12:25:02 From Glenn Workman : https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 12:25:50 From Roberto Colombo : "warm-up" question: is there a way to have a different colour for the grid so that a certain time division is highlighted ? e.g. every grid is 16th but every quarter I get a different color... 12:28:33 From Terry Leigh Britton : Place that Search Settings v2 file into C:\Users\username\AppData\Roaming\MOTU on Windows 12:29:38 From Glenn Workman : https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 12:30:43 From James Paschall : Thanks for all that, Glenn. 12:31:14 From Roque Baños : Wonderful! Thanks Glenn 12:32:09 From Eric Chapelle : Thanks Glenn! 12:32:45 From Benoit Widemann : Nice cat :) 12:33:06 From Kent Byron : totally cool! hi everyone 12:33:33 From Kubilay Uner : The one thing about Search that is confusing is that it can be based on current selection or not. 12:34:20 From Kerwin Young : Yup, if Winstead's is out, the UMKC community will out with a loss. That's my alma mater. 12:35:42 From Robert Thomas Mein : Hi, John. Glad to see you are healthy! 12:36:10 From Russ Pfeifer : Kitty kitty 12:36:25 From Ken Thies : :-) 12:36:54 From The Morning Lounge with Jill and Rich : well i’ll be darn 12:37:00 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What does it mean to bounce to a disk? 12:37:29 From Kent Byron : bounce basically means “print” 12:37:45 From Glenn Workman : XN/Eric: Bounce creates a file that is the Mix, what you would put on a CD, film, TV show, whatever. 12:37:57 From Kent Byron : print an audio file to disk is a bounce 12:38:04 From Ken Thies : A bounce is usually a mixdown, perhaps your main out, perhaps any combination of outputs for stems etc. 12:38:24 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OK thanks Glenn. 12:38:30 From Kent Byron : ya ty a mix down to disk! perfect! 12:40:14 From The Music Workshop Studio : How can you define where you want your project to end? 12:40:24 From Ken Thies : If you change the filename BEFORe you click the save for bounce again, the bounce name will be the same as the filename you entered. 12:41:08 From Bryan : Hey Glenn, I would love to see a feature where instead of having to cancel the initial bounce you can just elect to ONLY save for later bounce and not even start the initial bounce. I like to do batch bouncing, but it’s annoying always having to start and cancel in the process. 12:41:31 From Glenn Workman : Music Workshop: You can specify Chunk End Time in the Chunks window. Or what Matt is doing, selecting a time range, then saving that as a Bounce Setting in the Bounce window. 12:41:42 From Ken Thies : I agree with Bryan. +1 vote there! :-) 12:41:49 From Jacki Barineau : Is there a way to automatically bounce each track as individual tracks without having to mute the other tracks and do it 1 at a time? 12:42:24 From Glenn Workman : Jacki: There is now a Tracks button in that bounce window that does just that. You can specify as many tracks as you want in the list on the right of that window. 12:43:02 From Jacki Barineau : Oh, great, thanks Glenn! I thought that meant it stored it as a new track in the project lol 12:43:17 From Dan Levine : Hey Glenn….Am I correct that it will bounce everything that is selected? 12:43:17 From Kerwin Young : Glenn, Thanks for the PDF 12:43:38 From Glenn Workman : Jacki: Thats a different popup menu in that window that says Add to Sequence/Add to Soundbites/Don’t Import. You want the latter. 12:43:49 From Jacki Barineau : Perfect! 12:43:56 From The Music Workshop Studio : Chunk end time! Right. Thanks. I don’t see where you can define a region in the bounce window. 12:44:00 From Glenn Workman : Dan: Yes. However be careful if a track is soloed or muted. 12:44:13 From The Morning Lounge with Jill and Rich : i have 12:44:13 From Reed Robins : 19 12:44:15 From Lance Morrison : Happy anniversary! 12:44:16 From Björn Lindén : I have 12:44:17 From Paul Colombo : I have been to 19 12:44:20 From Caxa : 18 12:44:22 From Daniel Scott : i have 12:44:23 From John Boyle : Happy 20th!! 12:44:24 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : 16 12:44:39 From Russ Pfeifer : 19 as well 12:44:41 From Luke Steward : i’ve been to 18 of them. didnt know about the first one, and skipped the film score take two 12:44:41 From Paul Andrews : I would like an example of the track bounce with this technique if possible 12:44:59 From Jerrold Lambert : How do we see previous webinars? 12:45:15 From Jacki Barineau : Me too, Paul! 12:45:18 From Scott Dorton : Are these zoom webinars going to be available on MOTU website? I see that they all say “Coming Soon” 12:45:19 From Geoff Dodson : I wish I could have attended all 20. Missed a couple that I really wanted to see. 12:45:25 From Glenn Workman : Jerrold: They will be posted here when they are edited: https://motu.com/en-us/products/software/dp/webinars/ 12:45:35 From Scott Dorton : Thx 12:45:40 From Jerrold Lambert : Thank you. 12:46:05 From Glenn Workman : A few topics were actually redone on a second day because of recording glitches. 12:46:58 From Charles White : There’s a suggestion: let Dynamics read the buss name, please. 12:47:23 From Luke Steward : we can hear it 12:47:25 From Luke Steward : kinad loud 12:48:45 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What s a side chain? 12:48:46 From Jacki Barineau : What does side chain mean?! 12:48:50 From Jacki Barineau : lol 12:49:18 From Glenn Workman : Jacki/Eric: You use a second audio path to affect the first audio track. 