12:30:32 From Neil McCarroll : for some great free instruments there is a great resource called The Piano Book organised by Spitfire and their online followers. 12:30:51 From kennethpage : Jim. Maybe you could help with the question I left for Glenn about no sound from the Aux Movie track when I bounce to Quicktime. 12:31:55 From rafabadia : Hi everyone 12:32:27 From Kubilay Uner : Haven’t tried using my aux inputs from movies recently, but I always had to print the Quicktime movie audio before being able to bounce again to Quicktime. 12:32:47 From Chris Rinaman : Kenneth I have the same question and wanted know also, why would imported movie audio not match up to the video in different chunks— seems to be off by a number of seconds when I import movie audio in another chunk. 12:32:57 From Ken Thies : Also, if any of the tracks are locked, the soundbite will keep their start times at the absolute time, not following tempo changes. The tracks need to be unlocked, and the tracks have stretch turned on. I've not had any trouble with those conditions. 12:33:02 From Kubilay Uner : So I monitor using axes, but for the video copies for the director I do end up printing the movie audio for the length of the cue first. 12:34:17 From kennethpage : Yes Chris. If I import the Movie Audio it is off quite a bit 12:36:00 From Geert D'haene : Hi, some instrument plugins, such as MX4, do not respond to the midiFader. Is that normal? 12:38:14 From Kevin : I’e been BETA testing some new DP Eucon bundles. Glad to see them updating 12:39:22 From Adam Goldman : keycastr isn’t on, if you want it to show, Jim 12:40:34 From Dave Hayward : Hi Russ P, Still haven’t forgotten about your interest in my PCI424…. Dave H 12:41:16 From Björn Lindén : No Keycastr ! ! 12:45:13 From Neil McCarroll : any suggestions for a really SIMPLE slap back delay in the MOTU plugins? 12:47:10 From Ken Thies : Neil, not sure if it's what you're seeking, but in the Echo plugin, there's a preset called "Elvis - insert"... 12:47:11 From Russ Pfeifer : Thanks Dave, I’m still interested 12:48:00 From Neil McCarroll : Thanks Ken, I’ll try it out :) 12:49:16 From Kubilay Uner : But you do lose your own custom commands when importing the metairie commands 12:49:17 From Adam Goldman : and Master Master had to be on too 12:49:55 From Charles White : Only see DP 12:49:59 From KB : are we meant to be able to see anything other than DP 12:50:02 From Eric Chapelle : only see 12:50:03 From Jeff Jarvis : not being metagrid 12:50:03 From Eric Chapelle : DP 12:50:03 From KB : only seeing DP 12:50:04 From Wally Badarou : WE don’t see the iPad 12:50:11 From Adam Goldman : in his camera you can see a tiny version of the ipad 12:50:13 From John Boyle : Not getting the pad 12:50:14 From Roddy J. Betancourt : You need to click Share Screen and change to iPad 12:50:22 From Roddy J. Betancourt : Let Matt know 12:50:22 From Nelson Mandrell : can’t see 12:50:24 From Daniel Scott : only see DP 12:50:26 From kennethpage : Jim. Tell Matt we only see DP 12:50:39 From Charles White : Make matts window full screen 12:50:41 From Jay Farber : Set Side by side view in zoom 12:50:45 From Charles White : Then you can see it 12:51:36 From Craig H : isn’t this on an iPad so we won’t see the screen ? 12:51:48 From Kubilay Uner : I don’t see it either 12:52:00 From Kubilay Uner : I’m in side-by-side view 12:52:02 From Adam Goldman : https://www.metasystem.io 12:52:04 From Kerwin Young : I'm not seeing the metagrid window 12:52:05 From The Morning Lounge with Jill and Rich : he’s just showing what it does 12:52:10 From Roddy J. Betancourt : You need to do as stated. Full screen, then click on the side window to see DP 12:52:21 From Roddy J. Betancourt : You’ll see his iPad full screen 12:52:24 From Adam Goldman : you can see the gist of Metagrid in the link above 12:52:27 From Roddy J. Betancourt : from his cam 12:52:32 From Roddy J. Betancourt : not the actual iPad screen 12:52:33 From Kubilay Uner : We see DP. We do not see Matt’s iPad with Metagrid 12:52:58 From Roddy J. Betancourt : @Kubilay: read what I wrote 12:53:04 From Reed Robins : You can resize the zoom screen to see the iPad better BTW 12:53:14 From STEPHEN JENNIS : Stick to dp not 3rd party 12:53:16 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Does one have to buy this? 12:53:37 From Tim P : I use this all the time for Finale as well. This is probably the best answer for the lack of an update of the DP Control app - correct? 