins : Use original sound?? 12:56:00 From Jay Farber : What was the name of the impulse response download 12:56:05 From chris : YES 12:56:07 From Simon Foster : better 12:56:07 From Jose Gonzalez Palma : YES 12:56:08 From Eric Brown : Adam was getting lost too. 12:56:21 From Ray Toler : Zoom is categorizing Adam as noise. 12:56:22 From jraoul : Jay - I think it was Europa 12:56:39 From jraoul : Or the whole package is Brucasti (sp?) 12:56:41 From Jay Farber : ON the Downloasd List? 12:56:49 From Adam Goldman : I think I AM noise….mostly 12:56:51 From Glenn Workman : Jay: The link to those Impulse Responses is in this document (and how to put them into DP):https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 12:57:02 From Jay Farber : Thanks 12:57:04 From jraoul : Gate you, Adam 12:57:11 From Ray Toler : Pattern gate. 12:57:31 From Adam Goldman : better than a gated community….or MOTUnity, hattip to Darrell 12:58:57 From Adam Goldman : gooey-er 12:59:30 From Reed Robins : Love this plug in 12:59:37 From Adam Goldman : Reed: +1 12:59:49 From Reed Robins : I often go to this instead of UAD 13:00:17 From Ray Toler : Digging the track. Forgetting to watch what he’s doing. 13:00:38 From Bradley DePasse : All of the MOTU stock plugins are OUTSTANDING!! 13:00:43 From jraoul : Could he wax a little bit about the differences btw the compressors, why he uses one rather than another? Or is that just a matter of taste? 13:01:13 From jraoul : I guess he’s doing just that, but I’m not hearing the difference thru Zoom 13:01:35 From Glenn Workman : jraoul: Since many are modeled after “classic” hardware, they are trying to emulate the particular character of those devices. 13:02:09 From Jared : Leveler instructions say don't use 'Bypass" use stnby instead. 13:02:18 From Eric Witt : Do you guys hear a big difference between when the bypass is on and off? 13:02:40 From Jared : Bypass causes Leveler to reset and have to warmup again. 13:02:44 From Glenn Workman : Jared: I think that’s because of the “warming up” feature he’s talking about. 13:02:46 From jraoul : Eric - not I, but that could be my set-up 13:03:00 From Neil McCarroll to Glenn Workman (Privately) : Audio not great through iPad speakers so not a lot of difference. 13:03:12 From Ray Toler : Eric, yes, but it is something you kind of have to train your ears to listen for. I didn’t hear the effects of compression for a long time, and it was one of the more frustrating aspects of my learning journey in audio work. 13:03:17 From Eric Witt : jroul - Understand 13:03:41 From Neil McCarroll to Glenn Workman (Privately) : sorry Glenn - did it again - didn’t mean it to be private. I have fat fingers! 13:03:43 From Eric Witt : Ray - OK thanks 13:03:47 From Ray Toler : There are times where you really want to hear the compressor working, but most of the time, it’s a more subtle thing that just evens everything out. 13:04:16 From Ray Toler : You can think of a compressor like a robot that has its finger on the volume fader. 13:04:24 From Glenn Workman : Neil: no problem, the Private Chat feature just started appearing on the recent webinars. I think it was the change to add “co-hosts” that enabled it. 13:04:52 From Ray Toler : I use MW EQ on pretty much every track. Love this one. 13:05:11 From Glenn Workman : Sensitivity to compression was a lot like sensitivity to pitch for me. Once you have that acuity, its hard NOT to hear it. 13:05:12 From Adam Goldman : #1 go to for me, Ray 13:05:15 From jraoul : Ray - I get that general concept, but don’t understand why to use one comp in one situation, another in another — that kind of subtlety eludes me 13:05:30 From Reed Robins : +1 adam 13:05:38 From kennethpage : jarful me to 13:06:12 From Ray Toler : Jraoul, same here. I’m slowly “getting” it, but am still relying a lot on presets to get “character” because I haven’t ever completely gotten how to create some of those more radical settings myself. 13:06:18 From kennethpage : jraoul me to 13:07:04 From Glenn Workman : You can make killer wah-wahs with narrow parametric settings in this plug-in. 13:07:12 From Eric Witt : What does midi learn do exactly? 13:07:21 From Ray Toler : There are times when I’m watching the big name pros on Youtube videos and they’ll dial in some compression and talk about how much better it sounds, and I don’t hear a difference. 13:07:36 From Adam Goldman : EricW: lets you assign a midi control to the given selected element 13:07:40 From jraoul : Emperor’s new compressor? 13:07:41 From Glenn Workman : Eric: Lets you take any MIDI control source (slider, fader, pedal) and assign it to an onscreen control. 13:07:42 From Ray Toler : Eric, MIDI Learn allows you to connect a controller on your midi device to a setting in a plugin. 