12:19:07 From Jonathan Scales : Thanks for the DP Facebook URL! 12:21:52 From kennethpage : I so happy to be here again. 12:27:29 From Benoit Widemann : Hello! 12:27:42 From Glenn Workman : Hello Benoit (and everyone else) 12:30:46 From James Paschall : Matt…show them double stoke eighth note triplets! 12:31:47 From Steve Ertel : Taking from one person is stealing. Taking from everyone is research. So says Tony Bennett. 12:32:09 From Jeff Jarvis : I left my banjo in my car last night. someone broke into my car and this morning there were two banjos in there. 12:32:25 From Adam Goldman : comedy channel has apparently moved to the chat. :-) 12:32:28 From Roger Carr : hahaha 12:32:31 From Roque Baños : I got another about viola players. How to get the best vibrato from them? Mark “solo” in their score. 12:32:50 From Glenn Workman : Definition of perfect pitch: Throwing the accordion into the dumpster without hitting any of the sides, and landing on the banjo. 12:33:09 From James Paschall : lol 12:33:44 From Roger Carr : How d’you make a guitarist turn down? Put some dots in front of them… 12:34:03 From Scott Dorton : Steal his amp 12:34:15 From Neil McCarroll : what do you get if you drop a piano down a mine shaft? A flat miner 12:34:20 From Roque Baños : X) 12:34:33 From Eric Witt : When did the session start? 12:34:41 From Eric Witt : Sorry. 12:34:47 From Adam Goldman : right around the time the jokes started 12:35:03 From Adam Goldman : seriously, Matt’s just answering a single user’s question 12:35:08 From Adam Goldman : not part of the ‘lesson’ 12:35:21 From Eric Witt : Got it. 12:38:21 From Scott Dorton : Good Morning, gang 12:39:52 From Robert Thomas Mein : First morning all week without jackhammers. They’re redoing the apt pool plumbing. DOH!! 12:40:00 From Dan Kaplan : QUESTION: Is the Pat Metheny listed in participants here THE Pat Metheny? 12:40:21 From Steve Ertel : OMG!!! 12:40:23 From Glenn Workman : Dan Kaplan: I had about an hour phone chat with your brother Pete the other day. 12:40:33 From Dan Kaplan : he said 12:40:39 From Dan Kaplan : remembering the hood 12:40:56 From Jim Cooper (MOTU) : Not sure if it’s THE PM, but I do know that he is a long-time DP user. 12:41:22 From Dan Kaplan : Speak up Pat! Don’t be shy. 12:41:29 From Adam Goldman : Well…hi & welcome Pat Metheny, whichever Pat Metheny you are. :-) 12:43:39 From Glenn Workman : You can also Add Tabs to any item in the sidebar, so you get two (or more items) in on panel. 12:43:50 From Glenn Workman : *one panel. 12:44:51 From Roberto Colombo : ...adding a TAB... I never noticed it :-| really useful to save working space on the monitor 12:45:44 From Kerwin Young : KC in the house! I met Pat at the Village Vanguard a long time ago, hangin' with Roy Haynes. 12:46:17 From Dan Kaplan : If iyou are the guitarist Pat Metheny I just wanted you to know that I’m giving a discount on online guitar lessons if you’re interested… 12:46:29 From Eric Witt : What does irt mean to lock the master fader? 12:46:46 From Adam Goldman : Eric: it will remain the one displayed there 12:46:57 From Roberto Colombo : @Dan :-) :-) :-) 12:47:07 From Eric Witt : OK, sort of understand. 12:47:22 From Tom Lewis : I don’t have the 3 bar drop down toggle on the right top of any windows. How do you make that show? 12:47:23 From Adam Goldman : Eric: as opposed to switching depending on which track is selected 12:47:43 From Eric Witt : ok thanks Adam. 12:47:45 From Glenn Workman : Roberto: with some careful planning you can put items that you don’t need to see at the same time, but might be useful to pair because they only need to be “so tall”. For me, Markers and Groups are never very tall (usually no more than a dozen items in each) so I might use tabs in the same panel. I also rarely need to see Soundbites and Track Selector at the same time, and both can be quite tall, so they go in the same panel for me in different tabs. 12:48:03 From jraoul : Tom - some themes have a different icon instead of the three bars 12:48:35 From Glenn Workman : Tom: It might be a drop down triangle, especially in the older and lighter colored themes. 12:48:46 From kennethpage : My window still will not pop back in by double clicking it, It goes to full screen. 12:48:49 From Glenn Workman : All the mini-menus will be the same in each theme. 12:48:52 From Russ Pfeifer : Glenn - Good Stuff 12:48:54 From Roberto Colombo : @Glenn... thanks… problem is that my monitors are not very tall and wide... maybe next year, when the prices drop a bit, I will go for one of those giant game monitor 12:49:45 From Glenn Workman : Kenneth: There’s a Mac feature to double-click the title bar of a window to go Full Screen. Its in the System Preferences, so that might be overriding the DP use. 12:49:54 From Roque Baños : Glenn, can you double the movie window in the consolidate and out of it, so you cn place it in a secondary monitor? 