12:53:38 From Adam Goldman : Eric: paid app, yes, but not required for DP 12:53:43 From Charles White : No, but one may or may not choose to. 12:53:45 From Kerwin Young : It 12:53:51 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : ok thanks Adam 12:53:51 From Kerwin Young : It's $29 12:54:25 From dan kaplan : iPhone also? 12:54:28 From Ray Toler : Sorry, was late coming in - what product is this? 12:54:39 From dan kaplan : metagrid 12:54:41 From Adam Goldman : Ray: Metagrid 12:54:42 From Charles White : metagrid 12:54:42 From John R Graham : https://www.metasystem.io/daw_integration/dp/ 12:54:43 From Ray Toler : Thank you. 12:55:14 From STEPHEN JENNIS : Whats it called 12:55:20 From Luke Steward : metagrid 12:55:32 From dan kaplan : works with iPhone? 12:55:55 From The Morning Lounge with Jill and Rich : Didn’t see the clips window??? Did I miss it 12:56:26 From STEPHEN JENNIS : do need to do that every time 12:57:08 From dan kaplan : anyone know whether Metagrid works with iPhone? 12:57:26 From Charles White : Great, and Thanks! Giovanni, I will catch you on the replay. 12:58:15 From Björn Lindén : Meta grid does not work with iPhones 12:58:33 From dan kaplan : thanks Bjorn 12:58:44 From Luke Steward : is giovanni using a cameraman? either that or on a wobbly tripod with some wind. 12:58:58 From Peter Buchta : Love the shirt. Tape cassette. 12:58:59 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : osc? 12:59:17 From John Chung : Open Sound Control 12:59:43 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks john. what is it? 13:00:29 From Ray Toler : “Oh no, I’ve made a mistake.” Pretty much every session for me. :-) 13:00:59 From Björn Lindén : @XNE: https://en.wikipedia.org/wiki/Open_Sound_Control 13:01:01 From James Paschall : Always room for cello. 13:01:04 From John Chung : @X Another control surface Matt mentioned, but here's their website: http://opensoundcontrol.org/introduction-osc 13:01:17 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks bjorn 13:02:02 From James Paschall : Outstanding! 13:02:06 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks john 13:03:41 From Dan Wool : I stepped away just for one second. This is another surface? Not Metagrid? 13:03:59 From Björn Lindén : Giovannis…. 13:04:01 From John Chung : Yep, Composer Bridge 13:04:18 From Dan Wool : Thanks. That was fast 13:04:59 From Vanessa Garde : Do you need to enter all your template info “by hand”? Or does it take it dynamically from the tracks? 13:05:56 From John R Graham : More information: https://filmscoringtips.com/composer-bridge-is-now-available/ 13:16:17 From Wally Badarou : I have been using “Midi Designer” iOS app for things far less sophisticated. 13:17:02 From Terry Leigh Britton : Available for Android too? 13:19:09 From Roque Baños : Ho Jim: I missed before. How can I get the controller assignment tab in the consolidate window? 13:19:34 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : How much is it? 13:21:46 From Dan Wool : $20 a month….I think he said 13:22:01 From Ray Toler : $20/month or $240/annually. 13:22:48 From Geronimo Mercado : JUST A NOTE WITH COMPOSER BRIDGE: IT WORKS SO FAR WITH IPAD GEN 1. ITS INEXPENSIVE AND RUGGED. 13:23:04 From Terry Leigh Britton : This is fantastic. You need the $23 Lemur app installed as well, I suppose. 13:23:16 From Geronimo Mercado : YES 13:23:20 From Adam Goldman : and keyboard maestro too 13:25:16 From Geronimo Mercado : What about keyswitches within MOTU?! 13:26:54 From Ray Toler : Geronimo, I know they’re aware of the demand for the function, but no ETA on when it might be added to DP. 13:26:56 From Terry Leigh Britton : I'm on a PC, using the PC version of DP 10.11. I do hope it will work with Lemur Android and DP for Windows. 