12:45:01 From Bjorn Linden : Still OK :-) 12:45:09 From jraoul : Jim — thanks for getting back to me so quick. 12:45:48 From Bjorn Linden : I got login right from Jim. :-) 12:45:58 From Benoit W. : Thanks Jim 12:45:59 From Adam Goldman : yes, many thanks for the info, Jim 12:49:12 From jraoul : Hey, Ross - did I get your e-mail address wrong? 12:50:23 From Mike Loudermilk : That would be great! 12:50:45 From Mike Loudermilk : I used the old one 12:50:54 From David V. : Thanks, JIM! 12:51:10 From Garry Norman : Thanks Jim! 12:51:16 From David V. : is roddy here? 12:52:38 From Victor LeComer : Thanks, Mr. Cooper 12:52:49 From Glenn Workman : I sent Roddy the login info a few minutes ago. 12:55:14 From Geoff Dodson : Got the meeting codes from MOTU by email 12:55:23 From Gregory Hosharian : Hi Jim, I called the headquarters to get the ID and password. Is there a way to email everyone? 12:55:28 From jraoul : JIM/MATT - don’t forget to record today 12:56:03 From John DePace : I called MOTU and the gal who answered the phone sent me the code and pw to my cell phone - simple. 12:56:06 From Paul Colombo : I just got in! great! 12:56:40 From John DePace : Meeting ID: 760 483 499 12:56:47 From John DePace : PW 831614 12:56:57 From jraoul : Thanks, John. 12:57:27 From Victor LeComer : Yep! 12:57:27 From Geoff Dodson : All good here. 12:57:42 From 831614 : FINALLY GOT IN! CAN WE RECORD. PLEASE? 12:57:42 From Garry Norman : Yes … good topic 12:58:18 From Glenn Workman : Matt is recording the presentation. They are just getting started because of the website issues. 12:58:37 From Garry Norman : Loopback is awesome …. Better than SoundFlower 12:59:12 From Roddy J. Betancourt : Already in session? 12:59:13 From Ross Levinson : I’m using the same thing but mine is still in mono 12:59:19 From Victor LeComer : Rogue Amoeba Loopback 12:59:35 From Roddy J. Betancourt : Do they know the site was down? 12:59:46 From Glenn Workman : Roddy: Just starting. Matt is explaining how is broadcasting in stereo, the settings he is using. 12:59:56 From Roddy J. Betancourt : OK, thanks. 12:59:56 From Glenn Workman : Roddy: They are very aware. 13:01:22 From Ross Levinson : I’m using Rogue Amoeba the exact same way but I’ve still been told that the music comes out in mono … 13:03:07 From Glenn Workman : Ross: I believe the receiving end then also has to enable stereo on their end. 13:03:57 From Glenn Workman : Ross: I’m getting this feed (and other ones I run and attend) in stereo. 13:05:51 From Paul Williams : Hi, I just joined due to the motu website being down 13:07:18 From Glenn Workman : Paul: Down for everyone. Matt is just getting started and is recording the meeting. 13:07:29 From Glenn Workman : MOTU is aware of the problems 13:09:03 From Jim Cooper : Web site is back up! Sorry everyone for the technical issues! 13:09:11 From Glenn Workman : Thanks Jim. 13:09:18 From Roddy J. Betancourt : Thanks! 13:09:24 From Sergio : Thanks! 13:09:38 From chris : Hope I didn’t miss much 13:10:02 From Stefano Gentilini : Here I am! 13:10:26 From Jim Cooper : For everyone who is just joining, you didn’t miss much. Apologies for the web site issues. We are recording this session so you will be able to review it at a later date. 13:10:26 From Rebecca : Thanks, Jim 13:10:34 From Loco Bedoya : Thanks! 13:10:50 From Jim Cooper : Again, sincere apologies. 13:10:53 From Jorden Davis : Great, I was wondering about that. Thanks Jim 13:10:53 From Stefano Gentilini : Thanks Jim! 13:11:04 From Aryeh Har-Even : Wonderful that you got things worked out and to connected! 13:11:25 From Roberto Colombo : Thanks 13:11:41 From Paul Williams : Could we get a quick recap of the first 30 Min. in the next question break? 13:11:58 From larrylauraballereau : By the way you can not get on using safari today! 13:12:26 From Glenn Workman : Paul: there was a first 30 minutes. Matt didn’t start till just about 1PM eastern. The website was down for about an hour and just got back up a few minutes ago. 13:12:45 From Caxa : Whew !!! Made it… 13:12:45 From Glenn Workman : Paul: I meant to type there WASN’T a first 30 minutes. 13:13:38 From Glenn Workman : Larrylaura: MOTU site was down for about an hour, It just got fixed after 1PM eastern. 13:14:12 From Jim Cooper : For everyone who is just joining, apologies for the web site issues. We are recording this session so you will be able to review it at a later date. 13:14:29 From larrylauraballereau : thanks 13:14:46 From Terry Wollman : Thank you Jim! Good to see you. It’s been a long time. 13:14:47 From John Atkinson : Thanks for the clarification 13:14:47 From rigo_mora : Wow!!! Finally connected… what happen 30 mins ago? 13:14:48 From Fos' Stuff : thanks 13:14:53 From Vanessa Garde : Thanks 13:15:02 From bob : Understood 13:15:10 From Jay Woelfel : Yes seemed like the MOTU info for today didn't appear until about 5 minutes ago for me, and I'm in CA 13:15:16 From Jim Cooper : Web site went down. Sorry! 