12:50:37 From kennethpage : Thanks Glenn. I’ll check that out. 12:50:49 From Glenn Workman : Roque: The Movie window can be independent of the Consolidated window and dragged where ever you like. There is a current bug accessing the mini-menu with control-click when the Movie is independent. 12:51:01 From Ken Thies : I've noted in taps that if a certain tab (the content of which is hidden) is sequence specific (for example, track groups), if you change the chunk to a different sequence, the hidden tabs *do not* update to the new sequence. I therefore set my tabs such that the ones that care are usually visible and paired with tabs that are sequence independent. 12:51:10 From Ken Thies : tabs, not taps 12:51:26 From Adam Goldman : Roque: on top of Glenn’s last, you can save window sets that has that (or any) window on whatever display you choose too 12:51:52 From Neil McCarroll : I love choosing Markers in the actual counters window at the top the using the drop-down to jump to particular Markers in the track. 12:52:56 From Glenn Workman : Ken: They are independent per chunk. If you save a Window Set from the Chunk you like, you can then invoke it in another chunk. 12:53:20 From Roque Baños : Thank you Glenn and Adma. I really meant to have it both, the consolidate and out of it. I guess is not, but asking just in case 12:53:47 From Adam Goldman : Roque: I don’t think you can have more than one iteration of that window concurrently. 12:53:51 From Roque Baños : Sorry, misspell, Adam... 12:54:02 From Glenn Workman : Ken: The Track Groups are also independent for each Chunk, so that wouldn’t have the group even if the same named tracks exist. 12:54:41 From Ken Thies : Glenn, the window set, yes. What I'm referring to is that content does not update to the new chunk. For example, if I change chunk to a different sequence while the markers tab is not the visible one in its pane, when I do select that tab, I'm still looking at the markers for the previous sequence, even though everything else is now referencing the current sequence. 12:54:41 From Robert Turner : It amazes me how Matt can remember ALL those shortcuts! WoW!!! :o) 12:55:17 From Robert Turner : I have trouble remembering what I had for breakfast yesterday!! LoL 12:55:42 From Dan Kaplan : Matt is the Pat Metheny of DP use. 12:55:44 From Adam Goldman : Robert: yesterday? what’s that? 12:55:53 From Glenn Workman : Ken: That’s also similar to the intermittent bug where all the windows from one Chunk don’t chase the selected Chunk. Matt of course was just showing the setting that is supposed to make that happen, but I know occasionally it seems to break that connection. 12:55:54 From Robert Turner : He He 12:56:07 From Roberto Colombo : is the top-right corner of the shared window slightly corrupted ? Perhaps Matt shall refresh the window 12:56:19 From Roberto Colombo : sorr, top-left.... 12:56:22 From Adam Goldman : Roberto, I think it’s a Zoom issue 12:56:31 From Adam Goldman : as he passes his mouse through there it cleans up 12:56:32 From Ken Thies : Glenn, if you have a minute or two after this, we can zoom again, and I can show you my screen and a good example of what I mean. :-) 12:56:55 From Glenn Workman : Ken: Sure. Its like the after-party at my house:) 12:56:57 From Roberto Colombo : yeah... looks like what we experienced with crappy Skype for Business at the office for years... the one who shared had to refresh everytime 12:57:02 From Ken Thies : :-) 12:57:14 From Rich Switzer : here’s hoping chunks will remember last window set….?? 12:58:01 From Glenn Workman : Over 1600 key combinations on a single computer keyboard. 12:58:20 From Adam Goldman : Glenn: I’m impressed you did that math. :-) 12:58:32 From Roberto Colombo : @Glenn.... I really would like to have a Ribbon of icon commands... likewise a99.99% other software 12:58:47 From Roberto Colombo : it is not very modern to be forced to remember dozens of key combinations 12:59:02 From Glenn Workman : 4 modifier keys = 16 combinations of any up or down together - 100+ keys on a typical keyboard. 12:59:15 From Reed Robins : @Roborto, check out run command 12:59:18 From Adam Goldman : get yer geek on. :-) 12:59:29 From Roberto Colombo : it remembers me about Blender: very hotkey oriented but finally in version 2.8 they (finally...) enabled a modern GUI 13:00:15 From Roberto Colombo : @Reed: my point is about a ribbon of icons... not command or hotkeys 13:00:21 From Glenn Workman : Charge by the minute of use! 13:00:30 From Roberto Colombo : it is so convenient that I can't understand why is not in yet 13:01:15 From Glenn Workman : I’ve got some projects I use to show students multitrack mixing. At least 6 different classes each year, and the undo history goes back to 2008. 