12:22:10 From Kevin Keller : Sounds beautiful! 12:22:10 From kennethpage : Hello one and all. Ken Page from Kansas City. 12:22:54 From Glenn Workman : Hello back. 12:23:32 From Jeff Ojeda : Hi Ken, Im in salt lake city. originally Los Angeles. 12:23:48 From Kevin Keller : Anyone else here in NYC? 12:23:51 From Caxa : Hi Glenn, I was going to email you a question about IAC routing, but I didn't catch your email address last time. As it happens I sorted it out, but if you want I can send you the details for future reference. 12:24:17 From Glenn Workman : Caxa: My email is glenn@freqsound.com 12:24:50 From Caxa : Great thanks! 12:29:47 From Glenn Workman : Russ: email me glenn@freqsound.com 12:30:10 From Luis Angel : “Zoom” has a new update…if anyone interested. 12:30:52 From Jeff Ojeda : you guys can reach me at: jeffojeda@me.com 12:31:11 From Kevin Keller : Robert, Check out my work at http://www.kevinkeller.com all of which was written and recorded in DP10 12:31:17 From Dave Hayward : Yes I’ve just updated. Works ok… 12:31:18 From Mark Kelso : Sure! Great idea! 12:31:34 From Stephen Burch : Good idea Glenn. 12:31:38 From Russ Pfeifer : Great idea 12:31:40 From Caxa : Some kind of user group would be great! 12:31:42 From Stephen Burch : and Robert 12:31:57 From Glenn Workman : I’d be happy to curate a private web link for people’s work if others want to hear things. I’ll put together something and post it hear. 12:32:00 From Eddie Dillon : I think the Facebook idea is a great idea 12:32:02 From Jeff Ojeda : Yeah, the user group would be cool. would be fun to chat too 12:32:03 From Roberto Colombo : Somethinglike MOTUNation on FB ? 12:32:09 From Garry Norman : www.garrynorman.com 12:32:20 From Dave Hayward : I don’t do facebook either… 12:32:38 From Benoit Turgeon : me neither 12:32:54 From Eric Chapelle : ericchapellemusic.com 12:33:10 From kristinwilkinson : It would be cool if people would post their DP projects too, so we can see some of the work flow, etc 12:33:53 From kristinwilkinson : I like the private web link idea 12:35:36 From Benoit Widemann : Is that available both on M2 & M4? 12:35:50 From Dave Hayward : I have a spare 424e card and some interfaces from my old MacPro 2008 which do not work in my new Mac Pro… 12:36:20 From Glenn Workman : Dave/Russ: Dave has what Russ needs. 12:37:51 From Dave Hayward : Only problem is I’m in UK. Should be a way around that… 12:38:18 From Hummie Mann : If everyone but presenter turns off video the presentation will get smoother 12:38:25 From Russ Pfeifer : Hey Dave, give me a shout @ russ.pfeifer@yahoo.com 12:38:29 From Glenn Workman : Dave: I may have one as well for Russ. Shipping costs are terrible these days even for small packages from UK to USA 12:38:30 From STEPHEN JENNIS : Still have a problem with 828x rear inputs analog 1 and 2 show as 3 and 4 in dp10 12:39:04 From Russ Pfeifer : Thanks Glenn 12:39:13 From Dave Hayward : Hi Russ. Will do after webinar.. 12:39:19 From Glenn Workman : Jim: I don’t see that Matt is recording his audio. My mic is off, do you want to ask to be sure? 12:39:19 From Jim Cooper (MOTU) : Stephen: you can rename them in DP’s Bundles window. 12:39:38 From Luke Steward : so is this going to be the same stuff as the last film scoring session? 12:39:56 From Jim Cooper (MOTU) : Glenn: okay, stand by… 12:40:11 From Glenn Workman : Luke: I believe so. They had trouble with the webinar recording from last time. 12:40:19 From Luke Steward : alright, cya then! 12:40:30 From Darrell Smith : @Glenn, when will these webinars be available for re-viewing? 