12:17:13 From kennethpage : Hello fram Kansas City. 12:18:01 From Terry Leigh Britton : If silence is golden, I should be rich. 12:20:08 From Robert Thomas Mein : Matt I hope you got my email question. Internal microphone not working, so I can’t ask otherwise. 12:20:41 From Glenn Workman : Robert: I don’t think Matt’s on here yet. If you post the question here I can try to ask him. 12:21:10 From farber : Anybody Have their ethno version 1 playing through Workstation or falcon? 12:21:18 From Robert Thomas Mein : Give me a sec to copy from email. 12:21:34 From Glenn Workman : farber: Haven’t tried it yet since I set up the Mac Pro this year. 12:22:44 From Robert Thomas Mein : Glenn 12:25:04 From farber : I just cant get it to work, there where notes on Motunation that said it should. 12:25:14 From John Boyle : Cheers 12:25:39 From Glenn Workman : farber: Looking for the ufs file on an external drive at the moment. 12:27:02 From Robert Thomas Mein : Glenn — so much for copy and paste. Problem: DP did a remarkable joy in allowing me to pocket the vocal and a song Matt helped me find the tempo for. I’ve succesfully manipulate stretching, tempo changes, etc to rescue a mediocre performance. ONE word needs to be split at syllable, and I’m having trouble with split point sounding clean. Do we still have scrub audio? And what tricks would you recommend? 12:27:36 From chris : Have you heard the songs made by AI? They are a bit scary. 12:28:00 From Glenn Workman : Robert: There is a scrub tool, and I think the default is holding the S 12:28:09 From Robert Thomas Mein : AI will never have a heart. 12:28:28 From farber : I followed the suggestion about Alising into the Library/Application/ Uvi folder and then restarted. Just doesn’t 12:28:44 From Robert Thomas Mein : Glenn 12:28:49 From Barry : I use emastered.com - It does amazing work most of the time 12:29:33 From Matt LaPoint : Hello everyone 12:29:43 From Robert Turner : Hey Matt!! 12:29:45 From Barry : I’ve done 20 Masters so far, but I charged $200 each! I paid $39 per month, unlimited. 12:30:07 From chris : https://thenextweb.com/neural/2020/04/30/this-ai-creates-entire-songs-complete-with-music-lyrics-and-vocals/ 12:30:11 From Björn Lindén : Glenn: You think you can help out to verify a DP bug that I’m tracking down ? 12:30:59 From dougsisemore : The AFM outlawed the Hammond organ in the 50’s. 12:31:22 From Glenn Workman : Bjorn: I can try. 12:31:57 From Stephen Burch : For some reason I cannot hear anything. 12:32:07 From Robert Thomas Mein : Glenn (fricken carriage return) OK, I’ll try that. But second question I’d appreciate Matt’s advice. 12:32:14 From chris : Andrew - check out David Cope’s work it really does the Bach and much more. 12:32:31 From Björn Lindén : glenn: I’ll email you.. :-) 12:33:11 From Glenn Workman : farber: I’ve only got Ethno2 on a drive that’s attached and it sees that fine. I’m not sure I have a quick way to find Ethno1 12:33:41 From Jay Farber : Thanks for trying… 12:33:44 From John Boyle : @chris Wasn’t Cope involved with the guys who created a Mozart Symphony? 12:33:59 From Barry Nelson : Any of you guys do life theater? 12:34:17 From Barry Nelson : I meant live theater 12:34:33 From Glenn Workman : Stephen Burch: Check in Preferences of Zoom. There’s a test audio button in that section. 12:34:34 From chris : I dont know I’ve read several of his books and followed him since the 90’s his work is sort of AI and extremely interesting 12:34:46 From Glenn Workman : Barry: Been awhile, but yes. 12:34:49 From Timmy Samuel : Glenn: Would you be able/willing to post the XML structure for patch lists on the extras page? 12:35:19 From Glenn Workman : Timmy: For what device. 12:35:33 From Jay Farber : Talent is always amazing 12:36:08 From Timmy Samuel : Oh, it’s device specific? If you happen to have a Sub37 and a Prophet Rev2? 12:36:21 From Bonnie Janofsky : Ron Jones is great! 12:36:30 From Bonnie Janofsky : Walter was great too! 12:36:46 From Timmy Samuel : The structure I mean is specific. Is there a general structure I’d be able to edit for my own patches? 12:36:50 From Charlyn Bernal : I Bonnie! 12:36:58 From Charlyn Bernal : i meant hi! 12:38:08 From Glenn Workman : Timmy: The document can be pretty simple depending on patch list. It can involve banks and individual drum note names etc. If you want to do a quick zoom after today’s webinar we can do that. Just email me glenn@freqsound.com 12:38:16 From Adam Goldman : backups of your backups 12:38:22 From Ella Segretti : Forever! 12:38:33 From Timmy Samuel : sweet. Thanks Glenn. I’ll email. 12:38:52 From Ella Segretti : I always have 2 backups, plus and optical 12:39:12 From Glenn Workman : Been transferring old Firewire drives to new drives and retiring the old. Also backup up many things to Blu-ray discs. 12:39:43 From Ella Segretti : BD-XL :) Boo yah! 12:39:56 From kennethpage : I bought a Blu-Ray because of Glenn 12:39:56 From Jay Farber : Trey is an old friend, way back 12:41:37 From Eric Witt : What are sends? 12:42:09 From Glenn Workman : Eric: Routing a signal to another destination. Every track has a main output and up to 20 sends in the mixer. 12:42:32 From Glenn Workman : Eric: Also called an Aux or Bus 12:42:46 From Eric Witt : Thanks. When you say another destination you mean to another channel? 12:42:48 From Adam Goldman : Eric: using a send you can, for example, as Matt mentioned, send some of the channel’s signal to a reverb (or other FX, or busses) 12:43:05 From Eric Witt : Adam and Glenn - Oh OK thanks. 12:43:28 From Glenn Workman : Eric: Any audio destination. 12:43:46 From Eric Witt : Glenn - Cool thanks. 12:43:46 From Adam Goldman : yeah. What Baltimore said. :-P 12:43:53 From Jose Gonzalez Palma : I love this community. You guys are awesome and professionals. Good to see there is still love in this world :) 12:44:37 From Eric Witt : Jose Gonzalez - But my Mom loves me:) 12:44:40 From Jay Farber : These meetings, and the crowd are the best part of my last few months 12:44:55 From Timmy Samuel : Jose and Jay +1 12:45:14 From Adam Goldman : Jose: MotuGuru FB group: https://www.facebook.com/groups/270005501025380 12:45:18 From darrellsmith : +2 12:45:38 From Adam Goldman : also this group: https://www.facebook.com/groups/31959118409 12:45:41 From Glenn Workman : If/When MOTU/Matt stop doing these regularly we’ll have to take turns hosting group meetings. 