12:22:24 From Luke Steward : hello there. anyone else have trouble getting in here? 12:22:40 From Bob Frye : nope 12:22:56 From Jim Cooper (MOTU) : I think Matt fired up the wrong meeting there for a minute or two. Seems to be working now. 12:23:02 From Luke Steward : nice 12:23:10 From Jonathan Scales : Hello everyone! Hope you are are doing well! 12:23:30 From Ken Thies : Matt, thank you for doing these webinars! Even as long as I've been using DP, I'm still gaining new insight into parts of it that use daily. 12:23:55 From Ken Thies : Luke: I think it was just a zoom feature of not letting us in until the host is in. 12:24:14 From charleswhite : so excited about today! 12:25:20 From charleswhite : Thanks, Matt and everyone at MOTU for putting these on. My software is so much easier to use. keep up the good work! 12:26:00 From Luke Steward : when you unmute mics it unmutes EVERYONEs mics, even if they had muted it themselves beforehand, i had to mute myself in order for my mic to not be brodcasting 12:26:01 From Gunnar Innvær : Thanks for muting. Haha. Hello everyone 12:26:14 From Jorge Varela : Hi everyone! 12:26:20 From Jean-Michel KAJDAN : Hi all! 12:26:20 From Matt LaPoint : Hey Everybody! Thanks for being here…. 12:26:37 From Luis Angel : Hello Matt/everyone!!! 12:27:19 From STEPHEN JENNIS : Why is my 828x rear panel input 1 and2 show up as 3 and 4 in dp10 audio monitor 12:27:33 From Roddy J. Betancourt : Happened to me also yesterday with a lesson 12:27:39 From Helen McMillin : Hey everyone! 12:27:52 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : hello 12:27:55 From Glenn Workman : Hello Hellen. 12:28:11 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Are we supposed to officially sign in? 12:28:22 From Paul Williams : What is today’s subject, please? 12:28:31 From Ken Thies : Jim: did you receive my email Tuesday about my observation with clips recording into the sequence? 12:28:38 From Glenn Workman : Today’s topics: Thursday, April 23 Stem Bounce and Project Templates •Export stems in one operation. •Create templates for songwriting and composing. •Add and assign VIs and external MIDI devices. •Use Track Layouts and Search for larger templates. 12:28:40 From Roque Baños : Good morning/evening 12:28:43 From Roddy J. Betancourt : Just like appliance cables. 12:28:51 From Jonathan Scales : Thursday, April 23 Stem Bounce and Project Templates • Export stems in one operation. • Create templates for songwriting and composing. • Add and assign VIs and external MIDI devices. • Use Track Layouts and Search for larger templates. 12:28:51 From Zev Burrows : Good afternoon all! 12:30:13 From Wayne Pronzati : Hi Matt and Motu team! Thanks for these webinars! 12:30:23 From Gunnar Innvær : I´m in Norway 12:30:28 From David Stowell : Norfolk, UK 12:30:33 From Vanessa Garde : Spain here! :-) 12:30:37 From Bjorn Linden : I’m in Sweden 12:30:38 From Cinzel : Italy : ) 12:30:38 From Felipe Tellez : Toronto =) 12:30:39 From Mark Kelso : I’m in Costa Rica for now 12:30:42 From Benoit W. : Paris ! 12:30:44 From rafa badia : spain too 12:30:45 From Zev Burrows : Boring old New York 12:30:49 From Paul Williams : Hi Matt, I’m in Frankfurt, Germany 18:30 here 12:30:50 From Benoit Turgeon : Quebec ,canada 12:30:51 From Roberto Colombo : MUNICH (Germany) 12:30:51 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Czech Repubic 12:30:51 From Rigo Mora : Hi from Mexico 12:30:52 From Jean-Michel KAJDAN : Paris 12:30:53 From Ken Thies : Michigan, USA 12:30:53 From mike : Suffolk UK here 12:30:54 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Prague 12:30:54 From charleswhite : Michigan 12:30:54 From Warren McRae : Hey Matt!! Your doing a great Job! 12:30:55 From Roddy J. Betancourt : South Florida 12:30:55 From kristjan : Toronto 12:30:56 From Reed Robins : NYC 12:30:56 From jraoul : SF 12:30:58 From Roque Baños : Madrid 12:30:59 From Caxa : Ha, I’m from Scotland but I’m in Thailand. 12:30:59 From Helen McMillin : Arkansas 12:31:00 From Kerwin Young : Atlanta 12:31:00 From chris : Chicago 12:31:00 From Geoff Dodson : Northern VA 12:31:01 From Luke Steward : Ontario, Oregon. not canada. 12:31:01 From DJ Jules : Mass 12:31:01 From Mike Loudermilk : Nashville, TN 12:31:01 From Adam Goldman : Philadelphia 12:31:01 From Jim : Franklin, MI 12:31:02 From johnflaherty : Boston 12:31:02 From JerboytheGreat : Wisconsin 12:31:02 From Wayne Pronzati : New Hampshire 12:31:03 From Chris : Long Island NY— hi zev! 12:31:03 From Chris Duval : boston, baby! 12:31:04 From Jonathan Scales : Chicago, IL 12:31:04 From Garry Norman : Reno, NV 12:31:04 From Dan : Burbank 12:31:04 From Brian : St. Louis 12:31:04 From Richard Shapiro : New Jersey 12:31:05 From russpfeifer : Boise Idaho 12:31:05 From Karl Ozolin : Seattle 12:31:06 From Ray Melvin : Phoenix 12:31:06 From Caterwaul : Las Vegas Charles Carpenter 12:31:06 From rich switzer : south florida 12:31:06 From kirkcasey : San Francisco 12:31:07 From Carlo Belli : Milan, Italy 12:31:07 From Sandor Szatmari : North Carolina 12:31:07 From Eddie : Fairhaven MA 12:31:07 From Michael Dunston : Maryland 12:31:07 From Stephanie : Ottawa, Canada 12:31:08 From STEPHEN JENNIS : phila 12:31:08 From Aryeh Har-Even : Manhattan 12:31:10 From bjarke : Denmark 12:31:12 From Victor LeComer : Birmingham Alabama 12:31:13 From jraoul : Hey, Kirk 12:31:14 From Gregg Seibert : Louisville,KY 12:31:14 From Music Workshop : Baltimore 12:31:16 From Bob Frye : Los Feliz, LA, CA 12:31:17 From max : Hello! I’m from Vancouver, BC 12:31:22 From Luis Angel : Luis Angel from Medellin, Colombia 12:31:22 From Todd Tolls : Toronto, Canada 12:31:22 From Hiro : Queens, NY 12:31:22 From Geoff Groberg : Utah 12:31:23 From Mark Mazur : Kansas 12:31:25 From 502469 : Minneapolis 12:31:26 From Juangringo : San Antone 12:31:29 From Roddy J. Betancourt : I can VPN from Antartica if you like 12:31:32 From Benoit W. : Ganymede 12:31:32 From Simon Foster : London 12:31:35 From DJ Jules : Eddie from Fairhaven, Im from New Bedford 12:31:35 From Mike Loudermilk : Nashville, TN 12:31:38 From jraoul : Roddy - funny 12:31:39 From Nelson Mandrell : Chicago 12:31:39 From kristinwilkinson : Nashville 12:31:42 From kennethpage : KANSAS CITY 12:31:43 From Jeff Taylor : Watertown, MA 12:31:47 From Roddy J. Betancourt : lol 12:31:52 From Sandor Szatmari : Matt: Since we’re talking about bouncing I have some specific questions. Can you cover bouncing multiple regions of the sequence in one operation 12:31:52 From STEPHEN JENNIS : THE MOON 12:32:32 From jraoul : Even the more basic sessions have tips and tricks that are new to me. 12:32:54 From Mike Loudermilk : Where do you get the recorded Webinars? 