12:49:50 From Jacki Barineau : Got it! Thanks, Glenn! 12:50:00 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OK thanks Glenn. 12:50:26 From Roque Baños : Glenn, I couldn’t get the .zip with the search settings from Matt. I found “the file does not longer exist” text. Could you please send the link again? 12:50:31 From Glenn Workman : Jacki/Eric: For example you could have a keyboard holding sustained notes, but if you apply a gate that only lets that track play IF a signal is present at the side chain. So if a Kick drum is the side chain, the keyboard sound will only be heard when the drum plays. 12:50:34 From Paul Andrews : if you have a ball and chain, it’s your chain… on the side 12:50:43 From Glenn Workman : Roque: https://motu.com/en-us/products/software/dp/webinars/ 12:51:00 From Glenn Workman : Sorry, wrong link. just a sec... 12:51:08 From Jacki Barineau : Glenn, when you get a chance can you email me whatever links or pdfs you’ve sent out?! jb@ourlittleplace.com 12:51:20 From Glenn Workman : https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 12:51:29 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OK more clear. Thanks Glenn. 12:51:44 From Kevin : Are the VI’s in VRacks ? 12:52:00 From Paul Andrews : This Freeze option won’t work if you have the multi-record unselected in preferences. Please add an option!!! 12:52:07 From Kevin : Thats has always been a pain if they are 12:52:22 From Kubilay Uner : What if you have all busses used in a template? 12:52:28 From Kubilay Uner : Can you still freeze? 12:52:30 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What does freeze mean? 12:52:49 From Kevin : X:Create audio from ur midi to save processing 12:53:02 From Charles White : Can you then merge those rendered tracks for stems? 12:53:02 From Glenn Workman : Kevin: I don’t see any V-racks in his chunks list, so no. 12:53:07 From Dan Levine : Okay. You freeze tracks. Why? 12:53:11 From Kevin : Crap lol 12:53:40 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Dan - Would like to know too. 12:53:47 From Kevin : Glenn : I would be very happy to see that added 12:53:48 From Glenn Workman : Dan: Then you disable VIs to take the processing load off the computer. 12:53:48 From Geoff Dodson : Takes load off the processor 12:53:49 From Charles White : Freeze: pre rendered tracks, less use of CPU. Then unfreeze and continue to edit. 12:53:51 From Paul Colombo : Thanks for the pdf Glenn. 12:54:25 From Dan Levine : So Glenn…Freezing them turns them into audio tracks? Is that right? 12:54:44 From Glenn Workman : Dan: Yes. 12:55:05 From Dan Levine : Gotcha. Helpful. Thanks! 12:56:12 From Jessie Lasaten : Can you freeze tracks while the VI’s are on the V-Rack? 12:56:29 From Glenn Workman : Freezing: Also great if you have to send a project to someone who doesn’t have the same DAW or Virtual instruments. You create audio files for each VI for easy transport. Same logic to Merge a track, so that all audio starts at measure 1 or time 0 and be lined up in any other DAW. 12:56:58 From Kevin : Jessie : I have my hand up for that question 12:57:06 From Kevin : Jessie : you can but it’s a pain 12:57:20 From Geoff Dodson : Glenn: absolutely. 13:02:12 From Geoff Dodson : Has DP always had the ability to bounce auxes? 13:02:56 From Glenn Workman : Geoff: Yes, but not doing all the individual tracks, or tracks and busses/outputs simultaneously. That’s a DP10 addition. 13:03:41 From Geoff Dodson : Glenn: I thought so. Tore my hair out trying to do that under prior versions. 13:04:22 From Glenn Workman : Geoff: Freeze would let you do multiple VIs to tracks in earlier versions, but Bounce was recently supercharged. 13:05:05 From Glenn Workman : Sends: If 20 isn’t enough you can even route one send out, to another track input, then you get 20 more, and so on. 13:05:16 From Glenn Workman : Not that I’d ever do that:) 13:05:42 From Geoff Dodson : Glenn: This was in context of sending a direct input guitar to an aux with amp sim and using audio track fader to control level into the sim. Could never get aux to bounce. 13:07:05 From larryballereau : is that a stereo buss? 13:07:20 From Ryn Jorgensen : Is there a list or table of temporary tool key commands somewhere? 13:07:21 From Glenn Workman : larry: Yes. 13:07:27 From larryballereau : thanks 13:07:55 From Glenn Workman : Ryn: Commands Window. You can print it if you want, but it comes out to about 14 pages. You can Search in that window to find specific commands. 13:08:01 From Steven Schnedler : If you bus several instruments to only one effects aux tracks isn't that going to make some extra challenges for your mixing later? 13:08:09 From Ryn Jorgensen : Great, thank you! 13:09:03 From Glenn Workman : Steven: The logic say of putting the SAME reverb on several tracks is the reason. You have different Send levels for each track, so they can each be more/less, but they all exist in the same reverb space for example. 13:09:17 From Glenn Workman : This sends are also something you can automate. 13:09:27 From Ray Toler : lol… I just set something semi-heavy on my master keyboard right as he hit play. Freaked out reaching to turn things down and was very confused when it kept playing. 13:09:51 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Does using an aux track save processing power? 