13:07:46 From Jared : Isn't there a "wah" plugin? 13:07:54 From Adam Goldman : Jared: yes 13:07:59 From Russ Pfeifer : I’ve felt the same way Ray 13:08:04 From Glenn Workman : Jared: There is, but this would just give you other flexibility. 13:08:04 From Eric Brown : That is Tight! 13:08:09 From Adam Goldman : Apparently not one of Matt’s top 10 :-) 13:08:25 From Eric Witt : Thanks Glenn Adam and Ray. 13:08:29 From Ray Toler : “Auto-wah. Disdained by Matt LaPoint” 13:09:13 From Ray Toler : Eric, regarding compression and EQ, the magic rule is still “if it sounds good, it is good.” 13:09:30 From Simon Foster : @Ray - the audio on the youtube video is also probably compressed and converted to a lower resolution.. I often can’t hear a differnce 13:09:53 From kennethpage : Simom, good point 13:09:58 From jraoul : Missed it — what’s the difference btw the roman numerals and the Q 13:10:04 From Ray Toler : Simon, true. I try to listen in whatever the highest rez is, but I know there’s still some stomping going on. 13:10:13 From Ray Toler : Jraoul, it’s how narrow the band is. 13:10:15 From Adam Goldman : JR: a preset ‘width’ 13:10:44 From Glenn Workman : Or not... 13:11:30 From Ray Toler : I’m going to have to play with this one more. Think I loaded it once and then forgot about it. 13:12:21 From Neil McCarroll : Recently watched Jacob Collier video where he was praising LFO Tool plug-in - wonder if Matt is about to show us a built-in solution that will save me 150 bucks! 13:12:22 From kennethpage : I’ve never tried this synth. 13:12:22 From Ray Toler : Eric, this would be a good place to use MIDI learn. Connect a knob or slider on your controller to the filter cut off. 13:14:34 From Eric Witt : OK thanks Ray. 13:14:50 From Bradley DePasse : You could consume an entire Saturday on that plug-in and not remember what day of the week it is! 13:14:58 From jraoul : Distortion might just be the octave-izing algorithm 13:15:03 From Benoit Widemann : Lower trigger would help 13:16:09 From Ray Toler : I wish there were more options on the longer end of the LFO periods. I like to do 8, 16, and even 32 bar sweeps on things. 13:16:27 From Ray Toler : But I end up drawing that in most of the time. 13:16:49 From Ray Toler : That’s one of my favorite things in DP is being able to drag a waveform of some sort in the controller lane. 13:17:12 From Benoit Widemann : What are the macros? 13:17:34 From Glenn Workman : And here it comes... 13:17:43 From Benoit Widemann : :) 13:17:48 From kennethpage : there you go Benoit 13:18:16 From Jared : absolutely LOVE pattern gate! 13:18:52 From Glenn Workman : Benoit: Page 60-61 of the Plug-ins guide: 13:18:52 From Glenn Workman : Macros Macro controls allow you to change several Parameters simultaneously. For example, increasing a Macro knob could simultaneously increase the cut-off frequency of Filter1, decrease the volume of the sub-octave voice and pan the Amp’s output to the left. Macros provide a convenient way of dramatically changing the sound of MegaSynth. Macros help with automation, too, because automating one macro is a lot simpler than automating many individual parameters. Macros are ideal for connecting to an external hardware controller knob using Digital Performer’s Learn Controller feature. MegaSynth provides two macros. As with the modulators, each macro can be connected to multiple module parameters, but each module parameter may only be connected to one macro at a time. 13:18:57 From Bradley DePasse : Jared: Totally! 13:19:36 From Benoit Widemann : Thanks Glenn 13:19:41 From jraoul : Glenn - wel sed! 13:19:59 From Glenn Workman : Copy/Paste is one of my best friends. 13:20:17 From chris : Before I forget I came across some research that those of us who spend a lot of time critically listening with headphones may find useful. It’s an extensive list of headphones and EQ curves to make them as neutral as possible. The research is here https://github.com/jaakkopasanen/AutoEq and the curves are here https://github.com/jaakkopasanen/AutoEq/tree/master/results. 13:20:34 From Ray Toler : Cool, thanks, Chris! 13:21:00 From Glenn Workman : Thanks Chris. 13:21:39 From Steve Sklar : Chris, cool! Been pondering repairing vs replacing ancient AKG 240s. 13:21:51 From chris : Hope this helps the group 13:22:00 From Neil McCarroll : thanks Chris :) 13:22:12 From Jose Gonzalez Palma : Thanks Chris 13:22:25 From Jay Farber : I just put knew pads on my 240’s what a difference 13:22:30 From kennethpage : I’d like to hear the complete mix. 13:22:32 From Russ Pfeifer : Thanks Chris 13:22:36 From Jay Farber : Sheepskin from china 15 Bucks 13:23:13 From Ray Toler : Jay, just did the same thing on my MDR-7506s. Even comfier than they already were, and I’m hoping these won’t start flaking like the pleather stuff does. 13:23:38 From Jay Farber : Fingers crossed , Replced Pletha for Sony, Immedaitly exploded 13:23:59 From Jay Farber : SO much for spell check 13:24:10 From Eric Brown : wonder why he isn’t using Liveroom B? Personal Preference I guess. Does sound great though. 