12:33:06 From Roddy J. Betancourt : audio is not coming in 12:33:16 From Jim Cooper (MOTU) : They’ll be posted at youtube.com/motuTV 12:33:16 From Luke Steward : as a very new user, thanks! these have gone at blinding speeds for someone who doesnt know anything. lots of helpful stuff tho. 12:33:18 From Bob Frye : Wanna see iOS version of DP !!!! 12:33:25 From Glenn Workman : Mike: They will be posted to motuTV youtube channel once they are edited. 12:33:51 From Mike Loudermilk : Thank you Glen 12:33:52 From Ray T. : @roddy, audio working here. Double check your Zoom audio output settings. 12:34:06 From Roddy J. Betancourt : But we need permission from Host 12:34:14 From Roddy J. Betancourt : If Host has recording disabled 12:34:17 From Luke Steward : oh dang, quicktime. kinda expected OBS tbh 12:34:39 From Roddy J. Betancourt : Yes, but it taxes the CPU when you use QuickTime to record screen or partial 12:35:02 From Terry Leigh Britton : Zoom is capable of original stereo sound, but not certain it is possible to record that. 12:35:12 From Roddy J. Betancourt : You can record in stereo 12:35:19 From Roddy J. Betancourt : go to Web Client settings 12:35:24 From Terry Leigh Britton : I do not see shared screen. 12:35:31 From Luke Steward : zoom is kinda currently concerned with making sure it can handle the serverload and security standards that are currently being demanded of it lol 12:35:56 From Glenn Workman : Terry: Make sure you don’t have “pin screen” on for Matt’s video. That might be your problem. 12:36:04 From Jim Cooper (MOTU) : This zoom session is being broadcast in stereo. Check your Zoom audio settings to enable stereo audio. 12:36:09 From rich switzer : wow...ok...DP 101 12:38:03 From Roddy J. Betancourt : Ray: It was momentary. Thanks. 12:38:05 From Kenneth Sarkey : Terry Leigh, look in zoom meeting app’s menu>window dropdown and select; especially if you are using dual monitors. 12:38:11 From Terry Leigh Britton : Hah - it was on my third screen! 12:38:22 From Roger Neill : on a big project, SAVE can take a long time. On autosave, I sit and watch the spinning ball a lot, waiting to move on 12:38:34 From Ray T. : @roddy 👍 12:40:15 From Ken Thies : I've also found that you can create a new subdirectory in the templates folder, move the ones you don't want to see into it. DP will not display them, but if you decide you want it back, just move it back into the templates, and it shows up again. 12:40:44 From Glenn Workman : Ken: That’s a great tip. 12:40:47 From jraoul : I tried using templates, but found it difficult to make changes to them. So I create a real project that I’ve named “Template”, open that, and Save As when starting a new project. 12:41:58 From Peter Buchta : Looking Good! 12:42:01 From Glenn Workman : jraoul: If you open a template, then make changes, just make sure you Save As Template and use the same name. It will ask you if you want to replace the old one. 12:42:18 From jraoul : See? I learn something new every time! Thanks, Glenn. 12:42:39 From Ken Thies : Glenn, thanks! 12:44:30 From Peter Buchta : Can you do the command up down with the mixing board? 12:45:55 From Roddy J. Betancourt : Can you option disable? 12:45:56 From Glenn Workman : Peter: No. But you can use Command+ or - to increase the percentage scaling for the interface. 12:45:58 From Ray T. : @peter - mixing board only has “narrow” view. No other scaling that I know of. Long-requested feature. 12:46:03 From raynichols : How do you set/reset the default locations for files? 12:46:09 From Peter Buchta : Got it. thanks. 12:46:51 From Glenn Workman : ray nichols: DP usually uses the last used location when you create a new file. Is that what you mean? 12:47:01 From Greg Prestopino : Peter, I’ve been asking for zoom in the Mix window for YEARS! 12:47:53 From Roberto Colombo : @Massimo Spinosa: piacere di conoescerti. Sono il chitarrista che vive a Monaco, amico di Antonio Baldassarre 12:48:00 From Roger Neill : as I get older, Zoom gets more and more important 12:48:28 From raynichols : How do you set a default location or change it when selecting Open Document Template Foder. The default is not populated with files. 12:48:35 From DJ Jules : Why when I create a new template the counter doest save? Also additional sequences dont save. 12:48:47 From Greg Prestopino : Indeed Roger… 12:48:58 From Ray T. : I typically build out a huge master template with everything I could possibly need (and some things I probably don’t) and then create sub-templates from that by deleting certain thing or saving full track groups into clippings, then deleting from my normal-use template. 12:49:33 From Glenn Workman : ray nichols: On a Mac you can create an alias to any folder you’d like to store those items in, and put the alias in the library locations Matt showed earlier. 12:50:50 From Roddy J. Betancourt : Can you still take a snapshot of the mixer? 12:51:21 From jraoul : aha 12:51:32 From Glenn Workman : DJ Jules: I’m on a Mac, and just created a template with multiple chunks, and that was saved. As for counter settings, you can change those in the Time Formats window, and those ARE saved with a sequence. 12:51:33 From Ray T. : There you go, jraoul - you’ve been doing the right thing all along. :) 12:51:44 From Glenn Workman : Roddy: Yes you can still snapshot the mixer. 