13:10:07 From Adam Goldman : my lexicon plugs stopped working with Catalina 13:10:16 From Adam Goldman : :-( 13:10:23 From Glenn Workman : Eric: Yes if you are using one Aux for an effect, rather than putting that same effect on multiple tracks. 13:10:26 From Steven Schnedler : Thanks. 13:10:31 From Kubilay Uner : Off another reason to not go Catalina… 13:11:47 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Got it. Thanks Glenn. 13:12:13 From Glenn Workman : Eric: Also time based plug-ins have a Mix or Wet/Dry parameter. As you change that the original sound and the effect are like a seesaw, where one goes up and the other down if it is ON the track. Not the case if its on an Aux. Set to 100% Mix or Wet, then bringing up the Aux level only ADDs the effect without reducing the track level. 13:12:14 From Ray Toler : I think I’m probably stopping at Mojave until used 7,1 Mac Pros start showing up on the used market in a couple of years. 13:12:21 From Craig Hlady : Any chance of posting any downloads of these templates . I have many of these instruments and efx but even ones I don’t have it would be helpful for editing and setting up my own ? 13:12:53 From Glenn Workman : Craig: Ask Matt when QA starts. 13:12:53 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : ok thanks Glenn. 13:13:17 From Caxa : Talking of reverbs Valhalla are giving away their “Supermassive” reverb free…. Here https://valhalladsp.com 13:13:36 From Glenn Workman : Everyone: If you want to ask Matt a question, open the Participants panel and click the Raise Hand button there. Matt will unmute your mic when he starts QA . 13:14:20 From Glenn Workman : Caxa: Thanks, just grabbed it at the bottom of that link. 13:15:06 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What is a prefacer? 13:15:07 From gregchastain : next to the pan knob … that’s not confusing… lol 13:15:21 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : prefader I mean? 13:15:48 From Ray Toler : Eric, Prefader applies the send amount at whatever you have set, regardless of the level of the fader. 13:16:04 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Got it. Thanks Ray. 13:16:23 From Ray Toler : You could have the fader at 0, but the send will still be sending signal wherever it’s routed. 13:16:47 From Ray Toler : (Also, Eric, you’re back to being XNE0… :-) 13:16:55 From Glenn Workman : Eric: The level is sent BEFORE (pre) it reaches the main fader of the track. On stage monitors, headphones for players in the studio, etc. all need levels prefacer so the engineer mixing live, or the engineer in the studio, can change things without affecting the monitor/headphone mixes. 13:17:51 From Eric : Corrected Thanks. 13:17:57 From Eric : Thanks Glenn. 13:19:47 From Ken Rinehart : If I forget, does anybody know how the hell to SOLO the aux track reverb? 13:20:35 From Caxa : You have to remove “solo exempt” from the aux track 13:20:36 From Glenn Workman : Ken: I think you mean Xmpt column in the Tracks Overview. 13:20:59 From Kubilay Uner : So you can also of course do final stem processing on these buss master faders, yes? 13:21:06 From Ken Thies : But if you do that, and solo the aux track, unles you also solo the tracks feeing it, you'll be soloing silence... 13:21:16 From Caxa : Yup 13:21:18 From Steven Schnedler : Couldn't you accomplish the same thing with aux tracks? 13:21:38 From Glenn Workman : Kubilay: Yes, they can have their own plug-ins. 13:21:40 From Kubilay Uner : You can but you use a whole new set of busses. This is incredibly useful 13:21:42 From Eric Brown : Glenn, I have a last generation MacBook Pro with (2) Thunderbolt ports. I just bought a 1248 & an AVB Switch. I want to have an AVB network with my Ultralite & eventually a Stage B16. Can I use the USB port from the MacBook Pro to the 1248 then CAT6 to the AVB Swtch and on to the (2) interfaces or do I really have to use a Thunderbolt cable? If Thunderbolt, what is the maximum length recommended? 13:22:10 From SAMartin : Sorry to be out of the loop but s a STEM? 13:22:17 From Kubilay Uner : Using Master faders is so much more elegant than using axes for that last gain stage before stem prints... 13:23:17 From KB : How can we Bounce to Quicktime and include just the Dialog from the Quicktime without having to import the dialog as audio? I have the movie audio routed to aux tracks in my sequence - dialog coming in one side, temp coming in the other, separated onto separate mono aux tracks. 13:23:24 From Glenn Workman : Eric: I’m not sure, I’ll have to look at that. I believe max on a Thunderbolt 3 is 6 feet/2 meters. 13:23:55 From Andrew Culver : Remind me where the Bricasti IRs can be found? 13:24:14 From Nashim Gargari : Is there a way to see yesterday’s webinar? 13:24:22 From Miles Olson : How can we get the links again for the “search” and other items Matt shared yesterday? 13:24:22 From jraoul : Speaking of those Bricasti plug-ins — I tried dropping them into the folder buried in the Library and they appeared in ProVerb dropdown User menu for minute, but then disappeared. Tried Matt’s trick of dropping them right on the ProVerb window and nothing. 13:24:30 From Glenn Workman : SAM: A stem is a sub mix or mix of groups of instruments. Its common especially in film work to send a percussion stem, a brass stem, a vocal stem, and FX stem, a dialog stem etc. 13:24:57 From Caxa : In the bricasti I think “M-S” is mono to stereo not mid side 13:25:31 From Eric Brown : Glenn, I found 15’ Thunderbolt cables online and would work better in my present setup. Is that too long to work r will it work? I know there is a max length for other cables (like USB). 