12:23:50 From Benoit Widemann : Hello ! 12:24:42 From Glenn Workman : Hello Benoit. 12:24:46 From Edward Auslender : Hi everyone. Nice to be back. I’m really enjoying these MOTU webinars 12:25:22 From Jonathan Scales : Good morning Everyone! 12:26:43 From Roberto Colombo : Good morning/evening/night to everybody, whatever your Timezone is... :-) 12:26:53 From jraoul : Hey, Charles V — we can hear your conversation. 12:26:54 From SAMartin : can you mute you self please “C” 12:26:58 From Paddy : whoever is chatting with their wife can you please turn off your audio!? 12:27:02 From Fred : Hi Folks! 12:27:11 From paulread : Hey Charles V, you might want to mute. 12:27:12 From Fred : I could use a check 12:27:28 From p_thevoice : Hi! First time ever! 12:27:32 From paulread : Your audio is on 12:27:32 From 485055 : Greetings from Carl Fuerstman, not 485055. 12:27:37 From Fred : Hi people 12:27:39 From Edward @ L A Music Lab : C We can all hear you 12:27:40 From Glenn Workman : Charles: Your camera may be off, but your mic is live. 12:27:44 From Petr : Hello everybody, a pleasure to join you… 12:27:47 From Bob Frye’s iPad : mic muting is zoom courtesy. 12:27:51 From Fred : I’m from upstate NY 12:27:53 From chris : Morning 12:28:01 From Alejandra Hernández : Hi to all 12:28:13 From Bob Frye’s iPad : don’t need video on to use zoom 12:28:15 From jraoul : Joel Friedman — your mike is on 12:28:16 From Fred : I’ve been a MOTU user for many years! 12:28:17 From Jeff Ojeda : HI everyone!! 12:28:21 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Hi everyone. 12:28:22 From Bob Frye’s iPad : yes MUTE 12:28:30 From chris : zoom should default to audio off 12:28:31 From Fred : MUTE YOUR FUCKING MIC!!!! 12:28:35 From rongreenjr : Hello Everyone!!!! 12:28:54 From Glenn Workman : Joel: You might want to mute your mic too. 12:28:56 From Fred : LOL 12:28:57 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Does anyone know how to take the reverb off of a sample virtual instrument? 12:29:05 From Bob Frye’s iPad : Matt pls mute everyone. Jerez 12:29:06 From George Napier : MUTE EVERYONE MATT FOR THEIR SAKE 12:29:07 From Bob Frye’s iPad : yes 12:29:11 From Garry Norman : Let mute 12:29:22 From Fred : HI MATT! 12:29:25 From Garry Norman : Good Morning 12:29:31 From PB_Slave : hi guys, sorry for the missing video & audio, I don’t have my equipment here. Nice to see you all :) 12:29:35 From Garry Norman : awesome 12:29:36 From George Napier : Good man 12:29:44 From Fred : Hello from upstate NY! 12:29:51 From Luke Steward : just got accepted into Portland State and i am HYPE 12:30:05 From George Napier : Buzz cut dude 12:30:22 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Does anyone know how to take the reverb off of a sample virtual instrument? 12:30:33 From Garry Norman : Love it 12:30:44 From Fred : My first MOTU webinar 12:31:03 From Jessie Lasaten : Hello from Philippines! it’s 12:30 am here and have been waiting for this! Nice to see you all! 12:31:17 From Jim Cooper (MOTU) : Thanks for joining Jessie! 12:31:22 From John Boylan : To get rid of reverb, use SPL DeVerb Plus 12:31:57 From Benoit Widemann : Clips again would be cool 12:32:00 From Garry Norman : quickscribe - great 12:32:18 From KV Music : How do we find the previous recordings? 12:32:27 From Fred : HI reed! 12:32:31 From Glenn Workman : KV: They will be posted here: https://motu.com/en-us/products/software/dp/webinars/ 12:32:36 From Glenn Workman : They are not edited yet. 12:32:38 From Victor LeComer : Zoom recording also has auto-ducking 12:32:44 From Glenn Workman : Scroll to the bottom of the page. 12:32:45 From Vanessa G. : You can go to the website part of your profile (on zoom), and enable the stereo option. 12:32:46 From Reed Robins : Hi Fred, how you doing? 12:32:56 From Fred : Good! 12:32:57 From Caxa : I’m using Soundflower is that the same as Loopback? 12:33:04 From Reed Robins : Excellent! 12:33:04 From Fred : Safe here in upstate NY 12:33:21 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Hi John. The problem is that even when I turn off the reverb the reverb is still there. 12:33:26 From Reed Robins : Good, we 12:33:38 From Reed Robins : We’re in NYC, but muddling through! 12:33:42 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : SPL Reverb Plus I haven’t used. Does that work? 12:33:57 From basstrup : Which virtual instrument has the reverb issue? 12:34:46 From Ken Thies : I'm bummed, the computer with my camera is not connecting today, so no camera from me. Sorry... 12:34:49 From Terry Leigh Britton : Careful with the "Raise your hands up = for Detroit" button. 12:34:50 From russpfeifer : That’s funny 12:34:54 From Wally Badarou : There IS a clap your hand button 12:35:15 From Rob Holland : You’ll be responding to texts during? 12:35:18 From danlevine : Would it help for us to have DP open on computer as you go through this? 12:35:26 From Benoit Widemann : Hi Wally! 12:35:29 From Luke Steward : i am ready for time travel 12:35:30 From jraoul : Couldn’t hurt, Dan 12:35:35 From Glenn Workman : Rob: Yes as fast as we can. 12:35:36 From Wally Badarou : Hi Benoit ! 12:35:58 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Many of the bases in the free instruments of Motu 12:36:00 From Glenn Workman : danlevine: It can be useful if you can switch easily. 12:36:16 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Bassrup - Many of the bases in the free instruments of Motu 12:36:19 From danlevine : Thank you 12:37:18 From Paul Bisson : We don’t see your screen Matt 12:37:27 From Glenn Workman : Paul: I’m seeing his screen. 12:37:34 From Jeff Ojeda : I am also 12:37:35 From Jacki Barineau : Me too 12:37:41 From Aryeh Har-Even : Yup 12:37:48 From Adam Goldman : +1 12:41:27 From Paul Bisson : I’m not… 12:41:42 From Paul Bisson : Ok Got it! 12:43:51 From Steve Sklar : What was he tapping? 12:44:07 From jraoul : An Eb on his controller keyboard 12:44:11 From Luke Steward : an E flat i think he said 12:44:20 From Glenn Workman : Steve: He was tapping an Eb on his MIDI keyboard. 12:44:29 From Jacki Barineau : Where do you set what note you tap to do the beat recording? 12:44:33 From Paul Andrews : can you do this for songs that are not in Eb? 12:44:34 From Andres Montero : you can tap any note on your midi controller 12:44:41 From Jim Cooper (MOTU) : The actual note doesn’t matter 12:44:43 From Paul Andrews : (kidding) 12:44:43 From Glenn Workman : Andres: Yes. 12:44:50 From Bryant Didier : Are you still screen sharing? I don’t see DP 12:45:05 From Glenn Workman : Bryant: He is still screen sharing. 12:45:09 From Andres Montero : he just picked Eb because it wouldn’t clash too much with the key of the song so we could he what he was doing 12:45:19 From Andres Montero : *hear 12:45:33 From John R Graham : You can also use a percussion instrument, like a side stick or something non-pitched 12:45:34 From Vanessa G. : would you “lock” the midi before you start moving/adjusting beats? 