13:15:33 From Glenn Workman : Rigo-moro: Webinar didn’t start till 1PM because of website issues, all fixed now. They are recording today’s session for posting later. 13:15:38 From Garry Norman : So would you switch this setting when you bounce to disk? 13:15:53 From rigo_mora : Ok thank you 13:15:55 From Sandor Szatmari : Just just came up 13:16:31 From Glenn Workman : Sandor: Webinar didn’t start till 1PM because of website issues, all fixed now. They are recording today’s session for posting later. 13:17:08 From Glenn Workman : Garry: I copied your question so we can ask Matt when he’s taking questions. I don’t know the answer to that. 13:17:26 From Ross Levinson : Can we hear the before? 13:17:34 From Sandor Szatmari : Wish I knew how he got to this point 13:17:59 From Sandor Szatmari : Glenn: thanks! 13:18:11 From Glenn Workman : Sandor: They are recording the session and will post eventually. 13:18:34 From mindjobmusic : where are thee posted? 13:19:12 From Glenn Workman : mindjobmusic: Previous webinars are being edited for posting. Most likely they will end up on the motuTV YouTube page. 13:19:16 From Jim Cooper : Not posted yet, but keep an eye on youtube.com/motuTV 13:20:00 From Ross Levinson : Does turning on stretch use processing power? 13:20:34 From Jim Cooper : Ross: yes 13:20:47 From Ross Levinson : Thanks 13:20:51 From Sandor Szatmari : How did the main point of reference for the set of tracks get selected? 13:21:02 From Jim Cooper : That’s were the type of ZTX processing you choose can become a factor 13:21:27 From Glenn Workman : Sandor: Matt listened to the track and decided the hi hat was the steadiest part, so he used that to create the beat reference for the drum set. 13:21:58 From Glenn Workman : That way all those tracks get quantized to that beat reference, keeping phase alignment between the many microphones on the kit. 13:22:12 From Jacki Barineau : I hope y’all can post this one sooner since we missed the bulk of how to get this going…!! 13:22:17 From John Boylan : Stylus loops are NOT quantized 13:22:54 From Glenn Workman : Jacki: The webinar didn’t start till about 1PM because of the website issues. 13:22:55 From charleswhite : Just arrived. How long has this been going on? 13:23:01 From charleswhite : ah 13:23:17 From Glenn Workman : charles white: Matt didn’t start showing anything till 1PM because of the website link issues. 13:23:18 From Jim Cooper : Jacki: we’ll do our best to get this one posted ASAP. 13:23:21 From gregchastain : I had to get the number and password from tech support 13:23:27 From Stephanie : Would it be possible to name the Windows shortcuts also when naming the Mac ones? 13:24:20 From Jacki Barineau : Thanks, Jim!! 13:24:21 From Glenn Workman : Stephanie: Matt has changed a lot of the default key bindings in his Command window 13:24:27 From gregchastain : Hi Jim… Thursdays get posted? if so what is the link… Thanks! 13:24:46 From Jacki Barineau : Off topic question - is there a way to bounce all the individual tracks at the same time instead of one at a time?!! 13:24:51 From Bjorn Linden : Is there any kind of indication if a preference is project specific or overall ? 13:25:01 From Stephanie : Good point Glenn. 13:25:28 From Jim Cooper : Stephanie: good idea. Matt is such a Mac guy, though. : ) 13:25:43 From Jim Cooper : Jacki: Stem Bounce. We are covering that next week, I believe. 13:26:07 From Jacki Barineau : Ok, thanks! 13:26:24 From Roger Neill : STEM BOUNCE!!! yes please 13:26:39 From Glenn Workman : Jacki: One way is highlight all audio tracks and choose Merge from the Audio menu. I recommend you make duplicate takes BEFORE you do that. All the files created will have .mg in their name but will NOT include track processing. Matt will cover the new multi-bounce features today. 13:26:53 From Jim Cooper : Bjorn: not a universal way. Often the options are described one way or another. Also the manual. : / 13:27:21 From Bjorn Linden : Ah, OK. 13:28:01 From Glenn Workman : BTW that 3 line popup menu he just mentioned: Its a triangle in some of the themes. 13:28:20 From Jacki Barineau : Thanks, Glenn! 13:28:46 From Jay Woelfel : Did I hear right, If you quantize to say 16ths it won't move anything but the 16ths? 13:28:50 From Ken Thies : I notice in his grid infobar, between the marker snap and the nudge, he has a checkbox for relative snap. How can I include that on mine? I have to open the snap info panel to access that parameter. 13:29:24 From Jim Cooper : Jay: not sure what you mean 13:29:26 From Glenn Workman : Ken: We covered that yesterday, give me a second to retype instructions. Its in the Snap Informat 13:29:38 From Ken Thies : Nevermind, found it. Right-click the grid info bar, and the menu appears. 13:30:07 From Glenn Workman : Ken: Yes, there can lots more or lots less depending on settings. 