12:23:56 From Nan Schwartz : I’m not getting audio 12:25:12 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : me neither 12:25:28 From Terry Leigh Britton : The meeting hasn't started yet. Audio is working. 12:25:40 From Benoit Widemann : Hello everyone! 12:26:09 From Terry Leigh Britton : We hear you, Luis 12:26:24 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : I can’t hear anything 12:26:25 From Nan Schwartz : Yes, I can hear now 12:27:53 From Kerwin Young : Hey everyone; hi Matt! 12:28:13 From Robert Turner : Hello Everyone. 12:28:41 From Ken Thies : Good morning, good afternoon (Eastern time here..) 12:28:42 From Neil McCarroll : Hi everyone, Happy Friday! 12:28:44 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : I cannot hear anything 12:29:09 From Robert Turner : Is there a step-by-step video or procedure to sync soundbites to the Conductor track? I've tried to do it, but get lost in the steps. 12:29:16 From Glenn Workman : XN : Check your zoom preferences. There is a test audio and test speaker function there. 12:29:16 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : now it is good 12:30:15 From Adam Goldman : but that’s INSIDE, right? :-) 12:30:38 From Rigo Mora : JAJAJAJAJAJA 12:30:50 From Kevin : Really should have sampled that @@@ 12:31:00 From Zev Burrows : That was me playing Little Mermaid 12:31:10 From Jean-Michel KAJDAN : Hello everybody! Paris FR 12:31:13 From Adam Goldman : 134 [ep[;e at tje ,p,emt 12:31:15 From Simon Foster : Hi from London 12:31:34 From Adam Goldman : ;pp 12:32:17 From Ken Thies : Russ: nice keys there! 12:32:21 From Neil McCarroll : Hi Simon in London, good to see another from the UK, I’m in Edinburgh 12:32:29 From Mike Loudermilk : When will these webinars be available to view again? 12:32:33 From jeffersonjarvis : nice keyboards russpfiefer ! 12:32:34 From Simon Foster : Hey Neil! 12:32:35 From Adam Goldman : pouring rain here in Philadelphia 12:32:42 From charleswhite : I was outside, skiing. 12:32:46 From Benoit Widemann : I don’t remember how the outside looks like 12:32:58 From Glenn Workman : Mike: Jim Cooper has said the webinars will be posted to the motuTV YouTube channel as they are edited. 12:33:14 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : which is when? 12:33:23 From Mike Loudermilk : Thank you Glen 12:33:27 From Roberto Colombo : @Benoit hahaha... 12:33:32 From Mark Kelso : OUTside is the Pacific Ocean but so is the sun 12:33:36 From Ross Levinson : Good morning everyone 12:33:49 From Reed Robins : That sounds good…war stories of DP! 12:33:54 From Ross Levinson : Cocktail hour! 12:33:58 From Chris Duval : Good morning/afternoon! 12:34:01 From Reed Robins : Sign me up! 12:34:12 From pneron : hello from MA 12:34:25 From Reed Robins : Bassett!!! 12:34:26 From Peter Buchta : Great. 12:34:39 From Peter Buchta : Wonderful 12:34:58 From Mark Kelso : Pneron: I WAS from MA 12:35:07 From 831614 : Hello From Beverly, MA 12:35:18 From Mark Kelso : BErkshires 12:35:37 From Glenn Workman : Ex Pat from Falmouth MA. 12:35:46 From Jonathan Scales : Hello everyone! 12:35:59 From Adam Goldman : brother lives in Woods Hole 12:38:06 From Roddy J. Betancourt : Oh yes 12:40:24 From Benoit Widemann : Can’t do that in Catalina 12:40:31 From Benoit Widemann : QT7 is dead 12:40:43 From Peter Buchta : :( 12:40:45 From Roddy J. Betancourt : it’s 32bit, that’s why 12:40:47 From Benoit Widemann : Handbrake is your friend 12:40:54 From Sandor Szatmari : +1 12:40:55 From Peter Buchta : :) 12:40:55 From Roddy J. Betancourt : Handbrake, I agree 12:41:13 From Ross Levinson : Apple makes some odd choices … 12:41:21 From Sandor Szatmari : I also use Final Cut Pro 12:41:35 From Glenn Workman : QuickTime Player has an Export As… function as well. 12:42:00 From Sandor Szatmari : Or just go to ffmpeg on the command line for batches 12:42:04 From Peter Buchta : FCP works. 12:42:05 From Bjorn Linden : What about the HEVC/H.265 ? 12:42:06 From Kevin : Video Slave saves my cpu 12:42:21 From Jeff Frez-Albrecht : Pro Tools has the same problem with video…I usually use Quicktime at 720p. MP4s always playback jerky 12:42:21 From Benoit Widemann : Actually Handbrake is just a wrapper for ffmpeg 12:42:27 From Benoit Widemann : Makes it easier 12:42:28 From Sandor Szatmari : Yep 12:42:40 From Sandor Szatmari : I’m a CLI guy 12:42:45 From Ken Thies : Anyone using DaVinci Resolve? 12:42:55 From Glenn Workman : Current Pro Tools versions won’t do video at all on the Mac Catalina OS. 12:43:19 From Roddy J. Betancourt : I started to use DaVinci, but stopped. Didn’t have the patience. 12:43:21 From Roddy J. Betancourt : lol 12:43:30 From Jeff Frez-Albrecht : @Glenn: that’s why I’m sticking with High Sierra 12:43:54 From Jim Cooper (MOTU) : Thanks Glenn. : ) 12:44:36 From Luke Steward : 12 frames, mmmmmm 12:44:38 From richard einhorn : How can you find the drop/non drop and Frame rate if you are not told by the producers/editors? 12:44:59 From Glenn Workman : Richard: Get Info on the file in the Finder will usually have that info on a Mac. 12:44:59 From Kevin : Get info from qtime 12:45:05 From Jay Woelfel : the frame rate will show up under details of info 12:45:06 From richard einhorn : Great. Thanks 12:45:43 From richard einhorn : Wouldn’t it be nice if DP could detect the frame rate and set the project when you open up a film :-) 12:45:45 From Jay Woelfel : as well as from qtime. btw Richard I'm a big follower of you and your work. 12:45:59 From richard einhorn : Thanks, Jay! 12:46:06 From Jeff Frez-Albrecht : @richard: drop usually displays a semi-colon between seconds and frames 12:46:11 From Sandor Szatmari : That’s the burn in 12:46:11 From Jay Woelfel : your welcome 12:46:13 From Kevin : Anybody get submissions at 60fps ? 