12:19:52 From kennethpage : Hello from Kansas City. 12:19:58 From Robert Turner : Howdy from New Mexico!! (Cooling off :o) 12:22:21 From Benoit Widemann : Hello! 12:26:40 From Timmy Samuel : VOGONS! 12:27:47 From jraoul : Douglas Adams basically told the same joke over and over. Fortunately, it was a hilarious joke, and he told it well. Kind of remarkable, really. 12:27:57 From Timmy Samuel : :- 12:28:00 From Timmy Samuel : ) 12:29:59 From Russ Pfeifer : I caught that Darrell 12:31:40 From Glenn Workman : http://www.freqsound.com/images/mary.jpeg 12:32:05 From Glenn Workman : This is for everyone who complains about wearing a mask. My wife’s job for most of 17 years. 12:32:28 From John Flaherty : Love it. 12:32:33 From Simon Foster : blimey! 12:32:34 From Matt LaPoint : Hey everybody… 12:32:43 From Neil McCarroll : Hey Matt 12:33:28 From Ken Thies : Very cool! 12:33:38 From John Boyle : That WAS a Mark Twain Adam. My Dad said the quote was, “When I was seventeen, my dad was the dumbest man I ever knew, It’s amazing what he learned in ten years.” 12:33:39 From Robert Turner : Mike was AWESOME!!!!!! 12:33:42 From Stephan Haager : MM The wizard behind the curtain! 12:34:06 From Adam Goldman : John Boyle…yes! 12:34:54 From Jeff Jarvis : I remember Mike’s column in Keyboard Magazine years ago. Always interesting and impressive. 12:35:06 From John Boyle : That was a great one yesterday. And all of the guests Matt has picked have turned out to be very nice guys. They might have actually earned the right to be jerks, but they are not. 12:37:06 From James Paschall : Piano Mania 12:37:41 From Charles White : https://youtu.be/z2TX9KYIKpA 12:37:53 From Charles White : Pianomania trailer 12:38:03 From Charles White : Can rent or buy on YouTube 12:38:15 From Wally Badarou : Bill Gates said yes to IBM, and then … 12:38:25 From Glenn Workman : Wally :) 12:38:32 From Wally Badarou : :) 12:39:33 From Dan Wool : I’m ready for the webinar 12:40:55 From Charlyn Bernal : There are some rights for educational reasons? Teachers use it for class materials…..??? Maybe? 12:41:56 From Ray Toler : Most social platforms use a very broad hammer and rarely accept fair use arguments to unblock things. 12:42:09 From Dan Wool : Is there a topic for today, or just Q and A? 12:42:22 From jraoul : Just a couple? 12:42:29 From Ray Toler : There are a number of bands, most of them from the 70s, that result in instablocks on YT… Led Zeppelin and Pink Floyd are among them. 12:42:34 From Glenn Workman : Dan: Aligning imported audio with the timeline Review Adjust Beats feature. See the Record Beats feature in action. Use ZTX to conform audio to the timeline. Extended Q&A. 12:42:58 From kennethpage : Dan, there is a topic, we’re just hangin’ right now. 12:43:12 From Dan Wool : Cool. Thx….not that this isn’t interesting :) 12:43:12 From kennethpage : Here we go. 12:44:41 From Glenn Workman : Hi Mark! 12:44:43 From Ken Thies : Hey, Mark! 12:44:44 From Jay Farber : Thanks 12:44:44 From John Boyle : Hi Mark 12:44:46 From Russ Pfeifer : Hey Mark! 12:44:50 From Reed Robins : Mark!!!! 12:44:50 From Wayne Pronzati : Hi Mark! 12:44:51 From Neil McCarroll : Hey Mark! 12:44:54 From Mark Rasmussen : Hey Guys 12:44:59 From Tom Lewis : Hey Mark. Thanks! 12:44:59 From Robert Turner : Hi Mark!! 12:45:01 From Mark Rasmussen : I’m honored 12:45:04 From Scott Dorton : Yeah, Mark 12:45:06 From Paul Colombo : Hi Mark! 12:45:35 From Adam Goldman : you may be honored, but we’re the lucky ones! Nice stuff Mark! 12:45:46 From Robert Turner : 6/8 Time... Wonderful!!! 12:45:51 From Jay Farber : nice 12:45:54 From Bradley DePasse : Beautiful playing Mark! 12:45:55 From Charles White : Very Guaraldi! Nice! 12:48:09 From Glenn Workman : I find using a MIDI key usually works a little better than a computer key. 12:48:47 From kennethpage : True dat Glenn 12:48:48 From Dan Wool : Glenn: A MIDI key for tap tempo? 12:49:46 From Glenn Workman : Dan: Yes, in the MIDI Event column you can put any MIDI key or controller for any Command. 12:49:50 From Adam Goldman : Matt also has it set to 4/4….? 12:49:54 From Paul Colombo : Can’t you use Analyze Soundbites Tempo? 12:50:24 From darrellsmith : Adam, you right should be in three 12:50:31 From Dan Wool : Thx Glenn 12:51:37 From Glenn Workman : Dan: I did a short video on Key Bindings which shows using a MIDI event for Commands: https://www.freqsound.com/motuuserfiles/TrainingVideos/CustomKeyBindings.m4v 12:52:11 From Dan Wool : …cool thx 12:52:32 From Paul Colombo : Matt just answered me 12:52:44 From Paul Colombo : Not enough transients 12:53:39 From Ray Toler : I *really* wish the help tags showed the current key command. 12:54:04 From Ken Thies : Ray, that would be cool, yes. Even so, I love being able to turn them off. 12:54:07 From Adam Goldman : Ray…good call, as usual…suggestions@motu.com. Tell ‘em I second your vote there. :-) 12:54:38 From jraoul : 3rd 12:55:02 From Ray Toler : Oh yeah, definitely needs an on/off toggle, but I already *know* that’s the arrow tool… tell me what letter I need to press to get it. :-) 12:55:50 From Ray Toler : They’re going to get sick of me at suggestions@... 