13:30:37 From Jay Woelfel : Matt was saying you choose the type of note, 16th or 8th or whatever in quantize, and with that length note selected it will move only those. Again I'm not sure if that's what he meant/said or not 13:30:58 From Jim Cooper : For everyone who is just joining, apologies for the web site issues. We are recording this session so you will be able to review it at a later date. 13:31:10 From Chris Duval : He chose to quantize the transients, not note lengths.. 13:31:18 From Jay Woelfel : ok 13:32:05 From Roque Baños : I was lucky Vanessa sent me the login info. It was impossible from here 13:32:51 From Robert Moskowitz : yes. couldn’t get the info 13:34:11 From gregchastain : I get a lot of spikes on pregen…. it’s inconsistent. Should I use cash? 13:34:38 From Garry Norman : Thank you 13:34:47 From Greg Magee : I came in late to meeting - couldn’t log in. Did Matt cover pitch retuning examples earlier? I have a question regarding multi mic tuning and I don’t want to steer it off topic 13:35:04 From Glenn Workman : Greg: No. 13:35:17 From Ross Levinson : Shortcut to Bounce window? 13:35:47 From Jacki Barineau : How come when I bounce an individual track that I’ve selected in tracks window all the other tracks play as well in the bounced file unless I mute them all? Is that how it’s supposed to work?! 13:35:56 From Glenn Workman : Ross: Control-J is he default on Mac. 13:36:13 From Ross Levinson : Thanks Glen 13:36:28 From paul : Jim/someone,Does Pregen depend directly on total system RAM? Or only for audio editing? I have 64GB RAM and usually use no more than 25%, but I still max out the pregen with VIs. Would getting even more RAM make this better, or is it unrelated? 13:36:46 From Jeremy : If you freeze your drum tracks after quantizing should we consider which setting to use for the pitch/stretch at all? 13:37:00 From Glenn Workman : Jacki: The rule is basically: A “normal” bounce gives you what you’d hear if you hit play on the section. If a track is soloed or muted that’s what happens in the bounce. 13:37:15 From Glenn Workman : When he covers the stem bounces you’ll see some other options. 13:37:38 From Jacki Barineau : Ok, thanks, Glenn…. It seems it used to not do that - I remember in previous versions being able to just select each track and the others don’t bounce… 13:40:35 From Kenneth Sarkey : What does the vertical moving of the beats handle do? 13:40:43 From tomlewis : Can you hear what Jim’s talking about or just see it on the waveform? 13:40:55 From Jeremy : Kenneth: Velocity 13:40:59 From Chris Duval : the vertical handle shows the strength of the beat detection 13:41:17 From Jim Cooper : Kenneth: it’s like a note-on velocity for the beat. 13:41:37 From Jim Cooper : If you create groove out of the beats, it takes the velocity or strength of the beat into account. 13:42:12 From Roddy J. Betancourt : Jacki: For me, going back to before DP 7, I always had to keep the tracks active or soloed for bouncing the track I wanted. Selecting them alone wouldn’t do it. 13:42:35 From Roddy J. Betancourt : It was the same, whatever I heard is what got bounced. 13:43:09 From Jacki Barineau : Roddy - Ok - maybe I’m confused lol…! 13:44:24 From rich switzer : couldn't join for a long time …... 13:44:45 From Jacki Barineau : Is there any way to Bypass effects on all tracks at once or any way without double clicking on it and clicking Bypass…? 13:45:00 From Glenn Workman : Rich: Website was down till about 1PM, and the webinar didn’t start till then. Matt is recording so they can post it later. 13:45:34 From Chris Duval : Oh Stretch where have you been al my life?!! 13:45:36 From Kwiz : Very cool, didn’t know that one. 13:45:40 From Sandor Szatmari : Can you do that on drums (a group of tracks) 13:45:45 From Glenn Workman : Jacki: Option-click on a single effect in the mixer toggles bypass for that effect. I’m not sure if there is a global way to bypass all on/off. 13:46:21 From Jacki Barineau : Oh great! Thanks so much, Glenn!! 13:46:23 From rich switzer : ok, good...thought no one liked me 13:46:26 From Roddy J. Betancourt : Would like to hear it. 13:46:52 From Garry Norman : ol 13:46:56 From Garry Norman : lol 13:47:11 From Carlton Rice : I was unable to log in to this tutorial for the first hour and 15 minutes, so I hope it will eventually be available as a recording. 13:47:20 From charleswhite : did Matt already cover changing tempo in an audio track? 13:47:39 From Glenn Workman : Charleswhite: No. 13:47:45 From Robert Moskowitz : we had those log in problems 13:47:54 From charleswhite : thanks 13:48:05 From Jim Cooper : For everyone who is just joining, deepest apologies for the web site issues. We are recording this session so you will be able to review it at a later date. 13:48:23 From Carlton Rice : Great! Thanks Jim. 13:49:14 From Chris Duval : Man that stretch feature is great - I have wasted so much time cutting and moving notes!!! 