13:01:38 From Glenn Workman : Pretty soon that sequence will be old enough to drive. 13:01:44 From Robert Turner : CooL!! 13:02:28 From Adam Goldman : let’s hear it for the DP designers!!! Genius design. 13:02:44 From Scott Dorton : Hoorah! 13:02:47 From Glenn Workman : Time traveling software. 13:02:54 From Robert Turner : Absorootry!!!! 13:02:56 From Adam Goldman : DP Tardis! 13:03:30 From Glenn Workman : The Farnsworth Paradox. 13:03:56 From Glenn Workman : Changing the future. 13:04:01 From Scott Dorton : I miss the old DP app for iPad to remote mix and transport. Does anyone know if they have something new in the works for DP10? 13:04:04 From Adam Goldman : by changing the past 13:04:52 From Adam Goldman : Marty McFly! 13:04:54 From Roberto Colombo : @Scott... it has a certain cost, but Elgato Streamdeck can do this 13:05:09 From Eric Witt : Didn’t understand hat is a branch exactly? 13:05:49 From Glenn Workman : Eric: Multiple paths to the future. Back in time, new branch make changes, go back to that same point in time, switch to the previous future branch. 13:05:49 From Scott Dorton : Thanks, Roberto. Are they on the web? 13:06:21 From Roberto Colombo : @Eric you restart from an old version and make some changes: that becomes a branch, because the more recent entries in the Undo list do not apply anymore to the new project status after your changes 13:07:38 From Dan Wool (mn:dix) : Lighter theme is easier to see for this Zoom presentation imo 13:07:52 From Roberto Colombo : @Scott: yet, Elgato is a part of Corsair (RAM)… anyway, tat toy is expensive... I bought and use mainly for live streaming concert because you can control OBS and also many other stuff... but you can anyway assign hotkey sequence to each button and through them you have a remote (USB cable length) remote controller 13:08:33 From Kubilay Uner : We also walked to school uphill, both ways. 13:08:50 From Adam Goldman : in the snow in summer 13:08:57 From Glenn Workman : I keep everything. Then when the project is finished, save a Copy, then prune the file I will archive. 13:09:19 From Eric Witt : oK thanks Roberto. 13:09:29 From Roberto Colombo : @Dan I agree... Default theme is too dark... regrettably it is the only the with the coloured and different graphic for the icon under the Transport buttons 13:09:42 From Adam Goldman : I remember using Performer 1.x and getting a 30MB hard drive and unwisely thinking we’d never need a larger drive. Sheesh. 13:10:16 From Adam Goldman : SCSI, larger than Glenn’s Hammond 13:11:01 From Glenn Workman : Adam: Bill Gates famously said there was no need for more than 640k or RAM, the head of IBM said he thought there was a need for only 5 computers in the world, Western Union passed on buying the early phone system, you’re in good company. 13:11:47 From Glenn Workman : Anyone need SCSI cables post me. Every size, sex, terminated, switchable, different ends for different size formats... 13:12:19 From Adam Goldman : Glenn: well, on the other end of the spectrum, I said in the 80s that I couldn’t wait to dispense with tape, and that the future would only require a powerful computer, a QWERTY keyboard, a musical (MIDI) keyboard, and DP. It only took a long time for the world to catch up to me on that point. :-) 13:12:29 From darrellsmith : Kudos to Aturo’s Console architecture. Thanks again Glen for the console tutorial. 13:12:51 From Glenn Workman : Soundbites Window has the Compact function for soundbites. 13:12:53 From darrellsmith : Arturo 13:13:44 From Glenn Workman : I only Compact AFTER I’ve made a safety copy. I’ve lost power in the middle of a Compact (thunderstorm, no UPS at the time) and was very glad I did. Also students tripping on power cables :) 13:14:49 From Glenn Workman : Delete Soundbite then Flush ERASES THE PAST! 13:15:07 From Russ Pfeifer : Adam - Nostadamotu 13:15:20 From Adam Goldman : Russ: hahaha! 13:16:22 From Russ Pfeifer : Ah… I missed the r 13:16:34 From Glenn Workman : Save As does NOT maintain some folder hierarchy. Bounces now end up in the Audio files folder for example. Not lost, just no Bounces folder. 13:19:27 From gReg Silvus : Nils Frahm wants that ;-) 13:20:08 From Ken Thies : Rx, yes... 13:20:14 From Rich Switzer : what about Oscar Peterson’s grunts? 13:20:35 From Robert Turner : LoL 13:20:52 From Robert Turner : I would certainly miss his grunts!! 13:20:56 From Glenn Workman : I would miss Lionel Hampton’s humming. 