12:27:44	 From Keith Lewis : I have an SE30
12:27:44	 From Glenn : 512k Fat Mac was my first
12:27:45	 From Björn Lindén : I still have my Mac+
12:28:09	 From Keith Lewis : Bought Apple II in 1982
12:28:19	 From Wayne Pronzati : I still have my original Mac Powerbook with a whopping 2 MB of RAM
12:28:33	 From Björn Lindén : Ray: use it for VEP7
12:28:50	 From Benoit Widemann : Mac+ either, with HD 20MB, still working fine :)
12:28:52	 From Robert Turner : Howdy from New Mexico, USA
12:29:40	 From Björn Lindén : Ray: try the demo’s…
12:30:06	 From Luis Angel : Hello!!! From Medellín, Colombia 🇨🇴!!!
12:30:12	 From Ray Toler : Thanks, Björn!
12:32:21	 From Terry Leigh Britton : Magic Bus
12:32:50	 From James Paschall : Adam…if you’d  be interested in blowing horns on a Beatles’ cover of Savoy Truffle, let me know please.  thunderenlightning@hotmail.com
12:33:15	 From Ray Toler : Russ (or anyone): you can reach me at rtoler@gmail.com
12:33:37	 From Russ Pfeifer : Thanks Ray
12:34:27	 From Benoit Widemann : Is there any advantage (latency) in reducing the number of busses?
12:34:35	 From James Paschall : Cool Ray, Thanks.
12:34:44	 From Terry Leigh Britton : The names of the busses have nothing to do with the address assignments DP assigns to them.
12:36:53	 From Robert Turner : I won't be here tomorrow.  Have 2 out of town gigs this weekend!
12:37:08	 From Ray Toler : A “gig” ?? What’s that?
12:37:10	 From Ray Toler : ;)
12:37:15	 From Robert Turner : LoL
12:37:26	 From Mark Kelso : ask a frog about a gig
12:37:33	 From Adam Goldman : James Paschall….sound like fun. adam@audiomind.com
12:37:57	 From Ray Toler : Having lived in College Station, TX for too many years, I don’t need to ask about frog gigging. =-D
12:38:18	 From James Paschall : Cool Adam…I’ll send you my 2000 Cakewalk mix.
12:39:59	 From Adam Goldman : Nice
12:40:11	 From Adam Goldman : Mark Kelso…still in CR? Different background today. ;-)
12:40:26	 From Andrew Culver : Radio Shack for decent hardware SPL meter
12:40:33	 From John Flaherty : I missed it - where did he get the calibration window from?
12:40:42	 From Adam Goldman : it’s a MOTU-included plugin
12:40:58	 From Adam Goldman : currently in slot A of his Stereo track
12:41:31	 From Björn Lindén : gig… that’s something from the olden days. Pre youtube I think…..isn’t it ?
12:41:39	 From John Flaherty : Thanks. I’m trying to pull it up in may own DP window.
12:42:28	 From Ray Toler : I suspect most folks have an audio meter, but if you need one, I use Decibel X on my iPhone and it’s pretty nice. Certainly accurate enough for my home studio.
12:43:00	 From Mark Kelso : Decibel X works well
12:43:23	 From Glenn : https://www.gearhungry.com/best-decibel-meters/
12:43:48	 From kennethpage : Thanks Glenn.
12:44:01	 From Glenn : The pictures at the top, both far left and far right are about $20. I don’t think the Radio Shack one is available, at least its not on their website.
12:44:30	 From Ray Toler : And for non-peak metering in DP, I use VUMT Deluxe from Klanghelm. Best VU I’ve come across, and cheap.
12:44:31	 From Ray Toler : https://klanghelm.com/contents/products/VUMT/VUMT.php
12:45:38	 From Adam Goldman : Glenn…I don’t know what you were just conducting, but I think Bugs Bunny was perhaps behind your very quick tempo. :-P
12:49:03	 From Andrew Culver : Big fan of this meter. Does M/S, VU, PPM, and RMS.
12:49:05	 From Andrew Culver : http://www.pspaudioware.com/plugins/tools_and_meters/psp_triplemeter/
12:50:38	 From James Paschall : -24dB
12:51:53	 From Ray Toler : I think the European equivalent of the CALM act is ITU 1770-2 (or something like that)
12:52:49	 From Neil McCarroll : GOT produced in Northern Ireland - of course we did it right!
12:53:03	 From Glenn : Neil: :)
12:53:08	 From James Paschall : lol
12:53:10	 From Ray Toler : :)
12:53:15	 From darrellsmith : Yeah Neil!!!