13:24:31 From Tom Lewis : Thanks Chris, have been looking at new phones. This will help! 13:24:42 From Glenn Workman : Your Ear Mileage May Vary: I’m very fond of the clarity and balance of the Audio-Technica M50 phones. Had to replace some older AKG 40 (no longer made, nice leather cups) that were stolen. The BIG plus for me is I can wear these for long times (8 hours) and don’t feel fatigued and especially they don’t press too tight on my ears (the Pinna - the part of the ear you see) so they don’t hurt after long use. 13:25:38 From Russ Pfeifer : Pressed Pinna 13:25:47 From Adam Goldman : Today’s band name 13:25:50 From jraoul : Russ — I loved their first album 13:25:51 From Ray Toler : I’ve been using 7506s for so long that I can get reasonably decent mixes out of them. I’ve also found them to be just as good as noise-canceling headphones when flying. 13:26:03 From Caxa : For what it’s worth, I love my AKG 712’s which I can wear all day. 13:26:25 From Eric Brown : Do you use different cans when recording and mixing (that’s if you reference in cans)? 13:26:38 From Reed Robins : @Ray, I’ve been enjoying Sonarworks Reference 4 with he 7506’s 13:26:58 From Reed Robins : I was not quite aware how hyped they are. 13:27:08 From Reed Robins : I too have been using them forever 13:27:08 From Ray Toler : I only use the 7506s, but I have to make sure I’m using my “studio” set and not the set I use for DJing. :-) 13:27:20 From jraoul : Tx, Adam 13:27:35 From Adam Goldman : ;-) 13:27:40 From Glenn Workman : Ray: For me the 7506s were just too bright, or I had to press them against my ears to hear the bass. I also still have my high frequency hearing (unusual for folks my age). Other folks I work with are always making things too bright for me. 13:28:00 From Ray Toler : Reed, yeah, it’s kind of like the old NS10s. They’re not accurate, but I know where they’re hyped, so I can get decent mixes out of them and not overcompensate in the wrong places. 13:28:20 From Tom Lewis : After all the Solo examples, can we then hear the whole thing w/ plugins? Thanks 13:28:50 From kennethpage : Yes Tom, I’d like to hear the whole mix. 13:29:00 From Benoit Widemann : @Glenn same here. Old gezzzzers win. :) 13:29:10 From Ray Toler : Interesting, Glenn - I don’t have a problem with the low end on them, but I do have to be careful about not overbrightening. I don’t have golden ears, though. 13:29:19 From kennethpage : I’m older than everyone. 13:29:23 From Benoit Widemann : some ringing though 13:29:31 From Glenn Workman : Ray/Reed: The idea of reference monitor to me is something that is a good reference for you. I still use some 30 year old Tannoy NFM-8s (always couldn’t take the harshness of NS10s). Not because mine are the “best” monitors, but I know what stuff sounds like though them so they are MY best reference. 13:29:34 From Ray Toler : Sometimes I do a “car check” by sending tracks to my 20 something nephew. 13:29:41 From jraoul : Even I can hear that difference! 13:29:41 From darrellsmith : Chris: Do you apply the EQ adjustments on your mix buss? 13:30:01 From Timmy Samuel : I think bringing up response in the leveler will make it a little more aggressive? 13:30:01 From Ray Toler : Glenn, exactly. It’s *my* reference set. 13:30:37 From Adam Goldman : Darrell: Waves Renaissance Compressor. ;-) 13:30:47 From Adam Goldman : (since you asked yesterday) 13:30:57 From darrellsmith : Thanks Adam. 13:31:03 From chris : @darrell - just found this yesterday plan to try it this weekend and yeah I’ll be doing as an insert on the master in DP 13:31:14 From Adam Goldman : hopefully that helped to clarify JR 13:31:27 From Benoit Widemann : What’s the easiest way to A/B inserts (or whatever)? 13:31:30 From jraoul : Def helped — tx again 13:31:31 From Ray Toler : I’ve been replacing more and more of my 3rd party stuff with MOTU plugs, but there are still a few, the Waves Renaissance line being a good example, that I still love. 13:31:50 From Adam Goldman : Benoit: Option clicking any plug in the insert position Bypasses it 13:31:50 From darrellsmith : Chris wins the day. I work on phones a lot because my room is not treated. This is awesome. 13:32:05 From darrellsmith : Thanks Chris. 