12:51:54 From Roddy J. Betancourt : Thanks. Didn’t see the icon 12:53:08 From Ray T. : Really wish the templates had that save-as functionality as an option. Whole point of a template is to not do repetitive work. 12:53:28 From Music Workshop : What’s the difference between holding W or T for temporary groups? 12:53:47 From Roddy J. Betancourt : W is for those that are visible 12:53:51 From jraoul : T holds tracks you select. W holds everything in current window. 12:53:58 From jraoul : Even off-screen, I think. 12:54:02 From Sandor Szatmari : W = all visible T = Selected Traacks 12:54:21 From jraoul : Glenn? 12:54:32 From jraoul : just visible or active window? 12:54:47 From charleswhite : When moving a track, how to keep it from getting sucked into a folder? 12:54:50 From Roberto Colombo : I wonder why did he say that it is better to keep the virtual instrument volume at a fixed level and operate the MIDI volume... I usually did the opposite and now I wonder if this has any kind of drawback... 12:55:17 From amodeostudios : You mentioned deleting folders, and removing folders. What’s the difference? 12:55:34 From Glenn Workman : musicworkshop: Temporarily Group T Selection Temporarily Group W Visible Tracks. page 190-191 of the manual/ 12:55:35 From jraoul : Yay! No more U87! 12:56:29 From Music Workshop : Thanks 12:56:53 From Glenn Workman : amodeostudios: one disassociates tracks with being in a folder, the other deletes the tracks in the folder as well. 12:57:02 From Chris Duval : Roberto I can think of one downside - If the VI is using MIDI velocity for any sort of expression, then you will never hit the maximum range of expression if you use this method. Think drum hits! 12:58:32 From Glenn Workman : Roberto/Chris: What Chris said is correct, but Matt was talking MIDI Volume rather than MIDI velocity. 12:58:46 From Ray T. : @chris duval - MIDI volume doesn’t affect velocity values. 12:58:48 From Ray T. : IIRC 12:59:03 From Roberto Colombo : @Glenn: yes, MIDI volume 12:59:31 From Roberto Colombo : I can't see what's the difference by operating the MIDI track volume rather than the Virtual instrument track volume 13:00:10 From Chris Duval : My bad! 13:00:12 From Sandor Szatmari : Midi volume is just data, while VI output is synthesized audio signal 13:00:20 From Luke Steward : if you’re patching the VI to multiple MIDI tracks, you’d use the VI volume to change all of then, and the MIDI to change just that track, i believe? 13:00:33 From Ray T. : I don’t fully understand it, but started using MIDI for volume when I noticed that moving Omnisphere’s internal mixer faders was changing the MIDI slider for that track. 13:00:39 From Sandor Szatmari : Keeping you VI at unity keeps you signal to noise optimal 13:01:17 From Sandor Szatmari : That’d be my rational 13:01:18 From Glenn Workman : Roberto: In the physical world I always leave my audio levels on MIDI instruments at maximum because that’s the best signal/noise ratio, then adjust gain on the mixer or with MIDI volume. Not sure exactly why Matt recommends MIDI volume, but it might be the same logic. 13:02:24 From Benoit W. : How many physical cores is the reasonable minimum for DP + average instruments? 13:02:55 From Roberto Colombo : thanks Glenn: in real world I did the same... but in DP10 I am not sure... anyway it was just a curiosity 13:02:56 From John Graham : Latency compensation — what if you’re using network VE Pro? Still turn it on? 13:03:32 From Roberto Colombo : @Benoit: I have a 8 cores i7 on Windows and I am able to run projects with really a lot of VI 13:03:51 From John Graham : thanks 13:04:00 From Roberto Colombo : no cracks or issues at all (using ASIO, which completely bypass Windows audio stack) 13:04:18 From Ray T. : for Q&A: Can you give more detail on MIDI vs audio levels for VI? Rationale? 13:04:19 From Benoit W. : @Roberto thx 13:04:51 From Glenn Workman : Ray: myself and others in the chat mentioned signal to noise ration being better that way 13:04:52 From Todd Woolsey : Is there a quicker way to audition our long list of templates and quickly delete the ones I don’t want? 13:05:12 From Ernest Buckley : MOTU, Thanks for doing this. These videos are much needed. 13:05:36 From Roberto Colombo : @benoit: I can imagine that the quantity of RAM also plays a big role because the VI will kind of be allocated in RAM. In my case I have 32GB 13:06:21 From Glenn Workman : Todd: You can trim what templates are in your folders. Both the user Library folder and the Application support folder. Matt showed this early on in today’s session 13:06:48 From Kevin : VEP also changes the delay based on whether you are playing or recording 13:06:55 From DJ Jules : @glenn, so after i save the template, what would I do to save counter & sequence settings? 13:07:57 From Glenn Workman : Setup/Time Formats. Set the counter/ruller/event settings you like there before you save. The popup menus in the Consolidated Window are more like temporary switches. 13:08:00 From Todd Woolsey : Glenn: Thanks for the response but I was wondering about quickly going through them and seeing if I want to delete them. 13:08:28 From Glenn Workman : Todd: I don’t know any way other than at least opening them once to see if they are useful or not. 13:09:54 From Ray T. : If only they were user-expandable… :-( 13:09:59 From Glenn Workman : My 2ci was $6000 in 1988-89. Today’s Macs are a deal :) 13:10:03 From kristjan : Does DP force everything in one instance of VEP onto one core? 13:10:29 From Roddy J. Betancourt : My mid-90s PowerMac 8600/300 was $4,000 13:10:48 From Sandor Szatmari : Yea, had a 9600 back in the day 13:10:58 From Peter Buchta : Concerning memory. Is 16GB enough for 16 tk virtual instruments? 