12:45:41 From Jose Gonzalez Palma : Thanks for the add got in yesterday! 12:45:45 From John Ulrich : Can we just auto correct entire track like garage band instead of this long drawn out process? 12:45:50 From Adam Goldman : both really great FB groups for all of you to join 12:46:04 From Ray Toler : Pitch correction, especially vocals, is definitely one of those areas where “if it sounds good, it is good” rules. I’ve had to explain so many times to clients that just because the display doesn’t show it right on the note doesn’t mean it’s not right. 12:46:14 From Adam Goldman : Glenn: +1. Party at Glenn’s 12:46:22 From Glenn Workman : John: You can do it as automatic as you like, but it gives you the option of tweaking minutely. 12:46:27 From John Boyle : I really don’t want to go back to teaching at my University because I will miss a good chunk of Tuesdays and Thursdays. Breaking my heart. 12:46:46 From Neil McCarroll : +3 you all rock and generally brighten my day :) 12:47:03 From Charles White : Working with an LA singer, gorgeous, very bluesy; some of the pitch is part of her style. I have to be careful not to get carried away and remove the style! 12:47:05 From Jose Gonzalez Palma : Likewise 12:47:08 From John Ulrich : How to autotune entire track all at once with one click? Where is that button? Keyboard shortcut? 12:48:21 From Glenn Workman : John: In Audio/Pitch & Stretch/ - both Quantize Pitch and Scale Expression 12:48:23 From Shari Lauter : Are we supposed to be able to see the presenter’s DP screen? 12:48:26 From Ray Toler : +1, Charles. So easy to suck the life out of things. I make people listen to tracks from the 60s-80s that are incredible performances, but that are “pitchy” by today’s standards. The imperfections are part of the “magic.” 12:48:41 From Adam Goldman : Shari: I can see Matt’s screen here…? 12:48:43 From Glenn Workman : Shari: Matt is sharing his screen. It might be a setting on your end. 12:48:46 From Ray Toler : Shari, yes. If you can’t make sure you don’t have any other video pinned. 12:49:00 From Ray Toler : *If you can’t see his screen* 12:49:11 From Eduardo Valenzuela : Hi, from Chile 12:49:17 From Craig Carothers : How do you glue them together 12:49:48 From Ray Toler : Craig, glue what together? 12:49:54 From Ella Segretti : Far out, Matt’s hearing is incredibly tuned 12:50:06 From Glenn Workman : Ella: For a drummer? 12:50:25 From Ray Toler : [rim shot] 12:50:27 From Adam Goldman : Ella: he does this ALL DAY 12:50:29 From chris : LMAO 12:50:41 From Jose Gonzalez Palma : hahsh 12:50:52 From Ella Segretti : Its either zoom or I’m barely picking up the variations 12:51:17 From Adam Goldman : Ella: I’m giving you benefit of the doubt. Blaming it on Zoom. 12:51:19 From Adam Goldman : :-P 12:51:31 From Neil McCarroll : Hi Eduardo :) 12:51:48 From Glenn Workman : Here comes the glue... 12:51:51 From Adam Goldman : Here’s your answer Craig 12:52:20 From Ray Toler : That’s one of the most common corrections I have to make on my own vocals… my vibrato gets a little over-exuberant at times. 12:52:35 From Craig Carothers : Thank you Glenn 12:53:37 From Adam Goldman : I also very frequently do it manually, only joining some of the boxes…hold M and click between two boxes, and they join. ;-) 12:53:52 From Glenn Workman : After Party today : Question about patch lists in DP - updating/making the files. This is mostly so I can show Timmy, but all are welcome. Meeting ID: 495 946 0805 Passcode: 863769 12:54:03 From Charles White : Useful in harmonies 12:54:32 From Glenn Workman : Vibrato you can swing a cat through. 12:54:32 From Jose Gonzalez Palma : Awesome thanks Glenn 12:54:49 From Charles White : Because there’s more than pitch going on in vibrato. 12:55:00 From Timmy Samuel : Thanks Glenn! 12:55:06 From Craig Carothers : Like trem 12:55:31 From Ken Thies : Works on pitch, not on tremolo (i.e., intensity). :-) 12:56:05 From Craig Carothers : no, what I meant is that vibrate is partially vol, like tree is 12:56:10 From Glenn Workman : He’s got at least a whole-step vibrato that sounds great to me. 12:56:12 From Craig Carothers : vibrato 12:56:52 From darrellsmith : Shari:Can you see Matt’s screen now? 12:57:29 From John Boyle : I think I have pretty good ears, but I sure wish I had Matt’s. I get it every time he changes it, but I am not sure I would have caught it myself . 12:57:33 From Adam Goldman : bleed at a minimum if off-ear HP is suctioned to a bald head. :-P 12:57:56 From Jay Farber : How much is the visual graph and how much are his ears? 12:57:59 From Ray Toler : Adam, that’s my killer feature. 12:58:04 From John Ulrich : Is there a way to harmonize for singers that can’t harmonize? 12:58:04 From MikeyJ : I recommend not telling your vocalists that you did this. LOL I told my peeps once I corrected their pitches, and they haven't let me live it down.... 12:58:14 From richardbryant : Open back headphones help with singing. It lets you hear a bit of yourself acoustically 12:58:19 From Björn Lindén : Glenn: you’ve got mail… :-) 12:58:27 From Glenn Workman : John: Spectral Effects can do some amazing things creating harmonies. 12:58:49 From Adam Goldman : always helpful to know what key the song is in before pitch editing. 12:59:05 From Ray Toler : John, I’ve created artificial harmonies manually using these types of methods, but also something like iZotope’s Vocal Synth can create usable results. 12:59:05 From James Paschall : Adam..lol 12:59:17 From John Ulrich : With all due respect: a lot of people in the chat are chit chatting and diluting educational comments and excellent questions. I don’t much care that Ray Tolerations says “Adam, that’s my killer feature.” For example. 