12:45:55 From Jim Cooper (MOTU) : Vanessa, no. you don’t need to. 12:45:58 From Glenn Workman : Vanessa: You might make a Duplicate take first. 12:46:04 From Vanessa G. : Great, thanks Jim! 12:46:12 From Jim Cooper (MOTU) : DP preserves the performance no matter what. It’s just changing the conductor track. 12:46:22 From Steve Sklar : Thanks. I recently bought an Akai MPK Mini like h recently demonstrated; it comes with instructions for other DAWs, but not DP. If anyone can suggest how to get it set up, I’d appreciate it! 12:46:39 From Kubilay Uner : Can everyone mute themselves? We have some heavy breathing in there. 12:47:19 From Vera : Might be Glenn who's breathing ;) 12:47:40 From Glenn Workman : Vera: No, my gills are working today. 12:47:51 From Jim Cooper (MOTU) : Sorry hope it’s not me. Muting now… 12:48:00 From Jim Cooper (MOTU) : Just muted, better? 12:48:09 From jraoul : MATT: Maybe show your Conductor Event List so we can see what Adjust Beats is doing to tempo 12:48:58 From Glenn Workman : jraoul: Good idea. When it is in play you will see the changes in the tempo area in the counter. 12:48:59 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What is the point of adjusting the bar? 12:49:32 From mindjobmusic : maybe he should take piano lessons 12:49:34 From Jim Cooper (MOTU) : XNE: to align the time line to the music. 12:49:38 From Glenn Workman : XN: Keeping the performance intact. You are moving the grid to the notes, rather than notes to the grid like you would with Quantizing. 12:49:44 From Warren White : HI Jim Cooper, you are awesome! 12:50:00 From Jim Cooper (MOTU) : Hi Warren! 12:50:20 From Kenneth Sarkey : I’ve had to start learning to use the new “hand” tool to move around the timeline. 12:50:51 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : XN - OH so this is just so it keeps the performance like what it was before but it shows up clean on quick scribe? 12:51:16 From Jim Cooper (MOTU) : We are matching the timeline to the original rubato performance. 12:51:25 From Jim Cooper (MOTU) : Preserving the original performance. 12:51:30 From Glenn Workman : XN: That would be one reason. Another would be to use other functions like Quantize, set delay times based on musical values etc. 12:51:33 From Jacki Barineau : Wowwwww!! 12:51:59 From James Paschall : FANTASTIC! 12:52:01 From Luichy Guzman : Got here late… will this be available for replay? 12:52:03 From Kevin Keller : This is amazing! I’ve been a DP user for 36 years and had no idea that this was possible! 12:52:05 From Jim Cooper (MOTU) : Plus you can now create an orchestration, add more instruments, etc. and do it all while being able to reference the time line, measures and beats, etc. 12:52:19 From Jim Cooper (MOTU) : I KNOW RIGHT????? AMAZING! 12:52:28 From Roger Neill : I use this every day 12:52:33 From jraoul : I don’t understand - he got the notes to stick to grid by changing tempos, but when he changed the tempo again everything stays on the grid? 12:52:45 From David Stowell : Me neither! So I could drag bar lines to Movie markers… 12:52:55 From James Paschall : Kevin’s enlightenment day! lol 12:52:59 From Ray T. : In my question last week regarding “vector” or spline curves and wanting to be able to edit them later, the better term probably would have been non-destructive editing. Would be immensely helpful for both controllers and tempo (in my world at least) 12:53:04 From Kenneth Sarkey : Is the adjust beats info being stored in the conductor track? 12:53:15 From Glenn Workman : Safety Tip: Make a duplicate Chunk first in case you might want to refer back to the original performance. 12:53:20 From David Stowell : ‘Me neither’ as in I had no idea it could do this! 12:53:58 From Glenn Workman : jraoul: Yes, now “normal” editing functions can be used on the MIDI material. He can even set it to a constant tempo, or change any part of the tempo info. 12:54:18 From Daniel Constantineau : Really great feature. 12:54:29 From Chris Duval : I knew this was possible, but never tried it - so simple! 12:55:03 From phil amalong : Can you demonstrate this with audio please? 12:55:06 From Garry Norman : This is sooooo useful! 12:55:21 From jraoul : Glenn: So Record (or Adjust) Beats moves the grid with relation to performance, but changes to Tempo (or Conductor) don’t? 12:55:22 From roger cortina : This is very helpful....will Matt be looking at aligning audio trackas as well? for ex, I do a lot of setting up backing tracks for bands...they may give me tracks, or purchase them, that need to be aligned to a grid to allow for easier midi control of lights, etc......tracks have an audio click track as well as a tempo map...I have problems getting them aligned....also, HI Jim...been a user of MOTU since 1990..first got into sequencing with a MSQ700 and a JL Cooper electronics drive... 12:55:24 From Glenn Workman : Phil: The Record Beats would be exactly the same. 12:55:41 From Jim Cooper (MOTU) : Yes, people, audio alignment is coming soon! 12:55:48 From Glenn Workman : JL Cooper, the OTHER Jim Cooper :) 12:55:50 From Kenneth Sarkey : You could slow down the playback tempo, and conduct to that while you record beats. 12:55:53 From Luke Steward : so this is basically just quantization with extra steps, that preserves some of the humanness of the live performance? 12:56:10 From Jim Cooper (MOTU) : I’m the East Coast Jim Cooper. : ) 12:56:31 From roger cortina : lol..yes.... 12:56:34 From Garry Norman : Matt is so skilled as a presenter 12:56:35 From roger cortina : both good!~ 12:56:38 From Chris Duval : Luke the performance is unchanged - its aligning the timeline to the performance. Adjusting tempo beat top beat to atch 12:56:49 From Glenn Workman : Luke: It doesn’t initially quantize anything. Rather than moving notes to beats, it moves beats to notes. That gives you a grid overlay you can use for other functions. 12:56:59 From Chris Duval : Beat to beat to match - sorry typing too fast 12:57:07 From Luke Steward : alrighty, interesting 12:57:45 From roger cortina : still have the question... 12:58:11 From Glenn Workman : Roger: What question? 12:58:35 From Jacki Barineau : Do any other DAWs have these cool features?! Or are we just incredibly blessed to be DP users?! 12:58:42 From James Paschall : Brillant! 12:58:47 From jraoul : Glenn: So Record (or Adjust) Beats moves the grid with relation to performance, but changes to Tempo (or Conductor) don’t? 12:59:42 From johndileo : I missed the start of this webinar. Are they recorded and posted someplace? 12:59:42 From James Paschall : I’ve been speaking to a Pro Tools friend. DP 10.1 is way ahead. 