12:56:02 From Adam Goldman : except the you’re giving them good ones. ;-) 12:56:28 From Ray Toler : Well, you haven’t seen the ones I’m putting in to have them auto-generate my cues for me. 12:56:32 From Adam Goldman : Matt can only do that so well because he’s a drummer. :-) 12:56:40 From Adam Goldman : Ray: Ha! 12:57:05 From Adam Goldman : Hey, Mark: did he wreck your work? :-P 12:58:51 From Eric Witt : When he moves the levels is that the levels of volume? 12:59:07 From Glenn Workman : Eric: Those are tempo changes. 12:59:08 From Adam Goldman : Mark’s flamming notes intentionally, so those attacks are slightly rubato too, so that’s a factor in Matt’s results. 12:59:09 From Ray Toler : Eric, he’s moving the tempo events 12:59:54 From Eric Witt : Glenn and Ray - Thanks but I don’t understand. When he pulls them up and down how does that affect the tempo? 13:00:32 From Mark Rasmussen : :) Matt could only help me…. 13:00:34 From Ray Toler : The bars he’s dragging represent the current tempo. As he drags up or down, he’s adjusting the tempo value. 13:00:57 From Glenn Workman : Eric: The Conductor track has a tempo change on each beat where he tapped. He’s just speeding them up or slowing them down to match the performance tempo. 13:01:05 From Eric Witt : Ray - Oh OK. But the tempo was around 100 and I understood the tempo was around 200. 13:02:41 From Glenn Workman : Eric: When its playing you can see the tempo changing below the time counter at the top. 13:02:46 From Ray Toler : Eric, he’s in conductor mode. When the transport isn’t running, it’s defaulting back to 120. 13:03:04 From Bradley DePasse : Quite a process 13:03:05 From Ray Toler : But as Glenn said, watch the tempo when the audio is playing. 13:03:39 From Eric Witt : Glenn and Ray - OK so 100 represents the present tempo in question? 13:03:51 From Glenn Workman : Eric: Right now its 200. 13:03:59 From Glenn Workman : at bar 18 13:04:15 From Eric Witt : Glenn - OK cool. 13:04:50 From Ray Toler : “Oh man, I think I went too far.” - Things my brain has never admitted to itself. 13:04:53 From Glenn Workman : I always find its best to work in time order when doing this. Always from beginning to end -> 13:06:55 From Erik Ibsen-Nowak : I love the multiple takes ability for the conductor track! 13:08:36 From Glenn Workman : The Red lines would also be gone in the Sequence Window. 13:10:14 From Dan Wool : Multiple Marker takes would be useful too….as has been mentioned before 13:10:38 From Glenn Workman : 3.1, 4.6, 5.13... 13:10:46 From Adam Goldman : hut, hut, hike 13:10:57 From Ray Toler : 9.52... 13:11:10 From Reed Robins : 10.11 13:11:20 From Russ Pfeifer : 98.6 13:11:39 From jraoul : It’s good to have you back again 13:11:55 From Russ Pfeifer : :-) 13:15:05 From Adam Goldman : ok, NOW he wrecked it, Mark. :-P 13:15:12 From kennethpage : I think it’s great like this. 13:15:14 From Ray Toler : I’m expecting Mr. Rogers to walk into the Zoom. 13:15:26 From Russ Pfeifer : Wjraoul: was that by “Keith” 13:15:31 From Adam Goldman : Don’t think he’s in the neighborhood, Ray. 13:15:41 From Timmy Samuel : Ray: :-) 13:15:42 From jraoul : Russ - we have a winner! 13:15:51 From Ray Toler : He’s always in the neighborhood… of our hearts. 13:16:02 From Mark Rasmussen : :) 13:16:08 From Adam Goldman : Ray: fact. 13:16:16 From Bradley DePasse : Future generations will say… I love the Mark Rasmussenness of that track! 13:16:16 From Glenn Workman : Johnny Costa the piano trio 13:16:27 From Adam Goldman : Brad: :-) 13:16:29 From Glenn Workman : Bradley:) 13:16:41 From Ray Toler : :) 13:17:00 From Timmy Samuel : Matt: did you need to merge soundbites to embed the tempos in the files? 13:17:15 From Christopher Rinaman : Theres a great Johnny Costa solo piano album 13:17:40 From Mark Rasmussen : Bradley DePasse :) 13:17:41 From Glenn Workman : Timmy: No, its a menu item in Audio 13:17:49 From jraoul : Timmy - Matt doesn’t read Chat while he’s teaching. Sometimes Glenn does and will raise a point; otherwise, raise your hand in Participants window and Matt will call on you when he’s done with the lesson. 13:17:52 From Glenn Workman : Copy Sequence Tempo to Soundbite. 13:18:51 From Dan Wool : Not really hearing the issue on Zoom…it’ll be more obvious on YouTube 13:19:15 From Glenn Workman : Dan: If he ‘re does” this you’ll see the room mics adjust 13:21:41 From Ken Thies : Is the "slightly off"-ness due to the fact that we are still in a modified tempo map? Shouldn't the beats be copied while the soundbites are still in their "normal" state? 13:25:03 From Ken Thies : Matt, what if you go back to tempo take 1, copy the beats there, and then go back to tempo take 2? 13:25:58 From Adam Goldman : Quantize the beats? 13:26:03 From John Burke : Does sensitivity matter here? 13:26:30 From John Burke : For Find Beats, that is 13:26:37 From Adam Goldman : probably not, I suspect 13:26:49 From Neil McCarroll : best to shift the room mics before anything else, the realign at end if desired. 