13:10:58 From Roddy J. Betancourt : My current mid-2011 iMac 27” i7 almost same amount 13:10:59 From Sandor Szatmari : Crazy expensive back then 13:11:07 From Roberto Colombo : SOLO mode in DP10 shall be improved 13:11:14 From Erik Ibsen-Nowak : Agreed. I got a great deal on a 12-core trashcan buying refurbished from the apple store. Less than half the price when new. 13:11:20 From Simon Foster : I’ve not understood solo either in DP… 13:11:31 From Roberto Colombo : I field a suggestion to the technical support about this in order to improve it... I hope they will take it 13:12:49 From Greg Prestopino : The new Mac mini is plenty fast. 13:12:54 From Terry Leigh Britton : From the View colors menu 13:13:14 From Greg Prestopino : I wish the colors ran all the way through the left-hand track name area… 13:13:29 From jraoul : +1 Greg 13:13:47 From Roberto Colombo : @greg: your eyes will start to cry after 5 mins :-) 13:13:54 From Greg Prestopino : haha 13:13:56 From Greg Prestopino : not 13:13:57 From Caxa : I wish you could color in between Markers… verse, chorus etc. 13:14:12 From Marc Wolf : What about template for track groups only? - Imagine you have perfect set of plugins for 8 track drum tracking and need to import that track group to a new project 13:15:09 From mindjobmusic : Question: When I play back a MIDI track and adjust the volume, it doesn't remember the new volume when I play it back. Iis there a way to turn off the need to take a 13:15:24 From mindjobmusic : snapshot? 13:15:49 From Glenn Workman : Marc: You can use the Load command to import Tracks from another project. You could then delete the tracks/elements you don’t want from that tune, and keep just the drum tracks or other groups. 13:16:50 From jraoul : That happens whether or not you’re in Solo mode. 13:17:02 From Zev Burrows : I have a big orchestral template that’s using about 4 instances of Kontakt and one VSL, about 50-tracks total. What’s the recommended buffer size? I had it on 2048, and I would get a bunch of crashes. Should I lower it? 13:17:30 From Glenn Workman : mindjobmusic: If the MIDI data for Volume isn’t on the track it won’t move the fader, if there is volume data on the track it will even if you temporarily move it. If you don’t want it to move it while you are making adjustments turn off the green play triangle in the Auto section for that mixer channel. 13:17:32 From Ken Thies : Ahh, so it's sort of the opposite concept of a mute group? 13:17:35 From Sandor Szatmari : Matt: If you ‘true’ solo, can you go back to the previous solo state? Like a transient true solo? 13:18:20 From Roberto Colombo : problem of SOLO is that if I have a submix of some VI/MIDI tracks and I want to solo the submix only, I can't do in one single push button (i.e. solo-ing the aux track with the submix), because the MIDI track won't get the solo flag 13:18:21 From Glenn Workman : Zev: Larger buffer sizes tax the computer less, but increase latency when recording. 13:18:26 From Marc Wolf : @Glenn Workman - cool thanks for the tip! 13:18:39 From jraoul : The orange play triangles are another clue you’re in Solo mode, right? 13:18:40 From Adam Goldman : active window outline turns a different color would indicate solo mode in whatever window you’re actively in 13:18:58 From Zev Burrows : Okay, so I’ll leave it at 2048. Thanks Glenn! 13:18:59 From Nelson Mandrell : is there a way to make track selections from mixer? 13:19:02 From Sandor Szatmari : Roberto: Would a Temporary Group allow you to solo you submit? 13:19:25 From Sandor Szatmari : Submix… 13:19:39 From Glenn Workman : jraoul: The S icon in the Consolidate Window is also highlighted if Solo is on. 13:20:26 From Roberto Colombo : @Sandor... maybe there is work-around... but P10 should be able to solo anything and keep the associate input sources and output path active and playing (that's basically the suggestion I filed). I have 30 years of SW programming and I know that it is not impossible to do this, trust me ;-) 13:20:29 From Thomas R : Please explain ‘Priority’ tab in the ‘Configure Hardware Driver’ window. Thank you. 13:21:47 From Glenn Workman : Thomas: In the Tuesday seminar Matt mentioned that for most cases High is the best setting. He said some drivers for other hardware might need to share processor priority and the other settings are helpful in those cases. For most people High is the only setting you’ll ever use. 13:21:48 From Ken Thies : Roberto, it sounds like you're describing the solo-exempt mode. 13:22:07 From Roberto Colombo : solo exempt mode forces me to change the flags eveytime 13:22:50 From Roberto Colombo : imagine you have 3 MIDI track and 2 of them goes into an aux submix, whose ouput goes also to the main output, together with the 3rd midi track 13:23:22 From Roberto Colombo : you can't have one single xmpt configuration that allows you to solo the individual midi track or the aux submix 13:24:13 From jraoul : Can you add a shortcut for a track layout? 13:24:35 From joconnor : Anyone have the problem of Tracks Selected in the Selecter reverting to just one or two tracks, when you click out of, and then go back to that window? So, you find yourself re-selecting the group you want to see every time you leave that window and go back? 13:24:36 From Vanessa Garde : How do you update a layout, in case you add an extra midi track? (in stead of creating a new one?) 13:25:02 From Roque Baños : Jim, I tried that on some huge projects and takes a while to move from one sequence to another, from so may tracks. Any 13:25:12 From Vanessa Garde : Specially when assigned to shortcuts, updating layouts became necessary! (not creating a new one) 13:25:25 From Roque Baños : Any suggestion? 13:25:28 From Victor LeComer : Vanessa I saw an edit layout command flash by… 13:25:50 From Vanessa Garde : but edit only allows to delete or rename (not edit the actual list of tracks involved) 13:26:02 From Ray T. : There’s my golden-nugget takeaway for this session. :) 13:26:25 From george napier : Actually, I’d love to be able to save configurations of tabs in the side panel for recall… 13:26:36 From Benoit W. : It looks like this Run Command is actually AppleScriptable. Talk to DP? 13:26:51 From Roddy J. Betancourt : SHIFT+Space Bar “arrange this song for me" 13:26:53 From Glenn Workman : jraoul: Layouts are specific to each Project, not global. No direct shortcut available that I know of to assign them quickly. On a Mac you can assign keys in System Preferences to work with unassigned menu items, but they would be changing constantly. 