13:49:17 From Kenneth Sarkey : That would be essential to group select strretch for all drum tracks 13:49:34 From Adam Goldman : can you copy/paste stretch info? 13:49:35 From Gregory Prestopino : Me too Chris. 13:49:39 From Kenneth Sarkey : …or get a better drummer! 13:49:49 From Glenn Workman : Kenneth - :) 13:49:49 From Nelson Mandrell : Is there a key combo to switch layer other than the option or command? 13:49:55 From Stephen Balliet : make a marker and stretch each to it so they stay the same 13:49:59 From Paul Williams : Can you alter the strength of the quantisation? 13:50:13 From John DePace : Per Glen Workman, the answer to his question is very important to me: Option-click on a single effect in the mixer toggles bypass for that effect. I’m not sure if there is a global way to bypass all on/off. Anyone know the answer??? 13:50:24 From Roddy J. Betancourt : Matt: Can we hear what you stretched? 13:51:23 From Loco Bedoya : Bypass all the channel strip plugins… option click the top dropdown on the channel strip 13:52:09 From Robert Turner : Is he still using the hi-hat as the reference tempo? 13:52:17 From Glenn Workman : Loco: So that is on a per channel strip basis? I think Jacki and John wanted a “global” bypass on/off. 13:52:43 From Steve Sklar : Define “shadow,” please 13:52:50 From Loco Bedoya : hold W for window global 13:52:57 From gregchastain : Manual love? pg warning 13:52:57 From Roddy J. Betancourt : Shadow are the grey beat lines 13:53:11 From Loco Bedoya : not sure if that works for all plugins, though. Never tried 13:53:39 From Chris Duval : Robert he is using straight 16th notes as quantization reference now 13:53:51 From Glenn Workman : Robert: I believe he did NOT undo the beat correction for the drum set, so the hi hat was used to line drums up to the sequence tempo. 13:53:55 From Robert Turner : Ok, Thanks. 13:54:18 From Ross Levinson : Is the piano panned hard left? 13:54:46 From Glenn Workman : Ross: Its coming out more of my left than right as well. 13:54:52 From Glenn Workman : For me. 13:54:56 From Ross Levinson : Okay 13:55:21 From Paul Williams : How about SWING? 13:55:35 From charleswhite : or even 12/8 13:55:51 From Troy Dexter : can you then “humanize” a quantized audio part? I would do a little of that with the piano part 13:55:52 From Glenn Workman : Paul: His quantize settings weren’t using swing, but they would work the same. Same for 12/8 13:56:12 From gregchastain : what’s up Charles it’s waxman 13:56:16 From Garry Norman : Thank you so much Glen and Matt!! 13:56:23 From Ross Levinson : I wish there was a way to pencil in the beat while remaining in the sequence editor 13:56:27 From Troy Dexter : WE LOVE TERRY! 13:56:38 From Jack Faulkner : Got any fingerpicked guitar as opposed to strummed? 13:56:46 From Paul Williams : OK The popup was only on screen for 1/2 Sec.! 13:57:01 From Terry Wollman : “Making It with Terry Wollman” www.terrywollman.com/makingit 13:57:04 From Glenn Workman : The Randomize setting in the Quantize window (Humanize in other parts of the program) would work as well. 13:57:30 From Stefano Gentilini : Could I bypass a plugin and make it inactive on the CPU? When I bypass a plugin it keep using CPU 13:58:30 From Glenn Workman : Stefano: Since you can turn on/off bypass on the fly the program has to be ready to process the effect instantly. 13:58:51 From Music 502469Workshop : What’s that horizontal; line that changes when he moves the beat? 13:58:53 From Paul Williams : Can you recap on where the analysis is started. 14:00:03 From Glenn Workman : Paul: The analysis is done in the background processing window, when depends on if you have Analyze as needed or when created/imported in the settings. 14:00:19 From Roddy J. Betancourt : I still like the last note to be a bit more syncopated 14:00:42 From Glenn Workman : You can close a file, trash the Analysis folder, and reopen the project to re-analyze 14:00:45 From Kenneth Sarkey : Nice; sounds like I’m now getting stereo audio in Zoom. 14:01:15 From Chris Duval : Music: I think of it as showing the percentage of “how much the beats are accelerated/retarded when you stretch something... 14:01:17 From Jim Cooper : Yes, Matt enabled stereo audio in Zoom 14:01:23 From Stefano Gentilini : Thanks, Glenn! So… if I need to reduce the buffer and “unload” some heavy plugins, have I to create a new mix with no insert plugins? 14:01:41 From Jim Cooper : Everyone: if you go into your Zoom audio settings, you can listen in stereo. 14:02:19 From Jacki Barineau : If you import audio files from another producer who didn’t play to a click - and you want to set tempo and meter - how do you do this without it changing the audio - turn stretch off somewhere? Or ? 14:03:19 From Ross Levinson : I would love to see bringing i something that was recorded without a click - free time - to see how we can find tempo, apply beats, and then do the stretch. 