12:41:32 From STEPHEN JENNIS : audio monitor 3 and 4 not a problem with name only front inputs show as 1 and 2 with dp10 12:41:37 From Jim Cooper (MOTU) : Darrell: soon 12:41:50 From Darrell Smith : Thanks Jim 12:41:57 From Glenn Workman : Darrell: Once they’ve had a chance to be edited. Its been a lot of content and I’m sure not enough time. They will be here: https://motu.com/en-us/products/software/dp/webinars/ 12:42:48 From Darrell Smith : Glenn: Thanks 12:43:05 From Donald Sosin : oldmoviemusic.com I typically do scores of 20-120 minutes of silent film music, solo piano to 20 stems of instrumentals and vocals. Often improvised everything in one unquantized chunk and then split into separate chunks for editing. 12:43:23 From Adam Goldman : Jim: I sent you, Glenn, & Matt an email last week asking about an issue I have with Avid Artist Series + EuCon + DP. Glenn said he got it, but had no insight. I wondered if you received it, and if you had any thoughts. 12:44:04 From Donald Sosin : Quicktime Pro doesn’t run on Catalina. 12:44:16 From Glenn Workman : Donald: I work with a band that occasionally plays live to silent films. The 3 1/2 hour Intolerance with a 10 piece band can be quite taxing. 12:44:34 From Donald Sosin : Glenn: what’s your website? 12:44:40 From Glenn Workman : Donald: Programs like Handbrake and VLC can do lots of conversions. 12:44:56 From Glenn Workman : Donald: That band is boister.net my website is freqsound.com 12:45:01 From Donald Sosin : Forgot VLC can convert, thanks. I also have Uniconverter, very handy. 12:45:20 From Donald Sosin : Glenn: Thanks, we should chat! 12:45:47 From 733544 : You can buy Apple compressor for $49 which will allow you to compress/ downgrade the film to more like a 540 mpeg 12:46:12 From 733544 : Much easier to scroll as a full res will tax your cpu 12:46:22 From Donald Sosin : Yeah, I’m working with a 9GB film at the moment, keeps freezing. 12:46:28 From STEPHEN JENNIS : anyone willing to help vie email or better yet phone all new to me 12:46:41 From 733544 : I compress all films to 540 12:47:02 From 733544 : Dialogue/ production track is still full bandwidth at that size 12:47:07 From Glenn Workman : Stephen: Having a smaller “work copy” of the movie in DP is very helpful and speedy. 12:47:32 From 733544 : and again the corralling when you’re spotting and doing test playback of a section of your cue will crash constantly in full es 12:47:37 From Eddie Chung : anyone know what version OS He’s on ？ 12:47:39 From 733544 : Scrolling 12:47:44 From Donald Sosin : Often I’m given a choice of different resolutions from the producer and I usually go with a much lower-res copy. 12:47:50 From Glenn Workman : Stephen: glenn@freqsound.com we can zoom or call later. I have a 3PM-5PM University class today, but after that I’m open (East Coast time). 12:48:09 From Kubilay Uner : Why does the video image not match the readout? 12:48:54 From Kubilay Uner : I know from experience it’s only one tick, but why are we off by one frame? 12:49:21 From Glenn Workman : Kubilay: I occasionally see that off by 1 frame. My thought is that the musical time is finer than film time. Audio has 48000 samples per second, the film has 24 (in his example) 12:50:07 From STEPHEN JENNIS : Thanks glenn ill try ya after this evening I’m here in phila 12:50:08 From Kubilay Uner : Agreed, and practically it’s no biggie, but when it is typed in like it was just done, it seems odd that it would not simply go to the tick that would let it read out properly 12:50:31 From mw : It’s not just a matter of them being "nice enough," most composers have a spec sheet that specifies the video resolution and the manner in which their movies should be configured (e.g., dialog on the left, temp music on the right, etc.). 12:51:37 From Kubilay Uner : DP allows this audio bussing also when the QT has multiple soundtracks. Which is BRILLIANT. 12:52:22 From Kubilay Uner : Good film editors can provide a multi-channel QT with stereo DX, stereo FX and stereo temp MX that DP can then route to separate AUXes. 