12:59:27 From Ken Thies : John Ulrich: Yes, I've done a quick demo of a quartet given only one singer doing the melody. But the farther off the original pitch you get, the greater the chance for artefacts. 13:00:40 From John Ulrich : But is it possible to just sing a C note and then click a button that will place a vocal on the E (3rd) and G (5th). Kinda like when I use my foot pedal to harmonize. Understand? 13:00:48 From Glenn Workman : John: You can save the chat at anytime. There’s a 3 dot bubble in the text area that has that option. 13:02:18 From Glenn Workman : John: if you mean live, I’d say the answer is no. Spectral Effects can store presets for intervals. I duplicate the track, then apply that transposition. It can be a parallel amount, or you can adjust each syllable or word as needed. 13:03:21 From Ella Segretti : Can you get rid of verb because the speaker was 15 feet from the mic? 13:03:45 From Ken Thies : Ella: with iZotope RX de-reverb, to a point you can. 13:03:46 From Glenn Workman : After Matt’s done with his topics of the day, he takes questions live. Open the Participants panel and click Raise Hand to ask a question. He’ll send a request to unmute you mic. 13:03:47 From Ray Toler : John, if you’re looking for a more real-time option, you’ll probably want a hardware device. They’ve gotten pretty good in the last 10-15 years. 13:04:23 From John Ulrich : But if I sang like “Stir it up” by bob Marley on one track. There would not be a button to click that could take that file/pitch and artificially add a 3rd and 5th harmony? A shortcut if you will. As opposed to singing 3 different tracks... 13:04:37 From Glenn Workman : Ray/John: Watch Jacob Collier do that with ridiculous cluster harmonies on his solo vocal. 13:05:15 From Ray Toler : John, not a “raise everything by a 3rd” button, but it would be pretty quick to duplicate the tracks and manually create those harmonies. 13:05:24 From Charles White : John, made a copy of 1 harmony, merged the copy’s audio, and dragged the copy’s pitch to a lower harmony part. Pop tune, worked like a charm. I had finished aligning and pitching the 1st harmony beforehand. 13:05:31 From Glenn Workman : John: Yes, but you have some note that need to go up/down a major or minor third to stay in key. Between the Pitch layer and the Transpose menu item it can be done to match scales/keys. 13:05:43 From Eric Witt : So the general change he is doing with the pitches only has to do with the appearance and not the pitch itself? 13:06:12 From Glenn Workman : Eric: When he “glues” them together, its just visual so they can be moved as a group. 13:06:54 From Eric Witt : Glenn - I got the visual part but why move everything as a group? 13:07:10 From Adam Goldman : Eric: so they stay in tune with one another 13:07:39 From Glenn Workman : Eric: If he wants to raise what might have been 5-9 different little blocks, he can raise them with a single motion if the segmentation is reduced. 13:07:45 From Ella Segretti : Ken, Ill have a try :) would be nice if the voice sounded closer to the mic :) 13:08:16 From Eric Witt : Adam and Glenn - I understand a bit. But he is here just moving individual notes. 13:08:25 From Ken Thies : Ella, as I recall, de-reverb is only in RX's standalone mode; I don't think it's there as a plugin because it has some analysis to do before it works. 13:08:34 From Ray Toler : “I don’t have much cents.” —Mat LaPoint. 13:08:34 From Charles White : Matt 13:08:49 From Adam Goldman : I thought he had TOO MUCH cents 13:09:00 From jraoul : When transposing, should he also move the attack of the sound? 13:09:02 From Adam Goldman : right back to Ella’s Billion Dollar offers 13:09:02 From Wayne Pronzati : My wife just came in and asked “are you listening to Christmas music?” :-) 13:09:15 From Adam Goldman : Wayne: not exactly by choice. :-P 13:09:16 From jraoul : Rather than having that big leap? 13:09:27 From Björn Lindén : Wayne: :-) 13:09:30 From Ray Toler : jraoul - that’s an “it depends” question for me. Sometimes you have to adjust it, but it’s all a context thing. 13:09:41 From Glenn Workman : jraoul: I think he was just doing it quick. If the attack has a big pitch component then I would say yes. 13:10:06 From Adam Goldman : Pitch correcting is seriously a note-by-note decision making process. Pretty much every time I do that type of editing. 13:10:31 From Adam Goldman : Time consuming, but ultimately universally worthwhile 13:10:37 From Ken Thies : I take it back, it IS available as a plugin (dereverb). I never use it that way though, I get better results in standalone. 13:10:48 From Adam Goldman : and DP’s level of available precision is exceptional 13:10:50 From Glenn Workman : Using OurEars? Where do I go to buy those and what company makes them? 13:11:07 From Adam Goldman : Glenn: depends on the size of your head. 13:12:06 From Adam Goldman : (which in turn depends on how successful the pitch editing work goes) 13:12:37 From Terry Leigh Britton : Just mentioning, on that bass transpose, when he repeated the command on the second (DI) track, it returned to being 22 cents sharp, remembering the setting for that track rather than the setting for the live mic track. 13:12:43 From Björn Lindén : Glenn & adam: are those OurEars one size fits all, or o you need to know your size ? 13:12:51 From Björn Lindén : di… 13:12:55 From Björn Lindén : do.... 13:13:07 From Adam Goldman : Björn: I’ve heard that size theoretically does matter. 13:13:23 From Glenn Workman : Terry: I hadn’t noticed that. Seems odd, since most edit functions stay in their last condition, not on a per track basis. 13:13:33 From Björn Lindén : Adam: :-) 13:14:01 From Adam Goldman : TLB, maybe a function of the version Matt uses...? 13:14:04 From Terry Leigh Britton : Yeah, you could even see it in the graphic it was 22 cents sharp In that track. 13:14:09 From Timmy Samuel : He hadn’t accepted the 0 cents in the first menu so it defaulted to the last 22 cent one 13:14:18 From Timmy Samuel : the second time 13:14:22 From Terry Leigh Britton : Aha. 13:14:31 From Ella Segretti : Ken is the de-reverb part of RX7 or a seperate tool? 13:14:46 From Glenn Workman : John: There’s your one button Quantize pitch. 