13:32:25 From chris : No problem happy to contribute where I can 13:32:37 From Benoit Widemann : An A/B plugin would be cool. 13:33:02 From Benoit Widemann : with automatable switch :) 13:33:06 From Eric Witt : What is negative feedback? 13:33:19 From Glenn Workman : MOTU After Party (tm) today for those interested. Meeting ID: 495 946 0805 Passcode: 863769 13:33:37 From darrellsmith : Thanks Glenn. 13:33:38 From Glenn Workman : Eric: Opposite phase of the waveform. 13:33:40 From Adam Goldman : what’s the frequency, Kenneth, I thought. 13:33:48 From jraoul : Eric — that was a terrible question! (example of negative feedback, not serious) 13:33:49 From Eric Witt : Thanks Glenn. 13:33:50 From John Boyle : Adam beat me to it 13:34:03 From Ray Toler : Benoit, I use a plugin called “Perception” from MeterPlugs.com for A/B comparisons. I don’t use it as much as I probably should, but I’ve found it useful. 13:34:15 From Eric Witt : jarful - lol 13:34:27 From Benoit Widemann : @Ray: thanks, will take a peek there 13:34:38 From Adam Goldman : John B: I think we’re possibly showing our age 13:35:01 From Ray Toler : The primary advantage of Perception is that it does gain matching so you really hear only the sonic difference, not a loudness difference. 13:35:06 From John Boyle : @Adam, in my mind I am only nineteen……. 13:36:06 From Adam Goldman : JB 16 here 13:36:11 From Adam Goldman : or maybe 12 13:36:22 From Jay Farber : 16 sounds about right 13:36:41 From John Boyle : “Met” more women at 19…. 13:36:47 From Jay Farber : yep 13:36:49 From Benoit Widemann : Can you mute the send? 13:36:56 From Ray Toler : I’m still somewhere in the 16-24 range, but with my cynical filter pegged to the max. 13:37:03 From Jay Farber : LOL 13:38:00 From Warren McRae : yes Benoit, however if the delay has feedback it will continue after the mute 13:38:38 From Bradley DePasse : Gotta go guys! Have a great weekend! 13:38:44 From Adam Goldman : bye Brad 13:38:47 From Benoit Widemann : @Warren yes, that’s the idea. In some cases it might be more appropriate than bypass 13:38:49 From darrellsmith : See ya Bradley. 13:38:50 From Adam Goldman : stay safe 13:38:50 From Ray Toler : Have a great weekend, Bradley! 13:39:05 From Bradley DePasse : Have a great week end! Love MOTU! 13:39:24 From Glenn Workman : Benoit: Yes, sends are automatable. 13:39:36 From Benoit Widemann : Great! Even the mute? 13:39:44 From Adam Goldman : yep 13:40:02 From Neil McCarroll to Glenn Workman (Privately) : bye Brad :) 13:40:12 From Neil McCarroll to Glenn Workman (Privately) : aggggghhhhhhh!!! 13:40:18 From Ray Toler : “This is the madness I just created.” That should be the opening of every email I send. 13:40:24 From Tom Lewis : Have a great weekend Bradley 13:40:38 From Adam Goldman : ahhh…the deep end. Sigh. 13:40:43 From Neil McCarroll : bye Brad :) 13:40:53 From jraoul : That’s the first song on “Pressed Pinna" 13:41:11 From jraoul : Ray 13:41:17 From John Boyle : Chemical Brothers, fascinating music 13:41:18 From Glenn Workman : Benoit: Yes, even the Mute. 13:41:21 From Adam Goldman : JR :-) 13:41:32 From Ray Toler : I’ll have to look that one up, Jraoul. 13:41:40 From darrellsmith : Chemical Brothers guests next week 13:42:33 From Ray Toler : lol… ok, I think I understand the previous reference now. Was thinking Pressed Pinna was an existing album. :D 13:42:48 From Ray Toler : Got very strange results back on the search. 13:42:52 From Glenn Workman : Repeat post: Whoever needed help with getting an older MOTU FireWire interface to work with a new Mac feel free to contact me. glenn@freqsound.com - or attend today’s MOTU After Party (tm). Meeting ID: 495 946 0805
Passcode: 863769 13:44:25 From Dan Wool : Presets for the Ensemble Chorus would be good. I’ve almost never used it because the interface is baffling…and life is short. 13:47:01 From darrellsmith : Timmy where are you today? 13:47:33 From Dan Wool : …and yeah. Why no presets for Dynamic EQ either? :( That interface is easy enough, but presets really help demo what a plugin can do 13:47:37 From Timmy Samuel : Nebraska sandhills 13:47:45 From Russ Pfeifer : This Madness I Just Created - a Pressed Pinna Pinnacle 13:47:48 From darrellsmith : Timmy: Nice pic. 13:48:03 From Timmy Samuel : thank you! 13:48:58 From jraoul : I’m deaf. 13:49:01 From kennethpage : Very Subtle 13:49:03 From Eric Brown : I love Ensemble Chorus. Use it with background vocals for thickening. 13:49:05 From Adam Goldman : Ray: at all helpful for the Dynamic EQ? 13:49:11 From Benoit Widemann : How the look-ahead param affects the result? 13:49:31 From Ray Toler : Yeah… it’s kind of like my struggle with compression, though. I understand it, I just never seem to use it effectively. 13:50:07 From Ray Toler : Although I’ll say I now understand this plug a lot more since I started using Ozone. 