12:46:25 From Sandor Szatmari : Yea 12:46:27 From richard einhorn : Great tip, Jeff! 12:46:30 From Jay Woelfel : yes some HD comes in at 60 12:46:45 From Kevin : What are you using to convert ? 12:46:54 From Sandor Szatmari : DP doesn’t actually rad the LTC SMPTE embedded in the video 12:46:54 From Kevin : im converting from Nuendo and it supports 60 12:47:20 From Sandor Szatmari : I’ve worked with 60fps in DP10 12:47:25 From Sandor Szatmari : Works fine 12:47:31 From Kevin : It sync’d ? 12:47:32 From Sandor Szatmari : Just set to 30fps 12:47:37 From Sandor Szatmari : Yea 12:47:40 From Kevin : ok thks 12:47:41 From Glenn Workman : Like Sandor said: but also SMPTE may not be in the file at all, and there might not be a burn-in window with visual timecode. 12:48:08 From Kevin : If there’s no burn in I run it through DaVinci 12:49:55 From amodeostudios : Matt, show us your screen 12:50:34 From Glenn Workman : amideo: He is showing his screen. Check and make sure you don’t have his video pinned in zoom. 12:50:55 From amodeostudios : found it 12:51:25 From Glenn Workman : amideo: or make sure its not displaying on a second or third screen. Someone had the problem yesterday. 12:51:44 From Terry Leigh Britton : I prefer being able to see the waveform, so I import the movie audio and use the Trim plugin to adjust the left and right. 12:52:27 From Jeff Frez-Albrecht : @Terry: same here 12:53:27 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What is the temp exactly? 12:53:29 From 831614 : what is temp? 12:53:44 From Kevin : dir/editor puts temporary music 12:53:49 From Dan Redfeld : Temporary music 12:53:50 From Kevin : For ideas 12:53:53 From 831614 : thanks 12:53:54 From Kevin : and edit cuts 12:54:00 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks 12:54:05 From Jeff Frez-Albrecht : usually existing music that the director throws in to give an idea of what they want…you’re meant to replace it 12:54:06 From Sandor Szatmari : He said Temp was temporary audio producers may use before they have final audio 12:54:30 From Glenn Workman : XN: Can you click on your picture and shorten your name just a bit :) 12:54:33 From jraoul : dumb question: Is there a simple way to convert a stereo file to dual mono or vice versa 12:54:47 From Jorden Davis : Locked picture...what a novel concept haha 12:54:51 From Terry Leigh Britton : Use DP's Trim plugin, jraoul. 12:54:57 From jraoul : Thanks TLB 12:55:03 From Dan Redfeld : Locked picture….that must be a fantasy…. 12:55:08 From Glenn Workman : Trivia: 2001 had temp music in place: Bernard Hermann wrote a complete score that was never used int he film. 12:55:50 From Mark Kelso : Working on a film that we finished two years ago, and still not locked!! 12:55:50 From Ross Levinson : Is there any way to get Hermann’s score? 12:55:53 From Dan Redfeld : Not Herrmann - Alex North I own it and have put against the picture. It’s what destroyed his and Kubrick’s working relationship. The guy showed up to the premiere and his score wasn’t there 12:55:54 From Kevin : I’m coming from Nuendo what do u guys use for EDL ReConform and Field Recorder workflows ? 12:56:19 From Glenn Workman : Ross: A few years ago a recorded version was released. I’ll see if I can find it. 12:56:23 From Aryeh Har-Even : If I remember, Alex North did that 2001 score. 12:56:40 From Dan Redfeld : Yes - Intrada put out the complete Alex North score. They hadn’t scored the end of the picture. It created tremendous stress for North. He threw out his back in London writing the score and could barely stand. 12:56:41 From Glenn Workman : Sorry for the error. 12:56:43 From Ross Levinson : Fantastic! Thanks Glenn 12:57:13 From Dan Redfeld : There’s a Goldsmith re-recording which is quite good. But Intrada found the masters from 68 and it’s pretty awesome. 12:57:49 From Aryeh Har-Even : North had worked with Kubrick before. Problem: when a director works to a temp score, he/she can become hooked on it. Happened to me once. :-( 12:58:41 From Dan Redfeld : It’s happened to me a couple of times. And once with my own piano demos!!! That one blew me away. Director preferred bad synth and piano demos in the 90’s over a full orchestra. 12:59:32 From Jb B : yup…unfortunately typical. 12:59:37 From Aryeh Har-Even : Another problem: too many producers on a single project with different tastes. 12:59:40 From Jeff Frez-Albrecht : @Dan: lol…ask me later about Ric Burns’ “New York” documentary! 12:59:56 From Adam Goldman : can’t hear the click Mov Audio is loud 13:00:13 From Jb B : last minute big wig walks in “no no,we should do x 13:02:41 From Aryeh Har-Even : I think that last text depressed everyone LOL. But it’s so true! 13:03:04 From Kevin : Just make sure you get a good deposit !! 13:03:19 From Jb B : ahah sorry everyone 13:03:19 From Aryeh Har-Even : 100% 13:03:37 From Jeff Frez-Albrecht : @Kevin: Non-refundable! 13:03:42 From Kevin : exactly 13:04:00 From Kevin : Oh no checks either 13:04:08 From Kevin : got stung last yr 13:07:44 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : is it possible; e to turn up the volume of the metronome? 