12:59:44 From Glenn Workman : Jacki: DP has had this for more than a decade (maybe 2). I don’t know of others that either have this, or do it as easily. 13:00:12 From Jacki Barineau : I’ve had so many people say I need to “upgrade” to Pro Tools lol…. I think I’m good, thanks! 13:00:23 From Glenn Workman : johndileo: Once editing videos will be here (link at bottom of page) https://motu.com/en-us/products/software/dp/webinars/ 13:00:26 From roger cortina : aligning audio click track with a tempo map to the grid 13:00:52 From Massimo Sammi : Hi everyone! Hi Matt! 13:01:40 From Steve Kudrys : Hi everyone. As a beginner, how does Matt vary between quantizing a chord to a staff note that retains the variation in hand execution (flam?) or quantizing the whole chord, or phrase. 13:02:12 From Glenn Workman : jraoul: Yes it moves the grid so the lines are closer to the original performance. Once they are there, then tempo changes can be made to alter the performance, speed it up/slow it down add ritards etc. since things are now situated based on the grid (even if not quantized). 13:02:54 From Glenn Workman : Steve: He’s moving the bar lines to the first note of a chord. It is NOT quantizing anything, its adjusting the playback tempo to match the performance. 13:03:44 From roger cortina : can you explain the red lines again? 13:04:16 From Glenn Workman : roger: The are the original tempo the recording was created with, regardless of whether that audio was following the tempo or click. 13:04:19 From Jim Cooper (MOTU) : Roger, the red lines indicate that the tempo map embedded in the audio doesn’t match the project time line at the moment. 13:04:28 From Andy Bresnan : It sounded like the guitar hit the and of 4, not a s a 1? 13:04:40 From jraoul : +1 Andy 13:04:41 From Daniel Constantineau : Are you sure that was not intentional syncopation?… 13:04:46 From roger cortina : thank you 13:04:47 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : How can he determine the metronomes time? 13:04:54 From Luichy Guzman : It’s the concept guys 13:05:00 From danlevine : So when you do this, just to make clear, we are allowing the tempo to vary, slow down and speed up throughout the sequence, correct? 13:05:17 From Glenn Workman : XN: He’s using his ear to figure out where the beats are in the performance. 13:05:22 From Mark Rasmussen : Yes, concept to work the tool 13:05:25 From Chris Duval : I’m unclear on how he is using the “beat shadows - looks like just using the transient is all you need to do… 13:05:28 From Glenn Workman : danlevine: Yes, exactly. 13:05:37 From Andres Montero : is it possible to get rid of the red lines? (they look a bit distracting to me if I’ll be adjusting the beats) 13:05:57 From Glenn Workman : Andres: Yes in the prefs. 13:06:08 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Glenn - so just his ear for the time? 13:06:15 From danlevine : But he said we were recording when we were recording beats yet I did not see a track armed 13:06:23 From charleswhite : Glenn, what are the red lines? 13:06:30 From danlevine : I’m missing something 13:06:35 From Jim Cooper (MOTU) : You can also apply the timeline tempo map to the audio. That also gets rid of the red lines. 13:07:05 From Glenn Workman : charleswhite: The original tempo information. That is part of any audio files header, the tempo of the DAW while the audio was being recorded. 13:07:12 From Jacki Barineau : So the red lines are similar to a spell check in Word! Once corrected they go away... 13:07:31 From charleswhite : Thanks! 13:07:46 From jraoul : How exactly do you “apply the timeline tempo map to the audio”, Jim? 13:08:04 From Glenn Workman : jraoul: Its an option in the Audio menu. 13:08:44 From Glenn Workman : jraoul: It looks like he’s about to do that now. 13:09:02 From roger cortina : ok..i think I'm understanding..but..how would you do this if you have multiple audio tracks following a clikc that you modified the beats like matt did? would the other tracks still follow the grid and tempo? 13:09:43 From rixax : sweet 13:09:58 From rixax : easy for your midi drummer to follow 13:10:00 From Kevin Keller : WHAT? Incredible! 13:10:01 From Garry Norman : Very cool! 13:10:05 From Jacki Barineau : Woah~ 13:10:06 From raiden : Impressive 13:10:14 From Daniel Constantineau : OMG 13:10:15 From Glenn Workman : roger: Assuming the multiple tracks are in sync with each other (like a live band) you would likely pick a guide track to use as a foundation. 13:10:22 From Jim Cooper (MOTU) : jraoul: Select the soundbite and then choose Audio menu > soundbite tempo > Copy Sequence Tempo to Soundbite 13:10:57 From Kevin Keller : What was the command to “merge” the audio file? 13:11:07 From roger cortina : thanks glen and jim...so adjust beats as matt did on the audio click track...once that grid is set, then copy the sequence tempo to other tracks, ? 13:11:25 From Glenn Workman : Kevin: Audio menu/Merge Soundbites. 13:11:28 From danlevine : Same question as Kevin. Didn’t catch how to merge the audio file 13:11:32 From Kevin Keller : TY 13:11:38 From Garry Norman : total pro tip 13:12:09 From Roque Baños : Can you copy the sequence tempo to the soundbite instead of merge it? 13:12:20 From Glenn Workman : roger: Yes. 13:12:23 From Fred : I’m going to try with free strumming guitar 13:12:31 From Fred : in various meters 13:12:41 From Roque Baños : That way you wouldn’t have to worry about the soundbite name 13:12:46 From Jim Cooper (MOTU) : Roque: yes, scroll earlier in this text thread for how to do it. 13:13:09 From Jacki Barineau : Can he show how to do this with multiple tracks? 13:13:11 From Roque Baños : Yes I know how to. Thanks Glenn! 13:13:13 From Glenn Workman : roque: Yes, Audio Menu/Soundbite Tempo/Copy Sequence Tempo to Soundbite. 13:13:32 From charleswhite : Do you have to do a merge on MIDI tempo maps? 13:14:08 From Glenn Workman : charleswhite: Not sure I understand the question? 13:14:53 From charleswhite : Audio requires a merge to marry the tempo map to the track. Is the same needed for a MIDI track? 13:14:55 From Fred : 7/4 13:15:03 From Fred : interesting 13:15:16 From George Napier : DON’T STOP! :) 13:15:27 From Glenn Workman : charles: MIDI will just follow the tempo/conductor track, no merge. 13:15:40 From charleswhite : Cool, Thanks! 13:15:42 From Garry Norman : Go! 13:15:42 From MW : charleswhite: No, it’s not necessary to merge a MIDI track. 13:19:32 From Jacki Barineau : Are the beat detections stored in the conductor track? Like if you do a new take in Conductor track and change them around does it mess with the other take? 13:19:46 From roger cortina : ty 13:20:41 From Glenn Workman : Jacki: No it doesn’t mess with the other take. 13:20:52 From Jacki Barineau : Thanks Glenn! 