13:27:42 From Dan Wool : Weird. I’da thought Copy Beats would just copy the beats…obviously 13:27:58 From Jay Farber : So what did the merge do? 13:28:22 From Glenn Workman : Jay: Embedded the beats that had been analyzed into the file I believe. 13:28:31 From Jay Farber : Thanks 13:29:22 From Timmy Samuel : Yah. I had to merge when changing tempo on a drums to get everything to stay in phase. 13:30:05 From Ray Toler : I’m glad I don’t have to do this very often, because the finer points of what’s going on with the merge, etc. escape me. 13:30:30 From Ray Toler : That was for the drug-induced nightmare scene. 13:30:51 From Glenn Workman : Would be fun for sound design to mess with transposing the room mics different than the source mics for different tracks. 13:31:01 From Ed Auslender LA Music Lab : I had had the same issue a coupe weeks ago, with phase issues on a drum kit. I’ll try merging the tracks first. I’ll be glad if this works. 13:31:20 From Adam Goldman : Glenn: I had the same thought :-) 13:31:29 From Adam Goldman : Mark: ok, NOWWWW he’s wrecked it. 13:31:39 From Timmy Samuel : I also did a merge after copying beats to all the drum tracks. 13:32:01 From Glenn Workman : Ed: In one of the early webinars he used the hi-hat track from a drum kit as the basis for adjusting the other mics so they maintained phase when stretching etc. I don’t think that’s been posted yet. 13:32:57 From Mark Rasmussen : Adam :) I 13:33:07 From Jay Farber : Very cool thanks 13:33:08 From Russ Pfeifer : Ray: your feed looks like a Kubrick set 13:33:17 From Glenn Workman : Mark: So where can I buy the album? 13:33:28 From Ray Toler : I am a Kubrick set. 13:33:42 From Ed Auslender LA Music Lab : Yes Glenn, it was after that webinar that I experimented and couldn’t get the beats to copy from the reference track. I think Matt might have solved the issue. 13:34:00 From John Burke : Find Beats sensitivity? Effect in general? 13:34:16 From Ray Toler : My rig is always telling me, “I’m sorry Ray, I’m afraid I can’t do that.” 13:34:23 From Russ Pfeifer : Hope you have a leash on your HAL 13:34:24 From Glenn Workman : If you want to ask a question: Open the Participants panel and click Raise hand button. Matt will send a request to unmute your mic. Please remember to mute you’re mic again when you’re finished. 13:34:38 From Russ Pfeifer : Beat me to it 13:34:52 From Charlyn Bernal : Use a tempo in 1 13:34:55 From Ray Toler : “HAL, please increase the talent quotient by 3.72%…” 13:35:08 From Adam Goldman : Ray: :-) 13:35:38 From Ed Auslender LA Music Lab : Charles, you can adjust beats by adjusting on bar at a time, it works great 13:36:25 From Robert Turner : That's the way I do it! Tempo change only when the soundbite downbeat does not align with the tempo map. 13:37:44 From Neil McCarroll : Wonder if you could do the 1 thing as a midi notes then convert that track into beats or a new tempo map? 13:37:46 From Glenn Workman : Robert/Ed: Agreed, that’s usually enough for me, just adjust the start of each bars beat 1. I usually don’t have too much of a tempo change inside a single bar. 13:38:14 From Glenn Workman : Oliver Twist: Can I have more sir? 13:38:15 From Robert Turner : Correct! 13:38:40 From Roger Carr : 12/8 must be a tricky time signature to tap in, when each beat is a dotted quarter note? 13:38:53 From Charles White : Maybe follow up with penciling straight level lines bar to bar? 13:39:31 From Craig Hlady : Hey Glenn , I mentioned a couple weeks ago the color shades in track window with the actual soundbite colors that didn’t change in the tracks window for me that where as Matts soundbite colors did change. you mentioned you had the same issue and was going to look into that . Did you ever figure out how to get to change the colors ? 13:39:35 From Robert Turner : Most soundbites I use are fairly consistent, but they do drift up or down a few BPM over time. It's usually fairly easy to adjust the Conductor tempo to match the soundbite. 13:40:42 From Glenn Workman : Craig: I think that was just a limit in the Tracks Overview window. It does the more subtle shades of the waveform in Sequence. Its odd because the little color picker square in the TO is the right shade. 13:41:34 From Christopher Rinaman : I’ve been using FaceTime with loopback in lessons, it’s not too practical with rehearsing, because there is some latency, but you can do playing/duets if you can stand the latency and are prepared for it. But’s my experience has been about a half a second generally. 13:42:22 From Glenn Workman : Christopher: The other day Matt measured it on his system as 40 SAMPLES. Might be he just has a Bitchin’ great internet connection. 13:42:52 From kennethpage : Christopher, what were your settings 13:42:56 From Reed Robins : Thanks Christopher. 