12:52:23 From Jim Cooper (MOTU) : Adam: I will try my best to get to it, but you’re better bet is to submit a TechLink through our support page. The techs there will likely have more insight. 12:53:00 From Ray Toler : I was late coming in - has he already talked about pickup measures and setting start time? 12:53:02 From Adam Goldman : Thanks, Jim. I’ll do that. Spoke to those good folks before, but didn’t get a solution, but I’ll try again. 12:53:29 From Donald Sosin : Do your producers create and submit cue sheets to ASCAP or do you have to do it yourselves? I always have to... 12:53:47 From Glenn Workman : Ray: No pickup measure discussion. Yes to start time. 12:53:54 From Ray Toler : ok, thank you. 12:53:56 From Jay Woelfel : do it yourself 12:54:03 From Glenn Workman : He’s doing it again! 12:54:33 From Jeff Ojeda : always do it myself, Donald 12:54:49 From Donald Sosin : thx. I thought so. =:-0 12:58:07 From Jim Cooper (MOTU) : Welcome Roger! :-) 12:59:01 From Glenn Workman : If your Time Formats window doesn’t show all those choices, click the little triangle next to the work Details in the lower left of the window. 12:59:22 From Glenn Workman : *word not work 12:59:49 From Donald Sosin : Glenn: did you play the Virginia Film Festival like 15 years ago? 13:00:13 From Glenn Workman : Donald: I don’t think I was on that particular gig. 13:00:45 From Glenn Workman : Donald: I’m in Columbia MD, so its certainly close enough for me to have done so. 13:01:31 From Donald Sosin : Glenn: The band’s name is familiar. A woman was leading it, I think. 13:01:59 From Glenn Workman : Donald: Yes, Anne Watts is the leader/writer for that group. We’ve worked together on and off for about 35 years. 13:02:37 From Donald Sosin : Bingo. My wife and I did about 7 films for that festival, and I heard Boister at one of them. Fun. 13:03:57 From Simon Foster : @Glenn - if I click on find tempo for locked markers - I don’t get any results - am I missing a step? 13:04:37 From Kevin : @Simon make sure find is selected in the marker window for the marker 13:05:28 From Reed Robins : @Simon also make sure they are locked 13:06:23 From Glenn Workman : Simon:Click Lock in the column for the Markers you want to work with. Click in the Find column to include those. 13:07:27 From Glenn Workman : Simon: With different Find selections you can say find Tempo that best matches markers 1, 3, & 7. Then try and see if there’s a better match for 1, 2, 5, & 6, or any other combination. 13:07:49 From Simon Foster : Thanks everyone 13:08:33 From Jim Cooper (MOTU) : Adam: check your email… 13:08:37 From James Kremens : Matt mentioned the ability to turn virtual instruments on and off (enable/disable) - how do you do that? 13:09:09 From Kevin : @James in the track window you can use the ENA col 13:09:11 From Ray Toler : @james, the ENA column in the tracks window. Click the icon. 13:09:45 From James Kremens : Oy... thanks! New Performer user... 13:09:49 From Adam Goldman : That’s great….thanks so much, Jim! 13:10:17 From Terry Leigh Britton : In Preferences you need to make the ENABLE column visible in the Tracks prefs section. 13:10:21 From Ray Toler : @James. Welcome and don’t stress. There’s a *lot* to take in. I’ve been using it for 20+ years and still learn new things every week. 13:11:30 From Russ Pfeifer : Ray. agreed 13:13:35 From Glenn Workman : James: Its also a the very bottom of every channel in the Mixing Board. Click the small triangle there and if Enable is checked the track is active, if its not its disabled. 13:14:26 From ernestbuckley : Zoom has closed on me twice in the last 5 minutes. Anyone else experiencing this? 13:14:38 From Russ Pfeifer : Not here 13:15:02 From Glenn Workman : ernest: Been working fine for me. There have been several recent updates to Zoom, so you might want to check for updates in the menu and update to the current version. 13:15:04 From Jeff Ojeda : not this time, but it happened to me a few days ago. Did you do the update? 