13:08:10 From Jim Cooper (MOTU) : Yes, the metronome has volume control in the prefs 13:08:26 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : I know, but here 13:08:37 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : For matt to do it. 13:08:47 From Roddy J. Betancourt : It is a bit difficult to hear the metronome 13:09:04 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : my point 13:09:21 From jraoul : My markers change location when I change tempo, whether or not they’re locked. 13:09:59 From Glenn Workman : jraoul: They are locked to time, not measure/beat location. They will move if you change tempo, but stay on the measure/beat if not. 13:10:53 From jraoul : They don’t stay on measure/beat even when not locked. It’s maddening, I tell you! Can I e-mail you after seminar? 13:10:55 From Adam Goldman : can’t hear Matt’s click 13:11:03 From Glenn Workman : glenn@freqsound.com 13:11:04 From Greg Hosharian : Yes click 13:11:06 From jraoul : Tx. 13:11:24 From john : Can’t hear Matt’s click either 13:11:29 From Roddy J. Betancourt : same here 13:11:39 From mindjobmusic : quicktime works on catalina 13:11:47 From Jb B : switch metronome sound to cowbell 13:11:56 From Roddy J. Betancourt : not this version of QTPro 13:12:01 From Benoit Widemann : Not QT7 Pro 13:12:03 From Roddy J. Betancourt : it’s 32bit 13:12:07 From Roddy J. Betancourt : not 64 13:12:16 From Glenn Workman : Jb B: The ONLY metronome I ever use is More Cowbell. I can hear it over anything. 13:12:18 From Roddy J. Betancourt : “We need more cowbell!” 13:12:33 From Roddy J. Betancourt : *Walken on SNL 13:12:42 From Jb B : classic 13:12:44 From Sandor Szatmari : Glenn: Fear the Reaper 13:12:44 From Jeff Frez-Albrecht : I’ve got a fever, and the only cure…is more cowbell! 13:12:52 From Roddy J. Betancourt : hahaha 13:12:57 From Chris Duval : explore the room! 13:13:12 From Jb B : roger that Glenn 13:14:18 From Glenn Workman : Apple’s Compressor allows lots of conversion options. Folks have mentioned HandBrake, DaVinci, and others if conversions are needed on a Mac. HandBrake may be cross platform. 13:15:36 From Kevin : Is using the same film across chinks a pref ? 13:15:49 From Kevin : chunks 13:15:52 From Glenn Workman : Kevin: Yes. Its in the movie mini-menu. 13:15:55 From Sandor Szatmari : Handbrake runs on Windows and Linux too 13:15:57 From Kevin : Thanks !! 13:16:34 From Peter Buchta : V rack. Ok. Want to know why this is there. 13:16:36 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What do you guys think about sounds online? 13:16:41 From Neil McCarroll : Have your markers now become nonsensicle? 13:17:02 From Glenn Workman : BTW you can access the mini-menu when the Movie is floating by right-click or control-click. If the Movie is in a sidebar the icon for the mini-menu is always in the top right corner. 13:17:09 From Peter Buchta : What are V racks? 13:17:52 From Sandor Szatmari : Shift+spacebar to call up window set? 13:18:09 From Jeff Frez-Albrecht : @Neil: I’ve found SoundsOnline mostly useful for ethnic instruments…for standard orchestral, I like Spitfire Audio 13:18:20 From Glenn Workman : Sandor: In Apple that calls up Spotlight, the global search on the computer. 13:18:35 From Sandor Szatmari : Thats cmd+spacebar 13:18:40 From Glenn Workman : Sorry: Command-spacebar. 13:18:52 From Roddy J. Betancourt : My Spotlight is CMD SPACE 13:19:11 From Mark Kelso : I have 5 monitors, will Save window set save which window is assigned to which monitor? 13:19:11 From Roddy J. Betancourt : you can always reassign 13:19:23 From Peter Buchta : love it 13:19:24 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks Jeff 13:19:30 From Adam Goldman : Mark Kelso: Yes, definitely 13:19:37 From Mark Kelso : COOL! Thanks 13:19:43 From Jim Cooper (MOTU) : Mark: it should, yes 13:20:07 From Ross Levinson : What’s his shortcut for save window sets? 13:20:18 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Jeff, you really find a huge difference regarding orchestral instruments between Spitfire Audio and Soundsonline? 13:20:38 From Glenn Workman : Ross: Its unassigned by default. 13:21:04 From Ross Levinson : Any recommendations? 13:21:35 From Glenn Workman : Ross: I’ve changed so many of the defaults I don’t know what might conflict with your settings. 13:21:36 From Ross Levinson : Also, Control1 is shortcut to pop out a window 13:21:52 From Jeff Frez-Albrecht : Yeah, I really do…Soundsonline (to my ear) samples just aren’t recorded as well compared to Spitfire. 13:22:10 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : ok thanks Jeff 13:22:24 From Glenn Workman : Ross: Also double-click the blue bar in a window will pop it out, and again pop it into the sidebar. 13:22:31 From Ross Levinson : Doesn’t the V-Rack take processing power? 13:22:46 From Kevin : Does anyone put their VST Outputs in a Vrack ? Working on my template 13:24:05 From Glenn Workman : Ross: the logic is it takes less to use one v-rack across multiple chunks, and when you switch chunks you don’t have to reload VIs 13:24:39 From Ross Levinson : Understood. I tend to turn my v-rack off when I’m mixing the project 13:24:57 From richard einhorn : V-Racks are a major feature of DP, imo. Makes it very easy to work on multiple pieces, or multiple versions of the same piece. 13:25:30 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What is a v rack exactly? 13:25:49 From Terry Leigh Britton : A Virtual Rack 13:25:56 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : ok? 13:26:04 From Kevin : Kind of a parking lot for a VI that all sequences can use 13:26:21 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : oh, understand better 13:26:35 From Sandor Szatmari : What’s the benefit of using a V-Rack over dropping the VI’s right in the Sequence 13:26:37 From Peter Buchta : Can you move tracks between projects? 