13:21:07 From Robert Turner : That too!!! :o) 13:21:23 From Robert Camacho : Wow 13:22:13 From James Paschall : Note to self: Isotope 13:22:23 From Adam Goldman : Izotope, with a z 13:22:23 From jraoul : iZotope 13:22:24 From Björn Lindén : IZotope… 13:22:33 From Björn Lindén : :-) 13:22:40 From James Paschall : Thanks, Jraoul. lol 13:22:49 From jraoul : I majored in spelling in college 13:25:04 From Adam Goldman : we’re calling that destructive editing 13:25:04 From Roberto Colombo : isotope has a huge sales right now... check it here: https://www.izotope.com/en/products/elements-suite/whats-included.html 13:25:15 From John Boyle : There’s quite a range of price for Isotope, which one is Matt using here? 13:25:30 From Ken Thies : I saw advanced on the title screen. 13:25:44 From Dan Kaplan : could you do something similar with just the tools in DP10? 13:25:52 From Adam Goldman : I think he had RX 6 Advanced (might have been RX7) 13:25:54 From Roberto Colombo : actually this is the right link: https://www.izotope.com/en/shop/deals.html?utm_medium=cpc&utm_source=google&utm_campaign=SU_SE_BR_UU_WW_iZotope&utm_content=iZotope_PM_KW&utm_term=izotope|p|g|c||438195384427&gclid=EAIaIQobChMImay-o5jr6QIVkIGyCh284QT7EAAYASAAEgIYB_D_BwE 13:26:07 From Ken Thies : Adam, it was 7. I have 7 standard on my rig. 13:27:02 From Ken Thies : Dan: not in my experience; certainly not to the level and speed possible with Rx. 13:27:16 From Glenn Workman : There is a bundle deal for some of the izotope plug-ins for $49 (US). Many have different levels (normal, advanced user version with more features) but what they have in this bundle is great. This has been their Covid-19 deal for awhile. 13:27:21 From Glenn Workman : https://www.izotope.com/en/shop/deals.html 13:27:47 From Adam Goldman : Dan: so many things with RX…definitely a host of things Izotope can do that DP can’t really hit as well 13:27:58 From John Boylan : BTW, Antares SoundSoap is also really good for forensic audio clean-up. 13:28:11 From Björn Lindén : Be sure to check out izotopes bundles as well 13:28:36 From Björn Lindén : they have some good plugins. 13:28:40 From Adam Goldman : interesting effect on the drums too 13:28:48 From jraoul : Could you use M4’s Loopback to record that real-time pitch shifting he’s doing? 13:28:52 From John Boyle : Charles Ives 13:29:02 From jraoul : Or can you automate the pitch shift? 13:29:11 From Eric Witt : That is actually a pretty cool piece in itself with the transpositions. 13:29:46 From Glenn Workman : jraoul: I have done things like that with the earlier MOTU interfaces (physical AES or SPDIF out then back in). Not sure about the M2/M4 since I don’t have one to work with. 13:30:48 From jraoul : Nice stuff, Matt! 13:30:56 From Matthew Komaiko : would you just split the soundbite to do a key change mid song? 13:30:58 From Adam Goldman : was wondering if “Kiss of Life” was going to be Peter Gabriel’s very cool polyrhythmic song of that name 13:31:16 From Adam Goldman : (obviously not) 13:31:17 From Daniel Constantineau : Great session again. Thanks! 13:31:28 From Ken Thies : jraoul: you can use the scissor tool to split the relative pitch bar, and then move the parts independently. 13:32:00 From Glenn Workman : Edward: Yes: Go back in time - COPY the track -don’t change anything - then back to the Future and paste on to new take or track. 13:33:00 From Geoff Dodson : Will DP ever have a speed control like Reaper (acts like a tape speed control) for audio? 13:33:33 From Glenn Workman : Geoff: You can mail that suggestion to suggestions@motu.com 13:34:27 From Geoff Dodson : Glenn; Sure! 13:35:05 From Neil McCarroll : pluginboutique.com deals sometimes better, especially if you search for ‘coupons’ in the site. Can’t verify deals right now but a month ago I got Production Suite 3 for less than 300 pounds including a year of Groove 3 tutorials access - they don’t include Matt though so not that great! 13:35:25 From John R Graham : @Chris Royal — I still have OS on one drive, projects on another, and samples on yet another. As Matt’s saying, though, new guys seem to just use one giant SSD 13:35:28 From Glenn Workman : No Matt! :( 13:35:54 From Ken Thies : As a former Systems Admin, I keep the system on its own space - if an app runs away and fills it's default disc, if that's the system disk, you *may* not be able to boot except in recovery mode. 13:36:42 From Glenn Workman : Ken: Me too. One drive with System and Apps (or even a partition), and all documents on second working drive. 13:36:50 From James Paschall : Great question and answer. 13:37:03 From Eric Witt : So to let everything on the same drive? 13:37:22 From Adam Goldman : Glenn & Ken: me too.. Internal has OS & apps (DP), and a 10TB external for samples & docs 13:37:28 From John R Graham : I don’t, but I keep coming across young guys who are. I like separate for samples 13:37:38 From Stephan Haager : Question for Matt: I using VI’s for the first time. In my new template, I created a V-Rack with all of the DP virtual instruments. How do I set up the Instruments in Bundles for all the VI’s that come with DP10. 