13:15:21 From ernestbuckley : Yes, I’m on the current version 13:15:25 From Glenn Workman : Version: 5.0.2 (24030.0508) 13:15:51 From Jeff Ojeda : That fixed it for me. Maybe restart your computer ? 13:16:36 From ernestbuckley : If it happens again, I`ll restart. Thanks 13:17:18 From Terry Leigh Britton : Best to have V-rack aux tracks in the V-rack or in the DP tracks? 13:17:24 From Denise Gentilini : where will these webinars be when they are done? 13:17:36 From Glenn Workman : https://motu.com/en-us/products/software/dp/webinars/ 13:17:39 From Donald Sosin : Scroll up, there’s a link 13:18:16 From Thomas Davis : Are they being still being edited and then posted - ? 13:18:31 From Terry Leigh Britton : V-rack Multi instrument returns best to Auxes placed in V-rack or best in tracks? 13:18:38 From Glenn Workman : Thomas: Yes still being edited, nothing posted yet. 13:18:54 From Thomas Davis : Great to have this repository set up thank you! 13:19:08 From Denise Gentilini : thanks 13:21:22 From Jeff Ojeda : There were glitches in the playboack and video as well as the screenshot of DP when he played that back 13:21:35 From Glenn Workman : Jeff: Likely just internet lag/glitch. 13:21:46 From Jeff Ojeda : gotcha! 13:21:55 From Roger Neill : i did not notice any glitches 13:22:10 From Peter Buchta : Can you add chunks on the fly? Queue it up for live performances where the action is indeterminate. 13:22:44 From James Kremens : Is it possible to start the song window at bar 7 or 13 or whatever? I could only get it to start at bar 1 when I tried it out... 13:22:46 From Glenn Workman : You can also copy the conductor track from the sequences into the Song to incorporate the individual tempos of multiple song chunks. 13:22:57 From Adam Goldman : Peter B: pretty sure you’re into Clips now. :-) 13:23:08 From Peter Buchta : I know we’re talking about film scoring, but I’m involved with dancing and personal performance. 13:23:11 From Glenn Workman : James: The mini-menu has an “Add Column” choice where you can type in a location. 13:23:27 From James Kremens : thanks 13:23:41 From Glenn Workman : Peter: Yes. Clips is the “new” way, but Chain Chunks is what you want to look into. 13:24:02 From Glenn Workman : Chain Chunks, Cue Chunks 13:24:13 From Peter Buchta : Thanks much 13:24:39 From Hummie Mann : Also defaulted to 4/4? 13:24:39 From Thomas Davis : Question: Creating a SONG? Is that a Method to put several cues together to export to film ? 13:25:14 From Glenn Workman : Thomas: Yes. You could have the opening sequence, then the chase scene, the love scene, etc. in a linear timeline in Song mode. 13:25:25 From SAMartin : what that look like in the quick scribe window? 13:25:46 From Thomas Davis : SO CREATING A SONG - That will align to the film? 13:25:48 From Jay Woelfel : Can you bounce your SONG out as audio 13:25:49 From Glenn Workman : Song was originally used more like a drum machine mode, where each Sequence was what most drum machines would call a pattern, then you put patterns together to make Songs. 13:26:01 From Joel Friedman : The only way I’ve done that Matt is to convert to audio as sep tracks and then layer them on top: diff keys, meters, and tempos 13:26:08 From Jay Woelfel : ok 13:26:27 From Glenn Workman : Jay: Yes you can Bounce a Song. 13:26:31 From Jay Woelfel : ok 13:26:33 From Ray Toler : Another good use for Song mode in this way is to be able to combine music and sound design chunks with an easy way to move complex things around quickly. 13:27:26 From Glenn Workman : Ray: What Ray says is correct. You can have multiple Sequences play at the same time, so things like transition noises, or overlapping sound effects can be added as needed. 13:27:38 From Thomas Davis : SO there really is no other way to hear all of the cues n a film created in chunks other than to RENDER the audio for each chunk and then create a separate sequence with all audio cues lined up ? 