13:14:49 From Terry Leigh Britton : Good spotting, Timmy. 13:15:15 From Ken Thies : Ella: It's in RX7 standard, I don't think it's in essentials. 13:15:25 From Glenn Workman : Is the bass muting after the first couple bars for anyone else? 13:15:26 From johnflaherty : The audio cuts out part way through that clip. 13:15:28 From Geoff Dodson : Audio keeps cutting out in play mode 13:15:32 From johnflaherty : Is that just me? 13:15:40 From Adam Goldman : Glenn/John: yes, keyboard shortcut for Quant Pitch 13:15:42 From Ella Segretti : Ahhh ok ... 13:15:42 From chris : No its happening to me as well 13:15:43 From Jay Farber : Mine too 13:15:44 From Neil McCarroll : me too 13:15:46 From jraoul : I don’t think it’s just the track - Matt cuts out, too. 13:15:49 From Adam Goldman : I had a dropout as well 13:15:51 From Robert Thomas Mein : Why does the audio drop out after first bar(s) in solo? 13:15:51 From darrellsmith : Same here 13:15:55 From kennethpage : Audio cutting out here too 13:16:07 From Glenn Workman : Happened multiple times, same place in the bass part. 13:16:14 From Neil McCarroll : he must have gone subsonic at those points 13:16:16 From kennethpage : yes 13:16:19 From Terry Leigh Britton : I really appreciate how good the "original audio" feature is working in this webinar today. 13:16:33 From Terry Leigh Britton : In Zoom, that is 13:17:21 From Charles White : Is someone’s mic unmuted? 13:17:26 From Bradley DePasse : I am hearing drop out too 13:17:41 From Neil McCarroll : that’s better 13:17:42 From Shari Lauter : same audio dropout here on bass only - continues OK when guitar added 13:17:42 From Eric Witt : good for me. 13:18:02 From Ella Segretti : Ken, yup, found the comparison list … have to save some more bucks or get someone to pay me some :) 13:18:09 From Adam Goldman : Shari: are you seeing matt’s screen now? 13:19:06 From Adam Goldman : note-by-note, as I mentioned. Can be seriously slow work, but worthwhile. 13:19:16 From Daniel Scott : Now there is an echo in the audio 13:19:30 From Ken Thies : Rightnow, I've got Matt's voice center, and also delayed ~15ms on right channel only... Weird. 13:19:51 From kennethpage : Gotta Gig, Gotta Go, Gotta Get Paid. See everyone tomorrow. 13:20:05 From Glenn Workman : kenneth page: have a great gig. 13:20:17 From Timmy Samuel : Perhaps when it’s processing the change in the bass nnotes? 13:20:19 From kennethpage : Thanks Glenn 13:20:20 From Adam Goldman : Take it east, Kenneth! Good gig to you 13:20:23 From Timmy Samuel : That the dropout happens? 13:20:24 From Adam Goldman : *easy 13:20:33 From kennethpage : Thanks Adam 13:20:34 From Ken Thies : Matt's voice is back to just center again... 13:20:39 From Ella Segretti : I so know what people can buy me for my birthday now :) 13:21:08 From Timmy Samuel : Perhaps “Mute while processing” is turned on for this file. 13:21:15 From Craig Carothers : I am hearing no dropouts… does everyone know about “original sound,” and other Zoom settings to make it more useable for music? 13:21:20 From Adam Goldman : hmm…Timmy…interesting idea 13:21:31 From Adam Goldman : Craig, in Original Sound here 13:21:37 From jraoul : Craig- I’m on Orig Sound and am getting the same dropouts (although not the delay) 13:21:37 From Adam Goldman : might just be something wrong with Zoom 13:21:53 From Glenn Workman : Same here - its a complete muting of all audio, not just dropout when it happens. 13:22:04 From Adam Goldman : Glenn: same for me 13:22:04 From Glenn Workman : Never affects his voice. 13:22:07 From Craig Carothers : Do you have the other conference settings defeated 13:22:50 From MikeyJ : ARe the effects in the recorded audio on that slide track, or plug in? 13:22:51 From Glenn Workman : Craig: No settings changes made here, possible on Matt’s end from previous webinars. Not a big problem. 13:22:58 From Jay Farber : What command did he use to scrub back to the Left? 13:23:06 From Adam Goldman : Craig: have the same settings used throughout all the webinars over months….doesn’t result in those issues until today. 13:23:12 From Glenn Workman : MikeyJ: Sounds like that’s just the original recording. 13:23:13 From John Ulrich : What is ztx standard vs others? 13:23:28 From jraoul : Jay - he said he uses num keypad 4, 5, 6, + and set the amount in Prefs 13:23:35 From Jay Farber : Thanks 13:24:15 From Glenn Workman : John: different algorithms - actual results can vary depending on material. Pure DSP generally used for monophonic instruments, ZTX variations used on anything polyphonic. 13:24:15 From Adam Goldman : John U there are several different algorithms in DP; ZTX has a couple of different levels, switchable in Prefs, as well as MOTU’s PureDSP which is for monophonic parts 13:24:26 From Adam Goldman : yeah. What Baltimore said. 13:24:46 From Ray Toler : Jay / jraoul - yeah the new jump amounts have made FF/REW much more useful for me! 13:24:50 From Florian Z : If I wanted to review these meetings later on, is this possible 13:25:08 From Ray Toler : Florian, they’re slowly being edited and posted to Youtube. 13:25:23 From Adam Goldman : Florian: MOTU is publishing these on their website, and on their youtube cannel….slow to get them published, but they’re making progress 13:25:32 From Ray Toler : But Matt’s generating 6+ hours of content a week. :-) 13:25:34 From jraoul : Will he transpose the drums? (On the edge of my seat) 13:25:35 From John Ulrich : So, use PureDSP on solo sounds and use ZTX when using several instruments/voices? 13:25:47 From Adam Goldman : John U: yes 13:25:56 From Glenn Workman : Florian: Some April webinars are up already. They are also at the bottom of the webinar main page.https://motu.com/en-us/products/software/dp/webinars/ 13:26:11 From Adam Goldman : John U or on polyphonic single instruments (piano, eg) 13:26:15 From Björn Lindén : John: but as always. Trust your ears: :-) 13:26:27 From Adam Goldman : (Or Björn’s ears) 13:26:55 From Björn Lindén : Adam: ears for hire ? 