12:53:27	 From darrellsmith : Beautiful country.
12:54:02	 From John Roesli : How did you derive the audio tracks?
12:54:11	 From raymoore : Where do we find this window under what?
12:54:32	 From Glenn : John: He said he recorded them off HBO with the same setup.
12:54:40	 From Ray Toler : Ray: This is the WLM plugin from Waves.
12:54:44	 From Timmy Samuel : B99 is gold
12:54:45	 From Glenn : raymoore: Its a Waves plug-in.
12:55:17	 From raymoore : Do you need the whole package?
12:55:33	 From Ray Toler : I think you can buy it standalone.
12:55:57	 From Ray Toler : I use this and iZotope Insight while mixing, but normally do my final checks with an offline batch tool.
12:56:02	 From James Paschall : WLM plus gives you a level adjustment.
12:58:02	 From Adam Goldman : Kevin Hart…one of our Philly fave sons. :-)
12:58:18	 From Björn Lindén : Insight is great…
12:59:08	 From Neil McCarroll : does YouTube not Normalize things?
12:59:16	 From Adam Goldman : Standards? Google? (owns YT). Hmmm.
12:59:52	 From Benoit Widemann : what about ads level on TV? is the -24 standardized to leave some more room for louder ads?
12:59:55	 From Ray Toler : Ha. I watched that exact Beato video yesterday.
13:00:17	 From Russ Pfeifer : i did as well
13:00:34	 From Ray Toler : Benoit, ITU 1770 and the CALM act were primarily to limit commercial volumes from what I’ve read.
13:00:38	 From Adam Goldman : Benoit W: that’s a GREAT question.
13:00:38	 From Russ Pfeifer : Few days ago
13:00:46	 From Ken Thies : My understanding was that the ads have to follow it as well, so that the ads do not come up louder than the programming. That's the idea anyway....  ;-)
13:00:57	 From Lainie Dixon : Youtube does have compression systems that affect what is uploaded. Aiming for -13 Luffs for youtube will avoid your audio getting banged by their compression system
13:01:01	 From Ray Toler : In the US, there are pretty hefty fines if you crank up the commercial volume.
13:01:21	 From Ray Toler : I’d assume the same in the EU
13:01:30	 From Glenn : We should see the levels of the webinars posted on motu.com :)
13:01:39	 From Benoit Widemann : haha :)
13:01:54	 From Björn Lindén : Ask Matt :-)
13:01:57	 From Neil McCarroll : Thanks Lainie
13:01:59	 From Lainie Dixon : Its similar to what happens on Spotify and iTunes, a few minor differences
13:03:22	 From ken landers : ATSC A/85 is based on the NBC/Universal standards that were already in place (which, as I understand, was much of the basis for the CALM act numbers).  Also, youtube will normalize uploads to LUFS (or LKFS) of -14 dB.
13:03:23	 From James Paschall : Production sound.
13:06:14	 From Mark Kelso : Adam:  Kevin Hart?  Mickey’s half brother?
13:06:32	 From Robert Turner : Greg Trippi's wheelhouse!!
13:06:37	 From Adam Goldman : Mark: :-) PRETTTTTYYYY sure they’re not related. :-P
13:07:32	 From Ray Toler : That’s wonderfully shot. Looks straight out of the 50s.
13:07:50	 From Adam Goldman : Ray: 1959, maybe?
13:08:17	 From Ray Toler : Adam, yeah… thinking around September.
13:08:26	 From Kubilay Uner : Looks like it’s 2997 Drop
13:09:44	 From Glenn : You can see a frame 27 right now on the film, and Matt is at 23.976, so yes frame rate mismatch.
13:10:39	 From Ray Toler : Ok… I missed that this was a remaster. Thought it was a modern film that had nailed that old B/W look. I’m going to go get another cup of coffee.
13:10:49	 From Kubilay Uner : The semicolons are usually used to indicate drop frame. And in the US that usually means 2997 DF
13:11:17	 From James Paschall : Lol, Ray!
13:11:50	 From Glenn : Kubilay: I always see that between second and frame (30 vs. 29.97). I’ve never seen semi-colons in the other locations before.
13:12:24	 From Kubilay Uner : Yeah mostly done only in the last location, but my guess is they just wanted to be super clear…
13:12:31	 From jraoul : Definitely not 1959
13:12:42	 From John Flaherty : What did they change 911 to?