13:27:03 From Kevin : @Sandor no VI reload when switching seq 13:27:18 From Terry Leigh Britton : V-rack keeps samples loaded between chunks 13:27:19 From David Stowell : I always do each cue in a new file but love the idea of using chunks. I just worry that if my DP file has 5 cues in it and it gets corrupted I lose lots. Am I worrying too much? 13:27:21 From Paul Williams : Can I swap a V-Rack for another one at a later stage? Like starting with light sample library and then swapping to a larger library for production? 13:27:25 From Glenn Workman : Sandor: If you use the same samples (string section etc.) in multiple chunks, when you switch Chunks it doesn’t reload all those samples. 13:27:26 From Sandor Szatmari : Ahh, OK 13:27:35 From Jeff Frez-Albrecht : Q: how much RAM should I get? A: ALL OF IT!! 13:27:37 From Neil McCarroll : You can also have a V-Rack of Aux channels etc - handy for routing your VI outputs 13:28:21 From Paul Bisson : I used 128Gb of RAM and it works sooo fine with all my VI’s and VEP! 13:28:29 From Kevin : @Neil does that limit you at all if diff cues use diff levels ? 13:28:42 From Glenn Workman : Paul: Yes. Change the samples loaded in that V-rack on the same channels/sections of the VI 13:29:55 From Paul Williams : Could I use a different sample player? How can I relink the midi tracks? 13:30:02 From Roddy J. Betancourt : It just sounded that he implied that VRack instruments can’t be moved around and altered within the sequence but VI tracks can 13:30:17 From Terry Leigh Britton : I like storing my V-racks in Clipping windows - just drag them in - rather than using the Load command from a different project. 13:31:32 From Ross Levinson : Shortcut to bounce MIDI tracks? 13:31:47 From Kevin : Ctl j 13:31:55 From Ross Levinson : Thanks! 13:31:56 From Kevin : and bounce the vi output 13:31:59 From Zev Burrows : I’m running an iMac late 2013 with 16G of Ram, and the Activity Monitor its selling me I’m using nearly 11 G of Ram. How can I lower this so the Orchestral VSTs and DP will run smoothly? 13:32:09 From Zev Burrows : *telling me 13:32:32 From Glenn Workman : Ross: Control-J is the default. 13:32:37 From jraoul : Different frame rates may be a problem when you join Chunks in a Song 13:32:39 From Kevin : @Zev have you tried VEP ? 13:32:46 From Neil McCarroll : @Kevin - I was thinking more things like Reverbs and Instrument sub-mixes. 13:32:53 From Kevin : Ahh ok 13:32:53 From Zev Burrows : I don’t have it. Bit expensive at the moment 13:33:16 From Roddy J. Betancourt : Zev: close unnecessary apps that are open, you can log out and back in (not restart) 13:33:24 From Roddy J. Betancourt : it clears the cache of the OS 13:33:26 From Kevin : @Zev before I got VEP I did a lot of midi render and mute 13:34:03 From Ross Levinson : Can we get Matt’s shortcuts? 13:34:14 From Zev Burrows : Will do both of these, thank you Kevin and Roddy! 13:34:19 From Roddy J. Betancourt : you got it 13:34:25 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : What is a streamer? 13:34:34 From Glenn Workman : Ross: Many have asked. Maybe he’ll export and link them somewhere. 13:34:45 From Jb B : you could call it a visual pre-roll 13:34:52 From Ross Levinson : Would love that 13:35:03 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : ok thanks jb 13:35:05 From Jay Woelfel : a streamer is that line you'll see moving across the film image. 13:35:18 From Glenn Workman : XN: Streamers are that white line that slides across the screen. When it hits the margin that’s a hit point you’re trying to match. Usually a visual Punch will appear then as well. 13:35:24 From Jay Woelfel : when he plays the clip again watch for it 13:35:46 From Kevin : They’re more important for ADR 13:35:56 From Kevin : for talent 13:36:06 From Jay Woelfel : they end with a white blob on screen. 13:36:16 From Jay Woelfel : used to be a hole punch in the film 13:36:20 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks glenn 13:37:23 From Dan Redfeld : Glenn - I’m a serious conductor and rely on the punch/streamer system DP provides. It’s been a life saving tool for 15 years on the scoring stage for me. And I’ve also used it in the pit on a few musicals where we have pre-records and you can’t always hear it in the cans well. Nobody can believe I use them like this. This is my favorite feature in DP. 13:38:10 From Glenn Workman : Dan: Very cool. Maybe we should come do a mini-documentary with you doing that. 13:38:51 From Reed Robins : I’d watch that documentary Glenn! :) 13:39:40 From Ross Levinson : Got to run - thanks Glenn … and thanks to Matt …. 13:40:14 From Glenn Workman : BTW I show my students “Score: The documentary” which I find fascinating showing many major composers in the field showing their work and process scoring films. 13:40:25 From Kevin : That’s a good film 13:40:33 From Kevin : actualy watched it last night 13:40:58 From robertmartson : If this is easy enough to answer for any of you: How do you print plug-in effects ( reverbs/delays etc ) from a the mix to an audio track? 