13:25:41 From KB : I don’t have audio or video set up here so hoping I can ask my question here on chat 13:25:42 From Glenn Workman : Miles: I put info on some items related to recent webinars (impulse response, Transpose maps, search) here: https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 13:26:02 From Glenn Workman : KB: I’ll help if I know the answer. 13:26:13 From Ray Toler : Miles: https://web.archive.org/web/20190201211631/http://www.samplicity.com/bricasti-m7-impulse-responses/ 13:26:14 From KB : Thanks Glenn, question posted above, can repost 13:26:28 From KB : (re: bouncing with dialog) 13:26:32 From Glenn Workman : Andrew: The Bricast link is in the document I just posted. 13:26:49 From Glenn Workman : KB: I didn’t know the answer. I’ll try to ask Matt. 13:26:49 From Ray Toler : Sorry - Andrew. Not Miles. :-) 13:26:58 From Roque Baños : Glenn: I don’t get to find the link that Matt posted yesterday with the Search settings, in the link you posted before. Could you please send this link again? Sorry to insist on this 13:27:09 From James Paschall : I’ve got another lesson coming up. Thanks again, Matt and Glenn. These sessions are excellent. Everyone have a great Memorial weekend—be safe. See you next Thursday. 13:27:35 From KB : thanks Glenn 13:27:54 From Glenn Workman : Nashim: Webinars will be posted here once they have a chance to get them edited: https://motu.com/en-us/products/software/dp/webinars/ 13:28:37 From Jacki Barineau : Glenn!! Thank you for explaining what stems actually are!! It makes sense to me now :) 13:29:06 From Glenn Workman : From KB: How can we Bounce to Quicktime and include just the Dialog from the Quicktime without having to import the dialog as audio? I have the movie audio routed to aux tracks in my sequence - dialog coming in one side, temp coming in the other, separated onto separate mono aux tracks. 13:29:08 From gregchastain : Glenn and Matt… can we get a request for group faders to send to Mackie control protocol. Setting up fader groups like drums, vox, guitars, strings, keys etc… 13:29:20 From Nashim Gargari : Super many thanks, kids at home… 13:29:24 From KB : thanks for addressing that! 13:30:26 From Pete Buchta : Are these videos posted somewhere? 13:30:28 From John Boyle : Gotta “bounce.” Thanks to Matt and Glenn. Good weekend to all. 13:30:29 From Jacki Barineau : That’s a great idea! Template sharing area... 13:30:50 From Glenn Workman : Pete: Webinars will be posted here once they have a chance to get them edited: https://motu.com/en-us/products/software/dp/webinars/ 13:30:53 From Paul Colombo : Great idea for templates! 13:31:04 From Eric Chapelle : Cool on getting empty templates from Matt! 13:31:05 From Edward @ L A Music Lab : That ill be great. Where did you put the other exemples? 13:31:06 From Pete Buchta : Thanks much! 13:31:21 From Neil McCarroll : the templates will be the best early Christmas present imaginable - thank you! 13:31:37 From Glenn Workman : Edward: https://www.freqsound.com/motuuserfiles/ 13:31:49 From Glenn Workman : There’s a pdf in that directory that explains stuff. 13:32:00 From Edward @ L A Music Lab : thanks Glenn 13:32:33 From Jacki Barineau : Is it better/faster to use an SSD drive for our audio recording or the regular platter type drives? 13:32:50 From Glenn Workman : Edward: Some folks here wanted to hear what others are up to, so I set the folder up. People can send me stuff to share, or a link to their stuff and I’ll put it in that same pdf. 13:33:37 From Edward @ L A Music Lab : Great! I like it, we are all becoming so much more efficient and creative with DP! 13:33:56 From Jacki Barineau : Me too, Edward!! Strength in numbers lol 13:33:57 From Chris Rinaman : PSA for anyone using VEPro. I discovered the latest VEPro has a problem with the DP MAS (and Vienna seems to be aware of it). I had to roll back VEPro to 7.0.973 version. There seems to be a MAS problem in the 7.0.1048 latest update of VEPro (the effects window and server address screen are not functioning properly) 13:34:03 From Glenn Workman : Jacki: SSD is WAY faster (10-20 times or more). I’ve worked on spinning drives for years, but the SSD makes everything faster. I don’t have large ones, but I put the system and apps on an SSD, have another for projects in progress, and then archive to the (cheaper for capacity) spinning drives. 13:34:45 From Edward @ L A Music Lab : Yeah that’s how I work too now 13:34:53 From Terry Leigh Britton : @Chris Rinaman - I wrote VSL about that MAS plugin breakage, and they are aware of it and are working on a fix. 13:34:58 From Ray Toler : Concurring with Glenn on SSDs. Biggest performance boost I’ve been able to make. 13:35:33 From Jacki Barineau : Thanks, Glenn - it does seem slow to me and I’m on an iMac pro with tons of ram so something is slowing things down…! My system and apps are on its internal SSD but I’m recording to an external spinning drive… 13:35:37 From Glenn Workman : Chris: thanks for the heads up. I know in the beta tester discussions there have been a lot of mention of his, particularly with VST and some other issues. Both MOTU and VEP are aware and some folks have posted they expect fixes relatively soon. 13:35:40 From Ray Toler : I can load the entire Spitfire BBCSO in under 2 minutes on SSD. It takes…. longer… with spinning drives. 