13:37:52 From Kubilay Uner : 10.13.6 is awesome. 13:38:18 From Craig H : I have 13 HDs system audio, and the rest sample drives 7 ssds for high end sample libs. 13:38:24 From Glenn Workman : Stephen (and anyone not familiar with Zoom): To ask a question open the Participants panel and click Raise Hand. After your question is answered Lower Hand. 13:39:14 From Stephan Haager : Thanks 13:42:45 From Paul Mortise : So, if all your samples are on separate SSD’s there’s no real need to separate “food groups” like back in the spinning platter days, correct? 13:42:59 From Glenn Workman : A little paranoia goes a long way. Save, save, save... 13:43:31 From Glenn Workman : Paul: Probably yes. The drives are so much faster these days. 13:44:22 From chris : one thing you may want to add to your external drives is a partition with just the OS and essential apps so that if your internal drive acts up you can boot from the external and have DP and whatever other apps you need ready to go 13:44:38 From Paul Mortise : Cool - thanks Glenn. 13:45:36 From John Boyle : Matt’s process of x.1, x.2, etc. has also saved my backside on Finale projects too. 13:45:49 From James Paschall : Very cool, Glenn. 13:46:44 From Glenn Workman : John: Agreed. My procedure is at the beginning or the day, the first time I open a project, I immediately save with number, so my yesterdays work stays put and changes are only in today’s file. 13:48:22 From Paul Lenart : Thanks, Matt! Great info.. 13:48:38 From Adam Goldman : Eric: it’s so you can use BOTH versions of DP…9 or 10 as you choose 13:48:50 From Adam Goldman : (without having to restore it from Time Machine) 13:49:27 From Craig H : I have both running and renamed 9 as I just upgraded and wanted to be safe if I had to go back 13:49:44 From Eric Witt : Thanks Adam. 13:51:01 From Glenn Workman : Eric: Matt’s point about plug-ins is also very relevant. Some 3rd party plugs might only work in an earlier version, even though the project will still open in the new version, it just won’t be able to utilize some plug-ins. 13:51:03 From James Paschall : Glenn, regarding aux buss for an effect to be printed, is there a pathway to also record the dry signal? 13:51:21 From Eric Witt : OK thanks Glenn. 13:51:35 From Glenn Workman : James: You can route a send on that to an additional track with pre-fader on for that send. 13:51:54 From James Paschall : Got it, thanks! 13:53:59 From Chris Royal : Thats good advice!!! 13:54:40 From John Boyle : @Glenn, 13:56:27 From John Boyle : @Glenn, I know this is more just “mixing board” science, but is there something on the website or in one of the webinars that just deep dives on inputs, sends, auxs, etc. 13:56:47 From Chris Royal : Merge entire track , including silences, works great for creating exportable stems. 13:57:01 From Glenn Workman : John: There was an earlier webinar that covered some of that. I don’t believe its been posted yet. 13:57:33 From John Boyle : @Glenn, great. I’ll keep an eye out for it. 13:58:09 From Neil McCarroll : Final_ReallyFinal_v3.2D 14:00:24 From Glenn Workman : Italics in both DP and PT : routing unavailable, file not found, track disabled, etc. 14:00:49 From jraoul : Italics: VI not loaded, too. 14:01:25 From Rich Switzer : metagrid 14:01:25 From Frank Macchia : If you get an OLD iPad on Ebay (for like $40) you can run it 14:01:37 From Ken Thies : Re duplicate bundles, if I create a project while connected to interfaces giving me 16, 20, 30+ inputs, and then mix while just sending through my M4 to a pair of monitors, all those previously created bundles still exist, but all on the inputs available on the M4. If I leave them alone, when I again connect to the bigger system, all those bundles go right back where they belong. IMO, good reason #1 to let multiples exist all they want... ;-) 14:01:41 From Frank Macchia : It needs to be an ipad with an old iOS 14:01:45 From Charles White : My workaround is a bluetooth keyboard and shortcuts 14:02:02 From Timmy Samuel : I second the DP Remote update request. 14:02:04 From Miles Olson : Its so important to get DP control back!! Meta software does not work well 14:02:29 From Russ Pfeifer : I have an old iPad will it run DP control with dp 10 14:02:37 From Adam Goldman : I have 2 apple bluetooth keyboards, and two apple trackpads, one each in two locations. Total control as if I was in front of the desk 14:02:40 From Wally Badarou : Try ProRemote too. 14:02:57 From Chris Royal : Glenn: Is there way to store the bundles when switching form headphones (stereo output bundles) and then later having separate outs (when I get to the studio ands use summing amps).? Takes a lot of time reset all outs (32 outs) from stereo pairs. 