14:03:25 From Glenn Workman : Stefano: You could make Duplicate Track, Disable one, and remove the plug’s from the other. Later Enable/Disable those tracks. You can hide whichever you’re not hearing. A bit cumbersome if you’re trying to do this on lots of tracks. 14:03:32 From Terry Wollman : I experimented with audio quantize and it changed the tempo range to “111.04 to 107.8, average 104.51 BPM. 14:03:35 From Jacki Barineau : Ross - me too! 14:03:35 From rich switzer : when you say this will be posted later...where would I find that? 14:04:01 From Glenn Workman : Rich: When edited Jim said the motuTV channel on YouTube. 14:04:04 From Jeremy : Thanks Matt 14:04:10 From Terry Wollman : Why did that happen? 14:04:20 From Stefano Gentilini : Thanks Glenn! 14:04:35 From rich switzer : got it...thanks 14:04:53 From Ross Levinson : Shakers are very important! They need some love 14:06:20 From Roger Neill : i heard shaker 14:07:35 From Roger Neill : but come back to the shaker please 14:08:00 From Stephen Balliet : I am needing to conform classical music to a previously time stretched and edited version of low quality. Beat detection doesn’t work so I need to be able to lock the altered copy and conform the pristine original. What would be the approach for this? 14:08:11 From rich switzer : you have to be able to play to swing. 14:08:45 From Roddy J. Betancourt : Technology helps, but it is still art. That’s the beauty of it. 14:08:47 From Ross Levinson : If it’s a string player, they cannot swing 14:09:16 From Terry Wollman : Sorry, I posted wrong Podcast link. www.terrywollman.com/Podcast You can find my interview with Matt LaPoint. 14:09:27 From Glenn Workman : Stephen:Adjust Beats is probably the direction you want to approach that with. It lets you drag the bar lines (if in Conductor track) left or right to visually line up with where you think the beats are. 14:09:58 From Paul Bisson : You can’t undo a render move 14:10:16 From Roddy J. Betancourt : Ross: Are you saying that string players can’t play swing? 14:11:05 From Roddy J. Betancourt : oh, my. I’ve played with some that can quite well. 14:11:16 From Stephen Balliet : wouldn’t moving bar lines affect both the old copy and the new? 14:11:33 From Jb B : that’s a pretty bold statement…lol…Stephane Grappelli rings a bell? 14:12:10 From Roque Baños : Sometimes this happens under no explanation 14:12:24 From Aryeh Har-Even : Stefan Grappelli Jean-Luc Ponty… yes. Orchestral classical musicians, not so much in my experience. 14:12:36 From rich switzer : pitch was turned on too 14:12:53 From Jb B : oh yeah of course…:-) got to agree there 14:12:58 From Ross Levinson : Classical players. I’m a string player the can swing … 14:13:12 From jraoul : Ross swings. True that. 14:13:17 From Roddy J. Betancourt : But it has nothing to do with the actual instrument to play/sing swing style. That’s my point. 14:13:28 From Sandor Szatmari : Yes 14:13:30 From Glenn Workman : Stephen: Yes, it gets tricky and one has to be the “master” for the beats, then you’d have to use stretch or the beat adjustment things Matt is showing on the second recording. It would be somewhat surgical. 14:13:37 From Sandor Szatmari : I have a question 14:13:44 From charleswhite : yes i have a question 14:13:59 From Terry Wollman : Where will this webinar episode be archived? 14:14:16 From Robert Turner : I have a MIDI issue that needs to be fixed when you have time. 14:14:25 From jezza : Will these webinars be available for viewing afterward? 14:14:26 From Fos' Stuff : Got to drop off for dinner - thx! Will check the youtube channel for the start and Q&A 14:14:35 From Glenn Workman : Terry: Jim Cooper said they will post to motuTV YouTube channel when edited. 14:15:12 From Terry Wollman : Thanks Glenn! 14:15:31 From Paul Williams : So is the swing metre agnostic?.? 14:15:34 From Steve : I have quick question. 14:15:49 From rich switzer : 8th note triplets 14:15:53 From Jb B : for a shuffle you can to eight note triplets 14:15:58 From roger : Ross: Me too!! 14:16:04 From Jb B : aha 14:17:04 From Paul Williams : So what does swing do with 3/4 14:18:13 From Ross Levinson : Never understood between strength and sensitivity 14:18:48 From jraoul : Strength is the amount of adjustment that is applied. 14:19:02 From jraoul : Sensitivity is the amount of departure from the grid that it recognizes 14:19:24 From Garry Norman : How about the other way… conforming the grid to the performance if there performance was meant to be rubato 14:19:49 From Glenn Workman : Ross: Strength at 50% moves things half the distance to the quantize value. If something is 12 ticks off the quantize grid, it would move 6 ticks. Sensitivity can let you only fix things that are close to your quantize settings, but ones that are far off those beats are left alone. 