13:27:07 From Ray Toler : (Or Adam’s suction-cupped headphones) 13:27:11 From Shari Lauter : Thought the bass sounded better unaffected when in context with theater instruments… 13:27:21 From Ken Thies : Found at least part of my issue: I run Zoom output through a small digital mixer with an EQ and a limiting comp to keep from getting hit with uncontrolled levels from zoom. The EQ flaked out for a moment. 13:27:31 From Darron Grant : Is he going to transpose the drums? 13:27:44 From Jose Gonzalez Palma : The Chat archives are incredible. thanks for doing the work and posting those! Looking forward to the Filmscoring 101 13:27:57 From Robert Turner : I was wondering about the drums too!! 13:28:23 From Jay Farber : Cant wait for more of these being done to catch up 13:28:28 From James Paschall : Sticky 22 cents. 13:28:44 From Adam Goldman : James: gum in his pocket 13:28:56 From Glenn Workman : Transpose Drums might be something someone can ask him to do in the Q/A time. 13:29:01 From Robert Thomas Mein : Wouldn’t you NOT change pitch on the percussion and drums? 13:29:04 From James Paschall : lol Adam. 13:29:14 From Bradley DePasse : Might be some bleed? 13:29:17 From Charles White : I wanna hear it. 13:29:19 From Glenn Workman : Adam: and a piece of fluff 13:29:22 From Ray Toler : BAM! 13:29:26 From Robert Turner : YEAAA!!! 13:29:27 From Charles White : Awww… 13:29:28 From darrellsmith : BAM!!!!!!! 13:29:35 From Charles White : Yay! 13:30:38 From Ray Toler : Even the side stick stays in tune! 13:30:43 From Warren McRae : Double BAMM!!! 13:31:00 From James Paschall : Sweet! 13:31:08 From Terry Leigh Britton : I need the drums lighter and fluffier, please. 13:31:14 From Bradley DePasse : Make your drums fluffy with ZTX!! 13:31:22 From jraoul : I would cut out that one bar of bass & drums, repeat it, and do the key change there before the rest of the band comes in 13:31:25 From Ray Toler : Can someone get some cotton batting in here for these drums??? 13:31:34 From James Tran : Matt, I am so glad to see you are so excited about the transportation. 13:31:52 From Jay Farber : LOL 13:31:54 From Jay Farber : Drummers 13:31:56 From Shari Lauter : drums transposed up works -they were well-tuned to the key of the piece initially 13:32:01 From Adam Goldman : one incredible drum tech on the stage 13:32:10 From Paul Colombo : that is cool. I like it. 13:32:10 From Ray Toler : lol, Adam. 13:32:17 From Glenn Workman : The pitch elements changed but the noise elements were left alone. 13:32:25 From Terry Leigh Britton : I agree, Shari 13:32:31 From Adam Goldman : love the cross stick 13:32:41 From Neil McCarroll : boooo hissss 13:32:42 From darrellsmith : Shari: Yeah, we were worried you weren’t seeing Matt’s screen. 13:32:49 From Glenn Workman : Shari: Or you could make them in tune if they weren’t originally. 13:33:45 From Glenn Workman : He? 13:33:56 From darrellsmith : He? 13:34:05 From Ray Toler : DP must originally be Russian. 13:34:07 From Glenn Workman : My DP is gender neutral :) 13:34:07 From Adam Goldman : Darrell: my thought EXACTLY 13:34:30 From johnflaherty : That’s Mr. Performer to you. 13:34:43 From Adam Goldman : John F: Mr. Performer, Sir. 13:34:51 From johnflaherty : Right. 13:35:12 From Eric Brown : Dang, i got the gender neutral edition too! 13:35:13 From Shari Lauter : @Glenn - agree…fortunately I works with some drummers who are nuts about tuning before recording! 13:35:23 From Glenn Workman : 64 until i can’t. 13:35:50 From Shari Lauter : Sorry about the “He?” Have no idea where that came from! 13:36:00 From Eric Brown : You tune the other instruments before you play, don’t you? 13:36:18 From Ray Toler : Shari, you just said what many of us were thinking. ;-) 13:36:44 From Adam Goldman : Perhaps his CPU is a he….? 13:37:12 From Glenn Workman : There are times with DP will let you select a larger buffer size in the Hardware driver window than displays in the Control panel. Just beware if it happens to you, it gets wonky till its set in range. 13:38:23 From Charles White : Back up a bit. 13:38:26 From Adam Goldman : was wondering about it being offline 13:38:57 From Ray Toler : Yeah, from 100%+ to <25%. That’s a big difference. 13:39:29 From Eric Brown : I see mine in the Control panel window and it does behave rather wonky at time. I prefer to see it because I’m hitting the hell out of the processor on all of my songs as of late. 13:39:35 From Shari Lauter : Slightly off-topic but tossing out this Q here: Question about the Audio Performance monitor - what would make the “Real Time consistently peak onscreen - but no audible or visible effects to the sound/waveforms? 13:39:44 From James Paschall : I would like see that! Phase inversion comparison. 13:39:59 From Sean Martin : me too 13:41:55 From Glenn Workman : James/Sean: Put the same audio on 2 tracks. Invert Phase plug-in on one (or as an Edit with Apply Plug-in… in the Audio menu). Easily done. 13:42:10 From James Paschall : Thanks, Glenn! 13:42:36 From Sean Martin : Thank you Glenn 13:42:39 From Craig Carothers : amazing 13:42:56 From Ray Toler : Shari, I get that behavior fairly frequently on VI-heavy tracks, but until I start getting really bad artifacts, I don’t worry too much about it since I do all of my final bounces offline. I think the red bar may be similar to clipping by 0.05 dB in some cases. Technically you clipped, but you’ll never hear it. 13:43:57 From Adam Goldman : Timmy’s got the groove. :-) 13:44:16 From Adam Goldman : but he’s working hard to stick with it 13:44:29 From James Paschall : lol, Adam. 13:44:31 From Timmy Samuel : always 13:44:58 From Ella Segretti : My DP is a she :) Always purring :) 13:45:20 From James Paschall : lol, Ella! 13:45:42 From Timmy Samuel : My DP is “YOU F$%^ER!” 13:45:47 From Ray Toler : lol 13:45:49 From Eric Brown : Purrrrrr! i love it! 13:45:52 From Adam Goldman : Timmy for the win! 13:45:54 From darrellsmith : Where is Timmy today? 13:45:58 From jraoul : Timmy - that’s definitely gender-neutral 13:46:02 From Adam Goldman : gone fishin 13:46:05 From Timmy Samuel : !!! HA! 13:46:44 From Ella Segretti : And when she gets warm, her fan spins up and she blows out a bit of heat! 13:47:11 From Adam Goldman : Craig…should be an Unmute button 13:47:11 From Craig Carothers : It won’t let me unmute!!! 