13:27:00 From Ray T. : @george I think I use Window Sets for that. 13:27:32 From jraoul : tx 13:28:11 From george napier : @ray Very cool will give it a try. 13:28:23 From Vanessa Garde : once the track layouts are created, they show up under Commands, so, you can assign shortcuts to them 13:28:24 From Jim Cooper (MOTU) : Roddy: the AI version of DP is coming. : ) 13:28:34 From jraoul : Ooh, Vanessa! Tx 13:28:35 From Roddy J. Betancourt : HAHAHA 13:29:08 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : I didnt quite understand the answer for the solo? 13:29:44 From Simon Foster : If I have a V rack in my template - can I also have the plug-ins in that disabled so that the template will load quickly? 13:29:54 From Luke Steward : ah, nice my eyes are comfy and cozy 13:30:48 From Glenn Workman : Simon: I believe if they are disabled when you created the template they will populate that way. Haven’t tried it myself. 13:31:12 From Sandor Szatmari : Return+Down Arrow at the same time 13:31:30 From Sandor Szatmari : Or, Return, then down arrow? 13:31:32 From Simon Foster : thx Glenn 13:31:44 From Roddy J. Betancourt : Return then down 13:31:56 From Gunnar Innvær : when you use the shift + spacebar (like the add plug in example) - how do you choose what track it is being assigned to? 13:32:01 From Sandor Szatmari : @roddy Thanks! 13:32:06 From Luke Steward : return gets you out of the search field, down moves the arming 13:32:20 From Glenn Workman : Gunnar: Highlight the track name first I believe. 13:32:30 From stephengilbane : Can you import multiple (different) templates into a project? 13:32:30 From Gunnar Innvær : Ok. Makes sense. thanx 13:33:00 From Glenn Workman : stephengilbane: Yes. You can use the Load command and have multiple Sequence chunks, each a different template. 13:33:03 From Greg Hosharian : Is there a chart that shows me every shortcut in DP? Not one that Matt created himself but the default shortcuts? 13:33:11 From stephengilbane : Cool, thanks! 13:33:23 From Vanessa Garde : “F” takes you to the search option, in tracks, in stead to click on it! (if you want to move fast) 13:33:27 From Sandor Szatmari : @Greg: Look at the Commands window 13:33:45 From Glenn Workman : Greg: You can Print the Commands window, but choose Save as PDF (Mac, not sure of Windows) and that will create one for you. 13:33:48 From Sandor Szatmari : They’re all listed in there 13:33:54 From Greg Hosharian : Thank you Sandor. I’m just thinking something I can have next to me for quick reference 13:34:11 From Greg Hosharian : Oh okay cool thank you Glenn 13:34:26 From Greg Hosharian : Thank you Sandor and Glenn 13:36:00 From Luke Steward : i kinda like it tbh. a choppy little roll looking thing. 13:38:15 From Ross Levinson : How do you select JUST the actual MIDI notes - Matt had and extra bar there. 13:39:10 From Roddy J. Betancourt : Why did the Bounce double the bars as Audio? 13:39:13 From Glenn Workman : Ross: You can drag across only what you want. He just selected more than necessary, probably just the zoom resolution. 13:39:25 From Roddy J. Betancourt : 2 MIDI bars to 4 Audio bars 13:39:26 From Glenn Workman : Roddy: He had more than one bar selected. 13:39:31 From Roddy J. Betancourt : ah 13:39:42 From Miles Olson : what if sample is VEP on other computer 13:40:09 From Paul Williams : So now you have to mute the MIDI when you’ve bounced the audio? 13:40:10 From Ross Levinson : Okay … sometime when I finish mid-bar I cannot seem to easily select just those MIDI notes … 13:40:10 From Kevin : VI’s in VRacks ? 13:40:11 From Glenn Workman : Miles: You probably need to route that to a bus and record in realtime 13:40:20 From Neil McCarroll : Ros: I think you do an extra bar to account for reverb tails or whatever 13:40:20 From Kevin : An easy way to render ? 13:40:34 From Miles Olson : thats what i do now 13:41:10 From Luke Steward : “”..is song, kinda.. just… song. 13:41:22 From Glenn Workman : Ross: you can disable/mute the MIDI/VI tracks after bounce. That will also take them off the processor. 13:42:25 From Luke Steward : thats a looota knobs 13:42:47 From Ross Levinson : Thanks! 13:44:08 From jraoul : I hope we’ll still be able to import old SD files if need be. 13:44:43 From Ross Levinson : The only issue with taking SD2 files out is I still have not gone through all my older proects to convert them to Wave files yet. 13:44:55 From Roger Neill : Ross, it’s time 13:45:24 From Glenn Workman : jraoul: Problems with SD2 files are what used to be stored as a Resource Fork and File Fork, and the Resource fork can be easily stripped away depending on hard disk format and other realities of the newer systems. 13:45:30 From Ross Levinson : I like to hear my final mix because inevitably, I find the one mistake on my final listen … 13:45:43 From jraoul : +1 Ross. Tx Glenn 13:45:48 From Luke Steward : maybe just remove the ability to save as sound designer. still be able to open them and get them into something useable. 13:45:54 From Glenn Workman : Ross: I’m happy to bounce quickly, but I always listen to it before delivering it to a client. 13:45:55 From jraoul : +1 Luke 13:46:14 From Ray T. : I use bounce because it can render mixes that my computer can’t play in realtime. :-) 13:46:34 From Luke Steward : or maybe just add a [legacy] tag after the save as sound designer to let new users know that its not ideal 13:46:39 From Glenn Workman : Luke: DP can still open them IF they intact, but that may not be the case depending on where/how the file has been saved/moved prior to bringing it into DP. 13:47:16 From Paul Bisson : HI, I’m sorry but the summing of the bounce off line in DP is not always constant and great…we did a lot of experiences to compare and it is better to mix with a bus…just saying. 