14:20:17 From Glenn Workman : Garry: That’s Adjust Beats function where you drag bar lines to the beat rather than beats to the barline. 14:20:47 From Eduardo Valenzuela : Genial la conferencia, Gracias. Nos vemos mañana. 14:20:58 From David Cain : Syncing audio to video w/o sync is not realistic. Needs an I/O that has sync 14:21:02 From Ross Levinson : Thanks Glen 14:21:05 From Garry Norman : Thanks Glenn 14:21:51 From Chris Duval : Since tempo lve tempo variation ebbed and flows, it would be nice if you could say select a measure of information, nice the downbeat to where it needs to be and then proportionally stretch the measure so that the next downbeat hits properly tot he grid. 14:21:53 From tomlewis : for Sandor: Does one of the Audio sources need to be Master Clock? 14:22:09 From Mark Kelso : I have had my hand up about a Scale Time across multiple tracks in the visual view using the hand grab tool 14:22:28 From Ross Levinson : If he’s talking about video and audio you have to be clear about the fps. If everything is set to 29.97 drop then that would help. 14:22:42 From Kenneth Sarkey : Are we able to time stretch (hand grab) several soundbites simultaneously? 14:23:00 From Mark Kelso : Used not to be able to do so 14:23:05 From Mark Kelso : Wondering if possible now 14:23:06 From Roddy J. Betancourt : Kenneth: Good question. 14:23:11 From Chris Duval : Sorry lots of typos there (or text correction) I meant anchor the downbeat at a grid boundary then proportionally stretch the remainder of the measure so that the next downbeat hits on the grid… 14:23:18 From Jacki Barineau : Is there a way to bounce using the markers? Like if you have 5 songs in a project and set markers for each and want each song to bounce separately? 14:24:08 From Loco Bedoya : Multibounce 14:24:30 From Jacki Barineau : Thanks, Loco! So looks like all my answers will come with multi bounce :) 14:24:33 From Glenn Workman : Jacki: Yes. Clicking a Marker in the Tracks Overview will highlight everything from there to the next Marker. You can bounce then select the next Marker and repeat. 14:25:06 From Jacki Barineau : Oh, thank you, Glenn! I knew there had to be a way! 14:25:18 From Victor LeComer : Create tempo map based on original? 14:25:26 From John DePace : QUESTION FOR THE Q&A: A little off topic and from an earlier discussion, but is there a way to turn off / on effects globally or for a group of tracks? 14:25:45 From Loco Bedoya : I usually print all the versions of all songs in an album in a single afternoon with multi bounce. DP would open and close projects as it goes through the multibounce 14:26:09 From Roddy J. Betancourt : Snap to Beat Markers would make it possible 14:26:13 From Roddy J. Betancourt : If it’s available 14:26:20 From Jim Cooper : Hey Glenn, the real answer for Stephens question is to use VocAlign. Can you have Matt unmute me. 14:27:06 From Garry Norman : VocAlign …. And its use in this context … interesting 14:28:40 From Roddy J. Betancourt : Bluetooth/USB number pad 14:29:06 From Paul Williams : So if you align one instrument track could you analyse the tempo from that and then apply that to the rest? 14:30:12 From Warren McRae : Hey Jim.. Does VocAlign work under the audio menu in DP10 now? It wasn’t working on DP 9 14:30:35 From Roddy J. Betancourt : can we hear it? 14:30:53 From Roddy J. Betancourt : what you just did? 14:31:02 From Jim Cooper : Warren: I think there might be a VocAlign update that works with DP10…. I was communicating with those guys a few months back. 14:31:35 From Roddy J. Betancourt : Jim: Thanks. 14:31:50 From Roberto Colombo : https://www.synchroarts.com/compatibility/editor/Digital_Performer 14:32:29 From Warren McRae : Thanx Jim.. Roberto I’ll check out your link 14:33:08 From Kenneth Sarkey : My external bluetooth numeric pad has an add’l row of programmable function keys. NewerTech NWTKPA28BT. 14:33:13 From Mark Kelso : Is MOTU still supporting the new SyncroArts protocol? Last time I talked to SynchroArts and then to a MOTU rep, the answer was no. 14:33:54 From Warren McRae : That was what I was told also 14:34:40 From Roddy J. Betancourt : Why doesn’t the Tempo indicator adjust to tapped tempo? 14:34:44 From James Paschall : That was awesome! 14:35:01 From Glenn Workman : https://eshop.macsales.com/item/NewerTech/KPA28BTW/ 14:35:19 From Glenn Workman : Roddy: Because he’s not on Conductor 14:35:28 From Roddy J. Betancourt : HAHAHA 14:36:16 From Terry Wollman : That is great. 14:36:28 From Roddy J. Betancourt : Glenn: I misread you and thought you wrote “he’s not a conductor”. lol 14:36:37 From Victor LeComer : How does this method differ from record beats? 14:37:11 From Ross Levinson : I tried to access MOTU TV and it did not give me access. 14:37:34 From Glenn Workman : https://www.youtube.com/user/motuTV 14:38:07 From Glenn Workman : Sorry, I went to that webpage to get the link and it started playing the first video. 