14:03:53 From Eric Witt : What does cents mean? 14:03:53 From jraoul : Can you use the tuner to figure out how much to tune, rather than use guesswork? 14:03:55 From Glenn Workman : Charles: I do the same, but others also mentioned just the numeric keypad (about $20) online. At least you’ve got transport controls that way. I record myself a lot and simply take the bluetooth keyboard to where I need to sit (whatever keyboard, the drum set, whatever). With the new macOS I also use Sidecar to see the DP screen on an iPad wherever I’m sitting in the room. 14:04:08 From Adam Goldman : Eric: 1 cent =1hz 14:04:15 From Glenn Workman : Eric: Cent is 100th of a semitone or half step musically. 14:04:20 From Adam Goldman : standard US tuning uses A at 440 hz 14:04:29 From Neil McCarroll : Re the tuner - I haven’t found it be very responsive, regardless of signal levels. Would be nice if DP could tweak it a bit - maybe a nice strobe one?. 14:04:30 From Charles White : Nope, 4 cents is one hertz 14:04:35 From jraoul : Adam: Glen is right 14:04:42 From Eric Witt : Adam and Glenn - Oh, so that means you can transpose by semitones if you want, right? 14:04:45 From Adam Goldman : all good 14:05:04 From Ken Thies : No, not 1 Hz. 1 cent is 1/100 of either a step or a half step, depending on where you sit in history. ;-( 14:05:05 From Glenn Workman : Eric: You can adjust by 100ths of a semitone. 14:05:20 From Eric Witt : Thanks Glenn. 14:05:49 From Eric Witt : And this can be in a virtual instrument? 14:06:09 From Adam Goldman : once rendered as audio? 14:06:11 From Charles White : Cool, Glenn. I got the extended and it has the keypad, too. i’m doing the same, recording from the instrument. Mostly transport controls and setting a new take shortcut. I’ll learn more as time goes by. 14:06:22 From Glenn Workman : Eric: Anywhere cents are allowed. 2 different sounds slightly detuned from one another etc. 14:06:37 From Eric Witt : Thanks Glenn. 14:08:52 From Roque Baños : Hi Glenn, I wandered if you could answer this little question. Is there a command to make active a sequence that you navigate to from the window target menu 14:09:15 From Roque Baños : That was a question sorry... 14:09:20 From Charles White : Glenn, do you mean that bounces from your Save As project are put in the old project bounce folder? 14:09:51 From Victor LeComer : Glenn re: bounces. That doesn’t happen when you actually save bounces in a totally separate location, right? 14:10:10 From Glenn Workman : If anyone want to save the chat: The little 3 dot bubble in the Chat texting area has a Save Chat option. It will save from the time you joined till you click Save. 14:12:07 From Adam Goldman : is it that Scale control on that edit window? 14:12:33 From Carol Laula : Cheers all, dinner time in Scotland, gotta go - thank you 14:14:08 From kennethpage : Matt - Glenn - Jim. You guys are awesome. 14:14:51 From Neil McCarroll : Where the heck is Benoit’s cat??? I’m worried now... 14:14:52 From Glenn Workman : Victor: If the Bounces are in the project it will use them in the Save As file and put them in the Audio files folder. If you had Do Not Import checked when you did the Bounces they will NOT be in the Save As version of the file and its folder. 14:15:12 From Glenn Workman : Benoit’s Cat - sounds like a good album or movie title. 14:15:18 From Russ Pfeifer : Here kittykitty 14:16:25 From Victor LeComer : Cool, Glenn. Thought so, but I’m still tracking where DP projects put things. Thx… 14:16:33 From Charles White : From my piano Tuning app (pro level, trustworthy) 0 c = 440.0, +4c = 441.0, +8c = 442.0, +12c = 443.1. The farther you go, the less accurately cents and Hz track. 100c = half step (A to A#) 14:16:38 From Glenn Workman : BTW Benoit has put 2 files in the MOTU User area I created for folks here to post and hear others work for personal enjoyment. Info on that as well as some files from previous webinars are here: https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 14:18:20 From Glenn Workman : Charles: Is that doing stretch tuning adjustments? 14:18:48 From Glenn Workman : I don’t tune pianos professionally, but have been doing it by ear since the 70s. 14:19:12 From art2ro : To Benoit Wideman, there’s a tutorial video from David Das, who also works with MOTU, explaining how to control and record Alchemy from DP. 14:19:55 From Glenn Workman : art2ro/Benoit: David’s note on Alchemy (part of MainStage etc. from Apple) is a great start. 14:20:12 From Reed Robins : @Glenn - Re; the current conversation - You could also separate the soundbite by picking edge edit soundbites in the mini menu and then do a small edit edit, it will create a new sound 14:20:40 From Glenn Workman : Reed: You mean Edge Edit Copy, right? 