13:43:04 From Craig Hlady : Glenn, that is what I found with the color picker squares but it Looked like Matt was able to get the shades to change in tracks overview on the soundbites as well 13:43:11 From Christopher Rinaman : I think it’s dependent on both internet connections. But I’ve found loopback allows me to send everything at the same time so my students don’t hear latency. I just get a little on the return and have learned to live with it 13:43:41 From Glenn Workman : Christopher: I use a different theme (8), so it might be theme dependent. 13:43:46 From Reed Robins : I was unable to say why the local audio was not coming from the local source. 13:44:30 From Reed Robins : Put another way, is FT summing the local audio and then the feed from Jim instead of playing back the composite with the round trip. 13:45:19 From Reed Robins : ? 13:45:39 From Adam Goldman : Reed: I’d asked Matt about that that day. Pretty sure the audio was summed on Matt’s end, hence the use for rehearsal, as it had all the parts (Matt & Jim talking) in Matt’s recording of the FT 13:46:22 From Reed Robins : That’s what I thought might be the case Adam. 13:46:22 From Adam Goldman : I love that Francisco is recording matt’s answer. Smart. 13:46:43 From Christopher Rinaman : Also— re FaceTime and Loopback, you need to setup a pass-through monitor in Loopback and set that as your FaceTime out so that the audio ducking is bypassed. 13:47:50 From Charles White : Glenn, this dragging of beats in the stretch layer, cool! Can you select multiple beats to drag? 13:48:13 From Björn Lindén : Samples to the SSD. 13:48:15 From Eric Brown : Does anybody know if there is a noise reduction plugin as good as the old Digidesign DINR? 13:48:28 From Ray Toler : I only use spinny drives for backup these days. Samples, projects, OS, etc., all live on SSD. 13:48:29 From Björn Lindén : iZotope 13:48:34 From Glenn Workman : Charles: I’m not sure, just haven’t done it. Maybe the lasso or i-beam to grab multiples, or shift-click to select more than one. 13:48:58 From Charles White : I had no idea. Another layer of the DP onion! 13:49:03 From Charles White : Sweet! 13:49:10 From Darrell Smith : Ditto Ray. 13:49:17 From Dan Wool : How much for the 8tb SSD? 13:49:30 From Neil McCarroll : WD have good sale on their website at the mo, plus 10% off first purchase if you sign up to mailing list. 13:49:30 From Mark Kelso : What about read/write limitations on SSDs we were warned about when they first came out? 13:50:00 From Ken Thies : Adam: if you can create more than 1 slice on the disk, put the system in one, and your user and project data into others. Not for speed, but to keep any runaway writers from leaving the system without wiggle room, so to speak. 13:50:18 From Björn Lindén : Mark: the throughput is much more than SATA 13:50:38 From Dan Wool : …looks like $1kish for 8tb SSD 13:50:49 From Ray Toler : My current rig, I have a dedicated ssd for OS, a project/sample drive, and a drive just for Spitfire stuff. 8TB internal HDD handles “live” backup, and then backup/archive to a NAS on the network nightly. 13:50:57 From Mark Kelso : Bjorn: Thanks, I was warned that an SSD had a limitation as to how many times you could read and write to an SSD before it failed 13:51:18 From Ken Thies : Hmm. With Glenn's comment, the reason for splitting goes out the window. The system will still let you bury the system partition. Hmm. 13:51:48 From Ken Thies : I guess I still like separate physical hardware for system and anything else. 13:52:08 From Tom Lewis : Carbon Copy Cloner is great for BU 13:52:09 From Björn Lindén : Mark: Yes there are. But I wouldn’t worry about it if you are buying a new one. 13:52:16 From Ella Segretti : mark, recent SSD's are far better than 4 years ago with a 10,000 write limit. with 3D NAND it's expected you'll get 10 to 15 years of fairly active writing. Read has no affect. 13:52:18 From Ray Toler : I use Chronosync for backups. Only use Time Machine on non-media machines. 13:52:20 From Jay Farber : Use Super Duper or Carbon Copy cloner for back ups 13:52:23 From Charles White : Matt, Glenn, Jim, and everyone, thank you so much for edification. I’m out for now. Bye! 13:52:36 From Glenn Workman : Bye Charles. 13:52:53 From Ella Segretti : a home user on a 2020 SSD would get 20 years before expected failure. a data base drive going flat out would get around 5 years. 13:53:12 From Mark Kelso : Thanks! I have a new MacPro 2019 so I am guessing the internal SSD is more robust than my MacPro trashcan 2013. Thanks 13:53:42 From Mark Kelso : Adam: Ha! 13:53:55 From Ken Thies : I used to work on Sun workstations - back then we had pizza boxes.... 13:54:09 From Sandor : i can offer some insight here if you unmite me 13:54:12 From Ray Toler : Same, Ken. :) 13:54:34 From Ken Thies : Ray, it was the Sparc 1, wasn't it? 13:54:42 From Glenn Workman : Sandor: click Raise Hand in the Participants window. Matt can see that and will send you an unmute request. 13:54:51 From Scott Dorton : Sandor, can you raise your hand? 13:55:13 From Ray Toler : We used “pizza box” as a generic for any rack-mount server. Mostly Sun/SGI, but other stuff mixed in there. 