13:21:42 From Glenn Workman : Jacki: he just want back, showing you that they are independent. 13:21:50 From Jacki Barineau : Yep! 13:22:42 From roger cortina : Kudos to MOTU team..I've learned a tremendous amount in the last 45 minutes with DP10 (I am just migrating to DP10 from DP8) ... 13:23:04 From Jim Cooper (MOTU) : Thanks Roger! 13:24:32 From Ray T. : The first time I used this, I was fairly certain that the folks at MOTU were dabbling in sorcery and the dark arts. 13:24:39 From Jacki Barineau : lol 13:24:44 From Jim Cooper (MOTU) : We do! 13:24:46 From Garry Norman : lol 13:25:01 From Jeff Ojeda : I want to dabble too. he he 13:25:02 From Ray T. : :) 13:25:10 From Benoit Widemann : Very cool 13:25:18 From Glenn Workman : Tempo went from about 96 to 101 with lots of subtle shifts. 13:25:35 From Jim Cooper (MOTU) : We’re working on the new “Dabble Editor” window… 13:25:43 From Jacki Barineau : Jim haha 13:25:51 From stevenwatson1 : Couldn’t we have done that with the 1st example of Rainbow ? 13:25:52 From Jim Cooper (MOTU) : : ) 13:26:09 From Chris Duval : Isn’t any DAW a giant dabble window? 13:26:21 From Chris Duval : :D 13:26:24 From Ray T. : Looking forward to it, but I vote for non-destructive editing and a resizable mixer first. ;) 13:26:25 From Jim Cooper (MOTU) : Fair 13:26:38 From Jim Cooper (MOTU) : Ray +1 13:26:59 From roger cortina : whre will this be available for reference? 13:27:09 From Jim Cooper (MOTU) : But editing is already non-destructive. 13:27:10 From roger cortina : on motu website? 13:27:27 From jraoul : What if you don’t have a clear first downbeat 13:27:32 From Glenn Workman : roger: When edited they will be here. Links are at the bottom of the window: https://motu.com/en-us/products/software/dp/webinars/ 13:27:42 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Wouldn’t this be very effective in dubbing the singing with the movement of the singer’s mouth? 13:27:46 From roger cortina : ty 13:27:48 From Ray T. : Jim: talking about splines/curves remaining curves instead of changing (destructively) to events. 13:28:04 From Jim Cooper (MOTU) : Ah, got it. Duly noted. 13:28:18 From Glenn Workman : jraoul: I use the sync point and set that to the downbeat (after whatever pickup there might be) and then place the sync point at bar 2. 13:28:19 From Kirk Casey : Where were the Preferences set in the very begining 13:28:46 From Glenn Workman : Kirk: Preferences for what function? 13:29:02 From Dan : I find audio needs drums to analyze tempo well. I’ve EQed transients up to track better in a full mix 13:29:16 From Kirk Casey : Finding beats 13:29:22 From Jim Cooper (MOTU) : Dan: great tips! 13:29:34 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Wouldn’t this be very effective in dubbing the singing with the movement of the singer’s mouth? 13:30:27 From George Napier : @MOTU. Thank you. I have been struggling with sorting this stuff out for a long time. This one seminar, BOOM! So helpful. :) 13:30:38 From Jim Cooper (MOTU) : BOOM! 13:30:40 From Glenn Workman : Kirk: Prefs/Background Processing. 13:30:41 From Jeff Ojeda : Yes, but youd be working with SMPTE then, right? 13:30:47 From Victor LeComer : Klark Kent has great feel. 13:30:52 From Garry Norman : DP rocks 13:31:04 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Jeff - is your question regarding the dubbing? 13:31:24 From Luke Steward : “why are we doing this? because we can!” 13:31:39 From Glenn Workman : Luke: I say that to my students constantly 13:31:56 From Jeff Ojeda : I was referring to syncing to a singers mouth.. 13:31:59 From Ray T. : This is the “Let’s kill the drummer” mix. 13:32:03 From Glenn Workman : Luke: Also from Winston Zedimore: We’ve got the tools, we’ve got the talent! 13:32:35 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Jeff - OK. So I would have to use SPMP as well then? And would this be easy or still very difficult? 13:33:02 From Fred : Could I ask about clips? 13:33:08 From Victor LeComer : So we’re kinda like TimeLords, eh? 13:33:16 From Paul Andrews : in the merge, are you highlighting both conductor track and audio track? 13:33:16 From Dan : Try tape stop effect. I haven’t tried in awhile. But minimum tempo on audio was, I believe 20 BPM 13:33:29 From Denise Gentilini : Can you do this with vocal tracks? 13:33:36 From Glenn Workman : If anyone wants to raise their hand, open the Participants panel, and click Raise Hand near the bottom of the window. 13:33:37 From Jeff Ojeda : Not sure, that as I've never done it. But I assume that it would work in the same way we are seeing here. the SMPTE clock would help to stretch the audio in either direction 13:33:47 From Jim Cooper (MOTU) : Denise: absolutely. 13:33:55 From Roque Baños : Find tempo factor near sequence tempo. Could Matt talk briefly about it? 13:34:01 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Thanks Jeff/ 13:34:08 From Denise Gentilini : vocal tracks don’t have such obvious beats though 13:34:13 From Glenn Workman : Fred: There was an entire webinar on Clips. 13:34:22 From Jeff Ojeda : Sure thing! 13:34:41 From Andres Montero : Thanks for this Webinar 13:34:44 From Kevin Keller : Gotta go. Thanks so much for everything. See you tomorrow! 13:34:49 From Jim Cooper (MOTU) : Roque: I think he just uses his ears to estimate the tempo (using the click) 13:34:55 From Glenn Workman : Paul: He was just highlighting the audio track. 13:34:57 From Fred : Where can i see it Glenn? 13:35:07 From roger cortina : need to leave to attend another meeting...but thank you for your help .... 13:35:19 From Paul Andrews : Thanks, Glenn 13:35:24 From Jeff Ojeda : Singing doesn 't always have on the beat, but good singing is clear and the sound bytes would be marked easy enough. you'd just need to lock it to the nearest note duration 13:35:31 From Glenn Workman : Fred: when edited all webinars will be posted here. Links are near the bottom of the page: https://motu.com/en-us/products/software/dp/webinars/ 13:35:35 From stevenwatson1 : Does that setting tax the computer only when analyzing and changing audio or the whole time you are recording in the sequence? 13:35:41 From Jim Cooper (MOTU) : Denise: the tap tempo feature Matt showed at the beginning might be good for vocals. You can listen and tap to get close, then tweak from there. 13:35:46 From Fred : Thank you so much Glenn! 13:35:56 From Denise Gentilini : Thanks Jim 13:36:06 From Eric Chapelle : How do you connect several chunks together to make a final mix for a bounce? 13:36:19 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Jeff - OK thanks. Would the dubbing be relatively easy or difficult using this or in between? 13:36:44 From Glenn Workman : stevenwatson: Only when first analyzing or applying. The Stretch function may be different. 