13:36:00 From Ray Toler : Like, go take a shower and make coffee longer. 13:36:16 From Dan Wool : Sorry if this has been answered. When will the past Webinars be available? 13:36:19 From raymoore : Does anyone know of a program that works like VST Connect that works with DP Wanting to do Remote recording DP 10 can’t find another option. If anyone does please contact me via email art: ray3765@att.net need this asap! 13:36:21 From Chris Rinaman : Thanks Terry & Glenn 13:36:54 From Glenn Workman : Ray: SSD breathed new life into my 2008 Mactopus about 5 years ago, and I used it continuously till I bought the new Mac Pro this year. I got 12 solid years out of that machine, and the SSDs are what let it live so long. 13:37:25 From Kubilay Uner : The main benefit is to not need a second buss 13:37:38 From Glenn Workman : raymoore: Sent you an email. Call me. 13:38:34 From Stephan Haager : Great sessions. Thanks Matt 13:38:48 From Luis Angel : Hi, Glenn: in the sequence editor window, is it possible to grow a selection left/right a little as you do it in the waveform editor? 13:39:33 From dan kaplan : please remind me where I have to place the Bricasti RL file to make it available in Proverb plug? 13:39:45 From David A. Roth : How do I record a click-track which will start 2 bars before the actual first bar? But I want the first bar to be bar number 1. This is for creating stems to send out. 13:39:55 From Glenn Workman : Luis: You can drag the separator between the track names and make the tracks as tall/small as you like. 13:40:23 From larryballereau : when you bounce a stem what do you need to do to include the inserts? 13:40:28 From Vanessa Garde : Create a dumb OUT then called NO OUT. 13:40:56 From Walter E L Scrutchings, Sr. : When will this presentation be available for viewing again? I want to go over this information again. 13:41:04 From Glenn Workman : dan kaplan: Once you drag one of those WAV files into the ProVerb center panel, then you can save it from the mini-menu in that window. 13:41:36 From dan kaplan : ok. goes direct…main lined 13:41:37 From Erik Ibsen-Nowak : David A. Roth: set chunk start time to (-1). That should give you 2 bars of warning clicks & still start on bar 1. 13:41:49 From Glenn Workman : Walter: When is an unknown - they have a lot to edit from the past 2 months worth of webinars. When they are done they will be here: https://motu.com/en-us/products/software/dp/webinars/ 13:42:32 From Glenn Workman : larry: Bounce will include all processing on the selected tracks. 13:42:35 From David A. Roth : @Erik Ibsen-Newark, thanks! 13:42:59 From larryballereau : thanks 13:43:03 From Ray Toler : Glenn, re: SSD upgrades. I maxed out my 5,1 Cheesegrater with new CPUs, new vidcard, and SSDs. Ended up with benchmarks that were not too far off from the Trashcan models, but the SSDs were far and away the best quality of life upgrade. Hoping to get another 2-3 years out of the cheesegraters. 13:43:42 From Walter E L Scrutchings, Sr. : Thanks Glenn 13:43:52 From Ray Toler : Vanessa: that’s pretty much what I ended up doing, but I like your naming scheme better. 13:43:55 From Luis Angel : Glenn: what I meant is once you have “shaded” (selected) a portion of a soundbite, how to grow that selection to the left (or right) a little. 13:43:58 From raymoore : Are there any other books out about DP 10 like the one Dave Roberts wrote for DP 8 ? 13:44:14 From Glenn Workman : Ray: The bigger limit for me was that El Cap was as high as my early 2008 would go. That is the oldest that DP10 supports, so I was on the edge of being obsolete on the software level. Can’t complain getting 12 years out of that machine. 13:44:54 From Ray Toler : Glenn: Absolutely. The only reason I upgraded the vidcard was to be able to eventually go to Mojave, but I think that’s going to be my “frozen state” OS. 13:45:21 From Kevin : Glenn : Have you ever asked about EDL files for film and DP ? Makes re-conform easier 13:45:50 From Eric : Is the line he is drawing the percentage of the temp? 13:45:57 From dan kaplan : glenn: tried dragging wave file to proverb panel but nothing happens. using 32 bit file. tried both 44k and 48k 13:45:59 From Kubilay Uner : There is a calculator right in the Scale Tempo window 13:46:04 From Adam Goldman : how about a built-in calculator for frames and for seconds??! 13:46:10 From Adam Goldman : (real time) 13:46:38 From Terry Leigh Britton : @Dan Kaplan - I could not make the drag and drop work with ProVerb in Windows at all myself. 13:46:44 From SAMartin : Thank you Matt. Have a great Memorial holiday 13:47:10 From Glenn Workman : Luis: Depends on how it was selected. If its the only track visible you can use the shift key and click in the ruler area. If it was selected with the + cursor in the lower part of the waveform that won’t work. If you’ve double-clicked and you are “in” the waveform, then shift-click will let you increase or decrease a selection. 13:47:45 From Ray Toler : The way I “got it” with the various types: VCAs are faders that just move other faders. Aux tracks are summing tracks where the audio goes “through” that fader. Still not sure I understand the difference between the Aux and the Master faders aside from fold down, though. 13:47:58 From Dan Wool : @ Glenn Re When the past webinars? Thanks. I’ve been checking that page daily for a month or so. 13:48:44 From Ray Toler : I’ve ended up using VCAs a lot more than I thought I would. 