13:28:14 From James Kremens : So, when scoring a film, you'll have lots of chunks. He's covered how to set the cue point of each - but since you can only play-enable one chunk at a time, is there a way to make it so all of the chunks will play back at the appropriate time? Like when you want to show work in progress to the director... (I think my question is the same as Thomas's) 13:28:59 From Thomas Davis : James - yes - as much as I love DP tis is a frustrating aspect… seems like there should be a way 13:29:55 From Kevin : @James I’ve done it using SONG if … I’ve left everything in one project 13:30:37 From Thomas Davis : Kevin - placing each CHUNK on the timeline where each would start? 13:30:45 From Kevin : yep 13:30:56 From Thomas Davis : No glitches to this then 13:30:59 From Thomas Davis : ? 13:31:04 From Kevin : There are some good youtube examples of that 13:31:16 From Ray Toler : @James / Thomas, I *think* there’s a way to set a chunk to play when a certain time code is reached, but it’s just something I remember seeing in a dialog box a week or two ago. 13:31:30 From Ray Toler : I could be misinterpreting what it was doing. 13:31:33 From Kevin : I had to get over my fear of having more than one cue in a project 13:31:43 From Thomas Davis : Thanks for the lead on this..! 13:32:16 From Reed Robins : @Thomas - duplicate 1 Make 1 and make that complete movie, then bounce each cue in place, and throw them all into the one sequence on stereo tracks. Highlight all of them a choose move to original timestamp and they’ll end up in the right place. 13:32:34 From Reed Robins : *duplicat 1M1 13:32:34 From David Stowell : I STILL have the fear of having all my cues in one project. 13:32:37 From Donald Sosin : I often have 10-20 cues/chunks in the same project. Using V-Racks is very helpful. 13:33:01 From Hummie Mann : Why scaled from bar 0? Moved start? 13:33:53 From Donald Sosin : Pickup measure 13:33:56 From Glenn Workman : Hummie: When working with real musicians, or when printing music, you might not want empty bars in the music, but you want to be able to count in. 13:33:59 From Thomas Davis : David, Thank you - and yes one project with all sequences could be dangerouds.. 13:34:52 From Glenn Workman : Thomas: Even if they are separate files, you can also then Load them into an empty file one at a time to create a consolidated collection of cues. 13:34:57 From Hummie Mann : @Glenn yes but from bar 0 moves the in point? 13:35:30 From Kevin : DP seems to me to be more flexible for conforming work being that the diff sequences don’t affect what’s behind normally. PT is a nightmare for flying edits after delivery 1 13:35:56 From Terry Leigh Britton : That is Obduction - a game by Cyan makers of Myst. 13:36:03 From Thomas Davis : Glenn, sure… understood - just takes time…. Seems with all of this chuck capability it could be done differently 13:36:21 From Terry Leigh Britton : Or is this Abduction? 13:36:22 From Glenn Workman : Hummie: Not sure I understand your question. He currently is starting at bar -1, so there’s a 2 bar count in for bar 1. 13:37:03 From Terry Leigh Britton : Ignore that - mistaken identity! 13:37:54 From Hummie Mann : @Glenn If you adjust the tempo from bar 0 instead of start of music (bar 1) it will shift the location of the 1st bar of actual music? 13:38:09 From Dan Redfeld : Back in the day - and I still do it this way - we used a click book. Which allowed us to calculate how to land on hit points accurately. It’s all based on a 24 frame system, thus you get weird things like 12 and 3/8 frame click. And then you’d see things like 122.80 for a tempo. Bruce Broughton and John Williams and I have spoken about this at length. These tempos still feel accurate because it’s running at 24 frames per second. And they’re designed for that. If you still at John’s sketches, they’re still set to frame clicks. It’s an interesting concept. I now have a digital version which lets me convert and then I can drop those tempos into DP. 13:38:13 From Hummie Mann : No biggie 13:38:43 From Thomas Davis : “Keep it to midi as long as possible” that is exactly why I would think we could ask CHUNKS to play exactly on the timeline? 