13:36:47 From danlevine : I am assuming this is all recorded and I can access the recording to review? This is my first zoom session. 13:37:11 From Jim Cooper (MOTU) : Steven, the “stretch” feature can strain the CPU, but if that is causing issues, you can turn on the cache. 13:37:15 From Glenn Workman : danlevine: Webinars will be posted here once edited. Links are at the bottom of the page: https://motu.com/en-us/products/software/dp/webinars/ 13:37:27 From danlevine : TY 13:37:30 From Jeff Ojeda : It isn't too difficult but that depends on your singer. :) LOL .. It would be similar work to correcting pitch in that regard. 13:37:32 From Jim Cooper (MOTU) : Other than that, most of the processing happens offline behind the scenes. 13:37:35 From rixax : sort that window by name? 13:37:37 From David Stowell : Can you repost the link to the IR’s please? 13:37:48 From Miles Olson : Mine came over in order just fine 13:37:50 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OK thanks Jeff. 13:37:51 From stevenwatson1 : Thanks Glen … so it doesn’t matter what that setting is if I open a project and start recording … only when analyzing and changing the original audio … correct ? 13:38:04 From basstrup : YOu have to do all arrangement in the finder before import to ProVerb 13:38:05 From Roque Baños : Glenn I have 2 questions that might be answered here better than taking too much time to Matt 13:38:06 From Massimo Sammi : I think you have to create the folders in the finder before and drag them there 13:38:23 From Fred : I have a question 13:38:28 From Roque Baños : Is there a command to get a selection of tracks soloed? 13:38:34 From Terry Leigh Britton : ProVerb copy didn't work at all in Windows version. 13:38:44 From Glenn Workman : Fred: Open the participants panel and click the button at the bottom to Raise Hand. 13:38:48 From Reed Robins : Adam, I put them directly into my user folder (this is in Altiverb), I think that’s what worked there. 13:38:53 From Terry Leigh Britton : Could not make a User or Shared folder. 13:39:00 From Adam Goldman : basstrup: they’re in the same order you can see them in Matt’s Proverb User 13:39:13 From Jeff Ojeda : Absolutely. The better the musician the easier it would be. Goes for singers also. But to be real, I think we all have a little trouble sticking to a specific tempo with a metronome at first. it's a real skill to master. :) 13:39:25 From Joel Friedman : Link for impulses? 13:39:28 From MW : The shortcut for opening the tool palette is Shift-O 13:39:29 From 485005 : Tool Palette should be shift-O by default. 13:39:31 From Adam Goldman : thanks Reed 13:39:34 From Adam Goldman : I’ll try it 13:39:35 From Jacki Barineau : I couldn’t get the tools to all show up either…! 13:39:55 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OK thanks Jeff. 13:40:10 From larryballereau : Where do you find the free verbs for pro verb? 13:40:15 From The Morning Lounge with Jill and Rich : question from the past…..you mentioned a macro program you use on mac….what was the name?? Quickeys??? 13:40:34 From Roque Baños : Glenn, Is there a command to get a selection of tracks soloed under the solo mode? 13:40:35 From Edward @ L A Music Lab : filter 13:40:36 From Glenn Workman : I think he mentioned Keyboard Maestro 13:40:36 From 485005 : Great macro program: Keyboard Maestro. 13:40:47 From Aryeh Har-Even : Event window? 13:40:48 From Reed Robins : Here’s the link to the reverbs: https://web.archive.org/web/20190201211631/http://www.samplicity.com/bricasti-m7-impulse-responses/ 13:40:48 From Glenn Workman : Roque: Temporary group. 13:40:59 From Jim Cooper (MOTU) : If you type “palette” into the Commands window, there are a couple of show/hide palette commands. 13:41:00 From Edward @ L A Music Lab : top right 13:41:03 From Ray T. : Keyboard Maestro is industrial strength. 13:41:07 From Glenn Workman : Thanks Reed: I was scrambling to find that in my history. 13:41:09 From Aryeh Har-Even : Event window conductor track 13:41:10 From Jim Cooper (MOTU) : But not all of them. 13:41:29 From Fred : This is very helpful! 13:41:39 From Fred : thanks for inviting me MOTU! 13:41:39 From Edward @ L A Music Lab : there is a filter to right colomn 13:41:40 From The Morning Lounge with Jill and Rich : got it….thanks!! 13:41:49 From Roque Baños : Glenn, thanks. Any short cut to solo a single selected track? 13:41:51 From chlady : I am in some projects with DP9.5 on my studio machine and haven’t installed DP10 yet will it cause problems to have both available on my system OS10.12? 13:41:51 From basstrup : When adding Ins be sure to back up the User file found at Users/YOU/Libary/Application Support/MOTU/ProVerb 13:42:03 From basstrup : Err adding IRs 13:42:15 From Jim Cooper (MOTU) : Chlady: no, it should be fine to have both versions installed, for the most part. 13:42:19 From Roque Baños : Like in Protools shift+S solo the selected track 13:42:35 From Adam Goldman : thanks basstrup 13:43:03 From Terry Leigh Britton : ProVerb on Windows does not permit the drag and drop of IR's, it seems. 13:43:22 From David Stowell : If I add tempo in the conductor track with pencil I see it. If I add it with Event editor I don’t see anything in conductor track 13:43:42 From Glenn Workman : roque: option-click the play button is play enable me me, command-click the play button is play enable everyone except me. 13:44:02 From basstrup : Search YouTube for MOTU ProVerb, there are some explanations there and links to IRs 13:44:13 From Dan Redfeld : Quicksribe editor question - any way to set the tool palette to a key command? 13:44:20 From Paddy : Also time based FX will cause pops with tempo changes 13:44:24 From Carl Fuerstman : What are “shadows”? 13:44:27 From Roque Baños : Glemm, Yes I know that, I was just wondering if I could use a comand 13:44:39 From Jeff Ojeda : MOTU, any update on adding a lyric track as we discussed several meetings ago? That would be so killer! 13:44:45 From Chris Duval : Thanks again, very much for the great info! ’Til next time! 13:44:52 From jraoul : CARL: Those blue-grey lines that indicate the results of beat analysis in a soundbite 13:45:26 From Carl Fuerstman : OK , thanx. 13:45:26 From rixax : But the VIs are tracking tempo sinc 13:45:40 From johnkusiak : Where do I find “Soundfile Information”? 13:45:46 From Eric Chapelle : Jim, did you see my question? Not sure if you responded. It was about connecting chunks into one file to bounce. 13:45:52 From larryballereau : What format works with proverb? 13:45:59 From rixax : FX related..? 13:46:00 From jraoul : JEFF:: I think I heard Matt mutter something about lyrics at the beginning of this meeting; not sure if he was hoping to hit it today or in another upcoming session 13:46:08 From Glenn Workman : David Stowell: They do for me, just checked to be sure. I can see them in the Tracks Overview or the MIDI Editor or Sequence Editor. 