13:47:36 From Aryeh Har-Even : I took the time over the summer to convert ALL final master mixes from SD to WAV: however, still have older safety files of projects in SD format. PS Thanks again for your help in doing my conversions. 13:47:52 From stevenwatson1 : I always record thru a bus because bounce has changed real time audio plug in reactions … i.e. compressor etc 13:47:58 From Todd Woolsey : For some reason I thought that when using UAD plugins that you had to bounce in Real Time. Has that been fixed in these newer versions of DP? 13:48:08 From Ray T. : Re SD2: *IF* you can find it (lots of legal drama right now), “Audaptor” by the now defunct Aurchitect Software is an excellent batch SD2 converter. 13:48:38 From Kevin : Does that work with track VI’s ? 13:48:43 From Ray T. : It was freeware, I believe. 13:49:02 From Glenn Workman : Ray T: I was looking for a copy (and willing to pay the $2 he was asking) just a few weeks ago but couldn’t find it anywhere and no response from the developer. 13:49:08 From jraoul : If you have more than one MIDI/VI that you want to bounce to individual audio tracks, can you do them all at the same time, or will that mix them all to one audio track? 13:49:36 From Glenn Workman : Kevin: That should work for any VI, not just BPM. 13:49:38 From stevenwatson1 : Whatever you assign to the mix bus will be in your mix you hear exactly what is played 13:49:40 From Mike Loudermilk : Looks like no need to freeze midi tracks to make audio tracks 13:49:59 From Ray T. : Send me email, Glenn. rtoler at gmail. 13:50:04 From Roddy J. Betancourt : I forgot since what DP version Bouncing MIDI to convert to Audio started. 13:50:22 From Luke Steward : oh my goodness, so many programs in your dock @-@ 13:50:22 From Glenn Workman : Mike: Freeze is realtime, but as you saw Bounce goes as fast as the computer can do the math. 13:50:47 From Ross Levinson : You have to make sure that VE Pro is open before you open Digital Performer 13:50:52 From Zev Burrows : Have to take off a bit early (teaching a lesson in 10). I saw this will be on MOTU’s Youtube channel, correct? 13:51:04 From Ray T. : Zev: eventually. They’re working on it. 13:51:37 From Zev Burrows : Okay. Thank you all! Can’t wait for tomorrow’s webinar. 13:52:01 From Jb B : I think one of the main difference to get MIDI to audio is that with freeze you can convert multiple vi’s to multi audio tracks in one pass 13:52:21 From Glenn Workman : Zev: Yes, webinars will be posted once edited on motuTV YouTube channel. 13:52:38 From charleswhite : Do I have this right: bounce/import, edit, merge, export. 13:52:38 From Roddy J. Betancourt : Jb B: that’s efficiently good! 13:53:12 From Roger Neill : All day on VEP! 13:53:25 From Glenn Workman : Jb B: Yes, that is true, you can create as many as you have all at once, so a single 5 minute song can freeze all VIs in one 5 minute pass. 13:54:27 From Jb B : Hi Glenn!.. 13:54:36 From jraoul : I love that Matt shows us how to fix his own mistakes — mistakes we all make (or I do, anyway). 13:54:48 From charleswhite : in one pass, how to keep each instrument group on its own track instead of one stereo. 13:55:20 From charleswhite : I think he just did that. 13:55:28 From Jb B : oh coo multi bounce….see I didn’t know that 13:55:30 From Glenn Workman : charleswhite: He just showed that. Routing groups to busses then bounce as many of those busses as you want. 13:55:39 From charleswhite : Cool! 13:55:41 From Chris : wow— that is gonna save me some time! Been bouncing VEP in real time for stems 13:55:41 From Ross Levinson : Wow! Did not know I could bounce from the VEP server. 13:56:09 From Miles Olson : YAY, thats gonna save some time!!! Cool! 13:56:11 From Peter Buchta : Have your cake and eat it too. 13:56:12 From Vanessa Garde : You could also pick “tracks” under the bounce option, and the VEP AUXs will show up on the list, right? 13:56:20 From Jb B : I was using this setup from VE P but using freeze, this is even faster!. 13:56:25 From Ross Levinson : VEPro rocks! 13:57:03 From Peter Buchta : I can set up a few mac minis servers with VEP 13:57:39 From Ross Levinson : Yup - I even had a G4 connected via VE Pro 13:59:00 From Glenn Workman : Vanessa: Yes, I believe that is correct. 13:59:15 From Peter Buchta : Multiple outputs good for NI’s Battery 13:59:31 From Vanessa Garde : Thx Glenn! 14:00:03 From stephengilbane : Probably don’t want to bounce the dialog track :-) 14:01:33 From Dan : Will only bounce the outputs selected. Didn’t select L1-R1, only stems 14:02:15 From stephengilbane : Also, dialog was muted! 14:02:32 From Ray T. : For pop/song work, multi-bounce is a fantastic belt-and-suspenders safety for long-term archive. Bounce a single stem for each track. 14:03:06 From Glenn Workman : My Matrix-12 and Kurzweil K2600. 14:03:07 From Ross Levinson : Sold my keyboard synths, just have the rack synths left 14:03:26 From Bjorn Linden : A ton of synths… 14:03:48 From Ray T. : Those of you who don’t want your old synths, I’ll send you my mailing address. I’ll take them off your hands, no charge. ;-) 14:04:01 From Ross Levinson : LOL 14:04:55 From jraoul : This is great. 14:04:56 From Ray T. : THAT… is awesome. 14:05:03 From Ross Levinson : Sold my Jupiter 6 for more than I bought it new 35 years ago. 14:05:05 From Ray T. : I spend so much time recording parts.... 14:05:28 From jraoul : Keepin’ it old skool, Ray T. 14:05:38 From Ray T. : I keeps it real. 14:05:38 From Roddy J. Betancourt : I’d like a bit more on that on a future session. 14:05:43 From Terry Leigh Britton : V-Racks next 14:06:06 From Roddy J. Betancourt : My Yamaha MOXF6 has some really nice sounds that won’t go in as MIDI and be nice to add it quickly. 14:06:43 From David Stowell : Got to go. Thank you so much, see you tomorrow! Stay safe and well everyone 14:06:49 From Paul Bisson : Hey Matt, is it possible that we could download 14:06:59 From Ray T. : I get v-racks, I get chunks, and I get multi-projects. But I don’t get them all together. Really looking forward to tomorrow. 