13:27:29 From Adam Goldman : frame rate? 13:27:36 From Ray Toler : Terry, if it requires Keyboard Maestro (Mac-only) it probably won’t unless he has another macro program for Windows that it works with. 13:28:09 From Reed Robins : I’ve had that problem with a film as well. That Kenneth is mentioning 13:28:17 From Roque Baños : Hi Jim, Could we safe a window for Matt? I only wanted to ask how can I get the controller assignments window. Can’t find it 13:29:05 From Adam Goldman : Roque: Consoles? 13:29:50 From Terry Leigh Britton : I will be following this! Later! gotta go. 13:30:00 From Eric Witt : Is OSC only used for communication between computers or can it be useful if you are just working by yourself? 13:31:42 From Ken Thies : Eric, I use OSC in the form of TouchOSC as a control surface emulator for DP; and I usually work alone, so.... :-) 13:31:55 From Eric Witt : OK thanks Ken. 13:32:06 From xavi c : Hola Roque, Console, and then click midi learn on the bottom left corner beside the camera in the plug in you want to control, era esto? 13:32:06 From Greg Magee : @Eric - it’s able to communicate between apps on the one computer or over a network to control multiple computers 13:32:14 From Roque Baños : Adam: Yes it is! Thanks a lot. 13:32:24 From Eric Witt : OK thanks Greg. 13:32:59 From kennethpage : By the way. I didn’t get to tell Giovanni that I like his Composer Bridge very much. It would help speed up my Scoring flow. 13:33:15 From Russ Pfeifer : Dave Hayward 13:33:38 From Russ Pfeifer : ; email me russ.pfeifer@yahoo.com 13:35:30 From Dan Wool : I’m digging Benoit’s cat 13:35:51 From Eric Witt : Dan - The cat said the same thing about you. 13:36:26 From Dave Hayward : i thought it was a toy till it moved… 13:36:33 From Dan Wool : Lol….well, he bailed 13:37:33 From Chris Rinaman : @Reed me too. I’m on a project using multiple chunks and only have the problem on importing movie audio in the chunks. Going to try recording the aux movie output to a track as a workaround 13:37:53 From Roque Baños : Xavi: Sí! 13:38:38 From Reed Robins : Makes sense Chris. 13:39:19 From kennethpage : Chris. I tried to record the Audio from the Aux Track and it also wouldn’t record because there is no audio file in the project, just bus routing. 13:39:40 From xavi c : Un abrazo Roque 13:40:09 From Vanessa Garde : Is there a list of OSC parameters accesible on Digital Performer? (On the MOTU documentation?) 13:41:05 From Benoit Widemann : Exact same problem with Applescript… 13:41:11 From Chris Rinaman : @kenneth ok thanks. Another thought I had was just re-lining it up using the timing— but strange to have to do that. I was curious if it was related to the tempo stretching algorithm on import, but I’m not sure about that 13:41:21 From Benoit Widemann : You can send a command, but you can’t get any data 13:43:02 From John Boyle : Thanks so much for your time Giovanni 13:43:32 From Neil McCarroll : Thanks Giovanni - good luck with the future development :) 13:45:24 From James Paschall : Holy reset. ?? lol 13:45:49 From Jay Farber : Giovanni, Bravo! 13:46:19 From James Paschall : Chow, Giovanni 13:46:28 From Björn Lindén : @Giovanni: Nice work :-) 13:46:47 From Greg Magee : Giovanni. I didn’t say it when I was on, but I’d like to say well done. It’s very thorough 13:47:06 From Giovanni Rotondo : thanks everyone 😊 13:47:10 From Tom Lewis : Matt’s mic is lower than the others 13:47:24 From James Paschall : Gracie Giovanni! 13:48:37 From Glenn Workman : I’ve used Sidecar with DP. I put whatever window I need to carry to a place in my studio where I might sit behind the drums or at the B3, away from my computer. 13:48:57 From Ray Toler : I’ll be on Mojave until 7,1 Mac Pros start hitting the used market. 13:49:05 From Benoit Widemann : THAT would be cool. :) 13:49:13 From Benoit Widemann : (SDK) 13:49:20 From kennethpage : Giovanni. I have already viewed some of your film scoring tips. Nice. I am very interested in your Composer Bridge but will have to wait until you sell it without a subscription. 