13:47:14 From Adam Goldman : in Zoom 13:47:28 From Ray Toler : My DP keeps throwing an error that says “Incorrect note. Have you considered taking more theory classes?” Anyone else getting that? 13:47:35 From Adam Goldman : hang on, Craig…we’ll ask Matt to try it again 13:47:36 From Glenn Workman : :) 13:48:09 From Adam Goldman : Ray: mine says, “musician?? You must be kidding me.” Then it auto-restarts. 13:48:23 From Ella Segretti : I made a huge life change today. My OSX Dock has always been on left of screen … but the icons are getting so small I can barely see them, so now it’s at the bottom. 13:48:38 From Glenn Workman : To ask a question - open the Participants panel and click the Raise Hand button. 13:48:53 From Ray Toler : “Mmmm… why don’t you try using that app on your iPhone for a couple of months and then come back?” 13:48:57 From Adam Goldman : ….and then remember to Lower your hand once Matt answers your questions. 13:48:58 From Ella Segretti : Wish they’d give us a group function so I can put all my video and graphics on one group, all audio in another, all 3D and design tools in another 13:49:16 From Glenn Workman : Ella: You know about the magnify setting for the Dock? Can make whatever you’re hovering over on the dock inflate. 13:49:23 From Björn Lindén : Max: Have the audio files been compressed (like mp3 or H.264) ? that can do odd things when you start working with them. 13:49:29 From jraoul : Ella- you could put those apps in different folders and only have the folders in your dock. 13:49:44 From Jay Farber : For apps you can put aliases in a folder and put the folder on the dock 13:49:47 From jraoul : Easy, Mikey 13:49:50 From Ray Toler : Ella, as jraoul said, you can use folders, but you can also drag them to preferred place. 13:50:00 From Ella Segretti : jraoul yeah I might try that. 13:51:01 From Ella Segretti : Ok how do you create a folder on the dock? 13:51:23 From Jay Farber : Create folder in finder and drag to lower , below on dock 13:51:35 From Jerry Goldberg : Can you paste pitch into another track? 13:51:38 From Ella Segretti : I’ve got 50 icons on my dock :) 13:51:39 From Jay Farber : Below the line or right of the line 13:51:39 From jraoul : No, create the folder on the Desktop (or in the Apps folder), drag the apps (or their aliases) into the folder, then drag that folder onto the dock 13:51:43 From Ray Toler : Ella, look up “Dock Stacks” - that is probably what you’re looking for. 13:51:58 From Adam Goldman : Ella: your Dock’s gonna need a bigger boat. 13:52:00 From Ella Segretti : jarful I tried that and the folder wouldn’t dock … 13:52:01 From jraoul : AND drag the icons that are cluttering up the dock off until they say “Remove from Dock" 13:52:05 From Ella Segretti : adam, far out yes 13:52:11 From jraoul : Depends on where you drag the folder. 13:52:27 From jraoul : “”Jarful” — hmph, auto-correct 13:52:28 From Ray Toler : https://www.howtogeek.com/220600/how-to-create-use-and-configure-stacked-dock-folders-in-os-x/ 13:52:30 From Eric Brown : WOW he’s loud! 13:53:05 From Ella Segretti : jraoul FAR OUT! Keeps changing! 13:53:21 From Charles White : Craig, sometimes I grab the off the wall bits and move with pitch bit. 13:53:41 From jraoul : ella — what keeps changing, your dock or the spelling of my name? 13:54:06 From Craig Carothers : Charles… pitch bit? I’ve been using DP. Forever, but I’m new to pitch correcton 13:56:38 From Ella Segretti : jraoul your name :) 13:56:48 From Charles White : By bit, I meant one of those little boxes. 13:57:13 From jraoul : Charles White — I think we’re calling them segments 13:57:15 From Ella Segretti : Hmm not sure I like the spring out folders … not for things I use frequently. Maybe ok for less used tools 13:57:18 From Charles White : Ah. 13:57:22 From Craig Carothers : Yeah, I do that, but sometimes it’s not always the fix 13:57:42 From Robert Thomas Mein : Adam Goldman - LOL - our pictures are next to each other on my screen, and we’re looking like “Twin Sons of Different Mothers” (great old album) 13:58:01 From Glenn Workman : Weisberb/Fogelberg 13:58:07 From Ray Toler : Ella, I like it for my Downloads folder, but just manually arrange the order I want for the apps I’m always using. I also have my dock auto-hide to get it out of the way when I’m working. 13:58:22 From Ray Toler : I don’t like stacks for apps either. 13:58:41 From Dan Wool : I have a project that doesn’t convert soundbite’s sample rate when I drag them in. They show up grayed. I have to Merge them to get them to sound. Is there a Project pref or something that got switched. Any ideas? 13:58:44 From Glenn Workman : Ray/Ella: Auto-hide and on the right side, with magnify set about 25% 13:58:53 From Jay Farber : Go for it 13:59:13 From John Ulrich : In your opinions, is less more when it comes to pitch correction? 13:59:16 From Ray Toler : I have too much screen real estate for putting the dock on the sides. Still keep it on the bottom. 13:59:20 From Glenn Workman : Dan Wool: There is a pref for auto convert sample rate/format etc. 14:00:22 From Adam Goldman : RTM: yes, except you have glasses. The different brother. :-) 14:00:24 From jraoul : It’s Star Trek, for goodness sake, of course it’s gonna be in space. 14:00:28 From Dan Wool : Glenn: Thanks! In the prefs? …I can’t find it :( 14:00:46 From Ray Toler : John, that’s my general approach. Just enough to make it a viable take. Unless I’m working on a genre that depends on that automated sound. 14:00:48 From Charles White : My mixing mentor (Sam Knaak, Sam’s Recording Academy-shameless plug!) does pitch work by hand to get what he needs tuning - wise, then a bit of Autotune Pro makes it silky. Works nice1 14:00:48 From jraoul : Oh, I see. 14:00:48 From darrellsmith : Kd lang? 14:01:01 From Glenn Workman : Dan: Editing section/Automatic Conversions. 