13:50:16 From Adam Goldman : JR changes were mighty subtle 13:50:24 From Adam Goldman : Ray: cool 13:50:34 From jraoul : Would it be true to say Dynamic EQ is more of a compressor than an equalizer? An eq-based compressor, but still… 13:50:50 From Adam Goldman : JR: I think it’s really both, but connected to one another 13:51:09 From Ray Toler : A lot of the time I need extreme examples to fully grok something. I didn’t really understand sidechain ducking until it became a really overused effect in EDM. 13:51:12 From Neil McCarroll : Can work as a de-esser 13:51:39 From Glenn Workman : If you need to ask a question: you can open the Participants panel and click the Raise hand button. Adam or Matt will send a request to unmute your mic to ask your question. 13:52:28 From kennethpage : Ahh, finally the full mix. 13:52:28 From Steve Sklar : Ray, I think it’s a matter of taste. Some folks find the pumping to add excitement, and some, like Bruce Sweden hate it, use minimal compression because the feel it lessons impact of attacks. 13:52:36 From Glenn Workman : Cue and A? 13:53:04 From Neil McCarroll : Cue and A/B 13:53:12 From Ray Toler : Steve, definitely a taste, trend, and style thing. I only brought up the pumping thing because it was that *extreme* use that finally got me to understand how sidechain ducking worked. 13:53:24 From Adam Goldman : QuA/B? 13:53:48 From Adam Goldman : this video would be super weird without this track 13:54:32 From Eric Witt : Or if there were a track with a love song from the 1980s. 13:54:37 From Eric Witt : Adam 13:55:03 From Russ Pfeifer : Lol 13:55:11 From Adam Goldman : EW: yes 13:57:15 From Jared : I keep the "trim" plug handy to monitor levels and pan for staging 13:57:16 From Adam Goldman : constant A/B-ing 13:58:24 From chris : Check out midi guitar 2 plugin works great no hardware for the guitar required 13:59:03 From Ray Toler : Jared / Max, that gain-compensated A/Bing is what I use the Perception plugin I mentioned earlier in the chat. Removes any loudness difference so you really only hear the character of what’s in each chain. 13:59:29 From Jay Farber : Whose Perception Plugin? 13:59:54 From Ray Toler : It’s available at meterplugs.com. 14:00:00 From Jay Farber : Thanks 14:00:14 From John Flaherty : Come by and say hi, Matt. I’m just outside of Boston. 14:00:24 From Ella Segretti : Hey! I finally made it! 14:00:34 From jraoul : Ella - were your ears burning? 14:00:39 From Ella Segretti : Why??? 14:00:40 From Ray Toler : Developed by Ian Shepherd, who’s a mastering engineer. I also *really* like the Dynameter plugin - great for checking dynamics. 14:00:42 From Neil McCarroll : hey Ella! 14:00:48 From Glenn Workman : Howdy Ella. 14:00:50 From Adam Goldman : Ella…Matt gave an answer to your MOTUGuru question….I’ll get him to revisit it 14:00:57 From Timmy Samuel : My question is for Roger Beall: WHERE ARE YOUR GUITARS?! 14:01:11 From Ella Segretti : I got an issue, trying to bounce out 2 mono tacks mixed as a stereo and DP10 just crashes or saves 4K wave :( 14:01:15 From Steve Sklar : MIGIC is a decent (though currently mostly monophonic) plugin that converts guitar, voice, etc. to midi. It works pretty well, and they say they’re working on making it polyphonic. https://migic.com 14:01:24 From Adam Goldman : yes, Ella…Matt mentioned it 14:01:34 From Ella Segretti : Adam OOO! God yes! I’m on a delivery deadline in 12 hours 14:01:37 From Glenn Workman : Ella: He Said you needed to Select all the tracks for that 20 second spot before choosing Bounce. We’re doing and after party today too, so we can try then if you like. 14:01:39 From Neil McCarroll : Ray: Ian is good - he’s the ‘Loudness Wars’ champion 14:02:17 From Ella Segretti : OK, I’ll go fire up the baby and try that, again I did select all, then one, then random :) Let me try fresh 14:03:14 From Ray Toler : +10 Neil. Between Ian and Bob Katz’s mastering book, I really feel like I got a handle on things. Ian’s Dynameter plug, in particular, really helped me dial in mixes that sound good and punchy on streaming services, while still targeting their LUFS criteria. 14:03:37 From darrellsmith : Hey Ella! 14:03:38 From Ray Toler : Ian mastered a few albums a friend of mine did. 14:04:04 From Ray Toler : Parse that grammar the way I meant it to come out. 14:05:10 From Neil McCarroll : Ray: would be great to check out his mastering results - could you post some links on the Guru chat please? 