13:49:20 From Reed Robins : One trick with this is screen resolution. For example I have a Raven which is wonderful with Uaudio’s console, but not great for in DP’s controls because they are too small my for big fat fingers… 13:49:20 From Glenn Workman : I also use Sidecar with Zoom so all the users are on my iPad, and the screen shows the session. 13:49:34 From Ray Toler : Yeah, it would be nice to have some API documentation from MOTU for OSC, etc. 13:49:49 From Dan Wool : I’l be on Mojave until there’s a viable alternative to QuickTime 7 Pro 13:50:20 From Glenn Workman : Dan: What is it that you need that isn’t currently available in QuickTime? 13:50:49 From kennethpage : welcome Glenn 13:51:07 From Neil McCarroll : Dan: you really might find all you need in Handbrake 13:51:53 From Dan Wool : @Glenn the ability to add sound to movies…among many other functions 13:52:08 From Glenn Workman : Kenneth: Hi all. Have classes I’m teaching today, just have a few minutes till the next class starts on the hour. 13:52:15 From Ray Toler : Greg, I filter active sensing at the MIDI interface level. 13:52:32 From Ray Toler : MOTU needs to bring back the MTP-AV! 13:53:13 From chris : You might be able to do it in MaxMSP by changing you OS audio mid setup and making Max the audio midid setup and then routing from Max 13:53:13 From Dan Wool : @Glen also QT7 Pro’s “Export for Web” I use 10 times a day 13:53:17 From Adam Goldman : Greg: MTPAV internal battery what made it die? 13:53:25 From Ken Thies : Greg, what about a workaround by placing a "redirect controller data" plugin on the other MIDI tracks to send things you want filtered out into some MIDI oblivion? Which leads to a thought that if MOTU could add a MIDI filter plug, that might be cool too. 13:53:56 From Jay Farber : Battery death… Age 13:54:15 From Glenn Workman : Dan: I’ve been using compressor for web video export, but normally add audio to video in Final Cut. I know the screen recording stuff has gotten very useable in the current versions. 13:54:15 From Greg Magee : Hi Ken, yes. I really could benefit from a MIDI filter plugin 13:54:33 From Russ Pfeifer : Yes MIDI FILTER 13:54:39 From Neil McCarroll : Does JUCE (free) let you build MIDI plugins? 13:54:52 From Ray Toler : Greg (and everyone), I love my MTP-AVs and even have a spare in the closet in case one dies, but this will be my replacement if I have to buy new: https://www.iconnectivity.com/mioxl 13:54:56 From Ken Thies : I mean, hey, if there's a plug to redirect MIDI data, it seems that filtering it out would be in the same ballpark. 13:55:21 From Russ Pfeifer : All great ideas!!! 13:55:46 From Greg Magee : @Adam. No it’s not a battery issue. Is was a severe electrical surge which fried it entirely 13:55:52 From kennethpage : Wally. Great to see you back. 13:55:54 From Caxa : There is a new plugin called Unify which allows all midi plugins to be used as if they were a AU/VST inside it. 13:56:16 From Glenn Workman : Jay/Adam/Greg: I had the same battery in my MTPAV for probably 15 years. When it went finally AudioMIDI kept seeing it as a different MTP every time I powered it on. The battery fixed that and all is well. 13:56:32 From Wally Badarou : @Kenneth: great to see you too. 13:57:13 From Dan Wool : @Glenn. Yes, I’m trying to avoid buying and learning a massive app designed for something entirely different for such basic utility functions 13:58:30 From Robert Turner : MIDI Mitigator MS-408 is an 8-channel audio switcher which can turn audio on and off via a specified MIDI controller. Works really well for that purpose. 13:58:50 From Dan Wool : Also QT7 Pro opens as fast as a a Finder window and doesn’t require creating a project…just to do something simple 13:58:53 From Robert Turner : correction - MSI-408 (model number) 13:59:02 From Benoit Widemann : Envelope follower? 13:59:37 From Ken Thies : Sounds like an idea born in a modular synth environment. Great possibilities if someone can find a way to do it. :-) 14:00:09 From Ken Thies : Benoit: that's the sort of thing I'm picturing, yes. 14:00:11 From Eric Witt : Why would you want more than one keyboard to record? 14:00:26 From John Boyle : Hmm, Benoit. If that note is for me, that might be workable. Thanks. 