13:46:34 From paulcolombo : There are different resolutions of the IR’s. Do I need to download all of them? Or just the ones for the current project - 48 , 24 bit, etc. thanks. 13:46:35 From Eric Chapelle : Matt. I got a question, when you get a chance. 13:46:46 From Glenn Workman : johnkusiak: Its one of the windows available in any side panel. That’s one way. 13:46:55 From Adam Goldman : basstrup: interestingly, the first 5 youtube videos under “MOTU proverb” appear to be posted by Bo Astrup. Hmm. :-) 13:47:03 From Jeff Ojeda : Thanks! 13:47:03 From Bernard Hartley : If the tool palette isn’t visible when going into Quickscribe just click on the score area - the palette will appear automatically 13:47:06 From Glenn Workman : paulcolumbo: The text on that page says only download the ones you need. 13:47:16 From David Stowell : Thanks Glenn, I’ll double check view filters 13:47:16 From paulcolombo : Thanks glenn. 13:47:25 From basstrup : @Adam odd… 13:47:29 From Adam Goldman : hahaha 13:47:36 From Glenn Workman : Erick Chappelle: Open the Participants panel and click the Raise Hand button to ask a question. 13:47:38 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Hello Everyone. Basic question - Can you do the same change in the tempo with Virtual instruments? 13:48:08 From danlevine : Unrelated but is it possible to get a hardcopy of the DP 10 user guide? 13:49:02 From Jim Cooper (MOTU) : danlevine: do you have a printer? 13:49:06 From James Paschall : Ma’am, can you turn down your radio please? Lol 13:49:13 From rixax : Back to work. This has been great. Will catch up when this is posted! 13:49:14 From Jeff Ojeda : DanLeinve: fun answer: go to someone else's desk and press print. lol 13:49:22 From Glenn Workman : XN: VIs information will be played from recorded MIDI data. Anything you can do with MIDI you can do for the VIs. 13:49:25 From jraoul : MATT: What happens if you adjust soundbite to sequence tempo instead? 13:49:31 From danlevine : I do yes 13:49:52 From Glenn Workman : danlevine: … and about 1200 sheets of paper. 13:49:54 From danlevine : Yes. I could print it! LOL…but would prefer a bound copy. LOL 13:50:19 From Glenn Workman : jraoul: It will do just that. 13:50:20 From Jeff Ojeda : I Get it.. I'd be willing to buy a hard copy also. :) 13:50:46 From Glenn Workman : Jeff/danlevine: I believe DP9 was the last printed manual. 13:50:50 From Erik Ibsen-Nowak : Anybody have an issue where you record audio from VIs, create stems from some tracks—but not all—and then go to change the tempo after the fact & the stems conform to the tempo change but the non-stemmed sound bites don’t? 13:51:07 From Erik Ibsen-Nowak : Stretch is on for all 13:51:28 From Jim Cooper (MOTU) : Sorry guys, I gotta go. Have a great rest of your day and we’ll see you tomorrow! 13:51:32 From Jeff Ojeda : Thanks Glenn 13:51:35 From Adam Goldman : thanks, Jim! 13:51:38 From Glenn Workman : Thanks Jim. 13:51:38 From danlevine : Is DP9 considerably different than 10? 13:51:46 From danlevine : I’ve started with 10 13:51:54 From Ken Thies : Erik, sounds like some of those soundbites do not have tempo information yet. 13:51:57 From Reed Robins : Thanks Jim! 13:52:00 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Can the same thing about changing the tempo for everyone and using the pencil to vary the tempo be used with Virtual Instruments? 13:52:15 From Jeff Ojeda : Is there a reason that the beat analysis is different step than matching the analyzed tempo. would it be more user friendly to just have a "analyze and match " feature? 13:52:19 From Carl Fuerstman : Does anyone know how to get the audio from Track 16 to play into Zoom or Facebook? 13:52:30 From Erik Ibsen-Nowak : Reed: that’s what I figured. Only thing that confuses me is if you record audio directly in DP, it should have the tempo recorded as well, right? 13:52:36 From Glenn Workman : DP10 additions included new plug-ins, the Stretch function, ZTX pitch shifting, the Clips editor… so the answer is Yes. 13:52:38 From Ray T. : @DanL, 10 introduced some major new functions like Clips. The overall feel of the program isn’t fundamentally different, though. 13:52:39 From Aryeh Har-Even : Carl: Loopback 13:53:10 From Carl Fuerstman : What? Line Out to Mic In 1? 13:53:13 From Jeff Ojeda : I like the clips! great addition for live performance with DP. 13:53:27 From Reed Robins : Yes Erik, I think so. 13:53:35 From Glenn Workman : Erik: Whatever the tempo setting was in the DAW when audio was recorded, that tempo is now part of the meta data for that audio file. 13:53:46 From danlevine : Ahh. THanks 13:53:49 From Adam Goldman : carl: Matt is using Loopback by Rogue Amoeba 13:53:52 From michael : Once you’re happy with any time stretching, what’s the best way to write that to the file so you’re listening to the higher quality offline stretching instead of the realtime stretching? 13:54:13 From Erik Ibsen-Nowak : OK, so copy sequence tempo to sound bites should fix? 13:54:26 From Glenn Workman : Erik: Yes. 13:54:36 From Erik Ibsen-Nowak : OK, thanks! I’ll try it out. 13:54:57 From Joel Friedman : TY all. Gotta go 13:54:57 From 485005 : You can use Loopback if you want to pay for it, but Zoom includes an option for routing system audio when you are sharing a screen. (Free.) It’s a somewhat hidden option in the Share Screen page, in the bottom left. 13:54:57 From Carl Fuerstman : Thanx Adam! 13:55:43 From Dan : Can you copy tempo to soundbites instead of merge? 13:55:44 From Carl Fuerstman : Thanx 485005! 13:55:47 From The Morning Lounge with Jill and Rich : merge is not bounce 13:55:57 From Terry Leigh Britton : You need to turn on "Stereo" and "Original Sound" in the website profile settings first for the options to appear in the Zoom app. 13:56:13 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Basic question - Can you do the same change in the tempo with Virtual instruments using the pencil? 13:56:25 From Glenn Workman : Dan: Yes: Audio Menu/Soundbite Tempo/Copy Sequence Tempo to Soundbite. 13:56:27 From Eric Bikales : Wonderful seminar! Thanks!! 13:56:36 From Jacki Barineau : Is there a difference between bouncing vs exporting? People using other DAWs look at me funny when I say bounce lol 13:56:40 From Roque Baños : GLENN. In solo mode. When I add track to the sequence it comes muted (orange) as a default. Is there a way to change this so it comer active? 13:57:20 From Ken Thies : You can copy sequence tempo to soundbites, yes. Doing so re-writes the tempo info into those files though (right?) so if you might ever want the soundbites original tempo info, the merge makes a new soundbite, and keeps the original in its original state. 