14:07:07 From Glenn Workman : Paul: Download what? 14:07:39 From Paul Bisson : Oups, that we could download a DP session already built by you for the webinar of tomorrow, so we can follow better?? 14:07:45 From Gunnar Innvær : Fantastic Feature for bouncing external instruments. Thanks a lot. Great tip 14:08:29 From robwiils : to run vienna , do you need a license for each machine on the network? 14:08:57 From Ray T. : rob: I believe so. 14:09:04 From robwiils : thx 14:09:11 From Jay Woelfel : to bounce audio in your project you have to do so in real time, otherwise it won't be included? 14:09:12 From george napier : THAT is extremely cool. 14:09:13 From Glenn Workman : Paul: Great idea if legal (copyright etc.) for later use/abuse. The biggest problem I would see if he is using ANY VI that didn’t come with DP since not everyone will have the same ones. 14:09:27 From Alan Steinberger : Can one reassign the audio output assignments for multiple tracks at once? Via bundles? Temporary groups? Alternatively, can one define a different default output when creating a new instrument rather than it always showing up in Main Out L-R? 14:09:27 From stephengilbane : OK. That’s what I was looking for! 14:09:30 From Ross Levinson : VE Pro is sold in a et of three licenses 14:09:43 From Ray T. : Oh, even better, Ross. Thx. 14:09:44 From kristjan : not anymore as of VEP 7 14:09:45 From John Graham : not anymore — VE Pro 7 is only one 14:09:56 From Ray T. : Oh yeah, that’s why I was sad. VEP 7. 14:09:57 From Paul Bisson : Glen, it doesn’t matter at least we could have the same LAYOUT tracks…no? 14:10:16 From Glenn Workman : Alan: You can option/drag a bus across tracks in the Mixing Board. That would be a reasonably quick way. 14:10:23 From Ross Levinson : Oh - one license in each purchase of VE P7? 14:10:37 From Alan Steinberger : Thanks Glenn – I’ll try that. 14:10:41 From Ray T. : Close the offending folder first. 14:11:02 From Ray T. : Especially if folder is on the bottom of the stack. 14:11:22 From Terry Leigh Britton : I covered V-Racks, Aux tracks, Pre-Gen, and more in this post yesterday: http://www.motunation.com/forum/viewtopic.php?f=30&t=67430 14:12:02 From Glenn Workman : Terry: Thanks. For those that don’t know motunation.com is a great resource. 14:12:02 From Victor LeComer : VEPro 7 - You can purchase additional licenses for <$100 14:12:43 From Sandor Szatmari : Thanks for the great info! 14:14:52 From Jay Woelfel : in offline bounce mode, is that NOT bouncing any audio tracks you have as part of your sequence? 14:14:53 From Ray T. : I had completely forgotten about Merge audio. The 2 hours I’ve spent here today will pay itself back so many times over... 14:15:42 From Glenn Workman : Jay: Its bouncing what you select, so it can include audio tracks, not just external MIDI devices that he was demonstrating it for. 14:17:27 From Jay Woelfel : ok great 14:17:27 From Ross Levinson : What’s the double tap W again? 14:18:06 From Aaron : My double tap W doesn’t seem to do anything :-( 14:18:12 From jraoul : Temporarily Group T Selection
Temporarily Group W Visible Tracks. page 190-191 of the manual/ 14:18:21 From Ross Levinson : Thanks 14:18:23 From Aaron : Does it need to be assigned or turned on? 14:18:24 From Hal : How do you send a track to multiple Outputs? 14:19:17 From Ray T. : Hal: easiest would be to send it to an aux, then use that aux as input on multiple tracks. 14:19:31 From Terry Leigh Britton : VEP instruments are ALWAYS in RealTime, correct? 14:19:33 From Glenn Workman : Hal: You can add busses to a track to send it as many places (physical or virtual in the computer) that you need. 14:19:45 From Hal : thank you 14:20:24 From jraoul : Is it blazingly fast? 14:21:14 From Ray T. : 12-core with 48 gigs. This is going to be the most expensive free webinar I’ve ever attended. 14:21:28 From Gunnar Innvær : Is DP10 recommended for El Capitan OS? Or what is the best OS for running DP10? 14:21:34 From Roddy J. Betancourt : Ray t: hahaha 14:21:39 From Roddy J. Betancourt : I agree 14:21:51 From Paul Bisson : I have a 12 cores with 128Gb Ram and it is just awesome, running 8 VEP Instances of 16 channels , DP session with 450 Tracks!! 14:22:08 From Glenn Workman : Gunnar: El Capitan is the minimum requirement for DP10. I’ve run it on El Cap, Mojave, and Catalina depending on the Mac I’m on. 14:22:23 From Felipe Tellez : transition sample realism comes down to manufacturers 14:22:27 From Bjorn Linden : @Dan Refeld: Do you use any external keyboards connected through midi interface ? 14:22:42 From Simon Foster : Thx all - got dinner - see you tomorrow 14:23:00 From Ray T. : I’m on a CMP 5,1 w/64 gigs, upped to X5690 processors, and upgraded metal vidcard. Hoping to squeeze another year out of it. 14:23:11 From Gunnar Innvær : Yeah. Cool. I have a mac book pro for travelling running El Capitan but it crashes now and then. But my studio set up is running smoothly with DP10 and MacPro 8 core. 14:23:16 From Chris Duval : I’m running DP10 on High Sierra - not compatible?? do I need to upgrade? 14:23:25 From Roddy J. Betancourt : I use High Sierra 14:23:28 From Roddy J. Betancourt : no problem 14:23:29 From Ray T. : Still on High Sierra, but probably moving to Mojave. 14:23:42 From Ray T. : High Sierra has been very stable for me. 14:23:43 From Roddy J. Betancourt : I can’t go higher than High Sierra anyway 14:23:56 From Chris Duval : Roddy - me neither, unless I Upgrade my video card 14:23:58 From Eddie : thank you 14:24:08 From Neil McCarroll : is anyone going to be asking a question about V-Racks in templates? Are they still the thing to use wherever possible? 14:24:09 From Glenn Workman : High Sierra is newer than El Capitan (as is Sierra) so that’s fine. 14:24:18 From Jay Woelfel : just FYI when I went to Catalina there were a few gerks, but MOTU seems to have fixed all those. 