14:01:07 From Neil McCarroll : sounds like kd 14:01:38 From Glenn Workman : Is her mic facing the wrong direction like Lady Gaga so we can reproduce it :) 14:01:38 From Ray Toler : Also, there are a lot of times where the “imperfection” really works nicely in the mix. In isolation, I want to fix it, but in context, any fix makes it worse. 14:02:03 From Bradley DePasse : Small room with tons of comb filtering from early reflections 14:02:04 From James Paschall : +1, Ray! 14:02:28 From Ray Toler : I’m a little more heavy handed on background vocals… there’s a point where you just get this amazing “lock” in the sound, but I do all of that manually. 14:02:44 From Adam Goldman : John, it’s really a case-by-case note-by-note basis for pitch editing. But in general, less is more with pitch editing. As Ray said, enough to get the job done, not enough to make it sound like you edited the pitch. 14:03:10 From darrellsmith : That damn A.I.! 14:03:16 From Dan Wool : Glenn: Got it! Excellent! Thank you! 14:03:36 From Adam Goldman : Darrell: Star Trek would be mighty different without A.I. :-) 14:03:45 From darrellsmith : LOL 14:04:49 From darrellsmith : Nice 14:05:01 From James Paschall : Yes! 14:05:06 From darrellsmith : That’s fantastic. 14:05:07 From Bil VornDick : Hi pass it will take some of the room out perhaps 14:05:16 From Ella Segretti : eeeps power fail 14:06:38 From Adam Goldman : great pro trick….View Filter used that way. ;-) 14:07:08 From Ella Segretti : Now I'll have black video. unless I find came l candles 14:07:30 From Ray Toler : How many candlepower is your monitor? 14:07:39 From Glenn Workman : Ella: but your internet is still working? 14:08:12 From Ella Segretti : not in the studio. I've come out to my caravan to get mobile signal 14:08:27 From Ella Segretti : Ray *cry* zero candles :/ 14:08:33 From Terry Leigh Britton : I like this. This result reminds me of the vocal treatment in "You Only Live Twice" theme for the James Bond movie of the same name. 14:09:04 From James Paschall : Now that you mention it, Terry! 14:09:53 From Ray Toler : This type of editing work is when I really love the “live audition” function in Melodyne. Hope MOTU incorporate that in the future. 14:10:06 From Glenn Workman : Now is the time to take that last note up 22 cents. 14:10:08 From Ella Segretti : caravan has batteries and solar ... though no sun right now :) 14:10:18 From Adam Goldman : Eric W: does that use make more sense? 14:10:35 From Jay Farber : Type A 14:10:36 From Adam Goldman : TYPE A that lady!!! 14:11:41 From Glenn Workman : Need to record inside Max’s Cone of Silence. 14:11:50 From Adam Goldman : In space…no one can hear your room 14:11:54 From Ray Toler : “In space, nobody can hear your room tone" 14:12:00 From Ray Toler : omg, Adam… you beat me! 14:12:02 From Terry Leigh Britton : Ray.... :-D 14:12:03 From Adam Goldman : Glenn: what, Chief? 14:12:06 From John Boyle : Would you believe? Sorry about that Chief 14:12:19 From Glenn Workman : Hop to it Jaime. 14:12:23 From Ella Segretti : and what do you do when you forget to press record on your zoom H6 which has a radio lapel mic and a boom on the actress but your camera is 20 feet away and it's built in mics are all you got! 14:12:30 From Adam Goldman : I have to take the rare opportunity, Ray 14:12:32 From Terry Leigh Britton : Gad, Adam and Ray are of a single mind! 14:12:48 From Adam Goldman : TLB: seen our respective heads? 14:12:58 From James Paschall : Great minds think alike. 14:13:03 From Ray Toler : Ella, that’s when you have to ask Zoom for their beta time travel unit. 14:13:05 From Terry Leigh Britton : I respect your respective heads, but, no. 14:13:13 From Robert Camacho : This has been a great class…thanks Matt. 14:13:35 From Ella Segretti : Ray, so a subspace message to their support :) 14:13:37 From Scott Dorton : Guys, I have never worked with audio editing. 14:13:54 From Glenn Workman : Scott: MIDI only? Or just audio recording? 14:14:02 From Craig Hlady : They have a scaled down cheap version Autotune for the T pain robot sound 14:14:03 From Neil McCarroll : Altar Boy from Soundtoys is one of the prerequisite plugins for this 14:14:16 From Ella Segretti : Scott be grateful. when I started in sound engineering we didn't have pitch tools to change a fragment of a sound :) 14:14:17 From Ray Toler : Love that plug, Neil. 14:14:18 From Glenn Workman : Craig: There’s iPhone apps for it 14:14:19 From Neil McCarroll : I mean preferred 14:14:42 From Adam Goldman : Neil: yes, but I think it’s Little Alter Boy, maybe? 14:15:06 From Neil McCarroll : yep Adam is right 14:15:21 From Terry Leigh Britton : Little Alter Boy - my first plugin from SoundToys. 14:15:22 From Adam Goldman : great plug, though, Neil 14:15:28 From Eric Witt : You can microtone with cents then, right? 14:15:32 From Charles White : decapitator 14:15:35 From Charles White : yummy 14:15:36 From Scott Dorton : I was trying the pitch shift as Matt was teaching and it ACTUALLY WORKS. Blown mind. Thanks guys. 14:15:38 From Ray Toler : Eric, yes. 14:15:43 From Ella Segretti : U-oh, the cows have come over to see what the zoom session is about ... 14:15:45 From Eric Witt : Thanks Ray. 14:16:05 From Adam Goldman : Ella, did they ask you to MOOOve out of the way? 14:16:18 From Ray Toler : Time out for Adam. 14:16:23 From Jay Farber : YESSSSSS 14:16:25 From Adam Goldman : gotta milk those jokes for all they’re worth, Ray 14:16:25 From Ella Segretti : Adam, they seem mooooved by Matt's Pitching :) 14:16:35 From Ray Toler : That’s another five minutes, Adam. 14:16:40 From Ella Segretti : Seriously, no bull here 14:16:45 From Ray Toler : I give up. 14:16:53 From Neil McCarroll : Udderly astounded 14:17:12 From John Boyle : Stop guys!!! 14:17:16 From Ella Segretti : It's a real cattle call 14:17:19 From David Gottshalk : I have a question - If you have a vocal part in a song which is quieter than the rest of the vocals and you can tell that the vocal is a bit far from the mic - What can you do to fix it ? 14:17:41 From Glenn Workman : David: Is the vocal on its own track? 