14:05:44 From Ray Toler : You bet. 14:06:05 From Bil VornDick : for those that have to go back and further on PT session are done in Project Folders. And with DP, many record each song as a project, So import session data could save days and weeks for mixers that work , and slave sessions, back and forth songs as projects one song at a time. Just this could really open up DPs market 14:07:01 From John Boyle : The goto for MOTU? 14:07:19 From Adam Goldman : JB: pretty sure Matt is the GoTo for MOTU 14:07:37 From John Boyle : :) 14:07:46 From Neil McCarroll : the GoTu? 14:07:48 From Ray Toler : Neil, just in case I forget, this is one of the albums: https://artemis.bandcamp.com/album/sephyra 14:08:17 From Ray Toler : But she’s a big fan of Ian’s. 14:08:33 From Neil McCarroll : thanks Ray :) 14:08:34 From Ella Segretti : Ok, well I just did what I did the first time, selected all the tracks, hit CTRL-J, selected Tracks, selected Aux, and … I got sound and a file … I’m baffled. Though I didn’t get an error when loading this time when it checks plugins …. 14:08:51 From Adam Goldman : Ella: that means you’re all set? 14:08:58 From Adam Goldman : (aka, it worked?) 14:09:00 From Ella Segretti : Seems so 14:09:02 From Ella Segretti : *shrug* 14:09:03 From Adam Goldman : great 14:09:18 From Adam Goldman : MasterMatt :-) 14:09:34 From Adam Goldman : now you have 11hrs 15mins 14:09:46 From Glenn Workman : Buck: Just sent you an email. 14:09:55 From kennethpage : Ella. Do you still need some Composing? 14:10:13 From Adam Goldman : Robert Camacho: are you unable to use a mic? 14:10:27 From Ella Segretti : Kenneth page, I will soon, though the current projects Glenn has jumped on :) 14:10:30 From Adam Goldman : If so, you could post a question here, and we can read it out to Matt 14:10:46 From Ella Segretti : Kenneth, contact me on Facebook so we can chat … or zoom :) 14:10:52 From kennethpage : Excellent. How do I contact you. 14:11:09 From kennethpage : Ella. Will do 14:11:25 From Ray Toler : Also, Neil, if you’d like uncompressed tracks, send me an email (rtoler at gmail). I’m sure Artemis wouldn’t mind, but I’ll double check with her. 14:11:53 From Neil McCarroll : Amazing - thanks Ray :) 14:12:06 From Roger Carr : Dinner’s ready - gotta go - bye everyone! 14:12:14 From Glenn Workman : Bye Roger. 14:12:34 From Neil McCarroll : Enjoy it Roger :) 14:12:42 From Russ Pfeifer : Bon Appetit 14:13:23 From Glenn Workman : If you want to save the chat - you can click the 3 dot bubble in the chat text area. It will save everything from when you signed on till when you click Save Chat. 14:13:25 From John Flaherty : NOTHING is too tricky for Matt. 14:13:28 From Ray Toler : Hello, good evening, and welcome to Stump MOTU Matt! 14:13:32 From Ella Segretti : YAY!!!! My heavily mixed dialogue track is in :) 14:13:33 From John Flaherty : Or Glenn. Or Adam. 14:13:35 From Adam Goldman : John F: my thought exactly 14:14:08 From Ella Segretti : I really need to spend some serious time working DP. took me 20 minutes to break a stereo track :) 14:14:31 From kennethpage : Ella. I too am slow 14:14:45 From Fernando : For Benoit, cc11 expression? 14:14:55 From Glenn Workman : Ella: We can always Zoom if needed. I know we’re in very different time zones, but I don’t keep any sort of regular sleep schedule. 14:15:12 From Adam Goldman : “Glenn Vampireman” 14:15:24 From Ella Segretti : Glenn, any time that suits you … 14:15:26 From Ray Toler : Glennferatu. 14:15:40 From Warren McRae : @Ella.. we’ve all been there. 14:15:40 From Glenn Workman : Time is just linear motion with naps. 14:15:47 From Timmy Samuel : Ray: HA! 14:15:54 From Scott Dorton : How do I get my hand raised for a question? 14:16:02 From Ray Toler : “Time is an illusion. Lunchtime doubly so.” —Douglas Adams. 14:16:05 From Adam Goldman : Scott at the bottom of participants window 14:16:05 From Ella Segretti : It’s 4:14 am I’ve been keyframe editing since 8 PM :) 14:16:13 From Glenn Workman : If you need to ask a question: you can open the Participants panel and click the Raise hand button. Adam or Matt will send a request to unmute your mic to ask your question. 14:16:21 From Ella Segretti : Oh and an hour cleaning an audio track that didn’t need it, but I thought hell why not :) 14:16:29 From Scott Dorton : Thx, glenn 14:16:40 From Russ Pfeifer : the Sectional Revolution 14:17:16 From Glenn Workman : The MANUAL knows :) 14:17:23 From Adam Goldman : Glenn: Whew 14:17:30 From Benoit Widemann : @Fernando: tried Expression but most plugins just don’t care :/ 14:17:42 From Ray Toler : Who knows what lurks in the heart of the DAW? 14:17:45 From Ella Segretti : The little Worlde midi devices have a programming app for OSX and windows you can set any control to any midi value 14:17:59 From John Boyle : Go to speaker view and Matt is easy to see. 14:18:23 From art2ro : Hey Adam or Glenn, ask Matt if it is possible to automate the gain control on the change MIDI velocity plugin. 