13:40:59 From Dan Redfeld : Ha ha. I’d be happy to. I don’t know if I have footage on the stage with me conducting. I’d have to ask directors or my team. There are photos. Wait - no. Find Laura Dickinson’s Wizard of Oz recording session on YouTube. I built a stream/punch system and conducted the orchestra free time. I’m in cans only to hear the mix. No click. We recreated the opening credits and then Rainbow to match Judy’s vocals. It’s when the score reconstruction was released last year. 13:41:13 From Glenn Workman : Kevin: There is also a regular podcast where they interview many of those folks, one at a time in each episode. 13:41:25 From Kevin : cool 13:41:36 From Glenn Workman : Dan: Thanks, I’ll find that. 13:41:47 From Ray T. : Robert: put FX on their own aux. Route aux to an audio track and record. 13:42:03 From robertmartson : Thanks Ray!!! 13:42:26 From Kevin : Anybody using DP for post centric stuff ? Or more just compose rough mix for dub ? 13:42:42 From Ray T. : One of the reasons I really wish Aux tracks could us pregen. :) 13:43:27 From Glenn Workman : Kevin: Most of what I create is the final audio. Small project stuff, some TV stuff, indie film, etc. where budget is low. 13:43:43 From Victor LeComer : What advantage does using a box like the MOTU SDX thunderbolt offer in this process? 13:43:43 From jraoul : Gotta go. Thanks y’all! 13:43:52 From Terry Leigh Britton : I never use Aux tracks for plugins anymore, now that you can monitor audio tracks. Audio tracks use the Pre-Gen feature, while Aux tracks don't. 13:44:07 From Terry Leigh Britton : I only use Auxes for routing. 13:44:08 From Kevin : Glenn: Thanks !! I’m transitioning to DP from Nuendo and want to understand where I can cut the cord 13:44:55 From Peter Buchta : The delay between the midi score and the audio hits. 13:44:59 From Ray T. : Terry: so for an effects loop, you do a send directly to another audio track? 13:45:51 From Terry Leigh Britton : Yes. 13:45:53 From Garry Norman : Resync audio to the video track to fix drift? 13:46:03 From Glenn Workman : Dan & Everyone: https://youtu.be/6RFkCs1QVIs 13:46:11 From Darrell Smith : Hey WARREN WHAT;S UP? 13:46:12 From Glenn Workman : I think that’s the clip you mean. I’ll look for youl 13:46:16 From Ray T. : Heh. Never even occurred to me - I’ve been doing it the other way for so long. Time to go fix the template. :-) 13:47:04 From Terry Leigh Britton : Thanks, Glenn! 13:48:01 From Glenn Workman : BTW: Anyone can save the Chat transcript at anytime if you click on the bubble with the three dots in the chat window. There’s an option there to save. 13:48:21 From Terry Leigh Britton : @Ray when you turn off the monitoring or record enable on the audio track, the pre-gen kicks in, and you are no longer in realtime. Auxes are ALWAYS in realtime. 13:48:55 From Jay Woelfel : Roque, I wonder if it could even be a matter of drop frame and non drop frame 13:49:22 From Glenn Workman : fromsmash.com is a great way to send a file to anyone. No account needed, just a send email and recipient email. 13:50:39 From Ray T. : Terry - yeah, it just never occurred to route a channel send directly to an audio track. Just did it the old-school mixer way of having a send/return bus that went straight to the master. Thanks for the tip! 13:50:45 From Roddy J. Betancourt : Trekkie here 13:50:46 From Adam Goldman : commander sisko 13:50:46 From Roddy J. Betancourt : lol 13:51:25 From Vanessa Garde : @Terry: Does Audio Tracks behave on real time when input monitor, right? So, when using Extra Outputs on an VI, either AUXs or audio tracks with input monitor will take the same amount of CPU? 13:51:28 From Jeff Frez-Albrecht : @Roque: Pro Tools has a window that allows you to set a hardware buffer size…I’ve found that adjusting the value can make a difference in latency. Perhaps DP has a similar setting? 13:52:11 From Glenn Workman : Jeff/Roque: Setup/Configure Audio System/Configure Hardware Driver 13:52:13 From Jeff Frez-Albrecht : @Adam: didn’t he become “Captain Sisko” in S2 or 3? 13:52:43 From Jeff Frez-Albrecht : Thanks, Glenn! 13:53:04 From Adam Goldman : hmmm….didn’t remember that 13:53:28 From Roddy J. Betancourt : He was promoted to Captain later on 13:53:34 From Roddy J. Betancourt : look at the pips on his colar 13:53:49 From Roddy J. Betancourt : *collar 13:54:05 From Jeff Frez-Albrecht : @Adam/Roddy: I’ve found my people! 13:54:38 From Jeff Frez-Albrecht : @Glenn: can you change that mid-session, or does it require a quit/relaunch? 13:54:52 From Adam Goldman : :-D 13:55:04 From Roddy J. Betancourt : :) 13:55:06 From Glenn Workman : Jeff: Anytime except while playing. No close/reopen like ProTools. 13:55:27 From Jeff Frez-Albrecht : Cool, thanks Glenn 13:55:59 From Kevin : Anybody using cued here ? 13:56:04 From Kevin : cuedb 13:56:05 From Glenn Workman : Jeff: On Matt’s screen he also has the buffer showing in his Consolidated window, just to the right of the counter. The 48khz is the sample rate, and the 256 is the buffer size. 13:56:32 From Jb B : randomize is checked 13:56:36 From Benoit Widemann : Randomize 13:56:41 From Jb B : yup 13:57:10 From Rick Canfield : tempo range 13:57:16 From john : anyone have a fix for odd meter problems with latest version of DP? 13:57:30 From john : I alternate 4/4 and 5/8 often — things like that 13:57:44 From john : But not working as well with this version as previously 13:58:01 From Jeff Frez-Albrecht : @Glenn: I see it, thanks. Pro Tools doesn’t require a restart when setting HW buffer, but does for some other HW Playback settings. 13:58:04 From Glenn Workman : John: What problems are you having? I use a lot of varying time signatures and don’t know what you mean. 13:58:19 From john : Problem is if you alternate back and forth 13:58:36 From john : If you try to insert a 7/8 bar (for example) in a 4/4 passage, that sometimes works 13:58:39 From Kevin : Crap have to bail THANKS EVERYONE !! 