13:48:44 From Dan Wool : Are VCAs more efficient CPU-wise than AUXs? 13:49:21 From Jacki Barineau : Ray - thanks! That makes sense to me now! 13:49:23 From Luis Angel : Got it, Glenn … thanks!!!! 13:49:50 From Eric : So vca basically controls both the basic volume of the instrument and the reverb/effect in the aux channel? 13:50:11 From Ray Toler : Eric, yes, as long as you don’t have the sends in “pre-fader” mode. 13:50:29 From Eric : Thanks Ray. 13:51:13 From gregchastain : where are those 4 master busses being sent? 13:51:25 From Ray Toler : Ok, apparently 3rd time’s a charm because that explanation of Master faders makes more sense. 13:51:42 From Ray Toler : I think. 13:52:34 From Terry Leigh Britton : @gregchastain - those master busses are merely affecting the levels of the BUSSES themselves. 13:52:42 From Glenn Workman : gregchastain: You can see at the bottom of that window they are routed to tracks so he can bounce stems. 13:53:36 From dan kaplan : pardon for insisting on bracasti files dilema. if not drag drop isn’t there an internal file location in DP where it should go? 13:54:45 From gregchastain : Understood… just for sending to stems. Where do you monitor those? From the tracks? 13:55:25 From Eric : What does print mean? 13:55:48 From Ray Toler : Eric: “Print” to tape or disk. Record the audio. 13:55:56 From Eric : Thanks Ray. 13:57:00 From Charles White : Thanks, Glenn, Matt, Everyone. I’ve got to go to another meeting. I so appreciate your kindness, enthusiasm and expertise! :) 13:57:07 From Jacki Barineau : What is a gain stage? 13:57:43 From Ray Toler : Jacki: gain staging is setting levels all along your audio chain to appropriate levels so that you avoid clipping. 13:57:52 From John R Graham : It’s a pretty big topic 13:58:02 From Ray Toler : But as John says, it’s a large topic. 13:58:03 From Roddy J. Betancourt : @Jacki: n audio engineering, a gain stage is a point during an audio signal flow that the engineer can make adjustments to the level, such as a fader on a mixing console or in a DAW. Gain staging is the process of managing the relative levels in each step of an audio signal flow to prevent introduction of noise and distortion, feeding the inserts, such as equalizers and compressors with the right amount of signal, particularly in the analogue realm. 13:58:05 From Jacki Barineau : Ok thanks! Kinda what I figured but wasn’t sure! 13:58:07 From Scott Dorton : Matt & Glenn, 13:58:08 From Glenn Workman : dan kaplan: are you on a Mac or PC? I can’t help with any PC issue there (ignorance on my end). 13:58:24 From Terry Leigh Britton : @Dan Kaplan - are you in the Windows version of DP? I don't think the Proverb stuff works in that version. 13:58:31 From John R Graham : It’s not just overall volume — the point of it is to attenuate signal all along the way so that, when you sum it together, it still doesn’t clip 13:58:38 From gregchastain : Glenn and Matt… can we get a request for group faders to send to Mackie control protocol. Setting up fader groups like drums, vox, guitars, strings, keys etc… 13:59:05 From gregchastain : screen real estate help 13:59:21 From dan kaplan : im on mac 13:59:23 From Glenn Workman : gregchastain: suggestions@motu.com - send that request there. I don’t know if the Mackie Control protocol supports what you’re asking, so don’t know if its even possible. 13:59:46 From gregchastain : yes it does support it… 13:59:59 From Scott Dorton : Wonderful work. Thanks so much. For me, it is repetition and review. Everyone have a great Memorial Day weekend and be safe. Signing off. 14:00:01 From Glenn Workman : dan kaplan: So what happens if you drag one of the bricasti WAV files (not a folder) into the middle of the ProVerb window? 14:00:05 From Terry Leigh Britton : @Dan Kaplan - well, I don't feel so alone then! There must be something else going on. 14:00:16 From gregchastain : thank you Glenn 14:00:28 From dan kaplan : glenn: nada…zilch 14:00:44 From Ray Toler : Jacki, it’s worth reading up on. Once I understood proper gain staging from recording to mixing to final sum, my mixes immediately sounded *much* better. Before, i was overloading everything and my mixes sounded like they had “sand” in them for lack of a better description. 14:01:02 From Glenn Workman : dan: if you want to do a quick Zoom after the webinar send me an email: glenn@freqsound.com 14:01:03 From John R Graham : Good suggestion Ray. 14:01:04 From Ray Toler : I had to learn to not be afraid to lower a fader way down. 14:01:06 From Jacki Barineau : Thanks, Ray! I will do that! 14:01:27 From Eric : When Matt says this, can’t you always do this using just the pencil? 14:01:47 From dan kaplan : cool Glenn. will do! 14:01:49 From Glenn Workman : Ray/Jacki: Gain stage and signal flow. If I could get my students to understand those 2 concepts they’d ALL be better engineers. 14:02:32 From Glenn Workman : Eric: Just different levels of percentage and precision with different tools or edit windows. 14:02:44 From Eric : I mean, instead of working with this Change Continuous Data, can’t you always do this using just the pencil? 14:02:58 From jraoul : dan and glenn: can I join you on the ProVerb Bricasti zoom? 14:03:04 From Ray Toler : Glenn, it won’t help with gain staging, but there are two ways I learned to understand signal flow. The first was actually working in a pro studio and having to wire gear up, but the other and far more accessible way is Propellerheads Reason. Makes things *so* obvious when you flip the rack around and run virtual cables. 