13:12:53	 From Lainie Dixon : If you do end up wanting to faking a stereo track, Wider is my personal favourite plugin, gives you great control for just how wide it is. I use it to manage the stereo field in my music mixes
13:13:08	 From Adam Goldman : 800.BE.TERRIFIED.NOW
13:13:17	 From Ray Toler : John: it was changed to 0118 999 881 999 119 725 3
13:13:35	 From John Flaherty : LOL
13:13:41	 From Glenn : Of course 9-1-1 didn’t exist in 1959 as an emergency number.
13:14:30	 From Terry Leigh Britton : You dialed "O" back then.
13:14:36	 From Terry Leigh Britton : Never "M".
13:14:48	 From Adam Goldman : Terry Leigh: :-)
13:14:49	 From James Paschall : But did 999 exist in the UK in 1959?
13:15:05	 From Ray Toler : Yeah, Terry. You only want to dial M for murder.
13:15:35	 From Terry Leigh Britton : Seriously.
13:16:03	 From Russ Pfeifer : I thought M was for mixer
13:16:10	 From James Paschall : lol
13:16:13	 From Ray Toler : Dial M for MOTU
13:16:13	 From Adam Goldman : Russ: That’s SHIFT=M
13:16:22	 From Dan Wool : It’s called an “M & E”
13:16:32	 From Russ Pfeifer : :-)
13:16:52	 From Andrew Culver : Matt’s LUFS for a 1 minute segment about 4 minutes ago: -25.89 LUFS
13:16:54	 From Stephen Burch : Personally, I like “m&m’s” better.
13:16:56	 From Andrew Culver : Not bad Matt
13:17:07	 From Russ Pfeifer : Mmmm
13:17:17	 From John Roesli : Apologies if already covered, but why is the timecode off between the movie and the sound?
13:17:26	 From Dan Wool : It’s an important term for post…
13:17:30	 From Steve Sklar : There’s a QT Pro now?
13:17:37	 From Glenn : Mismatched rates for film and DP at the moment.
13:18:15	 From James Paschall : The actor that played the inspector in “Dial M…” used to come into a wine bar I played at in Kensington, London in 1978.
13:18:48	 From Dan Wool : That actor’s name : John Williams….
13:19:06	 From Dan Wool : ….not the composer of course
13:19:20	 From James Paschall : Thanks, Dan.  Forgetful in my years.
13:19:23	 From Russ Pfeifer : Trivia Score!
13:19:47	 From Dan Wool : You forgot John Williams?! :)
13:20:03	 From Adam Goldman : Dan, he’s not your father.
13:20:17	 From Adam Goldman : oh, wait, wrong John Williams. Sorry.
13:20:20	 From Neil McCarroll : Dan: guess you had a Close Encounter
13:20:28	 From Dan Wool : No. Morricone was my father
13:20:46	 From jraoul : John Williams (the composer)’s father was Johnny Williams, percussionist for Raymond Scott’s Quintette, who did “Powerhouse”, famous in so many Looney Toons. SERIOUS stupid trivia.
13:20:55	 From jaywoelfel : I was about to ask if anyone had sent out a thank you to Ennio for his time on earth
13:21:10	 From Adam Goldman : jraoul: well played, Sir.
13:22:01	 From Glenn : jay: he was remembered well in Tuesday’s webinar chat.
13:22:02	 From John Roesli : You mean the Ah e Ah  e Ah guy?  According to WAPO
13:23:00	 From James Paschall : Here’s the actor of the same name.  https://en.wikipedia.org/wiki/John_Williams_(actor)
13:24:32	 From Russ Pfeifer : Just watched that movie, I love how that theme is used
13:24:55	 From Russ Pfeifer : Wa WAH wa
13:24:55	 From Adam Goldman : wow, Russ. You must have been watching it all in fast forward. That was quick.
13:25:24	 From Russ Pfeifer : Luke Speedwatcher
13:25:44	 From jraoul : Funny — if you had that in your production audio you might think it was noise you’d want to filter out.
13:27:13	 From John Roesli : Rumble is considered Non-diegetic?
13:28:47	 From Neil McCarroll : Depends on the rumble source - if it’s semi-real you are getting into the realms of quasi-diegetic
13:29:03	 From jraoul : What if it’s hemi-demi-semi-real?
13:29:16	 From Neil McCarroll : or semi-realistic I mean
13:29:18	 From Glenn : You mean a 128th noise?
13:30:17	 From Russ Pfeifer : Que es diegetic?