13:55:23 From Sandor : it’s raised 13:55:37 From Ray Toler : at one point, we had the fastest network in Silicon Valley outside of Cisco and ILM. 13:55:47 From Adam Goldman : Pizza box! Now THAT requires grated CHEESE 13:55:56 From Ray Toler : Sorry… not ILM… that was a different comparison. 13:56:05 From Ken Thies : Ahh. We had Sparc 1s in the student lab, which were perfect sized for calling it a pizza box, The Sparc 5 on my desk was a little too thick to keep the imagery. 13:56:06 From Ella Segretti : and pineapple 13:56:19 From Adam Goldman : Ella: hmmmm. 13:56:33 From Tom Lewis : Thanks Matt & Glenn. Gotta go to a Webinar for CEs in my other job as a licensed clinical counselor. Have a great weekend everyone 13:56:36 From Ray Toler : I was working at a genomic startup. We put more data through our network in a day than ILM did in a month. They came out for a site visit to benchmark. 13:56:56 From Glenn Workman : Tom: Good to know. I’m sure most of us could use a good therapist. 13:57:33 From Adam Goldman : Sandor: 96GB…should be good. :-) 13:58:30 From Adam Goldman : And was thinking more about internal all-in vs split internal + external 13:59:15 From Bradley DePasse : Max Headroom was prophetic with what we’d encounter some day!! lol 13:59:22 From Adam Goldman : but thanks for the input, Sandor! :-) 13:59:48 From Adam Goldman : M-M-M-Max Headroom! 13:59:49 From Ray Toler : Bradley, rewatched that series about a year ago. Scary how much they got right. 14:00:16 From Bradley DePasse : Max Headroom was genius production! 14:00:26 From Ray Toler : (And people wonder how I can be an optimist and a cynic at the same time) 14:01:08 From Marc Hévéa : I’m looking for a shortcut in the sequence editor for the pitch window, soundbite window, stretch etc… Is it possible ? 14:01:38 From Mark Kelso : Marc: I asked Matt this before and he said not yet 14:02:06 From Glenn Workman : Marc: There is to switch to other layers, but not one to go back to Soundbite, you have to click for that. Let me find it in the Commands window. 14:02:08 From Marc Hévéa : Ah ok many thanks! 14:02:52 From Neil McCarroll : Is Groove Quantize designed to solve Sander’s issue too? 14:03:16 From Marc Hévéa : Thanks Glenn, I go back in the commands window 14:03:23 From Glenn Workman : Marc: Find Edit Volume (or Edit Volume in Place) in the Commands window. 14:03:35 From Ray Toler : “Coerced” is a good way to describe a lot of my compositional process. 14:03:42 From James Paschall : Tangent…From earlier: Another great “series” by Douglas Adams is Dirk Gently’s Holistic Detective Agency. 14:03:55 From Glenn Workman : Same for Edit Pan, Edit Previous Type, Edit Controller etc. 14:04:01 From Ray Toler : James: +5 14:04:32 From Adam Goldman : Yes, James…a fun tv version (last year?) of that with Elijah Wood in it. Wacky but fun, like all of DA’s work. ;-) 14:04:48 From Paul Colombo : Copy Beats??? 14:04:52 From Marc Hévéa : Ok Thanks Glenn I’ve found it 14:05:01 From Ray Toler : I enjoyed the older series as well (BBC). Only 4 episodes, but a fun interpretation) 14:05:11 From Timmy Samuel : The guy they got to play Dirk was brilliant. 14:05:15 From Glenn Workman : James: Funny to read the first one these days, because the ever so modern references to his Mac etc. are odd in retrospect. 14:05:23 From Adam Goldman : Timmy: I thought so too 14:05:43 From Ray Toler : I need to check out the new one. 14:05:53 From Glenn Workman : Timmy: There’s 2 versions, both a British and US version. Can’t remember which streaming services have which. 14:06:19 From James Paschall : I knew you would hit that point, Glenn! It’s all about the Apple! 14:06:44 From Timmy Samuel : Glenn: we 14:06:53 From Timmy Samuel : re talking about the US version. 14:07:06 From Ray Toler : I need a remaster of the Starship Titanic game. 14:07:09 From Timmy Samuel : I forget which service it was on, too. 14:07:54 From Glenn Workman : Ray: Didn’t Terry Jones write the book for that? Haven’t read that in many years. I know it was the D. Adams concept. 14:07:55 From Adam Goldman : Ar2ro: there’s another one for suggestions@motu.com 14:08:27 From Ray Toler : I don’t remember if the book followed the game or vice versa. 14:08:47 From Adam Goldman : we’re talking finer resolution 14:08:54 From Robert Turner : It's all about tempo resolution. 14:09:03 From Adam Goldman : Robert: :-) 14:09:45 From Adam Goldman : ….and….NOT play the 1’s!!! 14:10:07 From Ed Auslender LA Music Lab : i agree with Art2ro, downbeat tap temp would be good 14:10:41 From Neil McCarroll : I kinda agree - should be able to set the one beats as a priority in an a behind-the scenes hierarchy. 14:10:48 From Glenn Workman : Adam: Playing bass for a good Rumba beat for example. 14:11:07 From Robert Turner : It wouldn't hurt to tap the downbeat rather that quarter notes if resolution is not critical. 14:11:20 From Adam Goldman : MOTUs geniuses are smart enough that it’d be a breeze for them to figure out a way to do both approaches. 