14:03:21 From Tom Lewis : Randomize is good for humanizing drum machines if most hits are the same velocity/volume. 14:03:24 From Eric : OK thanks Glenn. 14:03:43 From Terry Leigh Britton : dan and glenn: and jraoul can I join you on the ProVerb Bricasti zoom? 14:04:15 From Glenn Workman : Eric: that window would let you change something that already exists on the track. Lets say you draw what you think you want, then realize the whole thing is perfect (in terms of motion) but is overall too loud or too soft. Rather than redraw you can change them universally with the Change window. 14:04:37 From Glenn Workman : Terry: Send me an email and I’ll send you both the invite. 14:04:37 From Eric : Thanks Glenn. Seems clear. 14:04:53 From Terry Leigh Britton : Will do. 14:04:53 From Simon Foster : Can you create aux tracks directly in a v-rack? 14:05:01 From Khaled Hammad : Hello Glenn ..i didn’t find “Find” we takled about yesterday 14:05:01 From Glenn Workman : https://www.freqsound.com/motuuserfiles/MOTUWebinarExtras.pdf 14:05:08 From Glenn Workman : https://www.freqsound.com/motuuserfiles/ 14:05:20 From Jessie Lasaten : Thanks Matt and everyone! Great Stuff! I hope that this webinars be available to be viewed soon, unedited would not be a problem since everything is great! 14:05:25 From Glenn Workman : The PDF explains all the files etc., the bottom link is where they are located. 14:05:44 From David Stowell : Great idea Roberto 14:05:49 From Jacki Barineau : I agree with Jessie!! 14:05:57 From Nelson Mandrell : great idea for mixer 14:06:00 From Jacki Barineau : I wouldn’t edit anything out lol 14:06:07 From Glenn Workman : Keyboards are PURPLE! 14:06:22 From Ralph Otteson : Yes, color is good. What about Freezing top row like in Excel? 14:06:39 From Ray Toler : Glenn, same: synths are always purple. I think because my master controller is a K2600XS. :D 14:06:43 From Kenneth Sarkey : Glenn W, is there any way to make the verticle green timeline pointer wider; more visible? 14:07:11 From Glenn Workman : Ralph: Thats’ been suggested, including “locking” a track like the conductor in the Sequence window. 14:07:21 From jraoul : Reed — lower your hand 14:07:32 From Dan Wool : This theme definitely works better for the webinar 14:07:47 From Glenn Workman : Kenneth: Only by zooming the entire interface. Command + or - to zoom up or down by percentage. 14:07:58 From David A. Roth : Can you use search in MachFive to find an instrument in the library? 14:08:02 From Glenn Workman : Ray: K2600XS it is. 14:09:59 From Glenn Workman : David: Sorry, I don’t have MachFive installed on my new Mac yet, so can’t check that for you. 14:11:35 From David A. Roth : Thanks for the reply, @Glenn Workman. 14:12:20 From Vanessa Garde : Also Ctr. + 1 gets the window back to consolidated 14:12:26 From Adam Goldman : kennethpage: are you clicking in the right area of the window? 14:12:36 From Ray Toler : Glenn, was it you that mentioned a week or two ago which of the new Mac pro builds was sort of the best “bang for buck” for an audio workstation? 14:12:36 From Adam Goldman : (correct, not right?) 14:13:07 From Bryan : Kenneth, does it maybe have to do with a dual monitor setup and the window being on a different screen? 14:13:28 From Jacki Barineau : I just tried the double click and it seems to work for me to put back into consolidated window... 14:13:31 From Glenn Workman : Ray: Wasn’t me, but Matt’s suggestion was buy the most processor you can afford. The other stuff is usually easier to add later as needed. 14:13:44 From Richard Peiser : Are all the keyboard shortcuts Matt is referring to located anywhere? 14:14:38 From Ray Toler : Glenn: That’s my normal approach, but this round is a bit out of my grasp. I just remembered someone mentioning the specific core count that they’d been advised was the best value right now. 14:14:46 From Glenn Workman : Richard: He has changed a lot of his from the defaults. You can see what yours are set to by opening the Commands window in the Setup menu. You can search in that window. Some folks have wanted a printed version, and you can print that, it just takes more than a dozen pages to do so. 14:15:40 From Glenn Workman : Ray: I bought the base model. I’m not VI heavy, still rely heavily on my external synths, B3, etc. 14:15:41 From John R Graham : shift_L opens the Commands window 14:16:26 From Glenn Workman : John: True, but even that key command can be changed to whatever you want. 14:18:19 From Ray Toler : RX is like magic. 14:18:25 From Ken Thies : Yep. 14:18:45 From Glenn Workman : dan/Terry/jraoul/Russ: I have all your emails and will send the invite when we’re done here. 14:18:53 From jraoul : Tx GW 14:18:57 From Reed Robins : Is he asking about preview in the apply plug-in… in the audio menu? 14:19:07 From Terry Leigh Britton : Excellent! 14:20:28 From Jacki Barineau : What’s a Vrack? 14:21:03 From Glenn Workman : Jacki: Virtual Rack. There’s an efficiency using that if you are switching between chunks that share the same VIs. 14:21:04 From Ray Toler : Jacki: Virtual Rack. A common set of VIs that you can use in multiple chunks. 14:21:15 From Jacki Barineau : Oh ok ! Thanks! 14:21:16 From Ray Toler : Worth reading the manual about. It’s another big topic. 14:21:33 From Glenn Workman : Jacki: When you switch between Chunks all the samples/settings don’t need to reload. 14:21:37 From Eric : Can’t you just put an aux track directly in the Track? 