14:17:43 From Ella Segretti : David ... yeah me too :) 14:17:44 From Andrew Culver : +1 PITCH TO MIDI 14:17:52 From Adam Goldman : remember to Lower Hand once your question is answered so Matt can tell more easily who’s left 14:18:06 From David Gottshalk : Yes it is - Its the lead vocal 14:18:16 From Bradley DePasse : It was the conductor track 14:18:23 From Stephen Burch : Good question Arturo 14:18:39 From Glenn Workman : David: Each soundbite has a bite gain setting, and of course the mixer volume for that track can be adjusted as well. 14:18:39 From MikeyJ : Are there ways tricks for using pitch "formant" changes, and is this part fo the standard DSP in DP or is formant modifications use a different DPS engine? 14:18:41 From Ella Segretti : How do your zoom horizontal without hitting the little plus 14:19:04 From Adam Goldman : Ella command right/left arrows? 14:19:06 From Timmy Samuel : rrowElla: Command-L/R 14:19:08 From Glenn Workman : MikeyJ: Explore the Spectra Effects. 14:19:15 From Adam Goldman : *Spectral 14:19:26 From Ella Segretti : Oooo. I thought Matt was dragging ... 14:19:29 From James Paschall : Command right arrow? 14:19:32 From darrellsmith : Gotta go see ya on the morrow. 14:19:33 From MikeyJ : Glenn, thank you. 14:19:42 From Timmy Samuel : Control drag on wiper 14:19:43 From Adam Goldman : Ella he Control drags DOWN on the Wiper…that works too 14:19:47 From David Gottshalk : I’ll give it a try - Thank you 14:19:48 From Timmy Samuel : up and down on wiper 14:19:56 From Ella Segretti : Adam that's the one! 14:19:59 From Robert Turner : Glenn: Have you made any progress with my Guitar Strum Quantize routine? 14:20:00 From Glenn Workman : Ella:I’ve changed my zoom controls to the Z and X keys, since my left hand is always hovering over the modifier keys. 14:20:09 From Ella Segretti : Just need to make it muscle memory now :) 14:20:42 From Ella Segretti : Glenn makes sense ... one handed :) 14:20:54 From Neil McCarroll : The 11 Gb aren’t includes 14:21:04 From Timmy Samuel : he needs to unmute me again 14:21:09 From Glenn Workman : Robert: Yes, I thought I emailed you about that. I was doing split notes first with Top notes/low notes settings, and of course got various results depending on how many notes were in each chord. 14:21:11 From Medialab : Hey I stepped away for a second, what sale is he talking about? 14:21:19 From Adam Goldman : I think too, with an Apple Magic Mouse, I’ve used (I think) Option 2finger up/down motion for zoom left/right 14:21:24 From Neil McCarroll : ... only as extra bundles. default Iris 2Gb 14:21:33 From Ray Toler : Medialab, there was a sale on iZotope Iris for $10. 14:21:41 From Robert Turner : Sorry Glenn... didn't see your email, can you re-send it please? 14:21:42 From Ray Toler : Not sure if it’s still going. 14:21:43 From Glenn Workman : Medialab: pluginboutique. 14:21:48 From Medialab : ah okay thanks Ray! 14:21:51 From Ray Toler : But at pluginboutique.com 14:21:58 From Adam Goldman : MediaLab it was for Izotope Iris2 14:22:08 From Ella Segretti : sale is still on, till 31 August I think 14:22:09 From Medialab : Thanks Adam! 14:22:13 From Glenn Workman : Sale goes on till 8/31. Iris2 with free RX7Elements. 14:22:20 From David Gottshalk : Can you get isotope zx for a good price? If so where from? 14:22:21 From Adam Goldman : (with, apparently, 11GB of additional info for download with it) 14:22:46 From Ella Segretti : Yeah, 11GB and counting ... need another SSD :) 14:23:14 From Ray Toler : Warren, The Console app might also have the crash log. Never looked for a crash report from DP that way, though. 14:23:39 From Terry Leigh Britton : The Izotope downloader (needed to install and authorize it anyway) has the downloaders for the content near the bottom of the install section. 14:24:26 From Raymond Melvin : Awesome session as usual - thanks Matt, Adam, Glenn, et al. 👍🏽 14:24:55 From Mitch Chakour : Hey Warren McRae did I play with you in SanFransico on a Joe Cocker gig? 14:24:56 From Neil McCarroll : IZotope Production Suite 3 is a good bundle that includes RX7 Standard. I bought Tonal Bundle first then upgraded to Production Suite - this was the cheapest way about 2 months ago. Deals constantly changing though. 14:25:25 From Robert Turner : Glenn: When you have time, please re-send your email. 14:25:33 From Glenn Workman : glenn@freqsound.com 14:25:34 From John Chung : For anyone who bought the Iris 2 deal on Plugin Boutique and still needs the extra libraries, it’s under My Products>Add-Ons in the iZotope Product Portal. Should be 11 extra libraries to download 14:25:58 From Neil McCarroll : thanks John 14:26:03 From Warren McRae : @MItch, yes, I did play with Joe Cocker for many years. Great gig, great city!! 14:26:09 From Terry Leigh Britton : Thanks, John - much clearer than what I wrote! 14:26:12 From Robert Turner : No... LoL I mean, can you re-send your email referring to Guitar Strum Quantize. 14:26:27 From John Chung : No problem! 14:26:42 From Mitch Chakour : Warren McRae Great to see you man!! It was a great gig! 14:27:12 From Warren McRae : @Mitch.. Thanx! We had a blast!! 14:27:14 From Glenn Workman : Robert: I’ll have to look for it, it was about a month ago (or more) it seems. 14:27:31 From mike hlady : I had a question about if there is a 64 bit driver for older motto interfaces like the 896HD and 828k3 to run with mac OS catalina 10.15.5? 14:27:36 From Robert Turner : Yeah... at least a couple of weeks. Thanks. 14:27:40 From mike hlady : motu* 14:27:44 From Medialab : So he can’t command click multiples to do that? 14:28:06 From Ken Thies : Thank you! 14:28:06 From Jay Farber : Thanks Guys this has been an eye Opener 14:28:07 From Glenn Workman : Meeting ID: 495 946 0805 Passcode: 863769 14:28:07 From Neil McCarroll : This was a GREAT webinar 14:28:10 From Dan Wool : Yay! Bye! 14:28:10 From Tom Lewis : thanks matt! 14:28:11 From Eric Witt : Thanks. 14:28:11 From Glenn Workman : After Party. 14:28:11 From Mitch Chakour : Cheers great stuff 14:28:11 From Sean Martin : Thank you Matt 14:28:14 From Max Winkels : Thanks, Matt 14:28:14 From Richard Bryant : Great info! 14:28:15 From Neil McCarroll : bye all