14:11:28 From Adam Goldman : Glenn: :-) 14:11:33 From James Paschall : True! 14:11:39 From Glenn Workman : Robert: I’m going to try it with Whole Note as the beat value. I’ll post results later. 14:11:42 From Adam Goldman : Counter to James Brown though NOT to have the 1. :-) 14:12:00 From Neil McCarroll : reuse the priority markers algorithm in tempo-find. 14:12:01 From Glenn Workman : You’re a drum, and you’re a drum, and you’re a drum... 14:12:24 From Robert Turner : Glenn: I have actually used whole notes with fairly good results... depends on temp, however. 14:12:29 From Charlyn Bernal : You would not conduct every beat with a tempo that fast so it makes sense to tap in one. 14:12:35 From Russ Pfeifer : Drum and Drummer 14:12:47 From Glenn Workman : Might try playing with placing Markers, then adjusting tempo to Markers once per measure. I’ve got some playing around to do. 14:13:11 From Adam Goldman : Oh, and re this Cheese Grater’s internal SSD, I think it’s Apple-branded. For what that’s worth, but Matt asked. 14:13:47 From Adam Goldman : of course, could well be made by someone else 14:13:49 From Glenn Workman : Adam: Disk utility will usually give you the brand info etc. - Or System Information. 14:14:19 From Adam Goldman : was checking the Sys report, but good call on DiskUtil 14:14:54 From Ray Toler : Apple’s been moving hard to controlling the entire vertical in their manufacturing, so you may not ever find out who actually built that drive, though. 14:16:00 From Adam Goldman : Yeah, DiskUtil references it as Apple branded. 14:16:16 From Adam Goldman : I’m with you, Ray 14:16:19 From Robert Turner : Ever heard of the "Great Value" Brand?? LoL 14:16:42 From Glenn Workman : Adam: Who did you buy it from? 14:17:05 From Adam Goldman : you may know of them, Glenn…they’re called Apple. (Oy.) 14:17:15 From Glenn Workman : :) 14:17:41 From art2ro : Hello Glenn, I really would like to learn the way the features in DP along with VE Pro allow to use clippings to build a template, where everything pretty much gets connected!! It’s amazing but, I wish to know the steps and rules to achieve that where everything just get connected and ready to go. 14:17:51 From Russ Pfeifer : Adam: you’ve been on a gear tear 14:18:08 From Glenn Workman : Adam: Is this the NEW Mac Pro (I thought you were referring to an older cheese grater) 14:18:45 From Glenn Workman : Art2ro: I just got Vienne Ensemble Pro this week so I could learn myself and hopefully help others. Give me a little time to suss it out. 14:19:11 From Adam Goldman : yes, Russ…with a subsequent (obviously non-existent) hair tear. Sigh. Getting the newer displays to hit res has been a cabling mess. 14:19:12 From Ray Toler : Glenn, yes, Adam is talking about the 7,1. 14:19:22 From Adam Goldman : Glenn, yes, MP2019 14:19:50 From Ray Toler : It’s the Pampered Chef Cheese Grater. 14:20:25 From Erik Ibsen-Nowak : art2ro: This guy was on a few weeks ago. He does this exact thing. https://www.stevesteele.com/templates. He’s great. 14:20:30 From Russ Pfeifer : As opposed to the old wal_mart grater 14:20:46 From Adam Goldman : Industrial Cheese Grater Machine 3 in 1 Cheese Grater - China Frozen Meat Cube Cutter, Frozen Meat Cutter | Made-in-China.com 14:21:48 From Paul Colombo : Reminds me of Bluesette - Toots Thielmans 14:21:48 From Adam Goldman : should have been this: https://www.webstaurantstore.com/grater-cheese-hydraulic/91545404.html 14:21:57 From Jose Gonzalez Palma : I have a question if there is still time thanks Matt. 14:22:52 From Charlyn Bernal : Thanks, Matt, this is exactly what I needed to focus on today! 14:22:55 From Glenn Workman : Jose: You have to open the Participants panel and click Raise Hand for Matt to know you have a question. There are about 10 folks with their hand up at the moment. 14:23:09 From art2ro : Thank you very much Glenn!! I already reached out to Steve Steele, and he answer my email couple of days after his presentation but I think he’s backed up on his work updating his website and videos explaining his concept. I told him, I’m willing to buy some of his templates but, my main interest is really to learn how to connect the dots, to make all this work and be ready. 14:23:28 From Neil McCarroll : What was the align tool mentioned? 14:23:38 From Andrew Culver : MOTU Precision Delay does alignment, right? 14:23:39 From Adam Goldman : Sound Radix Auto Align 14:23:45 From Andrew Culver : Why didn’t Matt use that? 14:23:53 From Neil McCarroll : thanks :) 14:23:54 From Glenn Workman : https://www.soundradix.com/products/auto-align/ 14:24:14 From Adam Goldman : always super-efficient Glenn. :-) 14:24:20 From Ray Toler : Andrew, I’m assuming to show the “manual” way so people understand the underlying process. 