14:18:38 From Ella Segretti : Eric Midi learn is great, so is the Command list midi features, I got transport running from a controller in seconds 14:18:51 From Eric Witt : Thanks Ella. 14:19:09 From Fernando : @Benoit; one last suggestion, MIDI automation from the mixer. I think this happens in real time and so may work with some instruments. 14:19:09 From art2ro : The compressor 14:19:14 From Benoit Widemann : HA 14:19:42 From Fernando : @Benoit; automating the fader 14:20:06 From Jay Farber : What was that rt click on Incsert? 14:20:26 From Glenn Workman : Jay: Just click in the empty insert socket. 14:20:32 From Jay Farber : Thanks 14:21:09 From Ray Toler : Jay, that apparently has been in the program for years, but I only discovered it when 10 came out. Amazing time saver to right click in the blank insert and get a nested menu of plugs. 14:21:45 From Jay Farber : I have duh moments everyday here 14:22:03 From kennethpage : Me too Jay 14:22:12 From Russ Pfeifer : Every Duh of the week 14:22:30 From Ray Toler : I still forget to use it. Can’t believe how many times I go to the giant plugin window, select manufacturer, etc., etc. Need to develop that muscle memory. 14:22:43 From Ray Toler : Nice, Russ. 14:22:46 From Glenn Workman : How does a mathematician deal with constipation? He works it out with a pencil. 14:22:59 From Benoit Widemann : @Fernando: automating the fader would alter the volume, not the velocity, pretty different result on a piano sound… 14:23:01 From kennethpage : Ha 14:23:05 From Adam Goldman : Glenn: ONCE. 14:23:05 From John Flaherty : Glenn! 14:23:05 From Russ Pfeifer : Lol 14:23:18 From Benoit Widemann : Thanks anyway :) 14:23:52 From Steve Sklar : Glenn, beats a chalkboard. 14:24:22 From Dave Hayward : Is there some way in which midi could be manipulated by sending it out to an external device and then routed back in to DP. Is that a stupid idea? 14:24:24 From Timmy Samuel : Ray Toler: That is a brill trick that I’ve never known about. GERDDERMMIT this is an awesome group. 14:24:27 From jraoul : Can you treat the projector as a second screen? 14:24:47 From Glenn Workman : Dave: Yes, that can be done. 14:24:49 From Benoit Widemann : @Dave: totally doable. 14:25:02 From Ray Toler : Dave, I used to have devices that would do that. Had a pretty cool MIDI delay, and also a MIDI patchbay that allowed me to do some interesting things. 14:25:02 From Ella Segretti : i run a projector off a USBC Hub on HDMI 14:25:21 From Neil McCarroll to Glenn Workman (Privately) : a projector is just another hdmi device 14:25:34 From Neil McCarroll to Glenn Workman (Privately) : aggggggghhhhhhhhh 14:25:44 From Neil McCarroll to Glenn Workman (Privately) : sorry again! 14:26:00 From Russ Pfeifer : I still have my Digital Music Corp MX8 I love it 14:26:20 From Glenn Workman : Russ: Those and the old JLCooper boxes were great. 14:26:21 From kennethpage : Adam. This co-host thing is working great. Well done. 14:26:30 From Adam Goldman : Thanks, Kenneth 14:26:39 From Adam Goldman : I like to think it’s making things easier for Matt 14:26:47 From Russ Pfeifer : Agreed Kudos Adam 14:26:47 From jraoul : JL Cooper! MIDI Time Code! — Johnny Nostalgia 14:27:03 From Ray Toler : Russ - that’s the one the MX8. Couldn’t remember the model. Kind of sorry I got rid of that one. 14:27:09 From Neil McCarroll : mono vs stereo track clash? 14:27:25 From Dan Kaplan : Ella: not sure what this set up is but does that allow you to just project the movie window? 14:27:26 From Ray Toler : Though I don’t know that I would use it these days given that I have 4 MTP-AVs. 14:27:37 From Russ Pfeifer : I have a MX8 story I’ll share later 14:27:47 From Benoit Widemann : MX8: used to have one too. Great toy. :) 14:27:52 From Bob Turner : Gotta Split. Cool Session Today!! Thanks Matt, Glenn, Adam! See ya Tuesday. 14:28:00 From Adam Goldman : Bye Bob 14:28:02 From Eric Brown : Adam, you’re Matt’s Andy Richter! :-) 14:28:04 From Russ Pfeifer : Heers Bob 14:28:09 From Russ Pfeifer : Cheers 14:28:11 From Ray Toler : Mine was a very early version. The manual was a stapled set of photocopied pages. 14:28:22 From Timmy Samuel : Eric: :-) 14:28:39 From Timmy Samuel : I actually had classes with Andy Richter at Columbia in Chicago 14:28:44 From Benoit Widemann : Ha. same here. 14:28:52 From Benoit Widemann : (MX8 doc) 14:28:52 From Eric Brown : Cool! 14:29:02 From Timmy Samuel : Roger must tell us where his guitars are! 14:29:08 From Russ Pfeifer : I had that one , with the wall wart, bought second one with an AC cord 14:29:13 From kennethpage : Make it more purple for him 14:29:26 From Adam Goldman : Timmy…Roger’s wall has been empty last couple of days, I think 14:29:57 From Timmy Samuel : I’ve never seen anything in those hangers. 