13:58:43 From Glenn Workman : Jeff: Not a restart, but usually will save/close/reopen the file if you change the buffer. 13:58:48 From john : But then if you copy and paste the 7/8 elsewhere, it doesnt 13:59:16 From john : does’nt function correctly 13:59:20 From Glenn Workman : John: Are you copying/pasting the conductor track as well as any audio/MIDI tracks. 13:59:26 From Glenn Workman : ? 13:59:30 From john : No, just meter 13:59:34 From john : in conductor track 13:59:36 From stevenwatson1 : Whats a 2 pop? 13:59:51 From john : 2 pop is kind of old school 13:59:55 From stevenwatson1 : He just answered my cquestioon 14:00:11 From john : Nobody has asked me for one in 10 years at least 14:00:16 From john : but some guys do 14:00:42 From Glenn Workman : john: Maybe we can zoom later to figure it out. 14:01:00 From Jb B : still happens from time to time…also know as 2 beep 14:01:05 From Jb B : known 14:01:06 From Jeff Frez-Albrecht : @John: a 2-pop is old school, but I require it from every editor I work with. It’s just one more layer of confidence when exchanging audio 14:01:30 From Simon Foster : Question: if you have a v-rack with plug-ins in a template - how do you disable them so that the template loads quicker? (other than by assigning them to an output that doesn’t exist) 14:01:36 From john : Whatever your people want, of course. Nobody’s asked me for one in England, USA, or Japan 14:01:43 From john : for at least 10 years 14:01:46 From stevenwatson1 : 2 seconds before bar 1 or start of film ? 14:01:47 From Glenn Workman : 2 pop - also printing tones to tape, something not done near as often :) 14:02:06 From john : 2 seconds before hour 14:02:18 From Jeff Frez-Albrecht : heh…tape 14:02:19 From stevenwatson1 : Thanks !! 14:04:01 From Neil McCarroll : @Simon - you can play-enable a V-Rack 14:04:11 From Roque Baños : Glenn, is there a way to duplicate sequences with only the video attached? 14:04:48 From Peter Buchta : two seconds before the start of the film. 14:04:57 From Simon Foster : @Neil - ah - just disable the whole thing - of course! Thx! 14:05:07 From Glenn Workman : Roque: In the Chunks window you can choose Duplicate Track Layout. 14:05:38 From Glenn Workman : Roque: You can then delete any of the empty tracks you don’t need. 14:05:48 From Greg Hosharian : Which samples were being used in that cue? 14:05:59 From Peter Buchta : I like the section on the V-rack. 14:06:02 From Roque Baños : That’s what I do. Thanks Glenn 14:06:21 From Chris Duval : Thank Matt, this was interesting - I don’t do much of this work, but found it fascinating… 14:06:26 From Glenn Workman : Roque: By default all Chunks in a Project use the same video, but that can also be changed in the Movie mini-menu. 14:06:33 From Ray T. : I missed the first hour, which apparently had the stuff I really wanted to know, so looking forward to the edited version of this session going up on YT! 14:06:58 From Roque Baños : Thank you! 14:07:02 From Zev Burrows : I agree with Matt on the library stuff - some even have requests coming in especially catered for this crisis 14:07:05 From Peter Buchta : Thank you. 14:07:14 From James Paschall : Thank you, Matt! 14:07:31 From Jeff Frez-Albrecht : Thank you for this, Matt. I’m a Pro Tools guy, but we have an assistant composer who works in DP, and this will help me communicate with him much more efficiently! 14:08:02 From stevenwatson1 : How to put a 2 pop before the start of film if movie starts at bar 1? 14:08:37 From Glenn Workman : stevenwatson: You can set start to bar 0 or negative bars. that might be what you mean. 14:08:58 From stevenwatson1 : negative bars … got it thanks again! 14:09:06 From James Paschall : Is Freeze a quicker way to bounce tracks? 14:09:07 From Jeff Frez-Albrecht : @steven: make the start time of your session 10 seconds before film start, but leave film at bar 1 14:09:22 From stevenwatson1 : thanks all !!! 14:09:58 From Daniel Scott : Please, Please, Please, add either something like Logic’s Articulation IDs or Cubase Expression maps to Digital Performer and team up with babylonwaves. Did I say, “Please?” 14:10:37 From Zev Burrows : Thank you Matt and everyone! This was awesome 14:10:38 From Dan : I second Daniel Scott’s please 14:10:46 From Ray T. : Thirded 14:10:52 From Vanessa Garde : Daniel Scott +1 for the articulation management option! please!!! 14:11:34 From Neil McCarroll : @Sandor - you could burn the time code visually onto a temp copy of the video using Compressor 14:11:49 From Sandor Szatmari : Neil: Thanks 14:11:51 From Peter Buchta : Aiff files can also be spotted to original time stamp. 14:12:02 From Sandor Szatmari : Neil: I use the actual video in the final product 14:12:32 From Sandor Szatmari : I assume I can’t remove the burn in later… 14:12:50 From Glenn Workman : Sandor: Maybe use the SMPTE plug-in in DP to generate a timecode audio bounce that is the same length as the movie. Haven’t tried it, but in my brain that might work. 14:12:51 From Sandor Szatmari : I.e. That’s altering the actual video frames 14:13:26 From Sandor Szatmari : Glenn: Thanks for the suggestion, I will definitely try it 14:13:57 From David Stowell : Thank you for another great session. Have a great weekend everyone 14:14:06 From Robert Turner : Glenn or Jim... Is there a step-by-step YouTube or PDF procedure to sync soundbites to the Conductor track? I've tried to do it, but get lost in the steps. 