14:01:07 From Ray Toler : Eric - I routinely move between keyboards while rolling. It’s nice to have them all “hot” 14:01:41 From Eric Witt : Ray - for composing or performing? 14:01:49 From Ray Toler : Yes. :-) 14:02:01 From Ray Toler : But I don’t typically record while performing. 14:02:02 From Eric Witt : both you mean? 14:02:13 From Ken Thies : Eric: I usually play a 3-keyboard rig, so if I'm recording, sometimes I want to capture separately things I do on different keyboard. Or if you have a band (studio or live) with more than one keys player, etc. 14:02:37 From Eric Witt : OK thanks Ken and Ray. 14:02:50 From Ken Thies : :-) 14:02:51 From Ray Toler : But yes, also while performing, it’s nice to be able to have different synths routed to different places (soft synths, controller, etc) 14:03:21 From Benoit Widemann : Nice rig! 14:03:41 From Eric Witt : Ken and Ray - Nut can’t a single keyboard have several different instruments that you can switch when recording? 14:03:50 From Ray Toler : Xpander, Moog, Multi-cat Oscillator in the background… :) 14:04:18 From John Boyle : So I will put my question in here just in case someone at MOTU is monitoring. Would it be possible some day to take the shape from my digital sound and convert it into control information that could control other things there? Someone suggested envelope follower, for me that might be worth a shot. 14:04:29 From Ken Thies : Eric: of course, but sometimes a different scenario makes better sense. It's a case-by-case kind of thing. 14:04:40 From Eric Witt : OK thanks Ken. 14:04:44 From Ray Toler : Eric, yes, you could set up zones where different parts of the keyboard go to different places, but for my studio work, it’s easier to reach over and play the others. 14:05:06 From SAMartin : Thank you Matt and Giovanni. Great discussion. 14:05:10 From Eric Witt : OK thanks Ray. 14:07:11 From Ray Toler : Eric, if you only typically use a single controller, it’s not necessary, but as another example, I have some gear (e.g., drum machines) that send MIDI data when their sequencers are running. If I’m not in multi-record mode, they “play” whatever is record enabled which is almost never what I actually want to have happen. 14:08:50 From Eric Witt : I guess, where I am confused, is that if you are recording, can you not just play one instrument, then change on performer an do the next instrument etc…? 14:09:05 From Ray Toler : Absolutely you can. 14:09:12 From Reed Robins : Input filter?? 14:09:31 From Reed Robins : @Ella 14:09:40 From Eric Witt : Ray - So I am not sure of the advantage exactly, unless if you want to record more quixkly? 14:09:48 From Ray Toler : And that’s how I operate most of the time, but every now and then, especially when improvising a composition, I get all my patches set on the various keyboards, start a loop rolling, and then walk around the studio. 14:10:39 From Eric Witt : Based on what you are say8ing, the product Giovanni was showing (Composer Bridge) should be able to replace that, right? 14:10:40 From Ray Toler : Another example would be if I have 3 friends over and we all want to play in as a band. Hypothetical, because that assumes that I have 3 friends. ;) 14:10:45 From art2ro : Is it possible for DP to route MIDI out of a Virtual Instrument? There are some VIs that produce MIDI data, as a result of the user’s MIDI input. 14:11:16 From Eric Witt : Ray - Got it. But that is for a band. 14:11:21 From Jay Farber : Force reboot the iPad 14:11:27 From Adam Goldman : RussPfeifer: perhaps the download is corrupted? Perhaps it makes sense to re-download it? 14:11:48 From Jay Farber : Meta server may run as a daemon 14:11:52 From Eric Witt : Ray - Based on what you are saying, if you are playing alone, the product Giovanni was showing (Composer Bridge) should be able to replace that, right? 14:12:04 From Jay Farber : Yes on dock 14:13:19 From Ray Toler : It could in certain circumstances, but not if I want to play two keyboards at the same time (bass in one hand on one synth, lead on another) or record on a keyboard while manually punching in drum machine pattern changes… there are lots of reasons to multi-record. But working “one at a time” is perfectly fine if that’s your workflow. 