14:20:44 From Neil McCarroll : Charles - I’d love a piano tuning software recommendation. What do you use? 14:20:44 From Reed Robins : Yep 14:20:50 From Eric Witt : What are you merging the sound with? 14:21:09 From Charles White : Reyburn Cybertuner. Not Cheap. 14:21:23 From Glenn Workman : Eric: Merging them together - also merging the silence between soundbites. 14:21:33 From Neil McCarroll : Thanks Charles :) 14:21:46 From Charles White : Cheers, Neil! 14:22:10 From Geoff Dodson : Is the creation of silence at beginning of a soundbite (track)(back to first measure for example) new in DP10? 14:22:13 From Eric Witt : Glenn. You mean merging two different soundbites together? 14:22:50 From Glenn Workman : Geoff: No. A great way to flatten all tracks so they all start at time zero or measure 1 so you can line them up in any DAW to the left edge. 14:23:15 From Charles White : Glenn, archiving: Save as before or after Merging? 14:23:39 From Charles White : Good on ya, Buck! 14:23:49 From Glenn Workman : Eric: 1 plus silence, 2 plus gap, as many as are on the track, basically whatever length of time you have highlighted. 14:23:51 From Geoff Dodson : Glenn: Jeez, I have been recording silence at the beginning of tracks prior to merge for years; not knowing this. 14:24:45 From Eric Witt : Glenn. OK thanks. Kind of understand. 14:25:14 From Glenn Workman : Charles: I’m paranoid. I always Save As a the beginning of any day, and/or right before doing anything destructive like Compact or Delete Soundbites etc. 14:25:15 From Adam Goldman : Eric: Merge Soundbite creates a brand new soundbite of what’s selected 14:25:32 From Caxa : What are the shortcuts for the Clips Editor, and the Clips Window? 14:25:53 From Charles White : Thanks, Glenn! 14:25:58 From Eric Witt : Adam - So we are merging 2 soundbites? 14:26:16 From Adam Goldman : Eric: Depends on what’s selected. 14:26:26 From Adam Goldman : but it’s what’s on a single track that gets merged 14:26:29 From Glenn Workman : Caxa: Setup/Commands - you can see all the shortcuts there. If there isn’t one assigned to can create your own, or change them. 14:26:43 From Caxa : Thanks. 14:26:49 From Adam Goldman : Caxa: my 10.11 shows shift comma as Clips window 14:27:05 From Caxa : Ah thanks! 14:27:10 From John Boyle : Buck, I think all of us, no matter the level, are learning new things everyday. Questions from anybody always cause me to learn or remember something about the program. Always want to hear people’s questions. 14:27:15 From Neil McCarroll : Charles - 999USD - ouch!! 14:27:18 From Adam Goldman : (under Project) 14:27:25 From Charles White : Toldya. 14:27:28 From jraoul : +1 to Boyle 14:27:45 From Charles White : Professional tool. That’s my career. 14:27:54 From Charles White : It’s also $80 per year. 14:28:09 From Eric Witt : Adam - So what would be merged if they aren’t 2 soundbites? 14:28:46 From Glenn Workman : Eric: Any time on either side of the soundbite, also and soundbites UNDER the visible will no longer be referenced. 14:28:50 From Adam Goldman : Eric: if you select only a single soundbite, or a region only containing that single soundbite and then use Merge Soundbites, it will create a new version of that soundbite (or the whole region that contains that soundbite) 14:28:51 From Neil McCarroll : Charles: Shame you don’t work in Scotland - we need you! 14:28:54 From John Boyle : Matt, Glenn, and Jim, thanks again for doing all of this cool stuff. Peace and Justice to all this weekend. 14:29:02 From Russ Pfeifer : Merge makes a new independent soundbite, say if it was a copy 14:29:05 From Glenn Workman : Thanks John. See you next time. 14:29:11 From Adam Goldman : Well said, Mr. Boyle 14:29:12 From Charles White : Pay my expenses, I’ll come tune for free! 14:29:44 From Scott Dorton : Excellent teamwork, Matt & Glenn. Thanks so much.. 14:30:02 From jraoul : Glenn - you read my mind! 14:31:05 From Eric Witt : Adam and Glenn- Thanks, but there must be something basic that I’m missing. Is merging in that sense like just saving a particular aspect of the soundbite as a new soundbite? 14:31:14 From Eric Witt : Of course in the sense you just described. 14:31:24 From Neil McCarroll : We can’t access the Lite webinars without the software. Is there any solution? (other than buying a MOTU interface to get the software) 14:31:56 From Adam Goldman : Eric: “Merge” might be a confusing word for this. It’s not really combining multiple things, as one might use that word. It’s generating a new bite, which is different from the one you selected. 14:32:33 From Adam Goldman : talk about getting your geek on! Wow. 14:32:34 From Ken Thies : Adam - merging CAN merge multiple bites together into 1, so the term merge is accurate. 