14:14:09 From kristinwilkinson : The click issues are important ….can we go over that more? 14:14:35 From kristinwilkinson : For those of us that use orchestra 14:15:06 From Jim Cooper (MOTU) : Robert: I think there is a video that covers this on the DP videos page. 14:15:27 From Glenn Workman : Robert: Not sure what you mean. I you put Soundbites on a locked track, they will stay referenced to time, not tempo. If they are not locked, the start time is usually going to stay on the same measure/beat. Is that what you man? 14:16:14 From Jim Cooper (MOTU) : https://motu.com/en-us/products/software/dp/videos/ 14:16:19 From Peter Buchta : Print your click is easier. 14:16:21 From Robert Turner : I want to be able to speed and slow the soundbite with MIDI tempo. 14:17:21 From Jim Cooper (MOTU) : Check out the audio tempo videos at that link. Some of that stuff might be a little out of date (pre DP10) 14:17:23 From Robert Turner : I actually did this 2 days ago, but I have no idea how I got there. 14:17:29 From Sandor Szatmari : I used to use songs back in the 90’s 14:17:31 From john : @Kristin — check out “pattern clicks” in the DP reference. 14:17:33 From Roddy J. Betancourt : Song mode was used more for Intro Verse Chorus 14:17:43 From Glenn Workman : Robert: If the soundbite has a tempo, it can be stretched/adjust to tempo. 14:17:44 From Roddy J. Betancourt : and change around to repeat parts on the fly 14:18:01 From Terry Leigh Britton : In song window, setting column start times is a handy way to reassemble chunks into making a movie export. 14:18:04 From Roddy J. Betancourt : Better for live performances 14:18:18 From Sandor Szatmari : Yea, songs are great for quick cookie cutter arrangement testing 14:18:38 From Robert Turner : It does have a tempo. Ok. I'll look at some the videos. Thanks. 14:18:46 From Ken Thies : Song mode also lets you layer chunks, not only sequential alignment. 14:18:54 From Roddy J. Betancourt : Using DP in a live setting and you need to repeat a verse or chorus whatever 14:19:03 From Benoit Widemann : Why are there 2? 14:19:19 From Glenn Workman : Benoit: 2 what? 14:19:24 From Benoit Widemann : Toggle FullScreen 14:19:48 From Ray T. : Ken: +1. Great for manipulating ambiences/sub-themes that need to come in and out at various times. 14:19:54 From Jeff Frez-Albrecht : You guys all seem very cool…I’m at modelmaster@sbcglobal.net if you ever want to reach out! 14:20:07 From stevenwatson1 : I noticed that DP starts to bog down when scaled up 14:21:18 From Robert Turner : Gotta Scoot. Thank You MOTU. These Webinars are Great!! 14:21:38 From Sandor Szatmari : Second the awesomeness of these webinars 14:21:48 From Sandor Szatmari : Learned so much today!!! 14:21:55 From Simon Foster : Thanks all - got to go! 14:21:56 From Kristjan : Try Remap MIDI Devices 14:22:10 From Glenn Workman : Benoit: Just tried them both. One puts the Movie in Fullscreen, the other puts the program in Fullscreen (hiding the menubar etc., like the current behavior of hitting the zoom button. Mac version. 14:22:25 From Glenn Workman : ) 14:22:34 From Ray T. : I know that edited versions of the recordings will be posted, but is there an “immediate replay” available via zoom? Would love to go over the first hour of this one. 14:22:50 From Chris Peck : The Track Assignments window can do that 14:22:55 From Benoit Widemann : @glenn saw that too. :) Might be good to rename one. 14:23:01 From Glenn Workman : Ray: Not that I’m aware of. 14:23:07 From Roddy J. Betancourt : Recording within Zoom has been disabled by host 14:23:09 From Glenn Workman : Benoit: agreed. 14:23:10 From Ray T. : Ok, thank you, Gloenn. 14:23:18 From Ray T. : *Glenn* 14:23:20 From Roddy J. Betancourt : You would have to have done a screen recording on your computer 14:24:11 From Benoit Widemann : Gotta go, thanks and good day everyone! 14:24:27 From Glenn Workman : Paul: Possibly the Remap MIDI Devices window would help. 14:24:32 From Kristjan : option-A 14:24:47 From Roddy J. Betancourt : But, legally, you need to ask permission of the host before doing so. 14:26:16 From Aryeh Har-Even : Thanks for the informative session, Matt. Keeping me xtra busy being in self isolation in the Upper East Side in NY. Wishing y’all a good weekend! 14:26:29 From Kristjan : @Glenn or @Matt, can I ask a question over chat here? I don’t have audio-video set up with zoom 14:26:44 From Glenn Workman : Kristjan: Sure, fire away. 14:26:55 From Jeff Frez-Albrecht : Alright, gotta go…thanks again for a great session, Matt! Good to chat with all of you! 14:27:07 From Glenn Workman : Kristjan: or email later glenn@freqsound.com 14:28:03 From Kristjan : Could Matt comment on the scenario where you have instruments hosted in VEP and then have tempo changes in DP? My processor (a hefty one) always clips at any tempo change. 14:28:05 From 831614 : Thanks again! Looking forward to next week. Stay well and safe, all! 14:28:10 From Roque Baños : Glen and Jim, we need to go over this video delay when playing back. It is very noticeable. It is about 1 frame of. Which is not much, but bothering enough specially to directors that I work with. My mail is roquebanos@gmai.com 14:28:44 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Why would one want to bus a virtual instrument? Thought buses were only for actual instruments. 