14:39:31 From Ross Levinson : ThanksGlen 14:40:17 From Terry Wollman : Amazing. 14:40:41 From Jack Faulkner : ok, that’s pretty incredible 14:40:47 From Stefano Gentilini : Is there a way to refine the tempomap and make it more “linear”? I need to have a more linear rallentando inside the measure without changing the length of the measure 14:41:29 From Glenn Workman : Stefano: You he’s showing that now, you don’t have to have a tempo event every beat, only where you want them. 14:42:50 From paul : Matt/Jim, You mentioned Pregen earlier. Does Pregen depend directly on total system RAM? Or only for audio editing? I have 64GB RAM and usually use no more than 25%, but I still max out the pregen with VIs. Would getting even more RAM make this better, or is it unrelated? 14:42:52 From Glenn Workman : Even when he tapped them in, you could change them. 14:42:56 From Paul Williams : When you type in a new tempo during playback is there a transition time to the new tempo? 14:43:10 From gregchastain : wow that was amazing… Yeah Matt and DP 14:43:31 From Kenneth Sarkey : Matt, what are those monitor speakers you are using? 14:43:42 From Michael Canavan : do you “wave” to raise your hand? 14:43:59 From Roddy J. Betancourt : Michael: Click “Participants" 14:44:00 From Jim Cooper : Open the “chat” window and click the Raise Hand button 14:44:02 From Roddy J. Betancourt : raise hand 14:44:10 From Jim Cooper : “Participants” window, sorry 14:44:10 From gregchastain : yep… Hi Michael it’s Waxman 14:44:30 From Victor LeComer : Matt, whenever you get a chance can you forward to me the custom key commands you’ve been showing. My email is vlecomer33@gmail.com. Thanks. 14:44:34 From Glenn Workman : Paul: He did type in just before the ritard demo. He switched form 74, to 60, to 85 etc. all while playing. 14:44:35 From Michael Canavan : howdy waxman 14:45:49 From Roddy J. Betancourt : To raise hand: 14:45:50 From Roddy J. Betancourt : Windows: You can also use the Alt+Y keyboard shortcut to raise or lower your hand. Mac: You can also use the Option+Y keyboard shortcut to raise or lower your hand. 14:46:31 From Jeremy : Question: do you recommend phase aligning drums after using stretch or after? Do you recommend “precision delay” for this? I usually visually phase align after bouncing a quantized drum. The workflow is a bit long. Any thoughts? 14:46:37 From Benoit W. : Thanks again for this, it is extremely appreciated. 14:47:51 From Edward @ L A Music Lab : only Vocaligne “Project” works 14:48:24 From Todd Tolls : In fact, while they claim to support DP 10, it's only on Mac. They say the Windows version is not supported. 14:48:58 From Loco Bedoya : Vocalign/Revoice is a one-track-at-a-time thing 14:49:09 From Sandor Szatmari : Yes, thanks for mentioning it 14:49:28 From Sandor Szatmari : I have checked the frame rates :) 14:49:35 From Jeremy : I have a note on audio and video too. Specifically if Premiere is used. They have a match audio and video feature. 14:49:55 From charleswhite : use the cowbell… 14:50:02 From Kenneth Sarkey : Ross Levinson; what is that mic you are using? 14:50:18 From Jb B : cowbell never fails…lol 14:50:24 From Sandor Szatmari : Yes, if the word clock is different between the video and audio hardware the files likely will not line up 14:50:30 From Glenn Workman : Ross: AKG 414 14:50:39 From Robert Turner : To Anyone..... My Alesis Q61 MIDI controller is acting as a remote for the DP Transport. The C3 octave on my Q61 is controlling the DP Transport and I cannot figure why. 14:50:50 From Terry Wollman : I have a question regarding the Rhodes excerpt I sent you: I experimented with audio quantize and it changed the tempo range in the Sequence window/Event information to “111.04 to 107.8, average 104.51 BPM. The tempo is 102 BPM. 14:50:54 From Aryeh Har-Even : I’ve wondering about creating a tempo map from a free recording for years. Fantastic great to do this. 14:51:13 From Roddy J. Betancourt : Ross: Great mic, I have this in my studio for years. 14:51:15 From Kenneth Sarkey : I have three 414’s doesn’t quite resemble them. 14:51:17 From Aryeh Har-Even : Especially for overdubs, etc. e.g. vocals 14:51:38 From Roddy J. Betancourt : I bought mine in the 1990's 14:51:44 From Glenn Workman : Robert: It might be Master Master turned on in Commands, or various MIDI key events assigned the MIDI column in Commands. 14:51:50 From Roddy J. Betancourt : They are different now, and no longer made in Austria 14:51:54 From Kenneth Sarkey : Of course, Matt LaPoint’s is an AKG 414 14:52:15 From Roddy J. Betancourt : If you want more info, eMail me: roddyjbetancourt@yahoo.com 14:52:20 From Stefano Gentilini : Thanks Glenn, I know how to draw a linear tempo change. For example: I’ve dragged the measure end (with adjust conductor option) to be exactly on the time I need, but I want to insert a rallentando in these measure that exactly match with the end point without trying 10 times to do it with the pencil tool 14:52:47 From Robert Turner : Glenn, can you direct me to the Master Master control, please? 