13:57:25 From Glenn Workman : Jacki: Bouncing will apply any processing and automation to the output. Exporting simply copies the highlighted items. 13:57:47 From 485005 : @Jacki: bouncing/exporting/rendering/sharing — all different terms that generally mean the same thing. Bouncing in DP means taking everything selected and rendering one final output file. 13:57:48 From Eric Chapelle : I dpm 13:58:10 From Eric Chapelle : I got a question. Not sure how to use Zoom to show I have a question. 13:58:10 From Glenn Workman : Ken: Correct. The merge then essentially keeps your original intact, as much as for a safety as anything else. 13:58:20 From Jacki Barineau : Thanks. Glenn…. I guess I’m wondering when I’m speaking to non DP folks should I be saying “export” or what so they know what I mean?! 13:58:46 From Jacki Barineau : Eric: Click on the Participants window - then click on Raise Hand :) 13:58:46 From Dan : Thanks Glenn and Ken. 13:58:55 From Glenn Workman : Eric: Open the Participants panel, then click Raise Hand at the bottom of that window. 13:59:42 From Eric Chapelle : Can’t find it. 13:59:44 From Glenn Workman : Jacki: If you want their processing etc. for example from Pro Tools, then Bounce To Disk is what you want them to do. 14:00:04 From Jacki Barineau : Ok, thanks for the clarification, Glenn! 14:00:05 From Glenn Workman : Erik: There is a participants button at the bottom of the screen of you move your mouse there. 14:00:30 From James Paschall : Thanks, Matt. Glenn, and Jim. Love these webinars! 14:00:37 From Hubert : When will these videos be available? 14:00:46 From paulcolombo : Glenn, can I email you a question? 14:00:57 From Glenn Workman : Hubert: Once they have been edited they will be online here: https://motu.com/en-us/products/software/dp/webinars/ 14:01:07 From Hubert : Thx 14:01:07 From Eric Chapelle : Found it thanks! 14:01:10 From No Corona on Cinco de Mayo : Thanks Matt and MOTU for the lesson! 14:01:16 From Roque Baños : Glenn. In solo mode. When I add track to the sequence it comes muted (orange) as a default. Is there a way to change this so it comer active? 14:01:34 From Glenn Workman : paul: Anyone who wants to reach me is free to email me at glenn@freqsound.com. I don’t work for MOTU, but I’ve been a dealer/user/beta tester since 1985. 14:02:20 From paulcolombo : thanks Glenn 14:02:21 From Steve Kudrys : So, can having a tempo map that varies in a song can improve the MIDI transcribing quality for say, a keyboard punch-in, to a mostly finished track? 14:02:27 From Glenn Workman : Roque: If solo mode was already on when you added the track it would be muted. 14:02:28 From Jeff Ojeda : Thanks Glenn 14:02:36 From Adam Goldman : don’t have another drive to map IR’s to, unfortunately, but it IS on a APFS drive now. Thanks Bruce Hendrix 14:02:37 From Steve Kudrys : Playing to sheet music parts or transcribing to an intended sheet music idea, if that makes sense.. 14:02:52 From Erik Ibsen-Nowak : Thanks, Glenn! 14:03:19 From Jeff Ojeda : Hi Alejandra! 14:03:22 From Aryeh Har-Even : Thanks Matt, Jim, Glenn, Motu for these webinars. Have a good day y’all! 14:03:25 From Wally Badarou : I’m with you Bruce ! This is a live performance dearest request. 14:03:31 From Fred : Adjusting font size would be a great feature IMHO! 14:03:33 From Steve Bowersox : I’d also like to have the Chunks window preset Que & Chain for a concert set! 14:03:37 From charleswhite : Or run iPad just for chunks 14:03:43 From charleswhite : window 14:03:49 From Jeff Ojeda : chunks on ipad!!! yes please 14:03:55 From David Stowell : Like scale plug in windows! 14:04:03 From Jacki Barineau : Another vote for font size! 14:04:26 From Caxa : I agree, adjusting the font size would be really useful for us blind folks! 14:04:28 From Ray T. : @Bruce Hendrix, the separate monitor at a lower resolution has been the way I’ve had to look at plugins that haven’t been updated for the new high rez displays. 14:04:33 From Luichy Guzman : Chunks on iPad +1 14:05:08 From charleswhite : @nelson, isn’t there some kind of share screen thing with Apple? 14:05:27 From charleswhite : You could set up your iPad to show just the chunks. 14:05:28 From Ray T. : I suspect the DP UI code is creaking quite a bit, but difficult to refactor without breaking… lots of things. 14:05:40 From Victor LeComer : @Bruce, yes dedicating that 2nd monitor to certain windows and saving as a window set works over here. 14:05:50 From Glenn Workman : charleswhite: Sidecar on the new OS will let you use an iPad as a second screen. No control for resolution there though. 14:07:28 From Glenn Workman : Ray T.: The recently (DP9?) added the ability to scale up/down the entire interface, or zoom JUST the Tracks Overview, and some other elements. Something like changing the font size in Chunks Window, or Project Notes, has been suggested to the development team since those windows are mostly just text. 14:07:51 From charleswhite : ah. 14:08:03 From charleswhite : Shoot! 14:09:09 From Steve Sklar : Yes, remote app! 14:09:35 From Ray T. : Yeah, the scale function has been helpful for temporary needs, but not a permanent solution IMO… I’m assuming that it’s the first step toward a more configurable UI. I just changed to 1920x1080 resolution for everything. Miss the real estate, but my neck feels a lot better. :-D 14:09:43 From Miles Olson : I would love the remote software updated for Tranzport 14:09:54 From Victor LeComer : Glenn, is it possible to tag text size info onto the code for the MacOS menu and dialogue size changes? 14:10:00 From Glenn Workman : https://metasystem.io/metagrid/ 14:10:29 From Ryan Cohan : Metagrid is fantastic and works well in DP 14:10:32 From Roque Baños : Which was the other Giovanni one? 14:10:36 From Miles Olson : I have metagrid, can’t make it work…it runs on wifi but my computer is on hard line internet 14:11:09 From Glenn Workman : Victor: I don’t know. I don’t program for MOTU. 14:11:10 From Steve Sklar : I recently bought an Akai MPK Mini like Matt recently demonstrated in a recent webinar; it comes with instructions for other DAWs, but not DP. If anyone can suggest a resource for how to get it set up, I’d appreciate it! 14:11:11 From Eric Chapelle : Matt, I got a question about chunks and bounce, but that might be another webinar issue instead of this one. Thanks for this! 14:11:33 From Vanessa G. : Also, the free Avid PT Control Eucon for ipad/android serves the purpose of the controller for certain things. And it’s free! 14:11:58 From Ryan Cohan : Miles: I believe you can have Metagrid connected via usb 14:12:01 From Jeff Ojeda : whats the quick key combo for quantizing? 