14:24:46 From James Paschall : Again, Thanks Matt, Glenn, Adam, Ray, et. al. My potential energy is turning to kinetic energy. lol 14:25:06 From Adam Goldman : Happy motion, James. :-) 14:25:17 From Glenn Workman : Just a reminder for old and new participants: You can save the Chat at any time by clicking the 3 dot bubble in the text field of the Chat window. It will save everything from when you signed on till when you clicked Save Chat. 14:25:30 From Andrew Culver : Precision Delay has the “Align” button which is manual I believe? 14:25:40 From Adam Goldman : Also, if you’ve had your question answered, remember to lower your hand. 14:25:55 From Jose Gonzalez Palma : Oh Thanks Glenn! 14:25:57 From Ray Toler : I need to expend more kinetic energy, or my inertia will lead to excessive entropy. 14:26:03 From Scott Dorton : Thanks, Glenn. II have been doing that chat save, and it works great. 14:26:15 From James Paschall : lol, Ray! 14:26:29 From Adam Goldman : physicists. smh 14:26:34 From Robert Turner : Glenn: Rather than taking a bunch of time here I would like to email you with an issue I have with Quantizing. Would you be up for that? 14:26:51 From Glenn Workman : Robert: Sure - glenn@freqsound.com com. 14:26:52 From Scott Dorton : Thanks to everyone today. Great questions and comments. 14:27:15 From Robert Turner : Ok... will send something in a bit. Thanks Bunches!! 14:27:19 From Neil McCarroll : Sadly no chat save on iPad:( 14:27:21 From John Boyle : @ Mark Kelso, you can find Gary Nelson as Gary Lee Nelson on FB. I don’t know if your interested or not, but he is there. 14:27:32 From Adam Goldman : Robert, be sure to use the extra com. :-P 14:27:51 From Glenn Workman : Neil: I can email the chat to anyone after the fact. Or I could post them in the user files area I set up. Just let me know. 14:27:56 From Glenn Workman : I have most days. 14:27:58 From Paul Colombo : Have a good weekend everyone! Thanks always! 14:28:04 From Robert Turner : LMAO @ Adam!! :o) 14:28:18 From Neil McCarroll : Thanks Glenn - v kind :) 14:29:04 From Robert Turner : Gotta Scoot!! Ya'll have a GREAT weekend!! Thanks Matt... Love ya, Bro! 14:29:31 From Neil McCarroll : Laters Rob T :) 14:30:40 From Adam Goldman : TODAY is the 17th! 14:30:49 From Adam Goldman : Mark K: you missed your flight!!! 14:30:56 From Ray Toler : Mark, I’ll be happy to take care of that 2019MP for you in the meantime. 14:31:08 From James Paschall : Adam…only you, only you! lol 14:31:17 From Adam Goldman : Ray: Got Cheese? 14:31:17 From Glenn Workman : Neil: I’ve just created a folder with previous chats. Its not totally current, but most are in there. https://www.freqsound.com/motuuserfiles/ 14:31:25 From Glenn Workman : webinarchats 14:31:49 From Ray Toler : Oh no… Glenn’s making my bad jokes permanent! 14:32:10 From James Paschall : lol, Ray! 14:32:11 From Adam Goldman : Ray: posterity. 14:32:20 From Ray Toler : Posterior. 14:32:22 From Glenn Workman : Back to Douglas Adams/Ray: I’m going to set the history straight, or at least firmly crooked! 14:32:29 From Neil McCarroll : Glenn - a legend in your own lunchtime! ;) 14:32:51 From Ray Toler : Glenn, I’ll be waiting in the long, dark, teatime of my soul. 14:32:51 From Mark Kelso : Adam: 17th of August now! 14:32:51 From Glenn Workman : I’ve got some of the other chats on my laptop, will add as I come across them. 14:32:52 From James Paschall : Except now there’s two ghosts. 14:32:58 From Mark Kelso : Ray: Where do you live? 14:32:58 From Adam Goldman : Mark K: ;-) 14:33:09 From Ray Toler : Mark: Portlandia. :-) 14:33:19 From Mark Kelso : OR or ME? 14:33:22 From Ray Toler : OR 14:33:26 From Adam Goldman : Glenn, I might have most, if not all of the chats saved, if you need any. adam@audiomind.com 14:33:29 From Ella Segretti : Mark :(. You really are having an imposed lockdown! 14:33:48 From Mark Kelso : Ray: Ooh… Do you know Benjy Wertheimer? I often collaborate 14:33:56 From Adam Goldman : Pete Erskine!!! 14:33:56 From Benoit Turgeon : superior drummer 14:34:02 From Ray Toler : yeah, I haven’t minded the quarantine stuff too much, but if I knew there was a new computer waiting for me, I’d be developing a vaccine on my own! 14:34:21 From Mark Kelso : Ella: Yes, thank God I was on tour with my girlfriend and stuck here with our musical heroes, Deva Premal and Miten 14:34:23 From Ray Toler : I don’t… just moved to the area about a year ago Mark. 14:34:49 From Adam Goldman : Benoit Turgeon: +1 on Superior Drummer 3…great libraries, and at least one brush set (probably more, I forget) 14:35:09 From Mark Kelso : Ray: It’s a great town, enjoy! Benjy has a great studio and is a fabulous world music session musician if you need a good tabla player, or esraj, or vocals 14:35:29 From Ray Toler : Looking forward to making new friends up here. Moved for wife’s work. 14:35:58 From Ray Toler : I’m a recovering executive. Only been doing music as a primary thing for a couple of years now. 14:36:07 From Björn Lindén : https://www.toontrack.com/product/jazz-ezx/ 14:36:09 From Björn Lindén : http://www.platinumsamples.com/ps/RealJazz.php 14:36:19 From Björn Lindén : http://www.platinumsamples.com/ps/PeterErskineDrums.php 14:36:21 From Glenn Workman : Douglas Adams/Zappa: Und du bist mein Sofa 14:36:32 From Adam Goldman : Glenn: :-) 14:36:43 From Bradley DePasse : MTBF = Mean Time Between Failure 14:36:44 From Sandor : to free up memory run the command ‘purge’ from the command line 14:36:45 From Mark Kelso : John Boyle, Oh wow, thank you! I wonder if Dary John Mizelle is still around as I spent more time with him than with Gary but those guys helped develop the MIDI spec 14:36:49 From James Paschall : lol, Glenn! 