14:53:21 From Glenn Workman : Stefano: Setup/Commands: Its right at the top of the window. 14:53:26 From Garry Norman : Looking forward to that new seminar on free style 14:53:39 From Ross Levinson : WE all had issues 14:53:52 From gregchastain : when and where will these be posted 14:54:03 From Ken Thies : I checked the outage list for Massachusetts, and there was a total blackout of Comcast in the Cambridge area. 14:54:15 From Roque Baños : Need to go with the family. Thanks Matt! Have everyone a great and safe weekend. 14:54:26 From Robert Turner : That fixed it. Thanks a million, Glenn!!!! 14:55:15 From Ross Levinson : Steve - You need to raise your hand in the participants window 14:56:28 From Robert Turner : Tap Tempo is going to work Great for my purposes! Can't wait to try it!! Thank You All so very much!! Will see you Tuesday! 14:56:40 From Glenn Workman : Folks who’ve already asked your question, or had it answered please lower your hand in the participants window. 14:56:49 From Kenneth Sarkey : Maybe I missed hearing, but in pitch mode what is the difference between vocal vs instrument setting? 14:56:59 From Roddy J. Betancourt : ZOOM SHORTCUT:
Windows: You can also use the Alt+Y keyboard shortcut to raise or lower your hand. Mac: You can also use the Option+Y keyboard shortcut to raise or lower your hand. 14:57:17 From Glenn Workman : Kenneth: Vocal is usually for mono voice or instrument. 14:57:26 From Loco Bedoya : You can create a multichannel track with all the mics and pitch them all together 14:57:44 From Kenneth Sarkey : ??? 14:57:53 From Loco Bedoya : That would be the solution for Greg Magee 14:58:43 From Glenn Workman : Kenneth: Mono instrument like sax or flute, not chordal or polyphonic instruments or tracks like piano, guitar, orchestra. Does that make sense. 14:59:47 From Kenneth Sarkey : Yes, i didn’t realize DP could deal with polyphonic! Is Pure DSP best for poly, or ZTC> 14:59:55 From Kenneth Sarkey : ZTX? 15:00:01 From Loco Bedoya : PureDSP is for mono 15:01:20 From Sandor Szatmari : Thanks all! Gotta run! 15:01:33 From Kenneth Sarkey : Seems like the nomenclature shoud say “mono” instead of “vocal”, and “poly” instead of instrument maybe… 15:01:44 From Glenn Workman : Kenneth: What Matt explaining at one point is that he prefers Pure DSP for voice and mono instruments. ZTX does work incredibly well for polyphonic music. The other day he took the Star Wars theme and had it changing keys at different points in the score, up or down a major third. 15:02:07 From David Pritchard-Blunt : Thank you Matt. That was terrific. 15:02:58 From Kenneth Sarkey : Thanks Glenn, we appreciate your help responding! 15:03:22 From Chris Duval : Lots of great stuff today - I need time to play with it and internalize it! 15:03:39 From Roddy J. Betancourt : Thanks Glenn for everything. 15:05:26 From Roddy J. Betancourt : If you drag across selections, it will activate/deactivate them as well. 15:06:20 From charleswhite : One small question 15:06:40 From Glenn Workman : charleswhite: can I try to answer it here? 15:06:56 From Glenn Workman : Or email afterwards glenn@freqsound.com 15:07:07 From ronmindcab : Thanks to all involved for this! PLEASE make this available for later reference! Thanks again! 15:07:35 From Benoit Turgeon : Thanks! 15:08:14 From Greg Magee : Thanks for the suggestion Loco, but multichannel audio on a single track still seems to analyse each bite separately so you’re forced to use relative rather than absolute 15:08:22 From tomlewis : Good Stuff, Thanks again!!! 15:09:12 From charleswhite : Thanks, Glenn. my shortcut for event list (shift E) doesn’t work. It’s on the list. What turns shortcuts on and off? 15:09:13 From Loco Bedoya : Absolute pitch works most of the time unless there’s a lot of bleed from a multitude instrument. 15:09:25 From Terry Wollman : Thank you Matt, Glenn and Jim. This was EXTREMELY helpful and invaluable. 15:09:29 From 831614 : Thanks, all! 15:09:59 From Paul Williams : Not time stretch but conductor track 15:10:12 From Steve : Thanks Matt. Gotta run. I hope to get a question in next time. Good day. 15:10:28 From Glenn Workman : charles white: The Commands window has several “master” groups that affect entire types of commands. Possibly yours is off for that group. 15:10:43 From charleswhite : thanks, I’ll look! 15:10:47 From Glenn Workman : General Master, Navigation Master, etc. 15:10:48 From jraoul : MATT: Why do you prefer ballparking it with % rather than using specific m/b/t numbers? 15:10:58 From Loco Bedoya : If you want to get a lot more in detail with pithing with lots of bleed or on an entire track you would have to go with Infinity’s Atomic Audio 15:11:15 From Sergio : Thanks Matt.