14:13:45 From Eric Witt : OK thanks Ray. 14:14:37 From Eric Witt : Ray - I guess 2 or more keyboards is advantageous if you want to play two instruments at the same time so you can finish more quickly. 14:15:27 From Ray Toler : Eric, not even always about speed, more about flexibility and not losing the moment. 14:17:07 From John Boyle : Retrospective MIDI is providing some ecstatic realizations right now. 14:17:14 From Ella Segretti : oh how often I've played and wished I'd hit record. if only my zoom H6 had a 3 minute retrospective record instead of 2 seconds 14:17:54 From Dan Wool : The cut off is pretty short. A few secs 14:18:02 From Ken Thies : I started a very lo-tech test on that after the first webinar on MIDI. If you take a break more than about 2 measures, the buffer starts over. 14:18:23 From Ray Toler : So you have to realize your genius in short order! 14:18:27 From Jay Woelfel : I was practicing something the other day and then was about to record it and I thought, wait I can just use retro. Worked great. 14:19:04 From Ken Thies : Well, it keeps it in the buffer until you either use it or overwrite it, so you can play a bit, go get coffee, and then drop it in. But don't play the MIDI keys again until you DO drop it in. 14:19:04 From Dan Wool : If you’re holding the sus pedal I think it stays in the buffer 14:19:29 From Ella Segretti : can Motu add a 3 minute audio retrospective as I often use DP on location shoots with my Motu Ultralite and how often I've wished to record a rehearsal before a take. 14:20:43 From Ray Toler : Ella - it was standard operating procedure when I was working in studios that if people were playing, record was on. Saved us a bunch of times. You can always delete it later. 14:21:05 From Ray Toler : SD cards are cheap, so I’d recommend the same thing for your H6 14:21:10 From Ken Thies : Ella, 3 minutes audio punchguard would require a LOT of memory cache; most systems might have a problem being responsive with that much time. I set mine to 20 seconds before and after, and it usually lets things behave reasonably. 14:21:56 From Ken Thies : I also 2nd what Ray said there. Thanks, Ray! 14:21:58 From Glenn Workman : Ken/Ella: Always record everything :) 14:22:16 From Ray Toler : You just have to be disciplined about deleting stuff you know you don’t need regularly or you end up with mountains of stuff that you’re afraid to get rid of because it might have a nugget of joy in it. 14:22:31 From Ella Segretti : Ray, I'm on film sets, and not always the recordist, reversals often aren't recorded to camera but sound can be use as ADR or off screen. sound is also far less data and video :) Sound design I record most sketches in audio form anyway, again, space is cheap for sound 14:22:35 From Ken Thies : Glenn: in the studio, I do. Lost count of how many times the artist says, man I wish we recorded that... ;-) 14:22:46 From Ken Thies : And of course, we did! 14:22:57 From Ella Segretti : Ray, nuggets are far too common :) 14:22:58 From Glenn Workman : Ken: Good man. 14:23:54 From Ella Segretti : Glenn can't always record everything on a film set, every recording is marked with clapper and marker, so random recordings upset log sheet data and synchronisation of audio to video. 14:24:04 From Ray Toler : Ken: It was always a great feeling to be the hero when I could say, “Don’t worry, I got it.” 14:24:14 From Ken Thies : Ella, good point. 14:25:09 From Dave Hayward : I’ve had times in the studio where a player or singer says “i just rehearsed it perfectly but when we record I cant get it right”. As long as a track is armed it HAS recorded! Punch Guard lets you recall it, and also stuff AFTER you stopped recording…You can adjust how long it is active pre- and post-record. With MIDI it’s call Retrospective Record. Dave H 14:25:25 From Russ Pfeifer : Adam: But then we might not have these webinars 14:25:32 From Ella Segretti : kinda hard to explain to editors Scene 1 shot 1 take 1 is followed by an audio track not in the logs before S1-2-1. matching audio to video clips can become a nightmare when time codes and take numbers don't align. 