14:21:41 From Neil McCarroll : anyone experienced with Izotope suite of tools? (Recently bought the Music Production 3 bundle). The track names from DP don’t seem to make their way into the fancy Mix Balancing tools. Maybe something to bring to MOTU DP Facebook page instead :) 14:21:46 From Eric : I mean the V Rack? 14:22:00 From Ray Toler : Neil, no way to automate that as far as I know. 14:22:05 From Eric : Can’t you just put the Aux track directly in the V Rack? 14:22:19 From Glenn Workman : Neil: I don’t have the Isotope stuff, but suggestions@motu.com is always a good place to ask. 14:22:24 From jraoul : I found izotope good, but not magic, the way another Chatter did. Different strokes... 14:22:54 From Simon Foster : looks like you can but you have to just have the v-rack in the mixer window - no other stuff 14:23:17 From Ray Toler : jraoul - that was me. First time I tried “learn noise” on a recording… it was like a magic wand with the cleanup. 14:23:29 From Neil McCarroll : Thanks folks re Izotope :) 14:23:33 From Glenn Workman : For any PC folks: Every keystroke on a Mac that uses the Command key, is done with the Control key by default on PCs. 14:23:43 From jraoul : Neil McC: I’ve tried it, and have not had that dazzling success. 14:24:14 From jraoul : Sorry, I mean Ray T 14:24:46 From jraoul : It works great with some source material, not so great with other 14:24:55 From jraoul : Finds some noise, not other. Etc. 14:24:59 From Simon Foster : there’s some really clever tools in the isotope suite 14:25:26 From Eric : Can’t you just put the Aux track directly in the V Rack? Why would you need to do the short cut Matt was suggesting? 14:25:27 From Ray Toler : Jraoul - in the particular project I was working on, I took field-recorded dialog, had RX learn and remove the room tone, then applied a completely different room tone to match ADR stuff. I may have had a “perfect case” though... 14:25:51 From jraoul : Ray: Lucky you! 14:25:55 From Simon Foster : thx all - gotta go it’s supper time :) 14:26:11 From Neil McCarroll : Hi Simon - Izotope tips always welcome! Can I hit you up on FB? 14:26:14 From jraoul : To be clear: I’m glad I have RX7, just don’t think it’s magical in all cases. 14:26:27 From Glenn Workman : Ray: I don’t own Izotope, but had another engineer clean some live recordings I had done while I watched, and he knew what he was doing with it. It was amazing how effective it was to m for that material. 14:26:47 From Ray Toler : I’ll modify my statement: when it works, RX is like magic. :-D 14:26:53 From Eric : Can’t you just put the Aux track directly in the V Rack? Why would you need to do the short cut Matt was suggesting? 14:27:04 From Simon Foster : not a big FB user - can email me on simon@volume124.com 14:27:08 From jraoul : Tx, Ray. Signed, Johnny Persnickety 14:27:13 From Ray Toler : lol 14:27:30 From Neil McCarroll : Thnx Simon :) 14:27:38 From Simon Foster : np Neil 14:27:41 From Ray Toler : Hooray for Proteus! 14:27:50 From jraoul : Where do you have Proteus sounds in VI? 14:28:11 From Ralph Otteson : Slate Sound Slate 14:28:13 From Neil McCarroll : it’s in Mainstage 14:28:26 From Russ Pfeifer : yup 14:28:34 From Ray Toler : Mainstage is another cool app! 14:28:49 From Ralph Otteson : SoundSlate Open Labs did that 14:28:56 From The Morning Lounge with Jill and Rich : wave station just came out 14:28:59 From Ray Toler : The Korg legacy collection is very good. 14:29:09 From chris : i thought he said the dvd’s had sound fonts if so he just needs a sound font player of which there are many 14:29:29 From Björn Lindén : Check out Sample robot 14:29:38 From Terry Leigh Britton : sforzando reads sound fonts. 14:30:02 From jraoul : Sample Robot does what Matt was talking about — capturing sounds from hardware and turning them into sample sets 14:30:28 From Ray Toler : Rubber Chicken Software. Bought a lot of Ensoniq sample disks from Garth. 14:30:37 From Reed Robins : Chicken sys website is still there BTW, as of 2 minutes ago 14:31:15 From Ken Thies : Thank you to all! 14:31:19 From jraoul : Up to speed! Ha! 14:31:19 From Tom Lewis : Thanks Matt & Glenn, have a great Holiday! 14:31:27 From David A. Roth : This has been great, MOTU, thanks! 14:31:34 From The Music Workshop Studio : Thanks Matt and Glenn! 14:31:35 From Adam Goldman : thanks Matt & Glenn…excellent as always. See you next week. 14:31:44 From chris : I thin ARAI from Garritan plays sound font formats 14:31:44 From Eddie Piotrowski : Thank you Matt and Glenn 14:31:51 From chris : ARIA 14:32:04 From Wayne Pronzati : Thank you Matt! So much good information and so many eye-opening things! 14:32:08 From chris : there is a free version 14:32:15 From dan kaplan : Glenn: got bricasti thing to work! 14:32:17 From Glenn Workman : chris: I thing you’re right. I know Finale uses the Garritan sounds and I think they are that format. 14:32:29 From Eric : Thanks Matt and Glenn. 14:32:40 From Ray Toler : Hope Mach Five isn’t dead on the vine. Or that MOTU has a new “macro sampler” in store for DP in the future. Would love to have an EXS (or “Logic Sampler” now) level sampler built in. 14:32:46 From dan kaplan : but i do have to drop in the files one by one 14:32:58 From Kerwin Young : Thanks guys! Matt and Glenn, these are always informative!! I've been able to get my head around DP a lot better because of these sessions! I'm coming from a Cubase and Pro Tools workflow, and I've been scoring in DP.