14:30:15 From Timmy Samuel : Also, Neil has been abducted and someone set his house on fire. 14:30:31 From darrellsmith : It’s usually the mod wheel 14:30:37 From Jose Gonzalez Palma : hahah Timmy I was waiting for him to say hey neil Puff puff pass bro 14:30:45 From Jose Gonzalez Palma : :) 14:31:12 From John Flaherty : I’ve been wondering that, myself. 14:31:27 From James Tran : Open a new track use the mod wheel and look at the controller number there. 14:31:34 From Tom Lewis : How about View Filter? 14:31:36 From Glenn Workman : glenn@freqsound.com 14:31:37 From art2ro : Doesn’t Kontakt publish the assignments for the parameters being used? 14:32:11 From Gregg Seibert : Some organ patches use the sustain pedal to control leslie speed. That actual rate of the fast leslie might be part of the organ patch itself though. 14:32:38 From Ray Toler : Gregg, or the sos pedal on a two/three pedal unit. Good call! 14:32:40 From Adam Goldman : Roger B you have another question, or is your hand now lowered? 14:33:01 From Neil McCarroll : The mod wheel often kicks speed on or off but not an actual speed value - it’s more about the acceleration and deceleration of the Leslie 14:34:16 From Glenn Workman : Little Grumpy - the early years. 14:34:25 From Russ Pfeifer : LOL 14:34:34 From kennethpage : Son of Grumpy 14:34:38 From Ray Toler : Lil 14:34:38 From Glenn Workman : Its all about the non-sequitors 14:34:39 From Dave Hayward : A little grumpy…. you’ve been watching me… 14:34:42 From Ray Toler : Lil’ Grumps 14:34:44 From Mark Rasmussen : Wasn’t that Land of the Lost 14:34:46 From John Boyle : According to my daughters, a little grumpy is a way of life for me 14:35:09 From Ray Toler : I’m “Uncle Grumpy” to my nieces and nephews. 14:35:11 From Stephanie Gauthier : lol 14:35:23 From Dan Wool : On what Neil says: most Leslie simulators let you adjust the slow and the fast speed… But yes, you can only switch between those two speeds usually. And usually with the mod wheel in my experience. 14:35:23 From Glenn Workman : MOTU After Party (tm) today for those interested. 495 946 0805
863769 14:35:58 From Jose Gonzalez Palma : Who’s bringing the Catwhiches? 14:36:03 From Adam Goldman : Russ….Coool 14:36:04 From jraoul : I was on a Non Sequi Tour once 14:36:11 From Glenn Workman : jraoul :) 14:36:20 From Adam Goldman : Jose…you called it…it’s you 14:36:29 From Bonnie Janofsky : Thanks so much! 14:36:34 From Jose Gonzalez Palma : I only got squirrels today 14:36:45 From Ella Segretti : Does Hybrid from Air Music Tech not work with DP? 14:36:48 From Ray Toler : When I was young, I wanted to have a band named Pangea, because I really wanted a shirt that said “Pangea: The World Tour" 14:36:50 From John Flaherty : Tofuburgers. 14:36:51 From Adam Goldman : I’m a squirrel hater. No thanks for me. 14:37:14 From Ray Toler : Ella, it does, but you have to ignore the fact that it fails the check. 14:37:18 From Neil McCarroll to Glenn Workman (Privately) : Thanks Dan - I’ve never looked below the hood to see the values - I always figure that the plugin devs know what is good for me! 14:37:26 From Ray Toler : And I think only the VST version does. I had no end of fits with that one. 14:37:28 From Ella Segretti : Oh ok … so “Failed” is ok :) 14:37:38 From Neil McCarroll : Thanks Dan - I’ve never looked below the hood to see the values - I always figure that the plugin devs know what is good for me! 14:37:39 From Ray Toler : Yeah, just go ahead and enable the VST. It should load after that. 14:37:40 From Eric Brown : Ella: Go into the plugin window and make sure it’s checked. 14:37:41 From Adam Goldman : Ella/Ray: that’s 2020 speak 14:37:43 From Glenn Workman : Ella: It has to be AU or VST to work. 14:37:45 From Adam Goldman : “Failed” works 14:37:51 From Russ Pfeifer : Re-unite Gondwanaland 14:37:54 From Steve Sklar : Ella, it stopped working for me recently. Still works in, say, UVI Workstation but fails DP inspection. 14:38:21 From Adam Goldman : Thanks so much, EVERYONE! Another MOTU winner today! 14:38:32 From Steve Sklar : Have recommendation from AIR, contact me at throatsinger@gmail.com 14:38:37 From John Flaherty : Thank you, all! 14:38:38 From John Boyle : Thanks everyone!!! 14:38:41 From Glenn Workman : MOTU After Party (tm) today for those interested. 495 946 0805
863769 14:38:44 From Glenn Workman : Save the Chat 14:38:44 From Eric Brown : Great Session guys! 14:38:52 From kennethpage : Excellent All. 14:38:53 From Tom Lewis : Thanks Matt, et al, have a great weekend!!! 14:38:56 From Russ Pfeifer : See ya there 14:38:59 From Jose Gonzalez Palma : Thanks Matt, Adam, Glenn, and all. Have a great weekend!