14:33:02 From Adam Goldman : Ken Thies…most definitely, but if it’s confusing, I was just trying to make the concept a touch simpler, given the words. 14:33:12 From Ken Thies : Ahh. Sorry. 14:33:15 From Ken Thies : :-) 14:33:39 From Glenn Workman : Merge - simpler to say than Consolidate :) 14:33:49 From Adam Goldman : I think Eric was thinking it required the combining of multiple separate parts, which CAN be true as you say, but might not be in a given instance 14:33:58 From Caxa : @Eric it merges all the data in the selected area into a new soundbite 14:34:19 From Eric Witt : Adam - OK now it’s more clear. This is what was throwing me off. I guess in summary this would mean that merge can be from the same soundbite or from several soundbites, but with the end result of there being a new soundbite? 14:34:30 From Adam Goldman : exactly, Eric 14:34:30 From Glenn Workman : Eric: Yes. 14:34:34 From Caxa : Yes 14:34:56 From Eric Witt : Cool, thanks Glenn, Adam and Caxa. 14:36:02 From jraoul : How’d he select the region between two markers? 14:36:03 From Frank Macchia : Gotta roll- thanks Glenn & Matt! Great work! 14:36:13 From Russ Pfeifer : Merge - It kind of does a few different jobs with the same tool, guess they had to call it something 14:36:28 From Adam Goldman : wordz is confuzle 14:37:06 From Glenn Workman : jraoul: Click the marker name in Tracks Overview 14:37:17 From Glenn Workman : Shift-click to all the time to the next marker as well. 14:37:42 From Glenn Workman : Any ruler actually. 14:38:18 From Charles White : Glenn, are plugin changes in the undo history? 14:38:37 From Charles White : MW EQ settings, etc. 14:38:40 From jraoul : Tx Glenn. Works in Tracks, not in Sequence, right? 14:38:43 From Dan Wool (mn:dix) : He’s working on Locked track maybe? There’s big bug on locked MIDI tracks 14:39:07 From Glenn Workman : Charles: They are if you wrote automation for them. Just turning the knob sometime in the future is not something you can go back to in the past. New Mix or Duplicate Mix will, even without automation. 14:39:36 From Charles White : Cool! Thanks, Glenn! 14:39:37 From Glenn Workman : jraoul: Works in Sequence window, MIDI window, etc. NOT the conductor track. 14:39:48 From Benoit Widemann : Gotta go… thanks once more for all this! 14:40:24 From Robert Turner : Great Session today! Thanks for showing the Consolidated Window! Good Job, Matt!! Glenn, I'll send an email on my Console issue. Thanks Guys!! 14:40:28 From Charles White : @Neil, I’ll be waiting by my mailbox for those plane tickets. ;) 14:40:52 From Chris Royal : Still there Glenn? Any suggestions regarding the bundles question? 14:40:55 From Glenn Workman : Eric: You’re sitting up! 14:40:59 From Neil McCarroll : bring your golf clubs Charles! 14:41:10 From Glenn Workman : Chris: Sorry, what bundles question? 14:41:13 From Eric Witt : Glenn - I know. Strange things happen. 14:41:18 From Russ Pfeifer : Yes, thanks to you all 14:41:23 From James Paschall : Thanks for another great session, Matt, Glenn, and Jim. 14:41:29 From Eric Witt : Glenn - But please don’t tell anyone. 14:41:38 From Eric Witt : :) 14:41:38 From Glenn Workman : ssshhhh 14:41:41 From Charles White : Hahaha, When I golf, I score on how many balls I lose. 14:42:06 From Adam Goldman : sounds like a personal problem 14:42:28 From jraoul : Glenn - strange, in Sequence, clicking on Marker does change times in range window, but doesn’t highlight the region the way it does in Tracks 14:43:18 From Glenn Workman : After-party zoom? 14:43:25 From Charles White : I think I’m just holding my club wrong. 14:43:26 From Glenn Workman : Email me: glenn@freqsound.com 14:43:30 From Adam Goldman : your house, right Glenn? 14:43:31 From Charles White : Sorry, had to 14:43:36 From Jim : Great session, as always. Thanks Matt and Glenn! 14:43:53 From Adam Goldman : “holding my club wrong” …. proving my earlier comment? 14:44:00 From Charles White : :) 14:44:19 From Glenn Workman : I can start a short zoom meeting right after, but have to keep it short. All are welcome, just send me an email within 5 minutes of the end of today’s webinar. glenn@freqsound.cm 14:44:22 From Glenn Workman : .com 14:44:53 From Eric Witt : What does it mean to “print” a part? 14:45:01 From Glenn Workman : Eric: Bounce 14:45:05 From Marco Gozzi : Thanks everyone, have a nice we. Greetings from Italy :-) 14:45:07 From Eric Witt : Thanks Glenn. 14:45:08 From Russ Pfeifer : I’ve got to run today. But I love the after-party zoom idea Glenn. 14:45:10 From Glenn Workman : or Freee 14:45:18 From Tom Lewis : Thanks Matt, Glenn, Jim. Have a great weekend everyone 14:45:23 From Russ Pfeifer : See you all next week 14:45:44 From Charles White : Brilliant, Matt, Glenn, Jim! Thanks so very much!