14:29:04 From Glenn Workman : Kristjan: I don’t use VEP, so can’t answer that question. Hopefully Matt or Jim Cooper can. 14:29:09 From Kristjan : ok thanks Glenn 14:29:32 From john : Kristjan - sometimes it’s the plugin. Omnisphere used to do that when it was playing a patch with delay built into it. 14:29:46 From john : If you turn off the delay / reverbs, you can sometimes get rid of the glitch 14:30:06 From john : I thought it was fixed in Omni now, but maybe not, or maybe it’s another plugin 14:31:08 From john : The other problem may be that you have a tempo-sync’d delay 14:31:19 From john : Use millisecond values and it will solve the problem 14:31:57 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Basic question - Why would one want to bus a virtual instrument? Thought buses were only for actual instruments and thgat virtual instruments are only for midi. 14:32:23 From Ray T. : Xned: I set up for multi-outs for something like Omnisphere or Stylus for example. Main out (1-2) goes straight to a track, but I need busses to route outputs B-H to the appropriate tracks. 14:32:25 From Roque Baños : It’d be great to have the email from Matt as well. I’ll be in LA hopefully soon, when this situation changes, to work on my next movie. I’d like to meet him in person 14:32:33 From Mark Kelso : Freezing a track will also drop it into the frozen track at the right place 14:32:37 From Adam Goldman : I’d like to know the answer to Ryan’s question too 14:32:47 From Adam Goldman : (regarding bouncing to specific pre-configured tracks) 14:34:07 From Jim Cooper (MOTU) : Ryan/Adam: thanks, we will look into this. 14:34:38 From Sandor Szatmari : What is the best way to route the audio from, say a snare, to the side chain input of a gate/expander plugin on the snare channel? If I use a bus, from a Send, DP complains I am creating a feedback loop. 14:34:38 From Adam Goldman : Jim, would you email an answer? Or plan to include in a future webinar? 14:35:00 From Adam Goldman : (email might be convenient for me) 14:35:12 From Jim Cooper (MOTU) : Maybe we’ll circle back to it next Tuesday 14:35:19 From Adam Goldman : cool 14:35:20 From Adam Goldman : thanks 14:35:35 From Ryan Cohan : Thank you, Jim! 14:35:44 From Adam Goldman : (and thank you, Ryan :-) ) 14:35:45 From Sandor Szatmari : Can you please send answer to sandor.szatmari@gmail.com? 14:36:13 From Glenn Workman : Sandor: Are you trying to side-chain from and to the track you’re affecting? 14:36:28 From Sandor Szatmari : Yes 14:36:36 From Sandor Szatmari : I want EQ the heck out of it 14:36:49 From Jim Cooper (MOTU) : Expression maps +1 Vanessa and all 14:36:52 From Sandor Szatmari : And create a ‘perfect’ side chain source 14:36:55 From Jim Cooper (MOTU) : +100 14:36:59 From Bjorn Linden : :-) 14:37:29 From Adam Goldman : once again, this has been FANTASTIC! Thanks Jim, Glenn, & Matt! 14:37:30 From Glenn Workman : Sandor: In my case I wouldn’t use side-chain, just apply to that channel directly. My uses for side-chain or for a source to affect a different track. 14:38:04 From Roque Baños : Nice weekend to everyone 14:38:05 From Ray T. : Sandor: easiest workround I can think of would be to duplicate the snare track and use that as the sidechain source. 14:38:18 From Sandor Szatmari : That’s what I have been doing 14:38:27 From Sandor Szatmari : Seems like a waste of resources 14:38:45 From Sandor Szatmari : But I think DP’s warning is erroneous. 14:38:49 From Nelson Mandrell : you can’t even select track in the mixer 14:38:53 From Kristjan : @Glenn I’ve emailed you my question, perhaps you could forward to Matt & Jim - I have to sign off now. Many thanks. 14:38:54 From Jim Cooper (MOTU) : Warren: +1 on shift-select tracks in Mixing Board 14:39:01 From Ray T. : It’s trivial on modern machines… not elegant, but not really taking anything away from a resource standpoint. 14:39:08 From Sandor Szatmari : The routing of the bus back into the side chain does not constitute a feedback loop 14:39:10 From Glenn Workman : Kristjan@ OK 14:39:37 From Adam Goldman : I’d love it if selecting tracks in DP mixer window allowed transmission of track selection to Avid Artist Mix devices 14:39:51 From Terry Leigh Britton : Funny mentioning "cheat codes" - I always feel like I'm in "God Mode" the moment I open DP! ;-) 14:41:05 From Glenn Workman : Virgil: Matt used the high hat track as a tempo reference, then assigned those beats to the other drum tracks before he changed tempo. That kept phase alignment etc. 14:41:32 From Edward @ L A Music Lab : Do you do “Copy Beats” instead of “Find Beats”? 14:41:47 From Mike Loudermilk : How do you quantize 2 mono tracks of acoustic guitars? 14:42:45 From Jim Cooper (MOTU) : Hey everyone, here’s the web page for the webinars: 14:42:48 From Jim Cooper (MOTU) : https://motu.com/en-us/products/software/dp/webinars/ 14:43:05 From Roddy J. Betancourt : Thanks Jim 14:43:12 From 831614 : Thanks Jim 14:43:13 From Adam Goldman : yes, thanks, Jim 14:43:14 From Jim Cooper (MOTU) : Look for past webinar videos there. (And on our youtube channel 14:43:28 From Luis Angel : Thank you Matt for another great session…..have you all nice weekend!!! 14:43:28 From Ray T. : Thanks, Jim! 14:43:47 From Erik Ibsen-Nowak : Thanks, Jim! 14:44:03 From Roddy J. Betancourt : Now, we just wait for MOTU to upload the videos 14:44:07 From Ray T. : Thanks very much for the session, Matt (and all). 14:44:50 From Roddy J. Betancourt : The videos aren’t actually available yet 14:44:52 From Ken Thies : Thank you! 14:44:53 From Dan Redfeld : Thanks everyone. Matt - you rock