14:24:31 From Chris Duval : THanks Glenn, I can’t remember which came first... 14:24:39 From Michael Dunston : Are the previous Webinars available for viewing ? 14:24:54 From Roddy J. Betancourt : My iMac won’t go higher, but I have apps that wont run on the newer macOS anyway. 14:25:05 From Gunnar Innvær : Thank you Glenn! 14:25:36 From Glenn Workman : Michael: Not yet. The will be posted to motuTV YouTube channel when edited. Jim Cooper had said he expects the first ones to be posted possibly by tomorrow. 14:25:49 From Glenn Workman : macOS versions in order from Wiki: 2.7 Version 10.5: "Leopard" 2.8 Version 10.6: "Snow Leopard" 2.9 Version 10.7: "Lion" 2.10 Version 10.8: "Mountain Lion" 2.11 Version 10.9: "Mavericks" 2.12 Version 10.10: "Yosemite" 2.13 Version 10.11: "El Capitan" 2.14 Version 10.12: "Sierra" 2.15 Version 10.13: "High Sierra" 2.16 Version 10.14: "Mojave" 2.17 Version 10.15: "Catalina" 14:26:10 From Michael Dunston : Glenn Thanks. 14:26:13 From Ray T. : I wish aux tracks could be pre-gen if none of the tracks feeding them were record-enabled. 14:26:25 From Jay Woelfel : Oh relatd to that EAST WEST did an update, without that it will crash DP if you are in Catalina. 14:27:47 From Chris Duval : Thanks yet again! Gotta run! 14:28:51 From rafa badia : Thank you guys. see you tomorrow ;-) 14:30:37 From Benoit W. : Gotta go, thanks! 14:31:53 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Sorry. What is a stem? 14:32:39 From charleswhite : Could we treat a stem as an independent master? apply same chain as master? 14:32:51 From Glenn Workman : XN: The term stem is used in the industry for a sub mix of some sort. Just drums, just strings, etc. 14:33:27 From Glenn Workman : XN: By the way you can change your name if you click on your video feed and pick something a bit shorter :) 14:33:41 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OK thanks. 14:35:12 From Jay Woelfel : Stems literally in the old days were strips/stems of audio tape that you could feed into a mix and or make a loop of. They weren't edited into the audio as dialogue and such were. Litterally sticks/strips not even on a reel, 14:35:37 From STEPHEN JENNIS : 828X REAR PANLE INPUT 1 AND 2 SHOWES AS 3 ANS 4 IN DP10 14:35:38 From Jay Woelfel : if that helps you picture what the term means. 14:35:56 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : it does 14:36:00 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : thanks. 14:36:20 From Glenn Workman : Jay: Thanks for the explanation. I’ve never known what the abbreviation/contraction actually meant. 14:36:23 From jraoul : Stephen Jennis — might be something you can address in Bundles 14:37:23 From STEPHEN JENNIS : TRYED SO MANY WAYS 14:37:50 From Jay Woelfel : An audio editor would have a box of bag full of stems like this, they'd rack them up as needed. These would usually be ambience or things with no specific sync to the rest of the mix, Anyway that's the physical world the term comes from 14:38:17 From Jay Woelfel : A bit like a Cart in a radio station, if that means anything. 14:38:23 From Terry Leigh Britton : Show only soundbites or notes 14:38:34 From Roddy J. Betancourt : He want to show only tracks with actual audio contact 14:38:47 From paul : Stephen: you can change this in MOTU audio app 14:39:35 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : Last question, I am still not clear about the answer to Felipe regarding solo? 14:39:51 From STEPHEN JENNIS : MOTU AUDIO APP WHERE WOULD I FIND THAT 14:39:53 From Felipe Tellez : Program Changes to avoid multi channel articulations! 14:40:57 From paul : or actually from Audio/MIDI setup utility 14:41:03 From Glenn Workman : Stephen: It might be called CueMix console on a Mac. Some of the MOTU programs have been replaced as the interfaces have changed (like the AVB stuff) 14:41:05 From Felipe Tellez : Solo mode goes deep ;) ….he did cover what was needed, but I found that because I run everything off of vienna with no instruments housed inside of DP, then Solo mode in DP becomes meaningless to use, as all channels are midi 14:41:25 From paul : you can click on each channel from any input/output and change the default name 14:41:30 From Ray Melvin : SHIFT + M doesn’t bring up only the selected tracks in the Mixer for me in 9.52…is there a setting I should check, or is that only DP10? 14:41:40 From STEPHEN JENNIS : PAUL THANKS 14:41:40 From Gunnar Innvær : Have to go. Thanks for a great session. See you tomorrow. 14:41:41 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : ok thanks Felipe 14:41:41 From Aryeh Har-Even : Thanks, Matt. Manana :) 14:41:51 From Ken Thies : Thank you! 14:41:52 From Glenn Workman : Thanks Matt. 14:41:52 From jraoul : Thanks Matt, Glenn 14:41:59 From Adam Goldman : Thanks again, MOTU….see you tomorrow! 14:42:02 From Jay Woelfel : thanks much 14:42:04 From Bjorn Linden : Thanks Matt. 14:42:05 From charleswhite : Thanks, Matt! you’re changing lives! 14:42:06 From John Graham : Hi Ray — sometimes you have to close the mixer then select, then reopen to get the mixer tracks you want 14:42:07 From Neil McCarroll : Thank you :) 14:42:11 From Vanessa Garde : Thank you!!! 14:42:13 From Greg Magee : Thanks Matt 14:42:14 From Paul Colombo : Thank you so much 14:42:15 From Ray T. : Thanks, Matt. I hope you’ll talk about V-racks tomorrow as well, with regard to how best to use them in scoring. 14:42:15 From Victor LeComer : Thanks, Matt… 14:42:18 From Wayne Pronzati : Thank you for this. It’s been a great learning experience for me! 14:42:18 From Roddy J. Betancourt : Thanks. May the Lord bless and keep all of you and your families safe & healthy! 14:42:33 From Ross Levinson : Thanks Matt! 14:42:36 From Miles Olson : Awesome! Look forward to it! 14:42:37 From Ray Melvin : Thanks John - I’m trying it from Traces in the Consolidated 14:42:38 From XNE0EDzQEHm8GRxQaLxinmGjSWFg3sTfrEZ5Uy7WYuo= : OH, for the logistics simply of the zoom. does my name come up on the zoom?