13:30:30	 From jraoul : Sound that the characters on-screen can hear
13:30:45	 From Russ Pfeifer : gracias
13:30:58	 From jaywoelfel : It’s source audio for those not in a film class
13:31:09	 From Neil McCarroll : Actually ‘congruent’ or ‘incongruent’ would be the key differentiator
13:35:09	 From jraoul : Glenn - could you ask Matt to leave the Tracks window up as we watch?
13:36:41	 From Neil McCarroll : Nice sound-design Matt!
13:37:01	 From Adam Goldman : now y’all wanna buy those Adidas, right?
13:37:04	 From Glenn : jraoul: Couldn’t jump in, but luckily he had it opinion the side.
13:37:15	 From jraoul : Adam - no, but I wanna buy the CGI suite
13:37:20	 From jraoul : Tx Glenn
13:37:32	 From Adam Goldman : jraoul: good call. :-)
13:40:06	 From Ray Toler : I wanted to go back and create 5.1 mixes of my albums. Started researching how to set up my studio to do surround monitoring and quickly realized I needed to just slowly back out of the room and forget about that idea.
13:41:57	 From Russ Pfeifer : Seems like very deep water
13:42:15	 From jraoul : LFE = sub-woofer?
13:42:25	 From Ray Toler : That was definitely my impression, Russ.
13:45:57	 From Ray Toler : jraoul - yes
13:46:02	 From Dan Wool : I heard it before!
13:48:00	 From jraoul : Lost our lives? AHHHHHH!
13:48:18	 From Adam Goldman : but it’s a video game. you live and go to the next level
13:50:03	 From Russ Pfeifer : infinite level game
13:50:04	 From John Boyle : Paging MOTU Guru for track pad patch…….
13:50:39	 From Adam Goldman : Paging GlennSei. He’ll have a Console for that. ;-)
13:52:19	 From Ken Thies : Back in college, way before 5.1, the electronic composition lab had 8 speakers positioned equidistantly around a circle. We had to do speaker-to-speaker pans/trades/whatever manually at the mix console. (A Logex 8-bus if I recall correctly).
13:53:58	 From darrellsmith : Can’t really hear the choir track.
13:54:03	 From James Paschall : Interesting, Ken.
13:54:40	 From Ken Thies : James: it's sooooo much better to accomplish the target with the toys MOTU has in the box nowadays.
13:54:46	 From Stephen Burch : Thanks Matt. Gotta go.
13:55:00	 From Terry Leigh Britton : That was excellent.
13:55:32	 From James Paschall : I’ll take you word for it, Ken.
13:55:36	 From Scott Dorton : Gotta bail. Thanks Matt, Glenn and everyone.
13:55:39	 From James Paschall : your*
13:56:03	 From Ray Toler : When I was in high school, I inherited an old quadraphonic receiver/amp. The balance control was a joystick. I had no end of fun lying in the middle of the soundfield listening to Pink Floyd and moving the sound around.
13:56:45	 From Adam Goldman : using a Dangerous Music monitor control…it’s great. Can work with 5.1, if you have the right combo of parts
13:56:46	 From Glenn : I have a class to teach at 2PM. Hope to see everyone who can for a bit tomorrow as well. Take care.
13:56:54	 From Russ Pfeifer : Sweeet
13:56:55	 From Robert Turner : Very Cool Capabilities!! Thanks, Matt!  Gotta load some equipment in the trailer for tomorrow's gig.  See ya'll Tues - Have a Great Weekend and try to stay cool!!  Bye.
13:56:56	 From Adam Goldman : thanks, Glenn!
13:57:10	 From James Paschall : Harmon Kardon had that joy stick in their Quad Receiver.
13:57:27	 From Dan Wool : Drawmer MC7.1 is perfecto
13:57:32	 From Kubilay Uner : We have the SPL in the college that does full 5.1 monitor control.  Costs around $900 or so
13:57:50	 From James Paschall : Thanks, Glenn!  Have a great class!
13:58:45	 From James Paschall : Have a great gig, Robert.  Mask it or Casket!
13:59:02	 From Ray Toler : Bradley, when I was exploring moving into surround mixing, I was planning on using a Behringer ADA8200 out of my AVB stuff via lightpipe to drive the monitors.
13:59:13	 From Ray Toler : Backed off when I saw the price of things like the Drawmer controller.
14:00:00	 From Andrew Culver : SPL Audio has a full range go multichannel monitor controllers. 5.1, 7.1, 8 even 16 channels. I have their 2Control for my stereo setup and it is excellent. Phones too.
14:01:09	 From Bradley DePasse : Ray, I initially ran into the same thing. And unless I was going to get enough work doing it it just creating a wiring nightmare to even play with.