14:37:23 From Adam Goldman : Sandor: clears what’s currently loaded in RAM but not active? 14:37:46 From Neil McCarroll : Heard really good things about StraightAheadSamples specialist jazz libraries 14:37:47 From Sandor : purge will dump all non-essential memory that is not currently being referenced 14:37:48 From Craig Hlady : I use Superior 3 sometimes for brushes but This is a brush lib for UVI thats not bad and is pretty cheap . https://www.acousticsamples.net/drumtastebrush 14:37:56 From Glenn Workman : I leave my 8M on, and my computer 24 at all times except when new installs require a restart. 14:37:58 From Adam Goldman : nice; good tip, Sandor 14:38:00 From Adam Goldman : Thanks 14:38:04 From Bradley DePasse : Gotta run. Thanks Matt 14:38:19 From Sandor : it all running apps will recache what they need as they need it 14:38:19 From Warren McRae : Thanx Matt! Have a great weekend all! 14:39:07 From Adam Goldman : Glenn: +1 on 24/7 uptime 14:39:26 From Mark Kelso : Love the community we are building here. Is Zoom broadcasting to you all in Stereo? I am about to help someone setup here in CR and they want to have it received in stereo as they are musicians. I got them to install Loopback already 14:39:38 From Neil McCarroll : https://www.straightaheadsamples.com/sa-brushes-mallets 14:39:38 From Ray Toler : I only restart when things get hinky or I know I’m not going to be working on anything for more than a few days. 14:39:42 From Glenn Workman : Mark: It is in stereo for me. 14:39:43 From Adam Goldman : Mark K: yes, I get Matt in stereo 14:39:47 From kennethpage : Matt. Thanks You again for an amazing & informative Webinar. You, Glenn, Jim, and all of your guest are wonderful. 14:40:06 From Mark Kelso : Adam: Thanks, Did you have to make any changes in your prefs? I don’t have that option 14:40:13 From Darrell Smith : Everyone have a great weekend!!!!! 14:40:36 From James Paschall : You too, Darrell! 14:40:45 From Terry Leigh Britton : Mark - low bandwidth in Zoom switches to mono. 14:40:49 From Adam Goldman : Mark K: no; his Loopback functionality provides stereo output. My audio passes through my MOTU I/O, and I get stereo out of my monitors. 14:40:51 From Russ Pfeifer : See you all next week, Cheers! 14:41:02 From Mark Kelso : Adam: I think we have it worked out but we had to ask our test user to turn on stereo 14:41:04 From Adam Goldman : Terry Leigh for the win, sounds like. 14:41:10 From Glenn Workman : I said this the other day, but I mean it. I feel like i’ve got another 150+ new friends. Everyone here has been great to get to know, push the limits of what’s possible, get ideas flowing on new features and how to integrate them in my work etc. 14:41:16 From Mark Kelso : Terry: Ahh, thanks! 14:41:18 From Ray Toler : +150, Glenn. 14:41:28 From James Paschall : But zoom has that enable stereo button…what is that all about? 14:41:29 From Mark Kelso : With Loopback installed is stereo broadcast assured? 14:41:32 From Adam Goldman : Glenn/Ray: oh YES 14:41:39 From Ella Segretti : Glenn: 150 new admirers :) 14:41:40 From jraoul : Glenn — just too bad no one here has a sense of humor 14:41:50 From Mark Kelso : except where the bandwidth doesn’t allow? 14:41:50 From kennethpage : Again, True Dat Glenn. 14:41:54 From Ella Segretti : And many old admirers you just never knew :) 14:42:00 From Ray Toler : I know, jraoul. Everything is SO serious. 14:42:20 From Adam Goldman : Mark K: Matt has said that it’s normally only mono, but his use of Loopback is to output stereo to Zoom (and to the audio recording he makes for the posted versions of the ‘nars) 14:42:21 From Ella Segretti : Glenn, for your FB message, replied by email, thank you :) Looking forward!! 14:43:04 From Terry Leigh Britton : Zoom records in mono, but transmits in stereo, but that is down-converted to mono at the receiver's end if they have low bandwidth issues. 14:43:05 From Adam Goldman : Thanks, Friends!! 14:43:09 From Ray Toler : Thanks again! 14:43:12 From Mark Kelso : Thanks, Matt and Gleen and everyone! You all are great! 14:43:13 From Glenn Workman : Mark: There’s a Zoom audio primer in our user files area. Posted by Craig Carothers. 14:43:13 From jraoul : Let’s rap! 14:43:14 From Reed Robins : Thanks Matt!!! 14:43:14 From Wayne Pronzati : Thanks Matt!! 14:43:15 From Ed Auslender LA Music Lab : thanks again to all of you 14:43:20 From Geert D'haene : thanx 14:43:20 From Ray Toler : Let’s rocktalk! 14:43:21 From Neil McCarroll : bye everyone 14:43:21 From Mark Rasmussen : Thanks Matt