13:39:19 From Thomas Davis : I had a Click Book Rayburn Wright Generated for us! 13:39:20 From Jeff Ojeda : what the digital version, Dan? 13:39:26 From James Kremens : If the goal of film composers is to keep things as MIDI as long as possible, then the requirement to bounce chunks to audio before you can hear them all together in the context of the film doesn't jive with that... 13:39:27 From Glenn Workman : Hummie: The Chunk Start time doesn’t move, but you can set that so a certain mensural time is at a frame time that you want. 13:39:49 From Thomas Davis : James - YES 13:39:59 From Dan Redfeld : I found it on the App Store. Let me look 13:40:13 From Dan Redfeld : It works okay. 13:40:36 From Thomas Davis : GLENN this is interesting thank you _ Hummie: The Chunk Start time doesn’t move, but you can set that so a certain mensural time is at a frame time that you want. 13:40:42 From Glenn Workman : James: Its easier to change a note, transpose a key, adjust tempo etc. if items remain in the MIDI world before they are committed to audio. If you do bounces for folks, then they make a film edit, you can always go back to the MIDI to re-bounce with your changes. 13:40:51 From Jeff Ojeda : Does MOTU SMTPE SEtup work in the same way? 13:40:55 From Hummie Mann : Glenn: sorry, not explaining myself. I do this a lot and have a different way to work 13:41:07 From James Kremens : Seems like you should be able to trigger cues from the conductor track. From a programmer's perspective, they probably haven't done this because you'd run into trouble with nested conductor tracks triggering cues. But that could be handled... 13:41:52 From Thomas Davis : Nested conductor tracks - That seems to make sense yes… 13:42:06 From James Kremens : Glenn, I understand the value of keeping things in MIDI. I'm just commenting on the fact that while chunks are great for developing multiple cues, they don't seem to be as great for reviewing a film in its entirety. Unless I'm missing something. 13:42:35 From Dan Redfeld : Click Book on the App Store. My old music editor, who is passed away, designed something digitally I used for years. But it was compatible with Catalina. 13:42:45 From Thomas Davis : James - Reviewing a film in its entirety - that is my “want” yes… 13:42:50 From Ray Toler : It is so helpful to see the conductor track in these examples. 13:43:23 From Donald Sosin : Would like to see the Quickscribe with the film cues. 13:43:27 From Donald Sosin : ha 13:45:36 From Glenn Workman : Thomas/James: You can assemble the Sequence chunks into a linear Song chunk, but yes again that’s an extra step. Its also very important to copy conductor tracks and create columns for chunks as you add them. It can be a bit of extra work. 13:45:36 From Jeff Ojeda : YES! Please add cues to Quickscribe 13:46:26 From James Kremens : If you have to bounce chunks, then, from the point of the bounce, expecting that I'd be under pressure, I'd be likely to make changes in the new bounce rather than the original chunks.. That kind of defeats the purpose of the chunks - or at least eliminates some of the flexibility that they provide. 13:47:19 From James Kremens : Maybe they'll add some features. While at it, they might give the song window a bit of needed love... 13:48:49 From Peter Buchta : Thanks so much. I gotta run. CU later. 13:50:22 From Kevin : How many of you out there are still dumping stems and sync locked to P Tools for deliveries ? 