14:25:41 From John Boyle : Thanks again to all who make this such a worthwhile group. See you all on Thursday. 14:26:03 From Adam Goldman : Russ Pfeifer: good call….that would prove a solid loss. 14:26:35 From Dan Wool : When will we see past webinars as videos? ….anyone know? 14:26:38 From Glenn Workman : Ella: Understand. What little filming with actors I’ve done, I just leave it in record for the duration (usually no more than 4 mics in anything I’ve done) and add Markers as each scene/take is marked. About 15 years ago I started doing that and I had “on me” was the boom mic and its cable going to the computer, and my wireless in-ear monitors I use for stage performance. Worked great at the time, and no nagra or mixer to be humping around, just a long XLR or two. 14:26:48 From Ella Segretti : remember, we have a camera operator, a camera logger, a sound Recordist and a sound logger, and a continuity logger. all that log data have to have at least one common identifier. Sound design in studio or audio only work I just record endlessly :) 14:28:16 From Eric Witt : If you use composer bridge, do you have to use lemur as well? 14:28:18 From Ella Segretti : Glenn works when your across the full workflow. when your handing a like of files to an assembly editor who is usual junior and wasn't on set and looking at 3 log sheets ... 14:28:55 From Ray Toler : Eric: Yes, you’ll need Lemur and (I believe) Keyboard Maestro installed. 14:29:20 From Eric Witt : Thanks Ray, but wouldn’t the cost then be quite high? 14:29:39 From Eric Witt : Since it is Lemur plus Composer Bridge plus KM? 14:30:05 From Ray Toler : The value depends on how much time it saves you, etc. Lemur and KM are both around $30/ea, plus $20/month for CB. 14:30:07 From Jay Farber : Thanks Matt and Giovanni 14:30:14 From Ella Segretti : are people using SSD for their DAWs or HDD? I've just had my MacBook HDD go funny (can still access data just won't boot) and about to go SSD for power and speed. just anxious about TBW capacity in an editing situation. 14:30:23 From Eric Witt : Thanks Ray. 14:30:25 From Adam Goldman : Eric: Giovanni said $20/mo subscription; Keyboard Maestro is $36; Not sure about Lemur’s price, but you get the gist 14:30:25 From Ray Toler : For some people, that’s totally worth it. For others, maybe not. 14:30:39 From Dan Wool : Do not lock MIDI tracks in DP10! There is a huge bug that deletes data when you undo 14:30:51 From kennethpage : These Webinars are always amazing. Thanks to All. 14:31:06 From Eric Witt : Dan - What does it mean to lock a track? 14:31:19 From Glenn Workman : Ella: I record these days almost entirely to SSDs. I archive to spinning drives and burnable Blu-ray. I always copy to a spinning or second drive before I ever begin editing. 14:31:21 From Ken Thies : Dan: thanks for the heads up! 14:31:22 From Dan Wool : Yes, a reproducible bug. Support knows about it 14:31:27 From Erik Ibsen-Nowak : SSD for streaming samples. SSD probably best for editing as well—HDD seek times are too slow if doing memory cycle w/ lots of tracks. 14:31:29 From Robert Turner : Good Session!! Thanks Giovanni & Matt. Really appreciate your spending time with us!! 14:31:30 From Daniel Scott : Ella, I have not used HHD in over 4 years now. All of my drives are SSD 14:31:34 From paulcolombo : Thanks everyone again! I have come so far since the first webinar. 14:31:37 From Ray Toler : Thanks all. 14:31:40 From Adam Goldman : Thanks to everyone! See you Thursday. 14:31:41 From Eric Witt : Thanks everyone. 14:31:42 From Ken Thies : Yes, thank you Giovanni! 14:31:50 From Erik Ibsen-Nowak : HDD for backups in case data recovery is needed. 14:31:50 From Tom Lewis : Thanks All, good stuff!! 14:31:50 From Kerwin Young : Thanks MOTU!!! 14:31:51 From Reed Robins : Thanks Giovanni and everyone!! 14:31:52 From Adam Goldman : Thanks, Giovanni! 14:31:53 From Jay Farber : Looking forward to those past editions! 14:31:54 From Sandor Szatmari : Thanks Giovanni!!!! 14:31:55 From Wayne Pronzati : Thanks Matt!! And Thank koi Giovanni!