14:12:01 From Glenn Workman : Thanks Vanessa, I haven’t tried that for DP. 14:12:19 From Reed Robins : Jeff: command 0 14:12:26 From Jeff Ojeda : tahnks Reed 14:12:29 From Jeff Ojeda : Thanks. 14:12:46 From Glenn Workman : Jeff/Reed: Yes, but it can also be set to whatever you want in the Commands window. 14:12:48 From Vanessa G. : I customised some track layouts and I am triggering those from the ipad/touch screen. Great for moving fast on big templates! 14:13:05 From Miles Olson : Yes, but I need bluetooth, so I can be in my vocal booth and have control of stop, play record rewind from a distance 14:13:11 From Jacki Barineau : Eric - I actually have the same question so maybe he’ll get to it at some point! I think it’s something to do with connecting the chunks into songs…? 14:13:23 From Vanessa G. : So, it’s not only serving the transport/mixer controls only 14:13:59 From Terry Leigh Britton : @Miles Olson - I use a Bluetooth keypad and the number pad mode. 14:14:01 From Vanessa G. : PT Control works on wifi perfectly. 14:14:05 From Glenn Workman : Miles: Apple’s Sidecar settings in the System Prefs can let your iPad be a second screen, and it is done wirelessly. You can drag the DP window/s of choice to the iPad. 14:14:14 From Eric Chapelle : Thanks Jack! 14:14:33 From Kenneth Sarkey : MOTU: when you edit the webinar videos, can you please include a time index for the various topics covered? Thanks!! 14:14:37 From charleswhite : Jacki, set a loop, overdub, each audio pass becomes a new take. 14:14:40 From Terry Leigh Britton : NumLock 14:15:09 From The Music Workshop Studio : I have the remote app on an old iPhone 5 and it works with DP-9. Haven’t tried it with DP10 14:15:24 From Glenn Workman : Music Workshop: Hi Jim! 14:15:32 From Miles Olson : Thanks guys, will check those options out!! 14:15:36 From The Music Workshop Studio : Hey Glenn! 14:16:43 From Miles Olson : Yeah, after 10 remote app does not work 14:17:28 From Glenn Workman : Wireless numeric keypad $20 you can use for transport controls: https://eshop.macsales.com/item/NewerTech/KPA28BTW/ 14:17:45 From Glenn Workman : US pricing of course. 14:17:54 From Robert Turner : Glenn... I'm having an issue with Beat Detection & Stretch with 3/4, 6/4 & 6/8 time signatures. Can you get Matt to talk how to get Beat Detection to recognize these time signatures, please? 14:18:25 From Jeff Ojeda : yes... 3/4, 6/8 is a challenge. please talk about it. 14:18:40 From Terry Leigh Britton : Glenn - That's the one! :-) 14:18:43 From Jacki Barineau : Yea please 6/8! 14:18:48 From The Music Workshop Studio : Oh ok. Haven’t used it since I upgraded to 10. You could use a laptop and screen share. Not quite as convenient as a phone or iPad, but next best thing. 14:19:31 From Terry Leigh Britton : They are available for Windows also from other makers. 14:19:45 From Carl Fuerstman : Thanx, It was fantastic, learned a lot, be back Thursday! 14:19:49 From Glenn Workman : Robert: I don’t think the Beat Detection know anything about time signatures, its primarily looking for transients/pulses in the audio. You’re conductor meter changes should still work for that. MOTU will be scouring the chat for some of these questions as well to try and address things in future webinars etc. 14:20:02 From Victor LeComer : Another sub for remote for DP is just an alphanumeric with a number pad built in. Apple or Logitech works. 14:20:11 From Terry Leigh Britton : Oh, the Newtech does work with PC's - "Compatible with Bluetooth enabled Macs, PCs, and iDevices" 14:20:21 From danlevine : So Glenn….We have been taking audio tracks and working with audio and not midi. Does everything work the same way with MIDI information? 14:20:32 From Glenn Workman : Terry: Yes, that was just a cheap one I found the other day. Don’t know why it wouldn’t work with PCs as well, just might not have a “driver” that isn’t needed for Mac. 14:21:26 From Glenn Workman : danlevine: Yes, all these tempo/adjust functions work with MIDI as well. The beginning of the webinar he did some of that with the piano recording of Somewhere Over The Rainbow. 14:21:31 From Fred : Thanks Glenn, Matt, and MOTU! I’ll be back Thursday :) 14:21:56 From danlevine : Ahh yes. Thanks, Glenn. 14:22:59 From Dan Wool : Hi!! Has anyone mentioned when the webinar videos will be available? 14:23:26 From Robert Turner : Ok, thanks, Glenn. I do a lot of 3/4, 6/4 music and I need to be able to stretch so I can change the tempo. 14:23:42 From David Stowell : Got to Go, Thanks Matt and everyone. Fantastic as usual, See you Thursday! 14:24:04 From Glenn Workman : Dan Wool: Jim said last week he thought they would start appearing within about a week. I’m sure that just depends on editing time, and a few they had trouble with the recordings that they may redo in the future. 14:24:40 From Dan Wool : Thanks Glenn 14:24:48 From Jeff Ojeda : How can I change the time signature ? where do I go for that? 14:25:09 From Ray T. : @Jeff - time signature changes happen in the conductor track 14:25:15 From Glenn Workman : Jeff: Project/Conductor Track/Change Meter 14:25:26 From Jeff Ojeda : thank you. :) 14:26:03 From Eddie Dillon : thank you 14:26:06 From Robert Turner : I will try the Beat Record and Adjust Sequencer to Soundbite Tempo applications. 14:26:20 From Benoit Widemann : Gotta run. Thanks for a very impressive bag of tricks. :) 14:26:34 From tomlewis : Thanks Matt, et al, another great session! 14:27:06 From Glenn Workman : Eric: You can create a Song chunk that links multiple Sequences and bounce that. 14:28:18 From Jacki Barineau : I’ve need that feature when having like a narration before a song begins and wanting that in its own chunk but needing them bounced as a single “song" 14:28:49 From Roberto Colombo : so, what is SONG mode really for ? 14:28:57 From Roque Baños : GLENN,THE SONGS COULD BE REMODELED TO USE IT AS CHAIN CHUNKS FOR A WHOLE MOVIE PLAY BACK 14:29:42 From Ray T. : @Roberto, it’s largely a holdover from the MIDI days (akin to chaining patterns on a drum machine) where you’d write a separate chunk for intro, verse 1, chorus, verse 2, etc. 14:29:52 From danlevine : Being new to DP….I haven’t yet studied “CHUNKS”, but I am trying to figure out the difference between different chunks and different projects/ 14:29:55 From Glenn Workman : Roberto: Thinking like a drum machine, each Sequences is a “pattern” and Songs are chains of patterns. And you can use multiple sequences playing at the same time, much like Clips are now being used. 14:29:58 From Jeff Ojeda : Nice job today guys. See you Thursday!!! 14:30:01 From Ken Thies : Thank you! 14:30:04 From 485005 : Thank you Matt! Great stuff today. Very valuable. 14:30:10 From Garry Norman : Awesome! thankyou 14:30:11 From Luis Angel : Thanks, Matt!!!! 14:30:11 From Reed Robins : Thanks everyone!!! 14:30:12 From Michel Amyot : Thanks