13:51:39 From David Stowell : I send stems straight from DP. It’s all perfectly time stamped and can be dropped no problem 13:52:51 From Dan Levine : Earlier Matt used a hit a midi key to set his markers. How do you set things up so that hitting a note will do that? 13:53:24 From Glenn Workman : Dan: It was in the Markers window mini-menu. 13:53:38 From Glenn Workman : Record Hits 13:53:59 From Donald Sosin : But why go to the trouble? Just hold down the control key and tap M for the hits, same diff. 13:54:06 From Glenn Workman : Dan: I also just have my New Marker command set to the letter M (or any single computer key). 13:54:15 From Dan Levine : PERFECT… Thanks, Glenn! Trying to catch everything Matt is saying. Easy to miss little things. Fascinating stuff!!! 13:55:51 From Glenn Workman : Anyone who want to ask a question: In Zoom open the Participants panel, and there is a Raise Hand button you can use to signal Matt that you have a question. 13:56:35 From Simon Foster : Is there a way to move instruments out of V-Racks? 13:57:01 From Terry Leigh Britton : @Simon Foster - not really. 13:57:41 From Simon Foster : thx Terry 13:57:45 From Terry Leigh Britton : Just make new instrument tracks and use the Tracks Assignments in Studio to reassign them. 13:58:45 From Glenn Workman : Simon: You can use Save Insert Settings (one instrument at a time) which will copy the instrument and any processing as a single item. Then you can use that in your sequence of choice. 13:59:49 From David Stowell : Thanks again for a great session. Got to go, See you tomorrow! 14:00:35 From Adam Goldman : Kenneth Page: there is a command under Window that should allow you to pop a window back into the Consolidated Window 14:01:02 From Terry Leigh Britton : @Glann - where is that found? Save Insert Settings? 14:01:05 From Glenn Workman : Kenneth: There is a Pop in command in the Window menu. I just checked with mine, and double-clicking DOES put it back automatically for me. 14:01:38 From Glenn Workman : Terry: At the top of any Channel strip, its the “other” slot above the normal plug in sockets. 14:02:45 From Terry Leigh Britton : Aha! Thank you, Glenn! 14:03:51 From kennethpage : Glenn. I just checked my consolidated window in preferences and there is NO Movie to check or not. 14:04:43 From Glenn Workman : kenneth: let me check mine. 14:05:05 From kennethpage : OK 14:05:35 From Glenn Workman : kenneth: In mine is very far down the list. There’s a scroll bar in the that panel, so scroll to the bottom. 14:05:51 From kennethpage : I’ll check. 14:07:21 From kennethpage : Found it Glenn. It’s checked but still won’t pop back in. 14:07:59 From Edward @ L A Music Lab : How can I get Matt’s custom commands? 14:08:48 From Jay Woelfel : tomorrow agenda seems to be about shortcuts and such maybe Matt can go through some of his created shortcuts then? 14:08:48 From Joel Friedman : Thanks everyone! Bye 14:08:54 From Hummie Mann : Thanks for the webinar. 14:08:56 From Caxa : I have a question about clippings. I have set up a drum machine and routed the individual outputs to eight separate tracks. I made a clipping of it, but when I pull the clipping back in, all the track inputs are there but not connected - they look red like a bypassed insert. (I have tried both audio and aux channels.) Any idea how I can solve this? 14:08:59 From Stephen Burch : Bye Joel 14:09:24 From Glenn Workman : https://www.freqsound.com/motuuserfiles/ 14:09:39 From Chris T. Anthony : Dave H: I Use Davinci for video and its audio tools are respectable and a nice compliment to then doing deeper tasks in DP. 14:09:52 From Adam Goldman : Caxa: did you check DP Prefs>Clippings>TrackDataClippings? 14:10:11 From Glenn Workman : I put a short cue of mine here. If anyone wants to send me files for other to her you can easily use fromsmash.com to send them. No account needed (like dropbox/hightail/wetransfer etc.). 14:10:11 From Adam Goldman : that annoyed me for a couple of versions until they added that pref 14:10:15 From Caxa : No….. what am I looking for? 14:10:43 From Caxa : Sorry @adam 14:10:53 From James Kremens : +1 for DaVinci… Its audio capabilities also improved a lot in recent versions. 14:11:03 From Adam Goldman : DP Preferences> Clippings 14:11:05 From Glenn Workman : kenneth: I am on the next test version, and I think Matt is as well, so maybe it was something recently fixed. 14:11:06 From Adam Goldman : look there 14:11:10 From Adam Goldman : (Caxa) 14:11:19 From Caxa : @Adam ok will do tnx 14:11:25 From Erik Ibsen-Nowak : Caxa: Was everything enables when you saved it as a clipping? I’ve found that if I save VIs in a clipping disabled, I can’t enable them later. Have to save them when enabled. I’ll have to check. 14:11:32 From Erik Ibsen-Nowak : *enabled 14:11:49 From Caxa : Tnx all - I will check the prefs! 14:12:17 From Glenn Workman : Reminder to all: If anyone want to save the chat text, there is a bubble with 3 dots in the chat typing area, that has a Save Chat option you can use. 14:12:30 From SAMartin : Thank you Matt. Very informative as always. Until next time. 14:13:49 From James Kremens : Mic not working... ugh 14:14:02 From Simon Foster : Thanks all 14:14:40 From Glenn Workman : https://www.freqsound.com/motuuserfiles/ - I put a short cue of mine here. If anyone wants to send me files for others to here you can easily use fromsmash.com to send them to me at glenn@freqsound.com. No account needed (like dropbox/hightail/wetransfer etc.). 14:17:56 From Ray Toler : My studio is on its own subnet just to keep crosstalk to a minimum. 14:18:27 From Glenn Workman : Russ: Gigabit ethernet - All macs from about 2001 on run up to that speed. 14:19:19 From Jeff Ojeda : Great Session! Thanks everyone. have a great day. 14:19:55 From Jeff Ojeda : oh. are we all invited to the hangout tomorrow? or is that just a specific group ? 14:20:29 From Kenneth Sarkey : Edward@ ’s mic is still unmuted! 14:20:42 From Glenn Workman : Jeff: Friday webinars have been designated as small topic days, and large QA time. Same place to get link like the Tuesday and Thursday webinars 14:21:22 From Glenn Workman : Upcoming topics are all listed here: https://motu.com/en-us/products/software/dp/webinars/ 14:22:05 From Jeff Ojeda : Cool! Thanks Glenn. :) 14:22:19 From James Kremens : Gotta go - thanks Matt and everyone else too! 14:23:07 From Kerwin Young : Thank You Glenn 14:23:18 From Glenn Workman : Kerwin: You’re welcome :) 14:23:20 From Kenneth Sarkey : Matt’s video camera keeps switching to Edward@ LA Music…please mute the mic…. 14:23:48 From Glenn Workman : Kenneth: Switch to Gallery view if Edward doesn’t mute his mic. 14:23:54 From Glenn Workman : Not speaker view. 14:24:12 From Kenneth Sarkey : He just belched real loud! haha 14:24:23 From Mark Kelso : As always, this webinar was informative and brain aerobics Thanks everyone and esp Jim, Glenn, and Matt! 14:24:28 From Robert Turner : Yep!! LoL 14:24:33 From Glenn Workman : Edward: Can you mute your mic? 14:26:17 From Roger Beall’s iPad : Thanks Matt! Always informative :-) 14:28:05 From Terry Leigh Britton : @Ray Toler - Clippings are replacing my templates also! 14:28:45 From Luis Angel : Great session, Matt, MOTU….thanks!!!! 14:31:24 From Charles White : Perhaps a non-locked marker? 14:31:39 From Benoit Widemann : Lock marker to measure 14:32:29 From Kerwin Young : Another great session Matt! Thank You! 14:32:44 From Robert Turner : Thanks Matt, Jim & Glenn. Good Session! See ya tomorrow. 14:33:31 From Paul Colombo : Thanks Matt, Jim and Glenn! See you tomorrow. 14:34:35 From Glenn Workman : Thanks everyone. 14:34:35 From kennethpage : To Matt, Jim and Glenn. These Webinars are the most helpful of all time for me.